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Author: Lúcia Nagib
Publisher: Bloomsbury Publishing
ISBN: 0857710982
Category : Performing Arts
Languages : en
Pages : 185
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Book Description
Two periods of Brazilian film history are particularly notable for their artistic momentum: the Cinema Novo movement of the 1960s and early '70s, and the film revival from the mid 1990s onwards. What makes them especially strong, this book argues, is their utopian impulse. By adopting Utopia as a theme, as well as a method of film analysis, Lucia Nagib unveils, organises and interprets a fascinating wealth of recurrent images, which are a bridge between a cinema strongly concerned with the national project and another informed by global culture. Outstanding recent films, such as "Central Station", "Perfumed Ball", "Hans Staden", "Orfeu", "City of God" and "The Trespasser", are illuminated by Nagib's sharp analysis, which detects utopian, anti-utopian and even dystopian impulses in them. They are at once representatives of a political arena in constant struggle against underdevelopment and legitimate (as well as critical) heirs of past cinematic traditions. Throwing new light on a large selection of Cinema Novo and contemporary films, this book thus presents a national cinema that rejects the end of history and of film history, while benefiting from, and contributing to, a new transnational aesthetics.
Author: Lúcia Nagib
Publisher: Bloomsbury Publishing
ISBN: 0857710982
Category : Performing Arts
Languages : en
Pages : 185
Get Book Here
Book Description
Two periods of Brazilian film history are particularly notable for their artistic momentum: the Cinema Novo movement of the 1960s and early '70s, and the film revival from the mid 1990s onwards. What makes them especially strong, this book argues, is their utopian impulse. By adopting Utopia as a theme, as well as a method of film analysis, Lucia Nagib unveils, organises and interprets a fascinating wealth of recurrent images, which are a bridge between a cinema strongly concerned with the national project and another informed by global culture. Outstanding recent films, such as "Central Station", "Perfumed Ball", "Hans Staden", "Orfeu", "City of God" and "The Trespasser", are illuminated by Nagib's sharp analysis, which detects utopian, anti-utopian and even dystopian impulses in them. They are at once representatives of a political arena in constant struggle against underdevelopment and legitimate (as well as critical) heirs of past cinematic traditions. Throwing new light on a large selection of Cinema Novo and contemporary films, this book thus presents a national cinema that rejects the end of history and of film history, while benefiting from, and contributing to, a new transnational aesthetics.
Author: Lúcia Nagib
Publisher: Bloomsbury Publishing
ISBN: 0857710982
Category : Performing Arts
Languages : en
Pages : 185
Get Book Here
Book Description
Two periods of Brazilian film history are particularly notable for their artistic momentum: the Cinema Novo movement of the 1960s and early '70s, and the film revival from the mid 1990s onwards. What makes them especially strong, this book argues, is their utopian impulse. By adopting Utopia as a theme, as well as a method of film analysis, Lucia Nagib unveils, organises and interprets a fascinating wealth of recurrent images, which are a bridge between a cinema strongly concerned with the national project and another informed by global culture. Outstanding recent films, such as "Central Station", "Perfumed Ball", "Hans Staden", "Orfeu", "City of God" and "The Trespasser", are illuminated by Nagib's sharp analysis, which detects utopian, anti-utopian and even dystopian impulses in them. They are at once representatives of a political arena in constant struggle against underdevelopment and legitimate (as well as critical) heirs of past cinematic traditions. Throwing new light on a large selection of Cinema Novo and contemporary films, this book thus presents a national cinema that rejects the end of history and of film history, while benefiting from, and contributing to, a new transnational aesthetics.
Author: Leslie L. Marsh
Publisher: Rutgers University Press
ISBN: 1978819293
Category : Business & Economics
Languages : en
Pages : 220
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Book Description
Branding Brazil examines a panorama of contemporary cultural productions including film, television, photography, and alternative media to explore the transformation of citizenship in Brazil. The book takes a multi-faceted approach, weaving media studies with politics and cinema studies to reveal that more than a marketing term or project emanating from the state, branding was a cultural phenomenon.
Author: Lúcia Nagib
Publisher:
ISBN: 9780755695942
Category : Brazil
Languages : en
Pages : 185
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Book Description
"Two periods of Brazilian film history are particularly notable for their artistic momentum: the Cinema Novo movement of the 1960s and early '70s, and the film revival from the mid 1990s onwards. What makes them especially strong, this book argues, is their utopian impulse. By adopting Utopia as a theme, as well as a method of film analysis, Lucia Nagib unveils, organises and interprets a fascinating wealth of recurrent images, which are a bridge between a cinema strongly concerned with the national project and another informed by global culture. Outstanding recent films, such as "Central Station", "Perfumed Ball", "Hans Staden", "Orfeu", "City of God" and "The Trespasser", are illuminated by Nagib's sharp analysis, which detects utopian, anti-utopian and even dystopian impulses in them. They are at once representatives of a political arena in constant struggle against underdevelopment and legitimate (as well as critical) heirs of past cinematic traditions. Throwing new light on a large selection of Cinema Novo and contemporary films, this book thus presents a national cinema that rejects the end of history and of film history, while benefiting from, and contributing to, a new transnational aesthetics."--
Author: Ira Levin
Publisher: Blackstone Publishing
ISBN:
Category : Fiction
Languages : en
Pages : 270
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Book Description
A Nazi hunter uncovers a fugitive SS doctor’s terrifying plot to create a Fourth Reich in The Boys from Brazil, a riveting techno-thriller from the incomparable master of suspense, Ira Levin. Veteran Nazi hunter Yakov Liebermann finds himself entangled in a web of unimaginable horror when he is tipped off to a sinister conspiracy hatching in the depths of South America: a plan to establish a new, globe-spanning Fourth Reich. Why has Dr. Josef Mengele—Auschwitz’s fiendish “Angel of Death”—tasked a team of former SS men with the slaughter of ninety-four harmless, aging men across the globe? What hidden link binds these men together? What significance could they possibly hold for their pursuers? With the clock ticking, and the future of humanity hanging in the balance, can the ailing Liebermann take on a seemingly unstoppable enemy and alter the course of history? Adapted into the film starring Gregory Peck and Laurence Olivier, The Boys from Brazil is a gripping, thought-provoking thriller that explores the depths of human malevolence, and the eternal struggle between good and evil.
Author: Laura Robinson
Publisher: Emerald Group Publishing
ISBN: 1786357852
Category : Social Science
Languages : en
Pages : 434
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Book Description
This book explores five key themes: the new face of news and journalism, social movements and protest, television, cinema, publicity and marketing, and media theory. Chapters reflect the Brazilian case as a laboratory for exploring the evolving media environment of one of the world’s most fascinating societies.
Author: Lisa Shaw
Publisher: Routledge
ISBN: 1134702175
Category : Performing Arts
Languages : en
Pages : 274
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Book Description
Brazilian cinema is one of the most influential national cinemas in Latin America and this wide-ranging study traces the evolution of Brazilian film from the silent era to the present day, including detailed studies of more recent international box-office hits, such as Central Station (1998) and City of God (2002). Brazilian National Cinema gives due importance to traditionally overlooked aspects of Brazilian cinema, such as popular genres, ranging from musical comedies (the chanchada) to soft-core porn films (the pornochanchada) and horror films, and also provides a fresh approach to the internationally acclaimed avant-garde Cinema Novo of the 1960s. Lisa Shaw and Stephanie Dennison apply recent theories on stardom, particularly relating to issues of ethnicity, race and gender, to both well-known Brazilian performers, such as Carmen Miranda and Sonia Braga, and lesser known domestic icons, such as the Afro-Brazilian comic actor, Grande Otelo (Big Othello), and the uberblonde children’s TV and film star, and media mogul, Xuxa. This timely addition to the National Cinemas series provides a comprehensive overview of the relationship between Brazilian cinema and issues of national and cultural identity.
Author: Sara Brandellero
Publisher: University of Wales Press
ISBN: 1783165650
Category : History
Languages : en
Pages : 345
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Book Description
The Brazilian Road Movie: Journeys of (Self)Discovery explores some of the key trends and films in the development of the road movie in Brazil. Through a collection of essays by distinguished scholars, and covering a broad range of case studies, this text spans Brazilian film production from the silent era to the present day. This text examines issues such as the reworking of the genre in a Brazilian context, the relationship between documentary and fiction, between history, politics and cinema, gender and race, the wilderness and the urban space, the national and the transnational. The essays consider among other things how the experience of the journey helped develop and was instrumental in defining identities on screen. Adopting a variety of approaches, the volume considers the significance of the iconography of the road, the experience of movement and of life on the move for the representation of Brazil on screen.
Author: Mauro Porto
Publisher: Routledge
ISBN: 1136316329
Category : Language Arts & Disciplines
Languages : en
Pages : 242
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Book Description
In this book, Porto analyzes the role of TV Globo in the democratization of Brazil. TV Globo, one of the world's largest media conglomerates, has a dominant position in Brazil's communications landscape. It also exports telenovelas to more than 130 countries and has established joint ventures with transnational media conglomerates. Beginning in the mid-1990s, TV Globo began a process of "opening," replacing its authoritarian model of journalism with a more independent reporting style. Representations of Brazil in prime time telenovelas have also shifted. Given this shift, Porto considers some of the following questions: •What explains these changes in Brazil's most powerful media company? •How are they related to processes of political and social democratization? •How did TV Globo's opening affect Brazil's emerging democracy, especially in terms of the quality of political accountability mechanisms? Porto uses the Brazilian case of TV Globo to analyze the larger links between democratization, civil society mobilization, and media change in transitional societies.
Author: Rodrigo Fernandes da Fonseca
Publisher: Phaidon Press
ISBN: 9780714867496
Category : Travel
Languages : en
Pages : 0
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Book Description
An overview of contemporary Brazilian culture from photography to fashion, street art to gastronomy and architecture to music. A fresh look at one of the most exciting countries on the planet from those who know it best.
