Britain's First TV/film Crime Series and the Industrialisation of Its Film Industry, 1946-1964 PDF Download
Are you looking for read ebook online? Search for your book and save it on your Kindle device, PC, phones or tablets. Download Britain's First TV/film Crime Series and the Industrialisation of Its Film Industry, 1946-1964 PDF full book. Access full book title Britain's First TV/film Crime Series and the Industrialisation of Its Film Industry, 1946-1964 by Dave Mann. Download full books in PDF and EPUB format.
Author: Dave Mann
Publisher:
ISBN:
Category : Business & Economics
Languages : en
Pages : 340
Get Book Here
Book Description
The first study devoted to the genesis of domestic TV/Film production, this project presents an industrial and cultural history of the transformation of the lower reaches of Britain's film industry during the period 1946-1964.
Author: Dave Mann
Publisher:
ISBN:
Category : Business & Economics
Languages : en
Pages : 340
Get Book Here
Book Description
The first study devoted to the genesis of domestic TV/Film production, this project presents an industrial and cultural history of the transformation of the lower reaches of Britain's film industry during the period 1946-1964.
Author: Dave Mann
Publisher:
ISBN: 9780773420809
Category : Crime on television
Languages : en
Pages : 322
Get Book Here
Book Description
The first study to date devoted to the genesis of domestic TV/Film production, this project presents for the first time an industrial and cultural history of the transformation of the lower reaches of Britain's film industry during the period 1946-1964.
Author: Richard Farmer
Publisher: Edinburgh University Press
ISBN: 1474423132
Category : Electronic books
Languages : en
Pages : 416
Get Book Here
Book Description
Making substantial use of new and underexplored archive resources that provide a wealth of information and insight on the period in question, this book offers a fresh perspective on the major resurgence of creativity and international appeal experienced by British cinema in the 1960s
Author: Geoff Mayer
Publisher: Scarecrow Press
ISBN: 081087900X
Category : Performing Arts
Languages : en
Pages : 515
Get Book Here
Book Description
The crime film genre consists of detective films, gangster films, suspense thrillers, film noir, and caper films and is produced throughout the world. Crime film was there at the birth of cinema, and it has accompanied cinema over more than a century of history, passing from silent films to talkies, from black-and-white to color. The genre includes such classics as The Maltese Falcon, The Godfather, Gaslight, The French Connection, and Serpico, as well as more recent successes like Seven, Drive, and L.A. Confidential. The Historical Dictionary of Crime Films covers the history of this genre through a chronology, an introductory essay, and an extensive bibliography. The dictionary section has over 300 cross-referenced entries on key films, directors, performers, and studios. This book is an excellent access point for students, researchers, and anyone wanting to know more about crime cinema.
Author: Jill Nelmes
Publisher: Bloomsbury Publishing
ISBN: 1839020482
Category : Performing Arts
Languages : en
Pages : 306
Get Book Here
Book Description
Though screenwriting is an essential part of the film production process, in Britain it is yet to be fully recognised as a form in itself. In this original study, Jill Nelmes brings the art of screenwriting into sharp focus, foregrounding the role of the screenwriter in British cinema from the 1930s to the present day. Drawing on otherwise unseen drafts of screenplays, correspondence and related material held in the Special Collections of the BFI National Archive, Nelmes's close textual analysis of the screenplay in its many forms illuminates both the writing and the production process. With case studies of a diverse range of key writers – from individuals such as Muriel Box, Robert Bolt and Paul Laverty, to teams such as the Carry On writers – Nelmes exposes the depth and breadth of this thriving field.
Author: Dave Mann
Publisher: McFarland
ISBN: 0786479825
Category : Performing Arts
Languages : en
Pages : 260
Get Book Here
Book Description
Harry Alan Towers' reputation rests upon a corpus of 95 low-budget productions shot post-haste in every corner of the globe. He took an integral part, however, in the development of the protocols that now underpin much transnational film production and he must be regarded as a pioneer. Towers' slash and burn strategy focused on parasitic, back-to-back productions, funded by rights bundles that were pre-sold globally. This strategy was substantially derived from his early days in broadcasting wherein he acted as a go-between in the American and the British Commonwealth markets. Though he became adept at procuring funds from pariah regimes and black market economies, primarily he continued to act as a broker bringing together American equity investment and European finance under the auspices of EC co-production agreements. He was also quick to exploit the burgeoning niche markets becoming available in the wake of technological developments and government initiatives.
Author: Brian Neve
Publisher: University of Wisconsin Pres
ISBN: 0299303748
Category : Biography & Autobiography
Languages : en
Pages : 293
Get Book Here
Book Description
Cy Endfield (1914-1995) was a filmmaker (Try and Get Me!, Hell Drivers, Zulu) with interests in close-up magic, science, and invention. The director of several distinctive Hollywood movies, he was blacklisted and refused to "name names" before the House Un-American Activities Committee.
Author: Andrew Spicer
Publisher: Scarecrow Press
ISBN: 0810873788
Category : Performing Arts
Languages : en
Pages : 533
Get Book Here
Book Description
Film noir_literally 'black cinema'_is the label customarily given to a group of black and white American films, mostly crime thrillers, made between 1940 and 1959. Today there is considerable dispute about what are the shared features that classify a noir film, and therefore which films should be included in this category. These problems are partly caused because film noir is a retrospective label that was not used in the 1940s or 1950s by the film industry as a production category and therefore its existence and features cannot be established through reference to trade documents. The Historical Dictionary of Film Noir is a comprehensive guide that ranges from 1940 to present day neo-noir. It consists of a chronology, an introductory essay, a bibliography, a filmography, and over 400 cross-referenced dictionary entries on every aspect of film noir and neo-noir, including key films, personnel (actors, cinematographers, composers, directors, producers, set designers, and writers), themes, issues, influences, visual style, cycles of films (e.g. amnesiac noirs), the representation of the city and gender, other forms (comics/graphic novels, television, and videogames), and noir's presence in world cinema. It is an essential reference work for all those interested in this important cultural phenomenon.
Author: Carol A Stabile
Publisher: MIT Press
ISBN: 1906897867
Category : History
Languages : en
Pages : 302
Get Book Here
Book Description
How forty-one women—including Dorothy Parker, Gypsy Rose Lee, and Lena Horne—were forced out of American television and radio in the 1950s “Red Scare.” At the dawn of the Cold War era, forty-one women working in American radio and television were placed on a media blacklist and forced from their industry. The ostensible reason: so-called Communist influence. But in truth these women—among them Dorothy Parker, Lena Horne, and Gypsy Rose Lee—were, by nature of their diversity and ambition, a threat to the traditional portrayal of the American family on the airwaves. This book from Goldsmiths Press describes what American radio and television lost when these women were blacklisted, documenting their aspirations and achievements. Through original archival research and access to FBI blacklist documents, The Broadcast 41 details the blacklisted women's attempts in the 1930s and 1940s to depict America as diverse, complicated, and inclusive. The book tells a story about what happens when non-male, non-white perspectives are excluded from media industries, and it imagines what the new medium of television might have looked like had dissenting viewpoints not been eliminated at such a formative moment. The all-white, male-dominated Leave it to Beaver America about which conservative politicians wax nostalgic existed largely because of the forcible silencing of these forty-one women and others like them. For anyone concerned with the ways in which our cultural narrative is constructed, this book offers an urgent reminder of the myths we perpetuate when a select few dominate the airwaves.
Author: Arthur James Wells
Publisher:
ISBN:
Category : Bibliography, National
Languages : en
Pages : 1922
Get Book Here
Book Description
