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Author: Ghislaine Wood
Publisher: Victoria & Albert Museum
ISBN: 9781851776757
Category : Art and design
Languages : en
Pages : 0
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Book Description
Catalog of the exhibition "British design 1948-2012: Innovation in the Modern Age" at the Victoria and Albert Museum, London, Mar. 31-Aug. 12, 2012.
Author: Ghislaine Wood
Publisher: Victoria & Albert Museum
ISBN: 9781851776757
Category : Art and design
Languages : en
Pages : 0
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Book Description
Catalog of the exhibition "British design 1948-2012: Innovation in the Modern Age" at the Victoria and Albert Museum, London, Mar. 31-Aug. 12, 2012.
Author: Brian Haresnape
Publisher:
ISBN:
Category : Transportation
Languages : en
Pages : 198
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Book Description
Author: Christopher Breward
Publisher: Bloomsbury Publishing
ISBN: 1472505379
Category : Design
Languages : en
Pages : 257
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Book Description
Spaces & Places: British Design 1948 - 2012 provides a much needed series of new perspectives on British Design's recent history.
Author: Paul Gorman
Publisher: National Geographic Books
ISBN: 0500293473
Category : Art
Languages : en
Pages : 0
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Book Description
A landmark publication offering a definitive overview of one of the most influential transatlantic magazines produced in the 1980s and 1990s Launched by NME editor and Smash Hits creator Nick Logan in 1980, The Face became an icon of “style culture,” the benchmark for the latest trends in art, design, fashion, photography, film, and music being defined by a thriving youth culture. The Story of The Face tracks the exciting highs and calamitous lows of the life of the magazine in two parts. Part one focuses on the rise of the magazine in the 1980s, highlighting its striking visual identity—embodied by Neville Brody’s era-defining graphic designs, Nick Knight’s dramatic fashion photography, and the “Buffalo” styling of Ray Petr— and its unflinching approach to journalism. Contributors included a host of writers who subsequently made their impact in the wider world, from Julie Burchill, Robert Elms, Tony Parsons, and James Truman to Jon Savage, Richard Benson, and Sheryl Garratt. Part two shows how in the 1990s, after surviving a disastrous Jason Donovan libel suit, the magazine heralded the post-acid house era of Britpop and Brit Art. However, after the magazine had become the engine of the booming British magazine industry, the end of this decade also saw the eventual demise of The Face. Including an introduction by Dylan Jones, The Story of The Face is an engaging behind-the-scenes look at the rise and fall of one of the 80s and 90s’ most influential music and style publications.
Author: Diane Bilbey
Publisher:
ISBN: 9781911300540
Category : Art
Languages : en
Pages : 0
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Book Description
This publication is a highly visual celebration of the massively popular, but now largely forgotten, Britain Can Make It exhibition. Organized by the Council of Industrial Design, it was held in empty ground-floor galleries of the Victoria & Albert Museum, from September to December 1946. A groundbreaking, morale boosting exhibition, it showcased British design and manufacturing. Despite its short run, it boasted an incredible 1.5 million visitors, and remains one of the most visited exhibitions ever held at the V&A. Long before the end of the Second World War hostilities, the government's Post War Export Trade Committee recognized the importance of promoting the country's manufacturing capabilities. Plans for an exhibition of 'National Importance' were set in place in October 1942, for an event that would illuminate the gloom of austerity, educate the public in the value of good design, and most importantly, boost much needed foreign trade. Britain's need to promote, manufacture and export its goods was urgent. The job of organizing the exhibition was given to the Council of Industrial Design on behalf of the government's Board of Trade. From its early planning stages, there was a desire to create an exhibition that was full of color, light and airy, and far removed from the browns and greens of the inter-war years. The exhibition was also intended to work as a public morale boosting exercise and it did, attracting visitors from around the country. Mile-long queues constantly formed outside the V&A. Interviewed in 1984, James Gardner, the designer of the exhibition, commented on the motivation for it: 'We'd got to get British manufacturers to produce well-designed goods quickly and to cheer the British public up. They were so depressed. Give them something to look forward to. You know, this was the dream of the future, if you like.' BCMI was not a trade show. Manufacturers had to put forward their products and only those deemed the best examples were chosen by specialist committees. An accompanying catalog detailing the manufacturers of products (and significantly, wherever possible the names of the designers of each product), could be bought by visitors from one of the bookstalls dotted around the exhibition. The catalog explained when goods would be available for the home and trade markets: 'Now, ' 'Soon' or 'Later.' Most often they were 'Later' for the home market which led to negative comments in the press, such as: 'Britain Can't Have It, ' 'Britons can't buy it, ' and 'Britain Can't Get It.' Products representing key consumer groups, including clothing, leisure, and domestic products were displayed. These were diverse, from pottery and glass, to radios, women's and men's wear, furniture, fabrics, toys, jewelry, boilers, taps, and sporting equipment. The Furnished Rooms section showcased room sets that sought to show how a range of people from different professional groups might live. By taking its structure loosely from the exhibition itself and from the accompanying Design '46 catalog, Britain Can Make It will take the reader through an eclectic range of subject areas and consumer products. The book begins with a discussion of the political climate and economic motivations that led to this exhibition of 'National Importance' taking place, and an overview of the contemporary social context. Additional essays will cover specific aspects of the exhibition itself, including the surrealist design of the exhibition, the art and artists involved, the naming, and the 'Design Quiz.' Most chapters will be in the form of short illustrated essays.
Author: Ada Karmi-Melamed
Publisher:
ISBN: 9789652784230
Category : Architecture
Languages : en
Pages : 475
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Book Description
Author: Susan Weber
Publisher:
ISBN: 9780300196184
Category : ARCHITECTURE
Languages : en
Pages : 0
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Book Description
Published for Bard Graduate Center: Decorative Arts, Design History, Material Culture, New York.
Author: Elain Harwood
Publisher: Rizzoli Publications
ISBN: 1849946868
Category : Architecture
Languages : en
Pages : 0
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Book Description
Leading expert and passionate advocate of modern British architecture Elain Harwood gives the best overview of British architecture from 1938 to 1963 – mid-century buildings. Growing in popularity and with an increasing understanding of their importance as a background to our lives, the buildings range from the Royal Festival Hall, Newcastle City Hall and to Deal Pier and Douglas ferry terminal, from prefabs and ice cream parlours to Coventry Cathedral and the Golden Lane Estate. The author writes in non-technical, layman's language about the design, architecture and also the influence of these buildings on the lives of our towns and cities. The author has arranged the huge variety of buildings into: Houses and Flats: Churches and Public Buildings; Offices; Shops; Showrooms and Cafes; Hotels and Public Houses; Cinemas, Theatres and Concert Halls; Industrial Buildings and Transport. There is an insightful introduction that places these buildings in the context of 20th-century architecture generally and globally. All fantastically photographed to make this a must have for anyone interested in our built heritage. Postwar Britain architects often saw architecture as a powerful means to improve the quality of our lives after the shadow of war. This is the fascinating story of what they built to meet that challenge. Cover illustration by Paul Catherall
Author: Julius Panero
Publisher: Watson-Guptill
ISBN: 0770434606
Category : Architecture
Languages : en
Pages : 322
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Book Description
The study of human body measurements on a comparative basis is known as anthropometrics. Its applicability to the design process is seen in the physical fit, or interface, between the human body and the various components of interior space. Human Dimension and Interior Space is the first major anthropometrically based reference book of design standards for use by all those involved with the physical planning and detailing of interiors, including interior designers, architects, furniture designers, builders, industrial designers, and students of design. The use of anthropometric data, although no substitute for good design or sound professional judgment should be viewed as one of the many tools required in the design process. This comprehensive overview of anthropometrics consists of three parts. The first part deals with the theory and application of anthropometrics and includes a special section dealing with physically disabled and elderly people. It provides the designer with the fundamentals of anthropometrics and a basic understanding of how interior design standards are established. The second part contains easy-to-read, illustrated anthropometric tables, which provide the most current data available on human body size, organized by age and percentile groupings. Also included is data relative to the range of joint motion and body sizes of children. The third part contains hundreds of dimensioned drawings, illustrating in plan and section the proper anthropometrically based relationship between user and space. The types of spaces range from residential and commercial to recreational and institutional, and all dimensions include metric conversions. In the Epilogue, the authors challenge the interior design profession, the building industry, and the furniture manufacturer to seriously explore the problem of adjustability in design. They expose the fallacy of designing to accommodate the so-called average man, who, in fact, does not exist. Using government data, including studies prepared by Dr. Howard Stoudt, Dr. Albert Damon, and Dr. Ross McFarland, formerly of the Harvard School of Public Health, and Jean Roberts of the U.S. Public Health Service, Panero and Zelnik have devised a system of interior design reference standards, easily understood through a series of charts and situation drawings. With Human Dimension and Interior Space, these standards are now accessible to all designers of interior environments.
Author: Inbal Ben-Asher Gitler
Publisher: EUP
ISBN: 9781474457507
Category : Architecture
Languages : en
Pages : 0
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Book Description
An architectural history of four prominent buildings in Jerusalem. Includes new research on public and civic architecture of Mandate Palestine. Focuses on four case studies: the Muslim Palestinian Palace Hotel, the Jewish-Zionist Zionist Executive Buildings, the British Palestine Archaeological Museum and the American Jerusalem YMCA Building. Reveals the major role that architecture and architectural culture had in constructing communal and national identities in Jerusalem and in Mandate Palestine. Increases our understanding of the interaction between cultural forces in the Middle East and the emergence of 20th-century architectural culture in Israel/Palestine. Makes a significant contribution to research into the built environments of mixed cities, contested spaces and cities under foreign rule. Deepens our understanding of present spatial dilemmas and their context within the Israeli-Palestinian conflic. Four major communities, four buildings constructing their identities in the contested urban space of Jerusalem.
