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Author: Gary Garrels
Publisher: The Museum of Modern Art
ISBN: 9780870704468
Category : Architecture
Languages : en
Pages : 346
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Book Description
Brice Marden: A Retrospective ISBN 0-87070-446-X / 978-0-87070-446-8 Hardcover, 11.5 x 9.5 in. / 240 pgs / 248 color. / U.S. $60.00 CDN $72.00 October / Art
Author: Gary Garrels
Publisher: The Museum of Modern Art
ISBN: 9780870704468
Category : Architecture
Languages : en
Pages : 346
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Book Description
Brice Marden: A Retrospective ISBN 0-87070-446-X / 978-0-87070-446-8 Hardcover, 11.5 x 9.5 in. / 240 pgs / 248 color. / U.S. $60.00 CDN $72.00 October / Art
Author: Charles Wylie
Publisher:
ISBN:
Category : Architecture
Languages : en
Pages : 86
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Book Description
This book is the first to catalogue in one volume all of abstract artist Brice Marden's work From the 1990s, and includes, unlike other publications on the artist, marvelous large details of the pieces, which give the reader a better perspective of what the works are like in actual size. Marden's alternately fluid and tensile abstractions and patterned motifs represent a lifetime's worth of thought about art. The book is published to accompany a major travelling exhibition on Marden's work organized by the Dallas Museum of Art.
Author: Klaus Kertess
Publisher: Abrams
ISBN:
Category : Art
Languages : en
Pages : 274
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Book Description
Brice Marden's art is deceptively austere. Within the seemingly narrow color range of his paintings and drawings, he orchestrates remarkable thematic variations of color, light, scale and mood. His monochromatic gray palette of the 1960s, expressing a "vocabulary of ambiguities,'' gave way to limpid motions and a neoclassical exploration of color-and-light relationships. Kertess, a curator at New York City's Whitney Museum, links the elemental grace of Marden's more recent works to this American artist's summer sojourns on Hydra, a Greek island in the Aegean Sea. In Marden's organic, cellular structures, Kertess sees the influence of Chinese calligraphy and Marden's trips to the Far East. Illustrated with 158 plates (133 in color), this handsome monograph follows Marden's metamorphosis from a pure abstractionist to an artist seeking to objectify the spiritual, as he does in his Annunciation series and in the Elements, which are symbolic paintings rooted in medieval alchemy.
Author: Brice Marden
Publisher: Trustees of Whitechapel Art Gallery
ISBN:
Category : Art
Languages : en
Pages : 68
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Book Description
Author: Brice Marden
Publisher:
ISBN: 9781880146552
Category :
Languages : en
Pages : 0
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Book Description
Catalog of an exhibition held at Matthew Marks Gallery, New York, N.Y., Oct. 29-Dec. 23, 2010.
Author:
Publisher:
ISBN: 9781880146941
Category : Art, American
Languages : en
Pages : 0
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Book Description
Catalog of an exhibition held November 7-December 24, 2015 at Matthew Marks Gallery, New York City, and January 23-April 9, 2016 at Matthew Marks Gallery, Los Angeles.
Author: Brice Marden
Publisher: Whitney Museum of American Art
ISBN:
Category : Antiques & Collectibles
Languages : en
Pages : 90
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Book Description
This elegant book accompanies an exhibition of the Whitney Museum of American Art's collection of 52 Brice Marden drawings, the largest in the world, and offers the most thorough examination of the drawings to date. Janie C. Lee surveys Marden's remarkable graphic achievements, and her revealing interview with the artist explores his interplay of technique and subject matter, sources of inspiration, and the role drawings play in his oeuvre.
Author: Kelly Montana
Publisher: Menil Drawing Institute
ISBN: 9780300233131
Category : Art
Languages : en
Pages : 0
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Book Description
An exploration of Brice Marden's draftsmanship and the catalytic role the medium of drawing plays in his larger oeuvre In 1979, Brice Marden (b. 1938) asked that his drawings be thought of "as spaces," reflecting the idea that drawing is a medium that is much more than its two physical dimensions. Looking closely at six series of drawings that span nearly the entirety of Marden's ongoing career, this luxuriously illustrated presentation features works spanning from 1975 to 2019, including the never-before-published Letters from Borobudur of 2010. In addition to rarely seen early monochrome works, three groups of 1979-80s drawings--Mirabelle Addenda, Shell, and Cold Mountain Studies--foreshadow the artist's mature linear work and highlight the process of invention and permutation that occurs as Marden thinks and draws on paper. A concise overview of Marden's drawing practice investigates the geographies and methods that inform his work, while an artist interview offers insight into how Marden uses the medium as a means of exploring the creation of spaces on drawing surfaces. Distributed for the Menil Collection Exhibition Schedule: Menil Drawing Institute, the Menil Collection, Houston (February 21-October 11, 2020)
Author: Brice Marden
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 78
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Book Description
Author: Eliot Weinberger
Publisher: Rizzoli Publications
ISBN: 084787284X
Category : Art
Languages : en
Pages : 0
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Book Description
This lavishly illustrated volume features new paintings and works on paper by Brice Marden, with an essay by Eliot Weinberger. Published to coincide with a 2021 exhibition of new paintings and works on paper by Brice Marden, this catalogue includes full-color illustrations of each work, as well as details of works and installation views documenting the exhibition. Portraits of the artist in his studio were taken by the artist’s daughter, Mirabelle Marden, and are accompanied by images of works in progress. Marden’s paintings evoke the daily and seasonal shifts in natural light and color that the artist observes when working in his studio in Tivoli in upstate New York. He begins with drawing, filling some canvases with gestural glyphs that occupy a realm between writing and painting. Over these, he applies sinuous, multihued networks of linear brushstrokes, establishing interrelationships between the compositions’ straight and curving lines, and between their contours—whether defined or implied—and perimeters. Related works on paper made on the Caribbean island of Nevis reveal the immediacy and range of Marden’s drawing practice and exemplify the artist’s sustained engagement with the traditions of Chinese poetry and calligraphy, which he initiated in the 1980s and has continuously developed ever since. A new text by Eliot Weinberger takes this particular interest as its point of departure, connecting Marden’s work to the origin of Chinese writing and early modernist philosophies about the content of abstract art.
