Author: Jane Fenoulhet
Publisher: UCL Press
ISBN: 1910634972
Category : History
Languages : en
Pages : 252
Book Description
This edited collection explores the ways in which our understanding of the past in Dutch history and culture can be rethought to consider not only how it forms part of the present but how it can relate also to the future. Divided into three parts – The Uses of Myth and History, The Past as Illumination of Cultural Context, and Historiography in Focus – this book seeks to demonstrate the importance of the past by investigating the transmission of culture and its transformations. It reflects on the history of historiography and looks critically at the products of the historiographic process, such as Dutch and Afrikaans literary history. The chapters cover a range of disciplines and approaches: some authors offer a broad view of a particular period, such as Jonathan Israel's contribution on myth and history in the ideological politics of the Dutch Golden Age, while others zoom in on specific genres, texts or historical moments, such as Benjamin Schmidt’s study of the doolhof, a word that today means ‘labyrinth’ but once described a 17th-century educational amusement park. This volume, enlightening and home to multiple paths of enquiry leading in different directions, is an excellent example of what a past-present doolhof might look like.
Narratives of Low Countries History and Culture
Author: Jane Fenoulhet
Publisher: UCL Press
ISBN: 1910634972
Category : History
Languages : en
Pages : 252
Book Description
This edited collection explores the ways in which our understanding of the past in Dutch history and culture can be rethought to consider not only how it forms part of the present but how it can relate also to the future. Divided into three parts – The Uses of Myth and History, The Past as Illumination of Cultural Context, and Historiography in Focus – this book seeks to demonstrate the importance of the past by investigating the transmission of culture and its transformations. It reflects on the history of historiography and looks critically at the products of the historiographic process, such as Dutch and Afrikaans literary history. The chapters cover a range of disciplines and approaches: some authors offer a broad view of a particular period, such as Jonathan Israel's contribution on myth and history in the ideological politics of the Dutch Golden Age, while others zoom in on specific genres, texts or historical moments, such as Benjamin Schmidt’s study of the doolhof, a word that today means ‘labyrinth’ but once described a 17th-century educational amusement park. This volume, enlightening and home to multiple paths of enquiry leading in different directions, is an excellent example of what a past-present doolhof might look like.
Publisher: UCL Press
ISBN: 1910634972
Category : History
Languages : en
Pages : 252
Book Description
This edited collection explores the ways in which our understanding of the past in Dutch history and culture can be rethought to consider not only how it forms part of the present but how it can relate also to the future. Divided into three parts – The Uses of Myth and History, The Past as Illumination of Cultural Context, and Historiography in Focus – this book seeks to demonstrate the importance of the past by investigating the transmission of culture and its transformations. It reflects on the history of historiography and looks critically at the products of the historiographic process, such as Dutch and Afrikaans literary history. The chapters cover a range of disciplines and approaches: some authors offer a broad view of a particular period, such as Jonathan Israel's contribution on myth and history in the ideological politics of the Dutch Golden Age, while others zoom in on specific genres, texts or historical moments, such as Benjamin Schmidt’s study of the doolhof, a word that today means ‘labyrinth’ but once described a 17th-century educational amusement park. This volume, enlightening and home to multiple paths of enquiry leading in different directions, is an excellent example of what a past-present doolhof might look like.
The Matica and Beyond
Author:
Publisher: BRILL
ISBN: 9004425381
Category : History
Languages : en
Pages : 383
Book Description
Nineteenth-century national movements perceived the nation as a community defined by language, culture and history. Part of the infrastructure to spread this view of the nation were institutions publishing literary and scientific texts in the national language. Starting with the Matica srpska (Pest, 1826), a particular kind of society was established in several parts of the Habsburg Empire – inspiring each other, but with often major differences in activities, membership and financing. Outside of the Slavic world analogues institutions played a similar key role in the early stages of national revival in Europe. The Matica and Beyond is the first concerted attempt to comparatively investigate both the specificity and commonality of these cultural associations, bringing together cases from differing regional, political and social circumstances. Contributors are: Daniel Baric, Benjamin Bossaert, Marijan Dović, Liljana Gushevska, Jörg Hackmann, Roisín Higgins, Alfonso Iglesias Amorín, Dagmar Kročanová, Joep Leerssen, Marion Löffler, Philippe Martel, Alexei Miller, Xosé M. Núñez Seixas, Iryna Orlevych, Magdaléna Pokorná, Miloš Řezník, Jan Rock, Diliara M. Usmanova, and Zsuzsanna Varga.
Publisher: BRILL
ISBN: 9004425381
Category : History
Languages : en
Pages : 383
Book Description
Nineteenth-century national movements perceived the nation as a community defined by language, culture and history. Part of the infrastructure to spread this view of the nation were institutions publishing literary and scientific texts in the national language. Starting with the Matica srpska (Pest, 1826), a particular kind of society was established in several parts of the Habsburg Empire – inspiring each other, but with often major differences in activities, membership and financing. Outside of the Slavic world analogues institutions played a similar key role in the early stages of national revival in Europe. The Matica and Beyond is the first concerted attempt to comparatively investigate both the specificity and commonality of these cultural associations, bringing together cases from differing regional, political and social circumstances. Contributors are: Daniel Baric, Benjamin Bossaert, Marijan Dović, Liljana Gushevska, Jörg Hackmann, Roisín Higgins, Alfonso Iglesias Amorín, Dagmar Kročanová, Joep Leerssen, Marion Löffler, Philippe Martel, Alexei Miller, Xosé M. Núñez Seixas, Iryna Orlevych, Magdaléna Pokorná, Miloš Řezník, Jan Rock, Diliara M. Usmanova, and Zsuzsanna Varga.
Rembrandt and His Critics 1630–1730
Author: Seymour Slive
Publisher: Springer Science & Business Media
ISBN: 9401508380
Category : Art
Languages : en
Pages : 278
Book Description
My greatest debt in the writing of this book is to my teacher Dr. Ulrich Middeldorf, who taught me the methodology of research in art history, and who guided my studies of art theory and criticism. This study, which in an earlier form was accepted as a doctoral dissertation by the University of Chicago, was begun under Dr. Middeldorf's guidance, and during all stages of its preparation I benefited from his invaluable suggestions and criticism. A United States Government Grant enabled me to complete my researches on Rembrandt in the Netherlands, where I studied at the Rijksuniversiteit te Utrecht with Dr. J.G. van Gelder, who was particularly generous with his knowledge and time. He read the manuscript and proofs, and offered numerous suggestions and additions which have been of great benefit to me. Special acknowledgement is made to the Kunsthistorisch lnstituut der Rijksuniversiteit te Utrecht for generously finding a place for this study in the Utrechtse Bij dragen tot de Kunstgeschiedenis. I am also much indebted to Dr. H. Schulte Nordholt of the Kunsthistorisch lnstituut for his valuable advice and his help inseeing the book through the press.
Publisher: Springer Science & Business Media
ISBN: 9401508380
Category : Art
Languages : en
Pages : 278
Book Description
My greatest debt in the writing of this book is to my teacher Dr. Ulrich Middeldorf, who taught me the methodology of research in art history, and who guided my studies of art theory and criticism. This study, which in an earlier form was accepted as a doctoral dissertation by the University of Chicago, was begun under Dr. Middeldorf's guidance, and during all stages of its preparation I benefited from his invaluable suggestions and criticism. A United States Government Grant enabled me to complete my researches on Rembrandt in the Netherlands, where I studied at the Rijksuniversiteit te Utrecht with Dr. J.G. van Gelder, who was particularly generous with his knowledge and time. He read the manuscript and proofs, and offered numerous suggestions and additions which have been of great benefit to me. Special acknowledgement is made to the Kunsthistorisch lnstituut der Rijksuniversiteit te Utrecht for generously finding a place for this study in the Utrechtse Bij dragen tot de Kunstgeschiedenis. I am also much indebted to Dr. H. Schulte Nordholt of the Kunsthistorisch lnstituut for his valuable advice and his help inseeing the book through the press.
The Practice of Philology in the Nineteenth-century Netherlands
Author: Ton van Kalmthout
Publisher:
ISBN: 9789089645913
Category : Dutch language
Languages : en
Pages : 0
Book Description
This volume illuminates how philology and its focus on the critical examination of classical texts began an accelerated process of specialization in Dutch scholarship of the 1800s.
Publisher:
ISBN: 9789089645913
Category : Dutch language
Languages : en
Pages : 0
Book Description
This volume illuminates how philology and its focus on the critical examination of classical texts began an accelerated process of specialization in Dutch scholarship of the 1800s.
Down from Olympus
Author: Suzanne L. Marchand
Publisher: Princeton University Press
ISBN: 1400843685
Category : History
Languages : en
Pages : 424
Book Description
Since the publication of Eliza May Butler's Tyranny of Greece over Germany in 1935, the obsession of the German educated elite with the ancient Greeks has become an accepted, if severely underanalyzed, cliché. In Down from Olympus, Suzanne Marchand attempts to come to grips with German Graecophilia, not as a private passion but as an institutionally generated and preserved cultural trope. The book argues that nineteenth-century philhellenes inherited both an elitist, normative aesthetics and an ascetic, scholarly ethos from their Romantic predecessors; German "neohumanists" promised to reconcile these intellectual commitments, and by so doing, to revitalize education and the arts. Focusing on the history of classical archaeology, Marchand shows how the injunction to imitate Greek art was made the basis for new, state-funded cultural institutions. Tracing interactions between scholars and policymakers that made possible grand-scale cultural feats like the acquisition of the Pergamum Altar, she underscores both the gains in specialized knowledge and the failures in social responsibility that were the distinctive products of German neohumanism. This book discusses intellectual and institutional aspects of archaeology and philhellenism, giving extensive treatment to the history of prehistorical archaeology and German "orientalism." Marchand traces the history of the study, excavation, and exhibition of Greek art as a means to confront the social, cultural, and political consequences of the specialization of scholarship in the last two centuries.
Publisher: Princeton University Press
ISBN: 1400843685
Category : History
Languages : en
Pages : 424
Book Description
Since the publication of Eliza May Butler's Tyranny of Greece over Germany in 1935, the obsession of the German educated elite with the ancient Greeks has become an accepted, if severely underanalyzed, cliché. In Down from Olympus, Suzanne Marchand attempts to come to grips with German Graecophilia, not as a private passion but as an institutionally generated and preserved cultural trope. The book argues that nineteenth-century philhellenes inherited both an elitist, normative aesthetics and an ascetic, scholarly ethos from their Romantic predecessors; German "neohumanists" promised to reconcile these intellectual commitments, and by so doing, to revitalize education and the arts. Focusing on the history of classical archaeology, Marchand shows how the injunction to imitate Greek art was made the basis for new, state-funded cultural institutions. Tracing interactions between scholars and policymakers that made possible grand-scale cultural feats like the acquisition of the Pergamum Altar, she underscores both the gains in specialized knowledge and the failures in social responsibility that were the distinctive products of German neohumanism. This book discusses intellectual and institutional aspects of archaeology and philhellenism, giving extensive treatment to the history of prehistorical archaeology and German "orientalism." Marchand traces the history of the study, excavation, and exhibition of Greek art as a means to confront the social, cultural, and political consequences of the specialization of scholarship in the last two centuries.
History and Historians in the Nineteenth Century
Author: George Peabody Gooch
Publisher:
ISBN:
Category : Historians
Languages : en
Pages : 634
Book Description
Publisher:
ISBN:
Category : Historians
Languages : en
Pages : 634
Book Description
On Thucydides
Author: Dionysius (of Halicarnassus.)
Publisher: Univ of California Press
ISBN: 9780520029224
Category : History
Languages : en
Pages : 212
Book Description
Publisher: Univ of California Press
ISBN: 9780520029224
Category : History
Languages : en
Pages : 212
Book Description
How Modern Science Came Into the World
Author: H. F. Cohen
Publisher: Amsterdam University Press
ISBN: 9089642390
Category : History
Languages : en
Pages : 825
Book Description
Once upon a time 'The Scientific Revolution of the 17th century' was an innovative concept that inspired a stimulating narrative of how modern science came into the world. Half a century later, what we now know as 'the master narrative' serves rather as a strait-jacket - so often events and contexts just fail to fit in. No attempt has been made so far to replace the master narrative. H. Floris Cohen now comes up with precisely such a replacement. Key to his path-breaking analysis-cum-narrative is a vision of the Scientific Revolution as made up of six distinct yet narrowly interconnected, revolutionary transformations, each of some twenty-five to thirty years' duration. This vision enables him to explain how modern science could come about in Europe rather than in Greece, China, or the Islamic world. It also enables him to explain how half-way into the 17th century a vast crisis of legitimacy could arise and, in the end, be overcome.
Publisher: Amsterdam University Press
ISBN: 9089642390
Category : History
Languages : en
Pages : 825
Book Description
Once upon a time 'The Scientific Revolution of the 17th century' was an innovative concept that inspired a stimulating narrative of how modern science came into the world. Half a century later, what we now know as 'the master narrative' serves rather as a strait-jacket - so often events and contexts just fail to fit in. No attempt has been made so far to replace the master narrative. H. Floris Cohen now comes up with precisely such a replacement. Key to his path-breaking analysis-cum-narrative is a vision of the Scientific Revolution as made up of six distinct yet narrowly interconnected, revolutionary transformations, each of some twenty-five to thirty years' duration. This vision enables him to explain how modern science could come about in Europe rather than in Greece, China, or the Islamic world. It also enables him to explain how half-way into the 17th century a vast crisis of legitimacy could arise and, in the end, be overcome.
From Early Modern to Modern Disciplines
Author: Conference on the History of Humanities
Publisher:
ISBN: 9789089644558
Category : Humanities
Languages : en
Pages : 427
Book Description
Publisher:
ISBN: 9789089644558
Category : Humanities
Languages : en
Pages : 427
Book Description
A Catalogue of Rembrandt's Selected Drawings
Author: Otto Benesch
Publisher:
ISBN:
Category : Art, Dutch
Languages : en
Pages : 72
Book Description
Publisher:
ISBN:
Category : Art, Dutch
Languages : en
Pages : 72
Book Description