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Author: Bob Franklin
Publisher: Psychology Press
ISBN: 9780415198721
Category : Performing Arts
Languages : en
Pages : 260
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Book Description
British Television Policy: A Reader provides a forum for the significant policy debates which have informed and shaped television broadcasting since the publication in 1986 of the Peacock Committee Report on the financing of the BBC. The Reader presents key documents and critically analyses their impact on the organisation, financial resources, programme content, editorial philosophy and the regulatory environment of television broadcasting. Recognising that policy making is not wholly a prerogative of government, British Television Policy provides readers with access to a wide range of statutory and non-governmental documents which have affected British broadcasting legislation: Acts of Parliament; Private Members' Bills; Select Committee Reports; Official statements by Ministers; Parliamentary inquiries such as the Davies Report; Policy documents prepared by interest groups such as the Campaign for Quality Television and the Voice of the Listener and Viewer; Strategic announcements from the ITC; Statements from the BBC and ITV; Public lectures by media owners and executives such as Rupert Murdoch and Richard Eyre; Commentaries from media academics and media analysts. Beginning with a comprehensive editorial introduction which details television policy since 1945, the Reader is arranged in thematic sections which explore the purpose of television broadcasting, the financing of television, broadcasting policy and quality, regulation, and the relationship of broadcasting and politics. Each section is accompanied by an editor's introduction and commentary and the Reader is supported by a glossary and a guide to further reading.
Author: Bob Franklin
Publisher: Psychology Press
ISBN: 9780415198721
Category : Performing Arts
Languages : en
Pages : 260
Get Book Here
Book Description
British Television Policy: A Reader provides a forum for the significant policy debates which have informed and shaped television broadcasting since the publication in 1986 of the Peacock Committee Report on the financing of the BBC. The Reader presents key documents and critically analyses their impact on the organisation, financial resources, programme content, editorial philosophy and the regulatory environment of television broadcasting. Recognising that policy making is not wholly a prerogative of government, British Television Policy provides readers with access to a wide range of statutory and non-governmental documents which have affected British broadcasting legislation: Acts of Parliament; Private Members' Bills; Select Committee Reports; Official statements by Ministers; Parliamentary inquiries such as the Davies Report; Policy documents prepared by interest groups such as the Campaign for Quality Television and the Voice of the Listener and Viewer; Strategic announcements from the ITC; Statements from the BBC and ITV; Public lectures by media owners and executives such as Rupert Murdoch and Richard Eyre; Commentaries from media academics and media analysts. Beginning with a comprehensive editorial introduction which details television policy since 1945, the Reader is arranged in thematic sections which explore the purpose of television broadcasting, the financing of television, broadcasting policy and quality, regulation, and the relationship of broadcasting and politics. Each section is accompanied by an editor's introduction and commentary and the Reader is supported by a glossary and a guide to further reading.
Author: Richard Collins
Publisher: Routledge
ISBN: 1134997817
Category : Performing Arts
Languages : en
Pages : 437
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Book Description
In this important and wide-ranging text, Richard Collins combines original research with provocative analysis and argument. He focuses on the impact of new television technologies, national policies for television for television in North America and Europe, the effects of internationalisation, television news and documentaries and the history and likely development of media studies.
Author: David Hutchison
Publisher: Wiley-Blackwell
ISBN: 9780631204336
Category : Social Science
Languages : en
Pages : 256
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Book Description
The book discusses the basic issues of principle, the processes of implementation and the actual consequences in practice. Provides a cross-media analysis of media policy Uses case studies to illustrate policy implementation Includes chapter summaries, questions for discussion and a chapter on further reading
Author: Jeanette Steemers
Publisher: British Film Institute
ISBN:
Category : Television broadcasting
Languages : en
Pages : 278
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Book Description
No Marketing Blurb
Author: Ruth McElroy
Publisher: Springer
ISBN: 1137578750
Category : Performing Arts
Languages : en
Pages : 172
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Book Description
This book presents a compelling case for a paradigmatic shift in the analysis of television drama production that recentres questions of power, control and sustainability. Television drama production has become an increasingly lucrative global export business as drama as a form enjoys increased prestige. However, this book argues that the growing emphasis on international markets and global players such as Netflix and Amazon Prime neglects the realities of commissioning and making television drama in specific national and regional contexts. Drawing on extensive empirical research, Producing British Television Drama demonstrates the centrality of public service broadcasters in serving audiences and sustaining the commercial independent sector in a digital age. It attends closely to three elements—the role of place in the production of content; the experiences of those working in the sector; and the interventions from cultural intermediaries in articulating and ascribing value to television drama. With chapters examining the evolution of British TV drama, as well as what might be in store in its future, this book offers invaluable insights into the UK as a major supplier of and market for television drama.
Author: Mark Aldridge
Publisher: Bloomsbury Publishing
ISBN: 0230346723
Category : Performing Arts
Languages : en
Pages : 232
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Book Description
When the BBC launched the world's first regular, high-definition television service on 2 November, 1936 it was the culmination of decades of technological innovations. More than this, however, the service meant that the principle of television had finally found its place. The Birth of British Television – A History traces the early history and development of television, from the experiments of amateurs to the institutionalised developments that led to the world's first regular, high definition television service. Author Mark Aldridge provides a clear, in-depth and accessible introduction for those either exploring the period for the first time or seeking new insights into the beginnings of the industry. In tracing the origins and development of television, Aldridge focuses on a number of important factors including the attitude of the press towards early television and examines the way that expectations of television changed over time prior to its official launch. Utilising new research, this illuminating study examines how the aims for a new television service developed, and the extent to which content and technology were linked. The Birth of British Television approaches this formative period from several perspectives, from private individuals to the BBC and government, while also examining the broader opinions at the time towards the new medium through press reports and feedback from the general public. Also included is an assessment of early programming, which helps to offer a new and profound evaluation of the development of early television. Mark Aldridge is a Lecturer in Film and TV Studies at Southampton Solent University, UK. He specialises in British television and both film and television history. His previous publications include T is for Television (2008), an analysis of the work of Russell T. Davies, co-written with Andy Murray.
Author: Jeremy Tunstall
Publisher: Columbia University Press
ISBN: 9780231058162
Category : Language Arts & Disciplines
Languages : en
Pages : 328
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Book Description
British newspapers -- The Times, The Guardian, Daily Telegraph, and Financial Times -- have long been considered among the best in the world, and the BBC has become the world's most venerated television and radio organization. In this book Jeremy Tunstall, author of The Media are American, surveys British media since 1945, including television, radio, films, newspapers, and magazines, with the purpose of studying how they operate and what the future holds for them. In the course of the book he discusses such issues as the relationship of politics to the media, media audiences, media biases, control of the media by conglomerates, and policies for the future.
Author: Peter Goodwin
Publisher:
ISBN:
Category : History
Languages : en
Pages : 200
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Book Description
British television has always carried special international significance; in its early years it was regarded as the model of public service broadcasting. However with the advent of a Conservative government in 1979, and the rapid development of new technologies, broadcasting policy was subjected to a wide range of fundamental changes. Market liberalism, with Margaret Thatcher as its most visible personification, has since transformed the global landscape of broadcasting. This text examines the particular impact made by the Thatcher and Major administrations on the British television industry - one of only a handful that have had successful ambitions in challenging the dominance of US programming in the global marketplace. This authoritative study should be of value to scholars and students of international communications, TV and government policy. It is an accessible and concise account of changes in one of the world's most distinctive and highly regarded television industries.
Author: Bob Franklin
Publisher: Edinburgh University Press
ISBN: 1474468268
Category : Television broadcasting
Languages : en
Pages : 304
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Book Description
Television Policy offers a unique and authoritative account of the major developments in television programming and policy since 1976 by collecting in a single volume the MacTaggart lectures delivered at the Edinburgh International Television Festival across the last quarter of a century. The MacTaggart lecturers include the most celebrated and distinguished programme makers, producers, performers, playwrights, policymakers and senior media executives across all sectors of broadcasting. They include Greg Dyke, John Humphrys, John McGrath, Marcel Orphuls, Norman Lear, Jeremy Isaacs, John Mortimer, Peter Jay, Ted Turner, Jonathan Miller, Denis Foreman, John Schlesinger, Troy Kennedy-Martin, Philip Whitehead, Christine Ockrent, Rupert Murdoch, Verity Lambert, David Elstein, Michael Grade, Dennis Potter, Janet Street Porter, John Birt, Laurence Marks, Maurice Gran, Peter Bazalgette, Richard Eyre, David Liddiment and Mark Thompson.With a Foreword by John Willis and an introductory essay exploring the history of the MacTaggart lectures and a review of the shifting themes and concerns of the lectures, the book provides a forum for the significant debates which have helped to shape both television content and policy across twenty five years of considerable and unprecedented change in broadcasting. Topics covered include the future of public service programming; the relationship of government to broadcasters; the impact of ownership on the freedom of broadcasters; and debates about whether and how television should be regulated.Television Policy is essential reading for all students of media and communication studies as well as those interested in reading accounts of television programming and policy written by some of the most eloquent, eminent but contentious figures in television broadcasting.Features* The first collection of the prestigious MacTaggart Lectures* A unique insight into the development of television programming across 25 years
Author: Michael Scriven
Publisher: Berghahn Books
ISBN: 9781571817938
Category : Social Science
Languages : en
Pages : 200
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Book Description
Advances in audiovisual technology, most notably the advent of the popular usage of digital technology in the last few years, have altered the face of popular television. Thanks to cable, satellite and now digital technology, television broadcasts can reach an international audience. The reaction from cultural critics has been mixed. As the debate concerning the effects of new telecommunications and audiovisual technology continues unabated, this book examines the underlying hypothesis that collective allegiances are moving away from the national paradigm towards the global/local model and provides a balanced appraisal of the depiction of a select number of group identities on television in Britain and France.
