Author: British Museum
Publisher: London : Published for the Trustees of the British Museum and the British Library by British Museum Publications
ISBN:
Category : Reference
Languages : en
Pages : 144

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Author: Peter R. Coss
Publisher: Boydell Press
ISBN: 9781843830368
Category : Art
Languages : en
Pages : 300

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Discussion of display through a range of artefacts and in a variety of contexts: family and lineage, social distinction and aspiration, ceremony and social bonding, and the expression of power and authority. Medieval culture was intensely visual. Although this has long been recognised by art historians and by enthusiasts for particular media, there has been little attempt to study social display as a subject in its own right. And yet, display takes us directly into the values, aspirations and, indeed, anxieties of past societies. In this illustrated volume a group of experts address a series of interrelated themes around the issue of display and do so in a waywhich avoids jargon and overly technical language. Among the themes are family and lineage, social distinction and aspiration, ceremony and social bonding, and the expression of power and authority. The media include monumental effigies, brasses, stained glass, rolls of arms, manuscripts, jewels, plate, seals and coins. Contributors: MAURICE KEEN, DAVID CROUCH, PETER COSS, CAROLINE SHENTON, ADRIAN AILES, FRÉDÉRIQUE LACHAUD, MARIAN CAMPBELL, BRIAN and MOIRA GITTOS, NIGEL SAUL, FIONN PILBROW, CAROLINE BARRON and JOHN WATTS.

Author: Henricus Augustinus Tummers
Publisher: BRILL
ISBN: 9004610162
Category : History
Languages : en
Pages : 307

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Author: Antti Matikkala
Publisher: Boydell & Brewer Ltd
ISBN: 1843834235
Category : History
Languages : en
Pages : 488

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`Sheds considerable new light on the nature, development and functions of the orders in a key phase of their history, and goes a long way to explaining how such archaic institutions could flourish in a culture that is commonly thought anti-traditional and especially hostile to the "middle ages"'. Professor JONATHAN BOULTON, University of Notre Dame. This is the first comprehensive study to set the British orders of knighthood properly into the context of the honours system - by analysing their political, social and cultural functions from the Restoration of the monarchy to the end of George II's reign. It examines the revival of the Order of the Garter and the proposals to establish the Orders of the Royal Oak and the Esquires of the Martyred King at the Restoration, the foundation (1687) and the revival (1703-4) of the Order of the Thistle as well as the foundation of the Order of the Bath (1725). It establishes just how central a part the orders played in the British high political life and its comprehensive and multidimensional approach carefully contrasts the idealistic discourse of virtue and honour to the real workings of the honours system; it also makes the case for the 'Chivalric Enlightenment'. The 'orders over the water', the Garter and the Thistle conferred by the Jacobite claimants, are discussed for the first time in the context of the established British honours system. Overall, the comparison between the socially very restricted British and the increasingly meritocratic Continental orders highlights the isolation of the British honours system from the European tendencies.

Author: Marcus Meer
Publisher: Oxford University Press
ISBN: 0198910282
Category : History
Languages : en
Pages : 339

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Heraldry is often seen as a traditional prerogative of the nobility. But it was not just knights, princes, kings, and emperors who bore coats of arms to show off their status in the Middle Ages. The merchants and craftsmen who lived in cities, too, adopted coats of arms and used heraldic customs, including display and destruction, to underline their social importance and to communicate political messages. Medieval burgesses were part of a fascination with heraldry that spread throughout pre-modern society and looked at coats of arms as honoured signs of genealogy and history. Heraldry in Urban Society analyses the perceptions and functions of heraldry in medieval urban societies by drawing on both English- and German-language sources from the late fourteenth to the early sixteenth centuries. Despite variations that point to socio-political differences between cities (and their citizens) in the relatively centralized monarchy of medieval England and the more independent-minded urban governments found in the less closely connected Holy Roman Empire, urban heraldry emerges as a versatile and ubiquitous means of multimedia visual communication that spanned medieval Europe. Urban heraldic practices defy assumptions about clearly demarcated social practices that belonged to 'high'/'noble' as opposed to 'low'/'urban' culture. Townspeople's perceptions of coats of arms paralleled those of the nobility, as they readily interpreted and carefully curated them as visual expressions of identity. These perceptions allowed townspeople of all ranks, as well as noble outsiders, to use heraldry and its display - along with its defacement and destruction - in manuscripts, spaces (such as town houses, public monuments, halls, and churches), and performances (like processions and joyous entries) to address perennial problems of urban society in the Middle Ages. The coats of arms of burgesses, guilds, and cities were communicative means of individual and collective representation, social and political legitimization, conducting and resolving conflicts, and the pursuit of elevated status in the urban hierarchy. Likewise, heraldic communication negotiated the all-important relationship between the city and wider, extramural society - from the commercial interests of citizens to their collective ties to the ruler.

Author: Adrian Ailes
Publisher:
ISBN:
Category : Reference
Languages : en
Pages : 138

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Author: Chatteris Abbey
Publisher: Boydell Press
ISBN: 9780851157504
Category : Architecture
Languages : en
Pages : 502

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Takes its place as perhaps the finest available study of a house for women religious. ENGLISH HISTORICAL REVIEWThe fifteenth-century cartulary of the Benedictine nunnery of Chatteris Abbey in Cambridgeshire (founded in the early eleventh century) has important implications for the study of women religious, especially in the light of the small number of surviving cartularies from English nunneries, yet until now it has received little attention, perhaps due to its damage in the Cotton Library fire of 1731. This critical edition of the manuscript, which contains documents copied into it from the mid-twelfth to the fifteenth centuries, offers a full transcription, together with historical notes and apparatus. The introduction draws on the cartulary itself, as well as manorial and episcopal records, to analyse the nunnery's relationship with its patron, the bishop of Ely, and the development and management of its estates; it also examines the location and layout of the abbey, the social and geographical origins of the nuns, and the production and organisation of the cartulary. The edition is accompanied by an annotated list of all known abbesses, prioresses and nuns.CLAIRE BREAY/gained her Ph.D. at the Institute for Historical Research at the University of London; she is currently a curator of medieval manuscripts at the British Library.

Author: Pierre Chaplais
Publisher: A&C Black
ISBN: 1852850140
Category : History
Languages : en
Pages : 353

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A collection of essays, in honour of Pierre Chaplais, which examine England's policies towards her neighbours between 1066 and 1453.

Author: Catherine Richardson
Publisher: Taylor & Francis
ISBN: 1317042859
Category : History
Languages : en
Pages : 506

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The Routledge Handbook of Material Culture in Early Modern Europe marks the arrival of early modern material culture studies as a vibrant, fully-established field of multi-disciplinary research. The volume provides a rounded, accessible collection of work on the nature and significance of materiality in early modern Europe – a term that embraces a vast range of objects as well as addressing a wide variety of human interactions with their physical environments. This stimulating view of materiality is distinctive in asking questions about the whole material world as a context for lived experience, and the book considers material interactions at all social levels. There are 27 chapters by leading experts as well as 13 feature object studies to highlight specific items that have survived from this period (defined broadly as c.1500–c.1800). These contributions explore the things people acquired, owned, treasured, displayed and discarded, the spaces in which people used and thought about things, the social relationships which cluster around goods – between producers, vendors and consumers of various kinds – and the way knowledge travels around those circuits of connection. The content also engages with wider issues such as the relationship between public and private life, the changing connections between the sacred and the profane, or the effects of gender and social status upon lived experience. Constructed as an accessible, wide-ranging guide to research practice, the book describes and represents the methods which have been developed within various disciplines for analysing pre-modern material culture. It comprises four sections which open up the approaches of various disciplines to non-specialists: ‘Definitions, disciplines, new directions’, ‘Contexts and categories’, ‘Object studies’ and ‘Material culture in action’. This volume addresses the need for sustained, coherent comment on the state, breadth and potential of this lively new field, including the work of historians, art historians, museum curators, archaeologists, social scientists and literary scholars. It consolidates and communicates recent developments and considers how we might take forward a multi-disciplinary research agenda for the study of material culture in periods before the mass production of goods.

Author: A.C. Hamilton
Publisher: Routledge
ISBN: 1134934815
Category : Literary Collections
Languages : en
Pages : 2609

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'This masterly work ought to be The Elizabethan Encyclopedia, and no less.' - Cahiers Elizabethains Edmund Spenser remains one of Britain's most famous poets. With nearly 700 entries this Encyclopedia provides a comprehensive one-stop reference tool for: * appreciating Spenser's poetry in the context of his age and our own * understanding the language, themes and characters of the poems * easy to find entries arranged by subject.