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Author: Brice Marden
Publisher: Richter Verlag
ISBN:
Category : Art
Languages : en
Pages : 242
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Book Description
These never before published or exhibited work books of artist Brice Marden (b. 1938) are here presented in lavish duotone and full-color reproductions, and offer vivid testimony to the workings of a major painter's imagination. In drawings, sketches, and studies, the intimate framework of the Work Books corresponds to the rigor and poetic intensity with which the artist reflects on the principles of autonomous abstract art. Taken as a totality, the drawings included in this book are an important artwork in their own right, and are crucial to any understanding of Marden's oeuvre.
Author: Brice Marden
Publisher: Richter Verlag
ISBN:
Category : Art
Languages : en
Pages : 242
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Book Description
These never before published or exhibited work books of artist Brice Marden (b. 1938) are here presented in lavish duotone and full-color reproductions, and offer vivid testimony to the workings of a major painter's imagination. In drawings, sketches, and studies, the intimate framework of the Work Books corresponds to the rigor and poetic intensity with which the artist reflects on the principles of autonomous abstract art. Taken as a totality, the drawings included in this book are an important artwork in their own right, and are crucial to any understanding of Marden's oeuvre.
Author: Gary Garrels
Publisher: The Museum of Modern Art
ISBN: 9780870704468
Category : Architecture
Languages : en
Pages : 346
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Book Description
Brice Marden: A Retrospective ISBN 0-87070-446-X / 978-0-87070-446-8 Hardcover, 11.5 x 9.5 in. / 240 pgs / 248 color. / U.S. $60.00 CDN $72.00 October / Art
Author: Brice Marden
Publisher: Scalo Publishers
ISBN:
Category : Art
Languages : en
Pages : 140
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Book Description
Author: Jodi Hauptman
Publisher: The Museum of Modern Art
ISBN: 9780870706646
Category : Architecture
Languages : en
Pages : 236
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Book Description
Published on the occasion of the exhibition held at the Museum of Modern Art, New York, Mar. 30-Aug. 29, 2005.
Author: Marc Treib
Publisher: Routledge
ISBN: 1135763194
Category : Architecture
Languages : en
Pages : 193
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Book Description
Bringing together authors from the fields of architecture, landscape architecture and art, this book addresses the question ‘Why draw?’ by examining the various dynamic relationships between media, process, thought and environment.
Author: Charles Wylie
Publisher:
ISBN:
Category : Architecture
Languages : en
Pages : 86
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Book Description
This book is the first to catalogue in one volume all of abstract artist Brice Marden's work From the 1990s, and includes, unlike other publications on the artist, marvelous large details of the pieces, which give the reader a better perspective of what the works are like in actual size. Marden's alternately fluid and tensile abstractions and patterned motifs represent a lifetime's worth of thought about art. The book is published to accompany a major travelling exhibition on Marden's work organized by the Dallas Museum of Art.
Author: Dieter Schwarz
Publisher: Harvard Univ Art Museum
ISBN: 9780916724955
Category : Art
Languages : de
Pages : 231
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Book Description
Author: Richard Shiff
Publisher: Simon and Schuster
ISBN: 1644230488
Category : Art
Languages : en
Pages : 349
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Book Description
A broad and deep anthology of critic and art historian Richard Shiff’s most influential writings, which have shaped our understanding of twentieth- and twenty-first-century art. In his engaging and often strikingly deep observations of major modern and contemporary visual art, Shiff has written about an impressive range of artists, including Willem de Kooning, Marlene Dumas, Jasper Johns, Donald Judd, Barnett Newman, Pablo Picasso, and Bridget Riley. A leading scholar and powerful voice, Shiff’s insight into some of the most prominent artistic practices spans generation, place, and approach as seen in this considered selection of essays on twenty-six artists. These writings first appeared in exhibition catalogues for retrospectives at galleries and institutions including the Centre Georges Pompidou, the Solomon R. Guggenheim Museum, The Museum of Modern Art, and Tate Modern. Shiff supplements his unquestionable fluency in art history with insights cultivated from his readings in philosophy, phenomenology, literary theory, and psychoanalysis, among other fields. Shiff’s writing—conceptually rich, meditative, and enjoyable to read—is attuned to the nuances of artistic style and technique, drawing out art’s social implications not merely from broad histories but also directly from artists’ mark making and technical gestures. Actively engaged as a viewer and a writer, Shiff has transformed the act of looking at art into contemplative and captivating writing. Includes essays on Georg Baselitz, Mark Bradford, Georges Braque, Jim Campbell, Chuck Close, Willem de Kooning, Peter Doig, Marlene Dumas, Dan Flavin, Suzan Frecon, Lucian Freud, Ellen Gallagher, Jasper Johns, Donald Judd, Ellsworth Kelly, Brice Marden, Julie Mehretu, Barnett Newman, Pablo Picasso, Bridget Riley, Richard Serra, Joel Shapiro, Richard Tuttle, Cy Twombly, Jack Whitten, and Zeng Fanzhi.
Author: Paul Hackett
Publisher: Psychology Press
ISBN: 113501986X
Category : Psychology
Languages : en
Pages : 166
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Book Description
Over the past decade, the integration of psychology and fine art has sparked growing academic interest among researchers of these disciplines. The author, both a psychologist and artist, offers up a unique merger and perspective of these fields. Through the production of fine art, which is directly informed by neuroscientific and optical processes, this volume aims to fill a gap in the literature and understanding of the creation and perception of the grid image created as a work of art. The grid image is employed (for reasons discussed in the text) to illustrate more general processes associated with the integration of vision, visual distortion, and painting. Existing at the intersection of perceptual neuroscience, psychology, fine art and art history, this volume concerns the act of painting and the process of looking. More specifically, the book examines vision and the effects of visual impairment and how these can be interpreted through painting within a theoretical framework of visual neuroscience.
Author: Museum of Modern Art (New York, N.Y.). Library
Publisher:
ISBN:
Category : Art, Modern
Languages : en
Pages : 450
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Book Description
