Spirit of Place: Artists, Writers & The British Landscape PDF Download
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Author: Susan Owens
Publisher: Thames & Hudson
ISBN: 0500775605
Category : Art
Languages : en
Pages : 430
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Book Description
Lyrical and compelling, Spirit of Place examines the British landscape as it’s portrayed in literature and art. English landscape painting is often said to be an eighteenth-century invention, yet when we look for representations of the countryside in British art and literature, we find a story that begins with Old English poetry and winds its way through history, all the way up to the present day. In Spirit of Place, Susan Owens illuminates how the British landscape has been framed, reimagined, and reshaped by generations of creative thinkers. To offer a panoramic view of the countryside throughout history, Owens dives into the work of writers and artists from Bede and the Gawain Poet to Thomas Gainsborough, Jane Austen, J. M. W. Turner, and John Constable, and from Paul Nash and Barbara Hepworth to Robert Macfarlane. Richly illustrated, including manuscript pages, early maps, paintings, film stills, and photographs, Spirit of Place is a compelling narrative of how we have been shown the British landscape.
Author: Susan Owens
Publisher: Thames & Hudson
ISBN: 0500775605
Category : Art
Languages : en
Pages : 430
Get Book Here
Book Description
Lyrical and compelling, Spirit of Place examines the British landscape as it’s portrayed in literature and art. English landscape painting is often said to be an eighteenth-century invention, yet when we look for representations of the countryside in British art and literature, we find a story that begins with Old English poetry and winds its way through history, all the way up to the present day. In Spirit of Place, Susan Owens illuminates how the British landscape has been framed, reimagined, and reshaped by generations of creative thinkers. To offer a panoramic view of the countryside throughout history, Owens dives into the work of writers and artists from Bede and the Gawain Poet to Thomas Gainsborough, Jane Austen, J. M. W. Turner, and John Constable, and from Paul Nash and Barbara Hepworth to Robert Macfarlane. Richly illustrated, including manuscript pages, early maps, paintings, film stills, and photographs, Spirit of Place is a compelling narrative of how we have been shown the British landscape.
Author: Ellis Kirkham Waterhouse
Publisher: Yale University Press
ISBN: 9780300058338
Category : Art
Languages : en
Pages : 420
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Book Description
The field covered by this volume includes the work and influence of foreign-born painters such as Holbein and Van Dyck as well as native masters from Gower and Milliard to Gainsborough, Stubbs, and Sandby. We can follow step by step the development and flowering of British painting, and can compare, for example, the work of the English Sir Joshua Reynolds with the Scottish Allan Ramsay. Portrait and landscape, history piece, miniature, watercolour, there is a record of them all. The text is both scholarly and readable and the illustrations include well known examples of British painting and others seldom or never before reproduced between the covers of a book. This is the fifth edition of this work, newly enhanced with colour illustrations.
Author: Andrew Wilton
Publisher: Te Neues Publishing Company
ISBN:
Category : Art
Languages : en
Pages : 348
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Book Description
"The revolution in watercolours of the later eighteenth century and its Victorian aftermath is acknowledged to be one of the greatest triumphs of British art. Its effect was to transform the modest tinted drawing of the topographer into a powerful and highly flexible means of expression for some of the Romantic era's greatest artists, among them Thomas Girtin, J.M.W. Turner and John Constable. The painters of the next generation were no less ambitious, and the range of subject-matter and technical inventiveness that was sustained for much of the Victorian period was to set a standard in watercolour painting that was without equal abroad." "In this magnificently illustrated survey of the great age of British watercolours, Andrew Wilton and Anne Lyles trace the development of attitudes to landscape and to the human figure in the landscape from 1750 to 1880. They show how once the traditional pen and ink drawing and its augmented washes of colour had been abandoned in order to paint directly in watercolours without pen outlines, the way was open for the powerful Romantic landscapes of the following decade and beyond, many of which were painted in the wild mountainous regions of Wales and Scotland." "During the nineteenth century, as the gilt-framed exhibition watercolour began to challenge the long-established oil painting in terms of size and in brilliance of colour and effect, the range of subject-matter was broadened to include scenes of country and town life from every part of Britain and, increasingly, from the Continent too. By mid-century the Near East was attracting many of the greatest Victorian watercolourists, including J. E. Lewis, David Roberts and Edward Lear. Other leading Victorians who regularly worked in watercolour include the Pre-Raphaelite painters John Everett Millais and William Holman Hunt, and the American-born James McNeill Whistler, all of whom are included in this book."--BOOK JACKET.Title Summary field provided by Blackwell North America, Inc. All Rights Reserved
Author: Graham Reynolds
Publisher: New Amsterdam Books
ISBN: 1461704340
Category : Art
Languages : en
Pages : 168
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Book Description
English artists have made a unique contribution to the art of watercolor painting. In no other Western country has this very attractive medium been used so consistently, or for works of such stature, as in England between 1750 and the present day. In this general survey of the whole period, Graham Reynolds, formerly Keeper of Paintings and of Prints and Drawings at the Victoria & Albert Museum, discusses the paintings of over 100 artists including the well-known watercolorists such as Cozens, Girtin, Cotman and De Wint, as well as artists who are equally known for their work in other media - Gainsborough, Turner, Constable, Sargent, Henry Moore. The 140 illustrations, 64 in color, show the work of these and lesser-known artists and reveal the versatility of this medium, so the reader will be introduced to its use for illustrative caricature and portraiture as well as to the finest examples of traditional landscape watercolors.
Author: Jane Munro
Publisher: A&C Black
ISBN:
Category : Art
Languages : en
Pages : 170
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Book Description
Author: David Hill
Publisher: Yale University Press
ISBN: 0300107048
Category : Art
Languages : en
Pages : 208
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Book Description
"Every major painting, related studies, and the author's own photographs of the locations in which Cotman worked are included in this book, as well as a wealth of new documentary evidence of his time with the Cholmeleys."--BOOK JACKET.
Author: Michael Broughton
Publisher: Paul Holberton Publishing
ISBN:
Category : Architecture
Languages : en
Pages : 288
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Book Description
The Spooner Collection of watercolours is one of the finest of its kind, featuring all the leading artists of the period 1750 - 1850. Notable among them are watercolours of the Lake District by John White Abbott, and rural scenes by several artists - Gainsborough, Turner, Cozens, Rowlandson, Francis Towne, Samuel Palmer. Architecture dominates the setting, in works by Girtin, Cotman and Sandby. The essays accompanying the catalogue discuss outdoor painting and the role of memory in watercolour painting, the connoisseurship, and attitudes towards watercolours; and give a brief biography of William Wycliffe Spooner himself. This complete catalogue of the collection, bequeathed by Spooner to the Courtauld Institute, is published on the occasion of a touring exhibition of select works from the collection, showing at The Worsworth Trust, Grasmere; The Huntingdon Library, California; and the Courtauld Institute Gallery, London, 2005 - 2006.
Author: Alexander M. Ross
Publisher: Wilfrid Laurier Univ. Press
ISBN: 0889206260
Category : Literary Criticism
Languages : en
Pages : 220
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Book Description
"Despite the negative criticism directed at its sentiment, its heartlessness, its superficiality, the picturesque remained in both art and fiction of Victorian England a mode of seeing that even the greatest of the artists and novelists relied upon from time to time so that their viewers and readers could rejoice in the instant recognition of place and character distinctly limned and sometimes subtly enough to elicit sympathy" (Preface). After briefly tracing the development of the theory of the picturesque in the eighteenth-century writings of William Gilpin, Sir Uvedale Price, and Richard Payne Knight and examining how nineteenth-century novelists accommodated aesthetic theory to the practice of fiction, Ross focuses on the use of the picturesque in the works of Sir Walter Scott, Charlotte Bronte, Charles Dickens, George Eliot, and Thomas Hardy. The persistence of the picturesque through novels ranging from Waverley to Jude the Obscure and in writers like Dickens and Eliot, who had little respect for its conventions, attests to its strength and attraction in nineteenth-century literature.
Author: James Taylor
Publisher: Bloomsbury Publishing
ISBN: 1844863298
Category : History
Languages : en
Pages : 194
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Book Description
The Beagle has become synonymous with Charles Darwin and his groundbreaking title On the Origin of Species. But how did Darwin come to be on board? For the first time in a single volume all the various strands of the Beagle story have been woven together to reveal the circumstances that set the expedition in motion and the characters who circumnavigated the world together. Enriched with first-hand commentary from personal letters and diaries, and the official narrative of the voyage, as well as artworks, sketches and charts produced by the shipboard artists and surveyors, James Taylor has produced a thoroughly engaging and informative account that will appeal to historians, scientists, art lovers, and anyone with a sense of adventure.
Author: Sir George Back
Publisher: McGill-Queen's Press - MQUP
ISBN: 9780773511811
Category : Art
Languages : en
Pages : 444
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Book Description
Arctic Artist is the liveliest and most complete account of Sir John Franklin's tragic first expedition to the Arctic. George Back's prose captures the drama of the journey, while his superb watercolour sketches reveal the beauty and wonder of this northern land. Published for the first time, this is the complete text of Back's journal. Arctic Artist completes Stuart Houston's trilogy of the journals of Franklin's officers.
