Author: Geoffrey Self
Publisher: Routledge
ISBN: 1351560166
Category : Music
Languages : en
Pages : 432
Book Description
In many ways the history of British light music knits together the social and economic history of the country with that of its general musical heritage. Numerous 'serious' composers from Elgar to Britten composed light music, and the genre adapted itself to incorporate the changing fashions heralded by the rise and fall of music hall, the drawing room ballad, ragtime, jazz and the revue. From the 1950s the recording and broadcasting industries provided a new home for light music as an accompaniment to radio programmes and films. Geoffrey Self deftly handles a wealth of information to illustrate the immense role that light music has played in British culture over the last 130 years. His insightful assessments of the best and the most shameful examples of the genre help to pinpoint its enduring qualities; qualities which enable it to maintain a presence in the face of today's domination by commercial popular music.
Light Music in Britain since 1870: A Survey
Author: Geoffrey Self
Publisher: Routledge
ISBN: 1351560166
Category : Music
Languages : en
Pages : 432
Book Description
In many ways the history of British light music knits together the social and economic history of the country with that of its general musical heritage. Numerous 'serious' composers from Elgar to Britten composed light music, and the genre adapted itself to incorporate the changing fashions heralded by the rise and fall of music hall, the drawing room ballad, ragtime, jazz and the revue. From the 1950s the recording and broadcasting industries provided a new home for light music as an accompaniment to radio programmes and films. Geoffrey Self deftly handles a wealth of information to illustrate the immense role that light music has played in British culture over the last 130 years. His insightful assessments of the best and the most shameful examples of the genre help to pinpoint its enduring qualities; qualities which enable it to maintain a presence in the face of today's domination by commercial popular music.
Publisher: Routledge
ISBN: 1351560166
Category : Music
Languages : en
Pages : 432
Book Description
In many ways the history of British light music knits together the social and economic history of the country with that of its general musical heritage. Numerous 'serious' composers from Elgar to Britten composed light music, and the genre adapted itself to incorporate the changing fashions heralded by the rise and fall of music hall, the drawing room ballad, ragtime, jazz and the revue. From the 1950s the recording and broadcasting industries provided a new home for light music as an accompaniment to radio programmes and films. Geoffrey Self deftly handles a wealth of information to illustrate the immense role that light music has played in British culture over the last 130 years. His insightful assessments of the best and the most shameful examples of the genre help to pinpoint its enduring qualities; qualities which enable it to maintain a presence in the face of today's domination by commercial popular music.
British Light Music
Author: Philip L. Scowcroft
Publisher: Dance Books Limited
ISBN: 9781852731632
Category : Music
Languages : en
Pages : 186
Book Description
Eric Coates, Haydn Wood, Albert Ketelbey, Alfred Reynolds, Hubert Bath, Billy Mayerl, Richard Addinsell, and many more. British light music, immensely tuneful and always well crafted, was enormously popular in the early to mid-twentieth century. It has been largely ignored by music dictionaries and serious critics, yet for so long it played an important part in the lives of millions. This completely reset edition of a major work on the subject, containing a series of biographical and musical essays on some of the most celebrated.
Publisher: Dance Books Limited
ISBN: 9781852731632
Category : Music
Languages : en
Pages : 186
Book Description
Eric Coates, Haydn Wood, Albert Ketelbey, Alfred Reynolds, Hubert Bath, Billy Mayerl, Richard Addinsell, and many more. British light music, immensely tuneful and always well crafted, was enormously popular in the early to mid-twentieth century. It has been largely ignored by music dictionaries and serious critics, yet for so long it played an important part in the lives of millions. This completely reset edition of a major work on the subject, containing a series of biographical and musical essays on some of the most celebrated.
Where the Rainbow Ends
Author: Clifford Mills
Publisher:
ISBN: 9780573150210
Category : Drama
Languages : en
Pages : 76
Book Description
Since their mother and father were shipwrecked, Crispian and Rosamund Carey have been living with their aunt and uncle. Rosamund discovers in a book that all lost loved ones are to be found in the land where the rainbow ends. Together with a Genie of a magic carpet found in the library and two friends, the children set out on their search.
Publisher:
ISBN: 9780573150210
Category : Drama
Languages : en
Pages : 76
Book Description
Since their mother and father were shipwrecked, Crispian and Rosamund Carey have been living with their aunt and uncle. Rosamund discovers in a book that all lost loved ones are to be found in the land where the rainbow ends. Together with a Genie of a magic carpet found in the library and two friends, the children set out on their search.
The Life and Music of Eric Coates
Author: Michael Payne
Publisher: Routledge
ISBN: 1317025636
Category : Music
Languages : en
Pages : 296
Book Description
Eric Coates (1886-1957) is perhaps the most familiar name associated with British light music. Sir Charles Groves said that 'his music crackled with enthusiasm and vitality. He could write tunes and clothe them in the most attractive musical colours'. Coates won a scholarship to the Royal Academy of Music, and from 1912 to 1919 he was principal viola of the Queen's Hall Orchestra under Sir Henry Wood. He also played under such conductors as Elgar, Delius, Richard Strauss, Debussy, and Beecham. It was, however, as a composer of orchestral music that he found his greatest success. Beginning with the Miniature Suite, written for the 1911 Promenade Concerts, he forged an enviable reputation as a composer. By the 1920s and 1930s, he was one of the most popular and highest-paid British composers, with a string of popular works flowing from his pen. Coates' music has become indelibly entwined with such popular radio programmes as the BBC's In Town Tonight, which was introduced by the 'Knightsbridge' March and Desert Island Discs whose signature tune for the past forty years has been By the Sleepy Lagoon. Perhaps his most memorable work was his march for the Dam Busters film. Michael Payne traces the changing fortunes of the career of the man who composed some of Britain's best-known music. In many ways, Coates' story is the story of British light music, and Payne's study offers a fascinating insight into the heyday and decline of the British light music tradition.
Publisher: Routledge
ISBN: 1317025636
Category : Music
Languages : en
Pages : 296
Book Description
Eric Coates (1886-1957) is perhaps the most familiar name associated with British light music. Sir Charles Groves said that 'his music crackled with enthusiasm and vitality. He could write tunes and clothe them in the most attractive musical colours'. Coates won a scholarship to the Royal Academy of Music, and from 1912 to 1919 he was principal viola of the Queen's Hall Orchestra under Sir Henry Wood. He also played under such conductors as Elgar, Delius, Richard Strauss, Debussy, and Beecham. It was, however, as a composer of orchestral music that he found his greatest success. Beginning with the Miniature Suite, written for the 1911 Promenade Concerts, he forged an enviable reputation as a composer. By the 1920s and 1930s, he was one of the most popular and highest-paid British composers, with a string of popular works flowing from his pen. Coates' music has become indelibly entwined with such popular radio programmes as the BBC's In Town Tonight, which was introduced by the 'Knightsbridge' March and Desert Island Discs whose signature tune for the past forty years has been By the Sleepy Lagoon. Perhaps his most memorable work was his march for the Dam Busters film. Michael Payne traces the changing fortunes of the career of the man who composed some of Britain's best-known music. In many ways, Coates' story is the story of British light music, and Payne's study offers a fascinating insight into the heyday and decline of the British light music tradition.
The New Music Review and Church Music Review
Author:
Publisher:
ISBN:
Category : Church music
Languages : en
Pages : 292
Book Description
Publisher:
ISBN:
Category : Church music
Languages : en
Pages : 292
Book Description
Conductors and Composers of Popular Orchestral Music
Author: Naomi Musiker
Publisher: Routledge
ISBN: 1135917701
Category : Reference
Languages : en
Pages : 361
Book Description
World-wide in scope and focusing on the second half of the 20th century, this work provides biographies and discographies of some 500 composers and conductors of light and popular orchestral music, including film, show, theatre and mood music. The book is arranged in two sequences: 1) Biographies and select discographies, both arranged alphabetically, of the well-known and better-known conductors and composers. These entries also include a list of suggested reading for those wishing to further their studies; and 2) Select discographies of conductors about whom little or no biographical information is available. The bibliography at the end of the book covers discographical sources, popular music and film music. This is the first time that the lives and recordings of such artists as Kostelanetz, Faith, and Gould as well as the orchestral recordings of such great popular composers as Gershwin, Kern, Porter, Rodgers, Berlin and Coward have been documented and presented in an encyclopedic form.
Publisher: Routledge
ISBN: 1135917701
Category : Reference
Languages : en
Pages : 361
Book Description
World-wide in scope and focusing on the second half of the 20th century, this work provides biographies and discographies of some 500 composers and conductors of light and popular orchestral music, including film, show, theatre and mood music. The book is arranged in two sequences: 1) Biographies and select discographies, both arranged alphabetically, of the well-known and better-known conductors and composers. These entries also include a list of suggested reading for those wishing to further their studies; and 2) Select discographies of conductors about whom little or no biographical information is available. The bibliography at the end of the book covers discographical sources, popular music and film music. This is the first time that the lives and recordings of such artists as Kostelanetz, Faith, and Gould as well as the orchestral recordings of such great popular composers as Gershwin, Kern, Porter, Rodgers, Berlin and Coward have been documented and presented in an encyclopedic form.
Britpop and the English Music Tradition
Author: Jon Stratton
Publisher: Routledge
ISBN: 1317171225
Category : Music
Languages : en
Pages : 242
Book Description
Britpop and the English Music Tradition is the first study devoted exclusively to the Britpop phenomenon and its contexts. The genre of Britpop, with its assertion of Englishness, evolved at the same time that devolution was striking deep into the hegemonic claims of English culture to represent Britain. It is usually argued that Britpop, with its strident declarations of Englishness, was a response to the dominance of grunge. The contributors in this volume take a different point of view: that Britpop celebrated Englishness at a time when British culture, with its English hegemonic core, was being challenged and dismantled. It is now timely to look back on Britpop as a cultural phenomenon of the 1990s that can be set into the political context of its time, and into the cultural context of the last fifty years - a time of fundamental revision of what it means to be British and English. The book examines issues such as the historical antecedents of Britpop, the subjectivities governing the performative conventions of Britpop, the cultural context within which Britpop unfolded, and its influence on the post-Britpop music scene in the UK. While Britpop is central to the volume, discussion of this phenomenon is used as an opportunity to examine the particularities of English popular music since the turn of the twentieth century.
Publisher: Routledge
ISBN: 1317171225
Category : Music
Languages : en
Pages : 242
Book Description
Britpop and the English Music Tradition is the first study devoted exclusively to the Britpop phenomenon and its contexts. The genre of Britpop, with its assertion of Englishness, evolved at the same time that devolution was striking deep into the hegemonic claims of English culture to represent Britain. It is usually argued that Britpop, with its strident declarations of Englishness, was a response to the dominance of grunge. The contributors in this volume take a different point of view: that Britpop celebrated Englishness at a time when British culture, with its English hegemonic core, was being challenged and dismantled. It is now timely to look back on Britpop as a cultural phenomenon of the 1990s that can be set into the political context of its time, and into the cultural context of the last fifty years - a time of fundamental revision of what it means to be British and English. The book examines issues such as the historical antecedents of Britpop, the subjectivities governing the performative conventions of Britpop, the cultural context within which Britpop unfolded, and its influence on the post-Britpop music scene in the UK. While Britpop is central to the volume, discussion of this phenomenon is used as an opportunity to examine the particularities of English popular music since the turn of the twentieth century.
My Musical World
Author: John Fox Arcm
Publisher: Strategic Book Publishing
ISBN: 1618972774
Category : Biography & Autobiography
Languages : en
Pages : 385
Book Description
John Fox's natural talents for composing, arranging and conducting were tenderly nurtured in London's Royal College of Music where he achieved ARCM (Associate of Royal College of Music). John's undeniable genius forged in the crucible of toil, study and unremitting search for perfection has long been recognised by his peers. This autobiography contains the ups and downs of a lifetime in music some sad times, emotional and happy and some tragic disasters. Millions of listeners in the USA, Great Britain, Japan, South Africa and Germany, plus many other countries throughout the world, have found much pleasure and exhilaration in John's wonderful music including radio networks, his many record albums and live performances. Determination and hard work have seen him through some hard times, but it proves that if you have a talent (not only in music) that with a lot of hard study and love, the world will be at your feet! --Chris Morgan, BBC Executive Producer
Publisher: Strategic Book Publishing
ISBN: 1618972774
Category : Biography & Autobiography
Languages : en
Pages : 385
Book Description
John Fox's natural talents for composing, arranging and conducting were tenderly nurtured in London's Royal College of Music where he achieved ARCM (Associate of Royal College of Music). John's undeniable genius forged in the crucible of toil, study and unremitting search for perfection has long been recognised by his peers. This autobiography contains the ups and downs of a lifetime in music some sad times, emotional and happy and some tragic disasters. Millions of listeners in the USA, Great Britain, Japan, South Africa and Germany, plus many other countries throughout the world, have found much pleasure and exhilaration in John's wonderful music including radio networks, his many record albums and live performances. Determination and hard work have seen him through some hard times, but it proves that if you have a talent (not only in music) that with a lot of hard study and love, the world will be at your feet! --Chris Morgan, BBC Executive Producer
The Land Without Music
Author: Andrew Blake
Publisher: Manchester University Press
ISBN: 9780719042997
Category : Music
Languages : en
Pages : 274
Book Description
Examines the trajectories, linearities and paradoxes which have constituted contemporary British music. Provides an account of how British music came to be what it is in the 1990s.
Publisher: Manchester University Press
ISBN: 9780719042997
Category : Music
Languages : en
Pages : 274
Book Description
Examines the trajectories, linearities and paradoxes which have constituted contemporary British music. Provides an account of how British music came to be what it is in the 1990s.
Musical Style and Social Meaning
Author: DerekB. Scott
Publisher: Routledge
ISBN: 1351556878
Category : History
Languages : en
Pages : 374
Book Description
Why do we feel justified in using adjectives such as romantic, erotic, heroic, melancholic, and a hundred others when speaking about music? How do we locate these meanings within particular musical styles? These are questions that have occupied Derek Scott's thoughts and driven his critical musicological research for many years. In this selection of essays, dating from 1995-2010, he returns time and again to examining how conventions of representation arise and how they become established. Among the themes of the collection are social class, ideology, national identity, imperialism, Orientalism, race, the sacred and profane, modernity and postmodernity, and the vexed relationship of art and entertainment. A wide variety of musical styles is discussed, ranging from jazz and popular song to the symphonic repertoire and opera.
Publisher: Routledge
ISBN: 1351556878
Category : History
Languages : en
Pages : 374
Book Description
Why do we feel justified in using adjectives such as romantic, erotic, heroic, melancholic, and a hundred others when speaking about music? How do we locate these meanings within particular musical styles? These are questions that have occupied Derek Scott's thoughts and driven his critical musicological research for many years. In this selection of essays, dating from 1995-2010, he returns time and again to examining how conventions of representation arise and how they become established. Among the themes of the collection are social class, ideology, national identity, imperialism, Orientalism, race, the sacred and profane, modernity and postmodernity, and the vexed relationship of art and entertainment. A wide variety of musical styles is discussed, ranging from jazz and popular song to the symphonic repertoire and opera.