Author: India Office Library
Publisher:
ISBN:
Category : Art, English
Languages : en
Pages : 450
Book Description
British Drawings in the India Office Library: Amateur artists
Author: India Office Library
Publisher:
ISBN:
Category : Art, English
Languages : en
Pages : 450
Book Description
Publisher:
ISBN:
Category : Art, English
Languages : en
Pages : 450
Book Description
British Drawings in the India Office Library: Official and professional artists
Author: India Office Library
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 438
Book Description
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 438
Book Description
Company Drawings in the India Office Library
Author: India Office Library
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 386
Book Description
This Volume Catalogues The `British East India Company Paintings` Of The India Office Library And Discusses The Circumstances In Which This School Of Painting Grew Up. Many Little-Known Styles Of `Company Drawings` Are Identified For The First Time.
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 386
Book Description
This Volume Catalogues The `British East India Company Paintings` Of The India Office Library And Discusses The Circumstances In Which This School Of Painting Grew Up. Many Little-Known Styles Of `Company Drawings` Are Identified For The First Time.
Spatial Imaginings in the Age of Colonial Cartographic Reason
Author: Nilanjana Mukherjee
Publisher: Taylor & Francis
ISBN: 1000193292
Category : Social Science
Languages : en
Pages : 272
Book Description
This volume explores how India as a geographical space was constructed by the British colonial regime in visual and material terms. It demonstrates the instrumentalisation of cultural artefacts such as landscape paintings, travel literature and cartography, as spatial practices overtly carrying scientific truth claims, to materially produce artificial spaces that reinforced power relations. It sheds light on the primary dominance of cartographic reason in the age of European Enlightenment which framed aesthetic and scientific modes of representation and imagination. The author cross-examines this imperial gaze as a visual perspective which bore the material inscriptions of a will to assert, possess and control. The distinguishing theme in this study is the production of India as a new geography sourced from Britain's own interaction with its rural outskirts and domination in its fringes. This book: Addresses the concept of "production of space" to study the formulation of a colonial geography which resulted in the birth of a new place, later a nation; Investigates a generative period in the formation of British India c. 1750–1850 as a colonial territory vis-à-vis its representation and reiteration in British maps, landscape paintings and travel writings; Brings Great Britain and British India together on one plane not only in terms of the physical geo-spaces but also in the excavation of critical domains by alluding to critics from both spaces; Seeks to understand the pictorial grammar that legitimised the expansive British imperial cartographic gaze as the dominant narrative which marginalised all other existing local ideas of space and inhabitation. Rethinking colonial constructions of modern India, this volume will be of immense interest to scholars and researchers of modern history, cultural geography, colonial studies, English literature, cultural studies, art, visual studies and area studies.
Publisher: Taylor & Francis
ISBN: 1000193292
Category : Social Science
Languages : en
Pages : 272
Book Description
This volume explores how India as a geographical space was constructed by the British colonial regime in visual and material terms. It demonstrates the instrumentalisation of cultural artefacts such as landscape paintings, travel literature and cartography, as spatial practices overtly carrying scientific truth claims, to materially produce artificial spaces that reinforced power relations. It sheds light on the primary dominance of cartographic reason in the age of European Enlightenment which framed aesthetic and scientific modes of representation and imagination. The author cross-examines this imperial gaze as a visual perspective which bore the material inscriptions of a will to assert, possess and control. The distinguishing theme in this study is the production of India as a new geography sourced from Britain's own interaction with its rural outskirts and domination in its fringes. This book: Addresses the concept of "production of space" to study the formulation of a colonial geography which resulted in the birth of a new place, later a nation; Investigates a generative period in the formation of British India c. 1750–1850 as a colonial territory vis-à-vis its representation and reiteration in British maps, landscape paintings and travel writings; Brings Great Britain and British India together on one plane not only in terms of the physical geo-spaces but also in the excavation of critical domains by alluding to critics from both spaces; Seeks to understand the pictorial grammar that legitimised the expansive British imperial cartographic gaze as the dominant narrative which marginalised all other existing local ideas of space and inhabitation. Rethinking colonial constructions of modern India, this volume will be of immense interest to scholars and researchers of modern history, cultural geography, colonial studies, English literature, cultural studies, art, visual studies and area studies.
The Anglo-Florentines
Author: Diana Webb
Publisher: Bloomsbury Publishing
ISBN: 1350136026
Category : History
Languages : en
Pages : 569
Book Description
This book looks at the variety of Britons who became residents of Florence between the end of the Napoleonic wars and the absorption of Tuscany into the kingdom of Italy. Many of them were leisured, and some aristocratic; a few were writers or artists; the British clergy and physicians who ministered to them were gentlemen. Many others were shopkeepers, merchants and even engineers. Some achieved a more profound knowledge of the country (and its language) than others, but all were affected to some degree by the momentous events which led to Italian unification.
Publisher: Bloomsbury Publishing
ISBN: 1350136026
Category : History
Languages : en
Pages : 569
Book Description
This book looks at the variety of Britons who became residents of Florence between the end of the Napoleonic wars and the absorption of Tuscany into the kingdom of Italy. Many of them were leisured, and some aristocratic; a few were writers or artists; the British clergy and physicians who ministered to them were gentlemen. Many others were shopkeepers, merchants and even engineers. Some achieved a more profound knowledge of the country (and its language) than others, but all were affected to some degree by the momentous events which led to Italian unification.
The Raffles Drawings in the India Office Library, London
Author: Mildred Archer
Publisher: Oxford University Press, USA
ISBN:
Category : Art
Languages : en
Pages : 130
Book Description
Publisher: Oxford University Press, USA
ISBN:
Category : Art
Languages : en
Pages : 130
Book Description
Architecture of Sovereignty
Author: Gita V. Pai
Publisher: Cambridge University Press
ISBN: 1009150154
Category : History
Languages : en
Pages : 379
Book Description
Demonstrates how religious spaces are sites of contestation over sovereignty and broader debates about governance as they have been reconceived repeatedly.
Publisher: Cambridge University Press
ISBN: 1009150154
Category : History
Languages : en
Pages : 379
Book Description
Demonstrates how religious spaces are sites of contestation over sovereignty and broader debates about governance as they have been reconceived repeatedly.
India Office Library and Records Report
Author: India Office Library
Publisher:
ISBN:
Category :
Languages : en
Pages : 424
Book Description
Publisher:
ISBN:
Category :
Languages : en
Pages : 424
Book Description
A Noble Art
Author: Kim Sloan
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 260
Book Description
The words 'amateur artist' conjure up a picture of Victorian ladies and gentlemen sketching in watercolours out of doors. This text challenges such an image, describing and illustrating over 200 works from the British Museum's collections.
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 260
Book Description
The words 'amateur artist' conjure up a picture of Victorian ladies and gentlemen sketching in watercolours out of doors. This text challenges such an image, describing and illustrating over 200 works from the British Museum's collections.
Colonial Self-Fashioning in British India, c. 1785-1845
Author: Prasannajit de Silva
Publisher: Cambridge Scholars Publishing
ISBN: 1527514285
Category : Art
Languages : en
Pages : 309
Book Description
A stereotypical view of the nineteenth-century British in India, which might be characterised as one of deliberate isolation and segregation from their surroundings, has recently been complemented by one evoking a high degree of integration and closer co-existence in the eighteenth century. Focusing on a period which straddles this apparent shift, this book explores a variety of ways in which British residents in India represented their lives through visual material, and reveals a more nuanced position. Consideration of these images, which have often been overlooked in the scholarly literature, opens up questions of identity facing the British population in India at this time and facing colonial societies more generally, and issues about the role of visual culture in negotiating them. It also underlines the fragile and contested nature of identity: the colonists’ self-fashioning encompassed not only expressions of difference from their Indian setting, but also what distinguished them from their compatriots back in Britain, as well as engaging with metropolitan attitudes towards, and prejudices about, them.
Publisher: Cambridge Scholars Publishing
ISBN: 1527514285
Category : Art
Languages : en
Pages : 309
Book Description
A stereotypical view of the nineteenth-century British in India, which might be characterised as one of deliberate isolation and segregation from their surroundings, has recently been complemented by one evoking a high degree of integration and closer co-existence in the eighteenth century. Focusing on a period which straddles this apparent shift, this book explores a variety of ways in which British residents in India represented their lives through visual material, and reveals a more nuanced position. Consideration of these images, which have often been overlooked in the scholarly literature, opens up questions of identity facing the British population in India at this time and facing colonial societies more generally, and issues about the role of visual culture in negotiating them. It also underlines the fragile and contested nature of identity: the colonists’ self-fashioning encompassed not only expressions of difference from their Indian setting, but also what distinguished them from their compatriots back in Britain, as well as engaging with metropolitan attitudes towards, and prejudices about, them.