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Author: Dominic Hingorani
Publisher: Bloomsbury Publishing
ISBN: 1137083719
Category : Performing Arts
Languages : en
Pages : 256
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Book Description
This highly accessible and original introduction to British-Asian theatre explores the creativity, innovation and diversity of major British-Asian theatre companies. Including coverage of Tara Arts, Tamasha and Kali theatre companies, as well as important writers such as Hanif Kureishi and Gurpreet Kaur Bhatti, the book analyses the dramaturgy, cultural and political contexts and critical receptions that have informed major productions. Complete with plot summaries and illustrated throughout, the text explores the extraordinary contribution that British-Asian theatre has made to the British stage over the past thirty years.
Author: Jerri Daboo
Publisher: Routledge
ISBN: 1317196112
Category : Drama
Languages : en
Pages : 311
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Book Description
Staging British South Asian Culture: Bollywood and Bhangra in British Theatre looks afresh at the popularity of forms and aesthetics from Bollywood films and bhangra music and dance on the British stage. From Andrew Lloyd Webber’s Bombay Dreams to the finals of Britain’s Got Talent, Jerri Daboo reconsiders the centrality of Bollywood and bhangra to theatre made for or about British South Asian communities. Addressing rarely discussed theatre companies such as Rifco, and phenomena such as the emergence of large- scale Bollywood revue performances, this volume goes some way towards remedying the lack of critical discourse around British South Asian theatre. A timely contribution to this growing field, Staging British South Asian Culture is essential reading for any scholar or student interested in exploring the highly contested questions of identity and representation for British South Asian communities.
Author: Dominic Hingorani
Publisher: Bloomsbury Publishing
ISBN: 1350316598
Category : Performing Arts
Languages : en
Pages : 202
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Book Description
This highly accessible and original introduction to British-Asian theatre explores the creativity, innovation and diversity of major British-Asian theatre companies. Including coverage of Tara Arts, Tamasha and Kali theatre companies, as well as important writers such as Hanif Kureishi and Gurpreet Kaur Bhatti, the book analyses the dramaturgy, cultural and political contexts and critical receptions that have informed major productions. Complete with plot summaries and illustrated throughout, the text explores the extraordinary contribution that British-Asian theatre has made to the British stage over the past thirty years.
Author: Yang Mai Ooi
Publisher: Aurora Metro Publications Ltd.
ISBN: 191243007X
Category : Drama
Languages : en
Pages : 298
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Book Description
First collection of full-length plays from British East Asian playwrights Playwrights: Yang Mai Ooi, Jeremy Tiang, Lucy Chai Lai-Tuen, Amy Ng, Stephen Hoo, Joel Tan and Daniel York Loh. Selected and Edited: Cheryl Robson, Dr Amanda Rogers and Dr Ashley Thorpe. With an introduction: Dr Amanda Rogers and Dr Ashley Thorpe A landmark collection of contemporary full-length plays by British East Asian writers. Exploring subjects such as cultural identity, the fragmentation of communities, tradition, invisibility and discrimination, these plays are ideal to perform. With an introduction by academics Dr Amanda Rogers and Dr Ashley Thorpe which sets the plays into context and explores the hidden history of theatre from BEA theatre-makers. This is a timely collection, being published within months of the opening of three plays by British East Asian playwrights in the UK, and a growing awareness in the mainstream press that that East Asians in British theatre are under-represented. As Daniel York Loh writes: “British East Asians were effectively side-lined in any debate on diversity in theatre where the general establishment view tends towards a binary black/white... which seems to exclude large swathes of the Asian continent.” As Kumiko Mendl of Yellow Earth theatre writes: "There is an abundance of talent and experience to be found in the UK, and it's time that the rest of Britain woke up to the diversity of artists and practitioners around them – those that know their Kuan Han-ching as well as their Shakespeare." The seven plays in the anthology are: Bound Feet Blues by Yang Mai Ooi The Last Days of Limehouse by Jeremy Tiang Conversations with my Unknown Mother by Lucy Chai Lai-Tuen Special Occasions by Amy Ng Jamaica Boy by Stephen Hoo Tango by Joel Tan The Fu Manchu Complex by Daniel York Loh "Ooi has some unsettling examples of how, even today in the West, daintiness in a woman is often celebrated and a `beauty is pain' culture still exists." --The Stage "The Last Days of Limehouse is a finely balanced, well-written and superbly acted play that's well worth seeing." **** - --everything theatre "...a devilishly ironic spin on Sax Rohmer's classic novel that will leave you in hysterics...wildly satirical and steeped in sexual innuendo... the atmosphere created on stage is alluring." - --The Upcoming
Author: Chandrika Patel
Publisher: Lulu.com
ISBN: 1483433404
Category : Art
Languages : en
Pages : 253
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Book Description
The Taste of British South Asian Theatres: Aesthetics and Production offers critical analysis of eight British Asian performances, using an east-west approach of references and theories, the latter including the Rasa theory of the Natyashastra, Brecht's Gestus and semiotics, making a striking contribution to the understanding of one of the most outstanding examples of diasporic artistic activity in recent history. With illustrations, the productions discussed are The Marriage of Figaro (Tara Arts), Curry Tales (Rasa Productions), Mr Quiver: intimate (Rajni Shah), Rafta, Rafta...(National Theatre), Nowhere to Belong: Tales of an Extravagant Stranger (RSC/Tara Arts), A Fine Balance (Tamasha), Deadeye (Kali Theatre) and the Gujarati play Lottery Lottery (Shivam Theatre). "In the search for new models of criticism, Patel's study of eight performances has advanced a subtle recipe that provides a new resource for diaspora studies." -Graham Ley Emeritus Professor of Drama & Theory, University of Exeter
Author: Anupama Chandrasekhar
Publisher: Nick Hern Books
ISBN: 9781854595393
Category : Chennai (India)
Languages : en
Pages : 64
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Book Description
Chennai, southern India, today. When a well brought up, middle-class girl is filmed having sex with a boy in her classroom, the video clip spreads like a virus. Transmitted from person to person it infects firstly the local community and then seemingly the entire country with a burning moral outrage. The rampant technology of the modern world is set against the natural conservatism of a traditional society. Free Outgoing is the extraordinarily involving story of an ordinary family suddenly thrust into the public eye because of something they'd much rather hide.
Author: Siyuan Liu
Publisher: Routledge
ISBN: 1317278860
Category : Performing Arts
Languages : en
Pages : 603
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Book Description
Routledge Handbook of Asian Theatre is an advanced level reference guide which surveys the rich and diverse traditions of classical and contemporary performing arts in Asia, showcasing significant scholarship in recent years. An international team of over 50 contributors provide authoritative overviews on a variety of topics across Asia, including dance, music, puppetry, make-up and costume, architecture, colonialism, modernity, gender, musicals, and intercultural Shakespeare. This volume is divided into four sections covering: Representative Theatrical Traditions in Asia. Cross-Regional Aspects of Classical and Folk Theatres. Modern and Contemporary Theatres in Asian Countries. Modernity, Gender Performance, Intercultural and Musical Theatre in Asia. Offering a cutting edge overview of Asian theatre and performance, the Handbook is an invaluable resource for academics, researchers and students studying this ever-evolving field.
Author: Graham Ley
Publisher: University of Exeter Press - E
ISBN: 9780859898324
Category : Drama
Languages : en
Pages : 265
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Book Description
The book includes a complimentary DVD providing an album of rare and previously unpublished items from private collections: historical documents, programmes, designs, photographs, and clips from recordings of rehearsals and productions. British South Asian companies have formed one of the most significant features of theatre throughout the world in the last thirty years. Drawing on archive material and an extensive series of personal interviews, this exciting new book reverses the neglect of this vital element in the history of contemporary theatre - the vibrant presence of South Asians in theatre in Britain. British South Asian Theatre provides a detailed picture of the activity of twelve remarkable theatre companies and one major arts centre, including Tara Arts, Tamasha, Kali, Rasa and Rifco, making use of a wide range of new interviews with the practitioners involved and extensive research in the archives of those companies, it also contains a survey of British based South Asian language theatres by Chandrika Patel. This is a major contribution to the understanding of diasporic arts through one of the most impressive movements of its kind in the world.
Author: Amanda Rogers
Publisher: Routledge
ISBN: 1135010331
Category : Performing Arts
Languages : en
Pages : 268
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Book Description
This book makes a significant contribution to interdisciplinary engagements between Theatre Studies and Cultural Geography in its analysis of how theatre articulates transnational geographies of Asian culture and identity. Deploying a geographical approach to transnational culture, Rogers analyses the cross-border relationships that exist within and between Asian American, British East Asian, and South East Asian theatres, investigating the effect of transnationalism on the construction of identity, the development of creative praxis, and the reception of works in different social fields. This book therefore examines how practitioners engage with one another across borders, and details the cross-cultural performances, creative opportunities, and political alliances that result. By viewing ethnic minority theatres as part of global — rather than simply national — cultural fields, Rogers argues that transnational relationships take multiple forms and have varying impetuses that cannot always be equated to diasporic longing for a homeland or as strategically motivated for economic gain. This argument is developed through a series of chapters that examine how different transnational spatialities are produced and re-worked through the practice of theatre making, drawing upon an analysis of rehearsals, performances, festivals, and semi-structured interviews with practitioners. The book extends existing discussions of performance and globalization, particularly through its focus on the multiplicity of transnational spatiality and the networks between English-language Asian theatres. Its analysis of spatially extensive relations also contributes to an emerging body of research on creative geographies by situating theatrical praxis in relation to cross-border flows. Performing Asian Transnationalisms demonstrates how performances reflect and rework conventional transnational geographies in imaginative and innovative ways.
Author: Ashley Thorpe
Publisher: Springer
ISBN: 3319711598
Category : Social Science
Languages : en
Pages : 281
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Book Description
This is the first text to address British Chinese culture. It explores British Chinese cultural politics in terms of national and international debates on the Chinese diaspora, race, multiculture, identity and belonging, and transnational ‘Chineseness’. Collectively, the essays look at how notions of ‘British Chinese culture’ have been constructed and challenged in the visual arts, theatre and performance, and film, since the mid-1980s. They contest British Chinese invisibility, showing how practice is not only heterogeneous, but is forged through shifting historical and political contexts; continued racialization, the currency of Orientalist stereotypes and the possibility of their subversion; the policies of institutions and their funding strategies; and dynamic relationships with transnationalisms. The book brings a fresh perspective that makes both an empirical and theoretical contribution to the study of race and cultural production, whilst critically interrogating the very notion of British Chineseness.
Author: David Lane
Publisher: Edinburgh University Press
ISBN: 0748686797
Category : Literary Criticism
Languages : en
Pages : 241
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Book Description
This book offers an extended analysis of writers and theatre companies in Britain since 1995, and explores them alongside recent cultural, social and political developments. Referencing well-known practitioners from modern theatre, this book is an excelle
