British Popular Films 1929-1939 PDF Download
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Author: Stephen Shafer
Publisher: Routledge
ISBN: 1134988370
Category : History
Languages : en
Pages : 285
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Book Description
Challenges the conventional assumption that British feature films of the Thirties were oriented mostly towards the middle-class and demonstrates that far from being alienated, working class men and women flocked to the cinema.
Author: Stephen Shafer
Publisher: Routledge
ISBN: 1134988370
Category : History
Languages : en
Pages : 285
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Book Description
Challenges the conventional assumption that British feature films of the Thirties were oriented mostly towards the middle-class and demonstrates that far from being alienated, working class men and women flocked to the cinema.
Author: K. Donnelly
Publisher: Springer
ISBN: 0230597742
Category : Performing Arts
Languages : en
Pages : 230
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Book Description
In the first book-length consideration of the topic for sixty years, Kevin Donnelly examines the importance of music in British film, concentrating both on musical scores, such as William Walton's score for Henry V (1944) and Malcolm Arnold's music for The Bridge on the River Kwai (1957), and on the phenomenon of the British film musical.
Author: Jonathan Croall
Publisher: McFarland
ISBN: 1476648816
Category : Performing Arts
Languages : en
Pages : 233
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Book Description
A popular romantic actor with a fan club rivalling that of Ivor Novello, John Stuart was frequently mobbed by his adoring fans. He starred in films by Alfred Hitchcock and G.W. Pabst, played opposite British stars such as Madeleine Carroll, Fay Compton, Gracie Fields, and German actor Conrad Veidt, and was also the first actor to ever speak on screen in Britain. Yet despite a film career lasting six decades and 172 films, his name and achievement are little known today. With access to Stuart's private archive, his surviving films, press cuttings, film reviews, interviews, profiles, features, and gossip columns, his son Jonathan Croall presents a detailed account of an actor who made a significant contribution to the British film industry of the 20th century.
Author: John Sedgwick
Publisher: University of Exeter Press
ISBN: 9780859896603
Category : History
Languages : en
Pages : 338
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Book Description
In the 1930s there were close to a billion annual admissions to the cinema in Britain and it was by far the most popular paid-for leisure activity. This book is an exploration of that popularity. John Sedgwick has developed the POPSTAT index, a methodology based on exhibition records which allows identification of the most popular films and the leading stars of the period, and provides a series of tables which will serve as standard points of reference for all scholars and specialists working in the field of 1930s cinema. The book establishes similarities and differences between national and regional tastes through detailed case study analysis of cinemagoing in Bolton and Brighton, and offers an analysis of genre development. It also reveals that although Hollywood continued to dominate the British market, films emanating from British studios proved markedly popular with domestic audiences.
Author: M. Kerry
Publisher: Springer
ISBN: 0230349668
Category : History
Languages : en
Pages : 258
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Book Description
A refreshing insight into a previously neglected area of popular British cinema – the holiday film - including historical information about the British holiday and analyses of key films from the 1900s to the recent past.
Author: Stephen Glynn
Publisher: Springer
ISBN: 1137558873
Category : Performing Arts
Languages : en
Pages : 272
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Book Description
Through close textual and contextual analysis of British films spanning a century, this book explores how pupils, teachers and secondary education in general have been represented on the British screen. The author addresses a number of topics including the nature of public (fee-paying) and state schooling; the values of special, single-sex and co-education; the role of male and female teachers; and the nature of childhood and adolescence itself. From the silents of Hitchcock to the sorcery of Harry Potter, British cinema’s continued explorations of school life highlights its importance in the nation’s everyday experience and imaginary landscape. Beyond this, the school film, varying in scope from low-budget exploitation to Hollywood-financed blockbusters, serves both as a prism through which one can trace major shifts in the British film industry and as a barometer of the social and cultural concerns of the cinema-going public. This applies especially for gender, race and, in all senses, class.
Author: Jeffrey Richards
Publisher: I.B.Tauris
ISBN:
Category : Performing Arts
Languages : en
Pages : 296
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Book Description
British film historians reassess the films, stars, genres, and directors omitted from conventional accounts of the decade and evaluate its forgotten and recently rediscovered films. They consider audiences, producer Julius Hagen and his independent Twickenham Film Studios, how MGM deal with the Films Acts, the shocker and musical genres, class and gender issues, national identity, and other dimensions. Distributed by St. Martin's Press. Annotation copyrighted by Book News, Inc., Portland, OR
Author: Paul Matthew St. Pierre
Publisher: Associated University Presse
ISBN: 9780838641910
Category : Performing Arts
Languages : en
Pages : 268
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Book Description
In Music Hall Mimesis in British Film, 1895-1960, Dr. St. Pierre examines strategies of representing British music hall performance (1854-1919) and the performance of the body in British cinema in the silent era (1895-1927) and the sound era (1927-60). The focus is on films of Fred and Joe Evans, Frank Randle, Will Hay, George Formby, Arthur Lucan and Kitty McShane, Cicely Courtneidge, Jessie Matthews, Norman Evans, Max Miller, Stanley Holloway, Jack Warner, Gracie Fields, and Charles Chaplin. Consideration is given to themes such as war propaganda and gender impersonation.
Author: Christine Grandy
Publisher: Manchester University Press
ISBN: 1526111209
Category : History
Languages : en
Pages : 363
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Book Description
This is a highly anticipated examination of the popular film and fiction consumed by Britons in the 1920s and 1930s. Departing from a prevailing emphasis on popular culture as escapist, Christine Grandy offers a fresh perspective by noting the enduring importance of class and gender divisions in the narratives read and watched by the working and middle classes between the wars. This compelling study ties contemporary concerns about ex-soldiers, profiteers, and working and voting women to the heroes, villains and love-interests that dominated a range of films and novels. Heroes and happy endings further considers the state’s role in shaping the content of popular narratives through censorship. An important and highly readable work for scholars and students interested in cultural and social history, as well as media and film studies, this book is sure to shift our understanding of the role of mass culture in the 1920s and 1930s.
Author: Tom Ryall
Publisher: Manchester University Press
ISBN: 1847795692
Category : Performing Arts
Languages : en
Pages : 308
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Book Description
This is the first comprehensive critical study of Anthony Asquith. Ryall sets the director's work in the context of British cinema from the silent period to the 1960s, examining the artistic and cultural influences which shaped his films. Asquith's silent films were compared favourably to those of his eminent contemporary Alfred Hitchcock, but his career faltered during the 1930s. However, the success of Pygmalion (1938) and French Without Tears (1939), based on plays by George Bernard Shaw and Terence Rattigan, together with his significant contributions to wartime British cinema, re-established him as a leading British film maker. Asquith's post-war career includes several pictures in collaboration with Terence Rattigan, and the definitive adaptation of Oscar Wilde's The Importance of Being Earnest (1951), but his versatility is demonstrated in a number of modest genre films including The Woman in Question (1950), The Young Lovers (1954) and Orders to Kill (1958).
