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Author: Giles Blunt
Publisher: Vintage Canada
ISBN: 0307374130
Category : Fiction
Languages : en
Pages : 274
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Book Description
A master crime writer trains every weapon in his arsenal on a crime against humanity. In 1980s El Salvador, a young woman is detained in a government torture squad’s head-quarters, suspected of supporting guerilla forces. There, a bookish new recruit, Victor Peña, is assigned to assist in her interrogation. Before they learn so much as her name—Lorca—the squad relentlessly break her, body and soul. It is a terrifying journey into human cruelty and courage, one which years later—in the pinnacle of cosmopolitan America—still haunts the tormentor as dramatically as it does his victim.
Author: Giles Blunt
Publisher: Vintage Canada
ISBN: 0307357015
Category : Fiction
Languages : en
Pages : 274
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Book Description
A master crime writer trains every weapon in his arsenal on a crime against humanity. In 1980s El Salvador, a young woman is detained in a government torture squad’s head-quarters, suspected of supporting guerilla forces. There, a bookish new recruit, Victor Peña, is assigned to assist in her interrogation. Before they learn so much as her name—Lorca—the squad relentlessly break her, body and soul. It is a terrifying journey into human cruelty and courage, one which years later—in the pinnacle of cosmopolitan America—still haunts the tormentor as dramatically as it does his victim.
Author: Jonathan Mayhew
Publisher: Routledge
ISBN: 0429941544
Category : Literary Criticism
Languages : en
Pages : 324
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Book Description
In Lorca’s Legacy, Jonathan Mayhew explores multiple aspects of the creative and critical afterlife of Federico García Lorca, the most internationally recognized Spanish poet and playwright of the twentieth century. Lorca is an iconic and charismatic figure who has evoked the admiration and fascination of musicians, poets, painters, and playwrights across the world since his tragic assassination by right-wing forces in 1936, at the onset of the Spanish Civil War. This volume ranges widely, discussing his influence on American theater, his much-debated lecture on the duende, his delayed encounter with queer theory, his influence on contemporary Spanish poetry, and other relevant topics. The critical literature on Lorca is vast, and original contributions are comparatively rare, but Mayhew has found a way to shed fresh light on his legacy by looking with a critical eye at the creative transformations of his life and work, both in Spain and abroad. Lorca’s Legacy celebrates the wealth of material inspired by Lorca, bringing to bear a sophisticated, theoretically informed critical perspective. This book will be of enormous interest to anyone interested in the international projection of Spanish literature, or anyone who has felt the fascination of Lorca’s duende.
Author: Andrés Pérez-Simón
Publisher: Routledge
ISBN: 1000766578
Category : Literary Criticism
Languages : en
Pages : 154
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Book Description
Baroque Lorca: An Archaist Playwright for the New Stage defines Federico García Lorca’s trajectory in the theater as a lifelong search for an audience. It studies a wide range of dramatic writings that Lorca created for the theater, in direct response to the conditions of his contemporary industry, and situates the theory and praxis of his theatrical reform in dialogue with other modernist renovators of the stage. This book makes special emphasis on how Lorca engaged with the tradition of Spanish Baroque, in particular with Cervantes and Calderón, to break away from the conventions of the illusionist stage. The five chapters of the book analyze Lorca’s different attempts to change the dynamics of the Spanish stage from 1920 to his assassination in 1936: His initial incursions in the arenas of symbolist and historical drama (The Butterfly’s Evil Spell, Mariana Pineda); his interest in puppetry (The Billy-Club Puppets and In the Frame of Don Cristóbal) and the two ‘human’ farces The Shoemaker’s Prodigious Wife and The Love of Don Perlimplín and Belisa in the Garden; the central piece in his project of ‘impossible’ theater (The Public); his most explicitly political play, one that takes the violence to the spectators’ seats (The Dream of Life); and his three plays adopting, an altering, the contemporary formula of ‘rural drama’ (Blood Wedding, Yerma and The House of Bernarda Alba). Chapter 5 of this book is freely available as a downloadable Open Access PDF under a Creative Commons Attribution-Non Commercial-No Derivatives 4.0 license.
Author: Andrew A. Anderson
Publisher: LSU Press
ISBN: 0807183253
Category : Drama
Languages : en
Pages : 299
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Book Description
"Critical and historical discussions of the life and work of Federico García Lorca often prioritize his stunning modernist poetry and popular dramas while obscuring the author's more avant-garde dramatic works. In Lorca's Experimental Theater: Breaking the Guardrails of Convention, Andrew A. Anderson focuses on four of Lorca's most challenging plays-Amor de don Perlimplín con Belisa en su jardín, El público, Así que pasen cinco años, and El sueño de la vida (previously known as Comedia sin título)-and on the surrounding context in which they came to be written and in only one case performed during his lifetime. While none of Lorca's plays can be considered conventional, according to Anderson, some of them are nevertheless more approachable than others. The four considered here are the works that challenge theatrical conventions most forcefully, both thematically and technically. The introduction offers a brief overview of Lorca's entire dramatic output and the place within it of his four most experimental plays. The first chapter, "Staging the Unstageable," gives details concerning the chronology of the plays' composition, what Lorca had to say about them in newspaper interviews, and, most importantly, his numerous attempts to get what he called his "unperformable plays" actually performed. After a chapter on the pervasive role of undecidability in Amor de don Perlimplín, two further contextual chapters cover what Anderson considers the most significant factors that encouraged Lorca to continue experimenting in his dramatical works, namely his exposure to theater in New York over 1929-1930 and his increasing familiarity with expressionist drama that he both read and heard about from other theater professionals. From there, El público and Así que pasen cinco años each receive two chapters devoted to their themes and symbols, and the book ends with a final chapter on how audiences could experience a staging of El sueño de la vida. By synthesizing materials drawn from theatrical practice, artistic modernism, and the historical avant-garde, Lorca's Experimental Theater gives an integrated picture of this corpus by providing detailed readings of the plays, surveying their textual and performative history, and examining the most important contemporary influences on Lorca's creation of these expressive, innovative works"--
Author: Giles Blunt
Publisher: Vintage Canada
ISBN: 0679314342
Category : Fiction
Languages : en
Pages : 306
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Book Description
Book 5 in the John Cardinal series A year after the death of his beloved and troubled wife, Catherine, John Cardinal has moved into a new, but very humid, condo. He has fallen into an easy routine of work on cold case files and platonic movie nights with friend and colleague Lise Delorme. The quiet of a snow-covered Algonquin Bay is shattered when the decapitated bodies of two people are found in a summer home on Trout Lake. The victims, visitors from Russia, are in Algonquin Bay attending the annual fur auction. This is by no means a routine murder investigation as Cardinal soon discovers, but a horrific piece of a very twisted puzzle. Blunt has, once again, given us a page-turning plot, a remarkable cast of characters and the comfort of John Cardinal at the helm.
Author: Leslie Stainton
Publisher: Farrar Straus & Giroux
ISBN: 9780374527020
Category : Biography & Autobiography
Languages : en
Pages : 579
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Book Description
With a rare blend of grace, warmth, and scholarship, Leslie Stainton raises the stakes of our appreciation for the greatest of Spain's modern poets, Federico Garcia Lorca. Drawing on fourteen years of research; more than a hundred letters unknown to prior biographers; exclusive interviews with Lorca's friends, family, and acquaintances; and dozens of newly discovered archival material, Stainton has brought her subject to Life as few writers can. She describes his carefree childhood in rural Andalusia; his residencies in Madrid and Granada, then in New York, Havana, and Buenos Aires; his potent interaction with other Spanish artists, such as Salvador Dali, Luis Bunuel, and the composer Manuel de Falla; and, finally, Stainton shows how Lorca's marginal political activity during the Spanish Civil War still cost him his life. Throughout, Stainton meticulously but unobtrusively relates the oeuvre to the life. Her biography is quickly becoming the standard one-volume work on the poet.
Author: Giles Blunt
Publisher: Random House Canada
ISBN: 0307375943
Category : Fiction
Languages : en
Pages : 343
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Book Description
It's not unusual for John Cardinal to be hauled out of a warm bed on a cold night in Algonquin Bay to investigate a murder. And at first this dead body, sprawled in the parking lot of Motel 17, looks pretty run of the mill: the corpse has a big bootprint on his neck, and the likely suspect is his lover's outraged husband. But the lover has gone missing. And then Delorme, following a hunch, locates another missing woman, a senator's wife from Ottawa, frozen in the ruins of an abandoned hotel way back in the woods. Spookily, she was chained up and abandoned wearing a new winter parka and boots, with a thermos beside her--as if her murderer was giving her a whisper of a chance at survival. Neither Delorme nor Cardinal can imagine where their investigation will lead: into a decades-old injustice committed in the high Arctic; into the swingers' world inhabited by an ex-rock star who owns a pub in Algonquin Bay as well as private members' clubs in Toronto and Ottawa; into the insecurity that afflicts Delorme the woman and the cop; and into the deep bond between Delorme and Cardinal, which is at real risk of coming undone. In Until the Night, Giles Blunt outdoes himself, creating a masterpiece of crime fiction that will not only haunt his fans and readers, but delight and amaze them too.
Author: Eugenio Suárez-Galbán
Publisher: BRILL
ISBN: 9401200483
Category : Literary Criticism
Languages : en
Pages : 415
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Book Description
Books studying the presence of Spain in American literature, and the possible influence of Spain and its literature on American authors, are still rare. In 1955 appeared a pioneer work in this field – Stanley T. Williams’ The Spanish Background of American Literature. But that book went no further than W.D. Howells’ Familiar Spanish Travels, published in 1913. The Last Good Land covers most of the twentieth century, including such groups as the Lost Generation and African American writers and exiles. It also considers then recent revolution in Spanish cultural and historical thought introduced by Américo Castro, which several American writers discussed in this volume may be said to have anticipated. Recent studies have expanded on Williams’ volumes, but in the majority of cases these works limit their scope to a single period (the nineteenth century, the Spanish Civil War), a movement (predominantly Romanticism) or authors known for their interest in Spain (Irving, Hemingway). The result is often a lack of continuum, or the exclusion of such authors as Saul Bellow, William Gaddis or Richard Wright. Within American literature itself, The Last Good Land contains revisions of traditional interpretations of certain writers, including Hemingway. The variety of authors treated, both in respect to ethnicity and gender, guarantees a varied and global view of Spanish culture by American writers.
Author: Felicity Rosslyn
Publisher: Routledge
ISBN: 1351749803
Category : Literary Criticism
Languages : en
Pages : 383
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Book Description
This title was first published in 2000. This book offers a wide-ranging account of tragic drama from the Greeks to Arthur Miller. It puts forward a bold and vigorously developed argument about the recurrent concerns of tragedy, and proposes to uncover the archetypal tragic plot that emerges at key points of historical transition. It traces this plot through fascinatingly diverse formations on Athens, Renaissance England and the modern world, and offers detailed analysis of over twenty plays. The needs of the first-time reader are not forgotten, while challenging new light is thrown on each period. There is substantial discussion of Aeschylus, Sophocles, Euripedes, Marlowe, Shakespeare, Ibsen, Strindberg, Chekhov, Lorca and Miller, along with briefer consideration of the Senecan tradition, Yeats, Synge, O’Neill and T.S. Eliot. Felicity Rosslyn asks why tragic plays get written when they do, and why they so often dramatise the struggle to break the ties of blood for the bonds of law.
Author: Stephen Roberts
Publisher: Reaktion Books
ISBN: 1789142466
Category : Biography & Autobiography
Languages : en
Pages : 241
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Book Description
Federico García Lorca (1898–1936) is perhaps Spain’s most famous writer and cultural icon. By the age of thirty, he had become the most successful member of a brilliant generation of poets, winning critical and popular acclaim by fusing traditional and avant-garde themes and techniques. He would go on to reinvent Spanish theater too, writing bold, experimental, and often shocking plays that dared openly to explore both female and homosexual desire. A vibrant and mercurial personality, by the time Lorca visited Argentina in late 1933, he had become the most celebrated writer and cultural figure in the Spanish-speaking world. But Lorca’s fame could not survive politics: his identification with the splendor of the Second Spanish Republic (1931–36) was one of the reasons behind Lorca’s murder in August 1936 at the hands of right-wing insurgents at the start of the Spanish Civil War. In this biography, Stephen Roberts seeks out the roots of the man and his work in the places in which Lorca lived and died: the Granadan countryside where he spent his childhood; the Granada and Madrid of the 1910s, ’20s, and ’30s where he received his education and achieved success as a writer; his influential visits to Catalonia, New York, Cuba, and Argentina; and the mountains outside Granada where his body still lies in an undiscovered grave. What emerges is a fascinating portrait of a complex and brilliant man as well as new insight into the works that helped to make his name.
