British Comedy Cinema

British Comedy Cinema PDF Author: I. Q. Hunter
Publisher: Routledge
ISBN: 0415666678
Category : Performing Arts
Languages : en
Pages : 242

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Book Description
This work explores the history of British comedy from silent slapstick and satire to contemporary romantic comedy. The essays include case studies on prominent personalities, and exploration of production cycles and studio output. Films discussed in the work include Sing As We Go, The Ladykillers, Trouble in Stone, The Carry Ons, Till Death Us Do Part, Monty Python's Life of Brian, Notting Hill, and Sex Lives of the Potato Men.

British Comedy Cinema

British Comedy Cinema PDF Author: I. Q. Hunter
Publisher: Routledge
ISBN: 0415666678
Category : Performing Arts
Languages : en
Pages : 242

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Book Description
This work explores the history of British comedy from silent slapstick and satire to contemporary romantic comedy. The essays include case studies on prominent personalities, and exploration of production cycles and studio output. Films discussed in the work include Sing As We Go, The Ladykillers, Trouble in Stone, The Carry Ons, Till Death Us Do Part, Monty Python's Life of Brian, Notting Hill, and Sex Lives of the Potato Men.

British Comedy Cinema

British Comedy Cinema PDF Author: I.Q. Hunter
Publisher: Routledge
ISBN: 1136508376
Category : Performing Arts
Languages : en
Pages : 242

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Book Description
British comedy cinema has been a mainstay of domestic production since the beginning of the last Century and arguably the most popular and important genre in British film history. This edited volume will offer the first comprehensive account of the rich and popular history of British comedy cinema from silent slapstick and satire to contemporary romantic comedy. Using a loosely chronological approach, essays cover successive decades of the 20th and 21st Century with a combination of case studies on key personalities, production cycles and studio output along with fresh approaches to issues of class and gender representation. It will present new research on familiar comedy cycles such as the Ealing Comedies and Carry On films as well as the largely undocumented silent period along with the rise of television spin offs from the 1970s and the development of animated comedy from 1915 to the present. Films covered include: St Trinians, A Fish Called Wanda, Brassed Off, Local Hero, The Full Monty, Four Lions and In the Loop. Contributors: Melanie Bell, Alan Burton, James Chapman, Richard Dacre, Ian Hunter, James Leggott, Sharon Lockyer, Andy Medhurst, Lawrence Napper, Tim O’Sullivan, Laraine Porter, Justin Smith, Sarah Street, Peter Waymark, Paul Wells

The British Cinema Book

The British Cinema Book PDF Author: Robert Murphy
Publisher:
ISBN:
Category : Performing Arts
Languages : en
Pages : 360

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Book Description
No Marketing Blurb

Beyond the Fringe

Beyond the Fringe PDF Author: Alan Bennett
Publisher: Samuel French, Inc.
ISBN: 9780573640025
Category : Drama
Languages : en
Pages : 86

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Book Description
A collection of comic sketches.

British TV Comedies

British TV Comedies PDF Author: Juergen Kamm
Publisher: Springer
ISBN: 1137552956
Category : Social Science
Languages : en
Pages : 393

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Book Description
This collection offers an overview of British TV comedies, ranging from the beginnings of sitcoms in the 1950s to the current boom of 'Britcoms'. It provides in-depth analyses of major comedies, systematically addressing their generic properties, filmic history, humour politics and cultural impact.

The British Sitcom Spinoff Film

The British Sitcom Spinoff Film PDF Author: Stephen Glynn
Publisher: Springer Nature
ISBN: 3031412222
Category : Performing Arts
Languages : en
Pages : 273

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Book Description
This book constitutes the first full volume dedicated to an academic analysis of theatrically-released spinoff films derived from British radio and television sitcoms. Regularly maligned as the nadir of British film production and marginalised as a last resort for the financially-bereft industry during the 1970s, this study demonstrates that the sitcom spinoff film has instead been a persistent and important presence in British cinema from the 1940s to the present day, and includes (occasional) works with distinct artistic merit. Alongside an investigation of the economic imperative underpinning these productions, i.e. the exploitation of proven product with a ready-made audience, it is argued that, with a longevity stretching from Arthur Askey and his wartime Band Waggon (1940) to the crew of Kurupt FM and their recent People Just Do Nothing: Big in Japan (2021), the British sitcom spinoff can be interpreted as following a full generic ‘life cycle’. Starting with the ‘formative’ stage where works from Hi Gang! (1941) to I Only Arsked! (1958) establish the genre’s characteristics, the spinoff genre moves to its ‘classic’ stage where, secure for form and content, it enjoys considerable popular success with films like Till Death Us Do Part (1969), On the Buses (1971), The Likely Lads (1976) and Rising Damp (1980); the genre’s revival since the late-1990s reveals a more ‘parodic’ final stage, with films like The League of Gentlemen’s Apocalypse (2005) adopting a consciously self-reflective mode. It is also posited that the sitcom spinoff film is a viable source for social history, with the often-stereotypical re-presentations of characters and events an (often blatant) ideological metonym for the concerns of wider British society, notably in issues of class, race, gender and sexuality.

The Routledge Companion to British Cinema History

The Routledge Companion to British Cinema History PDF Author: I.Q. Hunter
Publisher: Routledge
ISBN: 131539216X
Category : Social Science
Languages : en
Pages : 969

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Book Description
Over 39 chapters The Routledge Companion to British Cinema History offers a comprehensive and revisionist overview of British cinema as, on the one hand, a commercial entertainment industry and, on the other, a series of institutions centred on economics, funding and relations to government. Whereas most histories of British cinema focus on directors, stars, genres and themes, this Companion explores the forces enabling and constraining the films’ production, distribution, exhibition, and reception contexts from the late nineteenth century to the present day. The contributors provide a wealth of empirical and archive-based scholarship that draws on insider perspectives of key film institutions and illuminates aspects of British film culture that have been neglected or marginalized, such as the watch committee system, the Eady Levy, the rise of the multiplex and film festivals. It also places emphasis on areas where scholarship has either been especially productive and influential, such as in early and silent cinema, or promoted new approaches, such as audience and memory studies.

Cleo, Camping, Emmanuelle & Dick

Cleo, Camping, Emmanuelle & Dick PDF Author: Terry Johnson
Publisher: Methuen Drama
ISBN:
Category : Drama
Languages : en
Pages : 120

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Book Description
Filming's not as glamorous as it's cracked up to be.

What We French Think of You British

What We French Think of You British PDF Author: Marcel Lucont
Publisher: Fox Chapel Publishing
ISBN: 1780091168
Category : Social Science
Languages : en
Pages : 167

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Book Description
Marcel Lucont, France's premier misanthropist and lover, introduces the reader to the British character as seen through the eyes of the French. From food and weather to television and pets, he shares his disdainful opinion on all things British and offers advice on just why the French do it so much better. The book features: "Dans La Rue", an eye-spy parody set on the British high street; "Tits of the Brits", a poem concerning the large British bust vs the petite French cup; "Stolen French", a guide to words the British have stolen from the French; "The British Joke", Marcel's take on British humour; and, "The Monarchy", including why the French got rid of theirs.

Cult British TV Comedy

Cult British TV Comedy PDF Author: Leon Hunt
Publisher:
ISBN: 9781781705865
Category : Cult films
Languages : en
Pages : 273

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Book Description
This book is the first sustained critical analysis of cult British TV comedy from 1990 to the present day. The book examines 'post-alternative' comedy as both 'cult' and 'quality' TV, aimed mostly at niche audiences and often possessing a subcultural aura. It includes case studies of Vic Reeves and Bob Mortimer and the sitcom writer Graham Linehan.