British 19th Century. Marine Painting PDF Download
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Author: Denys Brook-Hart
Publisher:
ISBN:
Category :
Languages : en
Pages : 0
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Author: Denys Brook-Hart
Publisher:
ISBN:
Category :
Languages : en
Pages : 0
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Author: Eleanor Hughes
Publisher: Yale University Press
ISBN: 9780300221572
Category : ART
Languages : en
Pages : 0
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Spreading Canvas takes a close look at the tradition of marine painting that flourished in 18th-century Britain. Drawing primarily on the extensive collections of the Yale Center for British Art and the National Maritime Museum in Greenwich, London, this publication shows how the genre corresponded with Britain's growing imperial power and celebrated its increasing military presence on the seas, representing the subject matter in a way that was both documentary and sublime. Works by leading purveyors of the style, including Peter Monamy, Samuel Scott, Dominic Serres, and Nicholas Pocock, are featured alongside sketches, letters, and other ephemera that help frame the political and geographic significance of these inspiring views, while also establishing the painters' relationships to concurrent metropolitan art cultures. This survey, featuring a wealth of beautifully reproduced images, demonstrates marine painting's overarching relevance to British culture of the era. Published in association with the Yale Center for British Art Exhibition Schedule: Yale Center for British Art, New Haven (09/15/16-12/04/16)
Author: Rudolph J. Schaefer
Publisher: Mystic Seaport Museum
ISBN: 9780939511259
Category : Antiques & Collectibles
Languages : en
Pages : 0
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Revised edition that has been out of print for nearly
Author: Denys Brook-Hart
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 388
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Author: Alan Granby
Publisher: Mystic Seaport Museum
ISBN: 9781555953515
Category : Art
Languages : en
Pages : 0
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Flying the Colors is a major addition to the literature of marine painting. It focuses new attention on painters like James Buttersworth as well as the masterful handling of ship rigging and magnificent seas of Antonio Jacobsen. Of interest to any maritime enthusiasts, historians and collectors.
Author: CharmaineA. Nelson
Publisher: Routledge
ISBN: 1351548530
Category : Art
Languages : en
Pages : 443
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Book Description
Slavery, Geography and Empire in Nineteenth-Century Marine Landscapes of Montreal and Jamaica is among the first Slavery Studies books - and the first in Art History - to juxtapose temperate and tropical slavery. Charmaine A. Nelson explores the central role of geography and its racialized representation as landscape art in imperial conquest. One could easily assume that nineteenth-century Montreal and Jamaica were worlds apart, but through her astute examination of marine landscape art, the author re-connects these two significant British island colonies, sites of colonial ports with profound economic and military value. Through an analysis of prints, illustrated travel books, and maps, the author exposes the fallacy of their disconnection, arguing instead that the separation of these colonies was a retroactive fabrication designed in part to rid Canada of its deeply colonial history as an integral part of Britain's global trading network which enriched the motherland through extensive trade in crops produced by enslaved workers on tropical plantations. The first study to explore James Hakewill's Jamaican landscapes and William Clark's Antiguan genre studies in depth, it also examines the Montreal landscapes of artists including Thomas Davies, Robert Sproule, George Heriot and James Duncan. Breaking new ground, Nelson reveals how gender and race mediated the aesthetic and scientific access of such - mainly white, male - artists. She analyzes this moment of deep political crisis for British slave owners (between the end of the slave trade in 1807 and complete abolition in 1833) who employed visual culture to imagine spaces free of conflict and to alleviate their pervasive anxiety about slave resistance. Nelson explores how vision and cartographic knowledge translated into authority, which allowed colonizers to 'civilize' the terrains of the so-called New World, while belying the oppression of slavery and indigenous displacement.
Author: New-York Historical Society
Publisher: Giles
ISBN: 9781907804311
Category : Art
Languages : en
Pages : 0
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Book Description
An appealing selection of marine and maritime art from the collection of the New York Historical Society
Author: Jason Edwards
Publisher: Bloomsbury Publishing
ISBN: 1784422878
Category : Art
Languages : en
Pages : 146
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Book Description
This is the guide to the exhibition, Turner and the Whale at the Hull Maritime Museum in Autumn 2017, which brings together for the first time in the UK, 3 of the 4 whaling pictures Turner was at work on in 1845-1846. As part of the city of Hull's year as the UK Capital of Culture the exhibition guide will bring the Turner whaling pictures into context with key parts of the Hull collections, including natural historical specimens, whaler carvings and Inuit art.
Author: Witt Library
Publisher: Taylor & Francis
ISBN: 9781884964374
Category : Artists
Languages : en
Pages : 584
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Book Description
The Witt Library of the Courtauld Institute of Art, London, is one of the world's greatest art history libraries. It contains some 1.7 million illustrations of the work of painters, draughtsmen, and engravers of the Western tradition, all of whom have been indexed by name, dates, and nationality. This new second edition of the Checklist of Painters is a transcription of the Witt index as it currently exists. The names of 66,000 artists, their dates, and their nationality (or school) are reproduced in alphabetical order. The Checklist of Painters is probably the most exhaustive work of its kind in existence; it now lists all painters (known by art historians) to have lived and worked from the year 1200 to 1994.
Author: Michael Jones (Archaeologist)
Publisher: Yale University Press
ISBN: 0300169124
Category : Architecture
Languages : en
Pages : 241
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Book Description
"This publication is made possible by the generous support of the American people through the United States Agency for International Development (USAID)"--Page v.
