Author: Thomas Friedemann Steiner
Publisher: Peter Lang
ISBN: 9783034303965
Category : Bowed stringed instruments
Languages : en
Pages : 384
Book Description
Beiträge teilweise in deutscher, teilweise in englischer und teilweise in französischer Sprache ; Zusammenfassungen in deutsch, englisch und französisch ; Literaturangaben
Bowed and keyboard instruments in the age of Mozart
Author: Thomas Friedemann Steiner
Publisher: Peter Lang
ISBN: 9783034303965
Category : Bowed stringed instruments
Languages : en
Pages : 384
Book Description
Beiträge teilweise in deutscher, teilweise in englischer und teilweise in französischer Sprache ; Zusammenfassungen in deutsch, englisch und französisch ; Literaturangaben
Publisher: Peter Lang
ISBN: 9783034303965
Category : Bowed stringed instruments
Languages : en
Pages : 384
Book Description
Beiträge teilweise in deutscher, teilweise in englischer und teilweise in französischer Sprache ; Zusammenfassungen in deutsch, englisch und französisch ; Literaturangaben
Mozart's Chamber Music with Keyboard
Author: Martin Harlow
Publisher: Cambridge University Press
ISBN: 1107002486
Category : Music
Languages : en
Pages : 301
Book Description
Renowned scholars and performers present a wide range of different perspectives on Mozart's chamber music with keyboard.
Publisher: Cambridge University Press
ISBN: 1107002486
Category : Music
Languages : en
Pages : 301
Book Description
Renowned scholars and performers present a wide range of different perspectives on Mozart's chamber music with keyboard.
The Eighteenth-Century Fortepiano Grand and Its Patrons
Author: Eva Badura-Skoda
Publisher: Indiana University Press
ISBN: 0253022649
Category : Music
Languages : en
Pages : 510
Book Description
“Badura-Skoda addresses the place of the piano in the eighteenth century from the perspective of a scholar and performer” (Eighteenth-Century Music). In the late seventeenth century, Italian musician and inventor Bartolomeo Cristofori developed a new musical instrument—his cembalo che fa il piano e forte, which allowed keyboard players flexible dynamic gradation. This innovation, which came to be known as the hammer-harpsichord or fortepiano grand, was slow to catch on in musical circles. However, as renowned piano historian Eva Badura-Skoda demonstrates, the instrument inspired new keyboard techniques and performance practices and was eagerly adopted by virtuosos of the age, including Scarlatti, J. S. Bach, Clementi, Haydn, Mozart, and Beethoven. Presenting a rich array of archival evidence, Badura-Skoda traces the construction and use of the fortepiano grand across the musical cultures of eighteenth-century Europe, providing a valuable resource for music historians, organologists, and performers. “Badura-Skoda has written a remarkable volume, the result of a lifetime of scholarly research and investigation. . . . Essential.” —Choice
Publisher: Indiana University Press
ISBN: 0253022649
Category : Music
Languages : en
Pages : 510
Book Description
“Badura-Skoda addresses the place of the piano in the eighteenth century from the perspective of a scholar and performer” (Eighteenth-Century Music). In the late seventeenth century, Italian musician and inventor Bartolomeo Cristofori developed a new musical instrument—his cembalo che fa il piano e forte, which allowed keyboard players flexible dynamic gradation. This innovation, which came to be known as the hammer-harpsichord or fortepiano grand, was slow to catch on in musical circles. However, as renowned piano historian Eva Badura-Skoda demonstrates, the instrument inspired new keyboard techniques and performance practices and was eagerly adopted by virtuosos of the age, including Scarlatti, J. S. Bach, Clementi, Haydn, Mozart, and Beethoven. Presenting a rich array of archival evidence, Badura-Skoda traces the construction and use of the fortepiano grand across the musical cultures of eighteenth-century Europe, providing a valuable resource for music historians, organologists, and performers. “Badura-Skoda has written a remarkable volume, the result of a lifetime of scholarly research and investigation. . . . Essential.” —Choice
The Harpsichord Stringing Handbook
Author: Thomas Donahue
Publisher: Rowman & Littlefield
ISBN: 1442243457
Category : Music
Languages : en
Pages : 258
Book Description
The harpsichord was the standard keyboard instrument for three centuries before the invention of the piano. It enjoyed a revival in the second half of the twentieth century, but because of the interruption in its history as a more regularly used instrument, many details about its construction are lacking. In The Harpsichord Stringing Handbook, Thomas Donahue integrates available historical evidence and modern physical principles—from both musicological and scientific literature—to provide practical quantitative information about the stringing of this instrument. The Harpsichord Stringing Handbook covers the composition and properties of iron and brass wire, the interrelationship of frequency to string length, safety factors involved with stringing, the scaling of string lengths, the calculation of diameters, and the determination of the transition from iron to brass in mixed-strung instruments. Supplemental topics include the elasticity and plasticity of wire, inharmonicity, tension and stress, and the interpolation of string lengths. Additional material includes data on selected historical harpsichords, absolute diameters of historical gauge numbering systems, a generated list of tensile strength values for historical wire, and sizes and tensile strengths of currently available wire. This book offers specific guidance for instrument makers, restorers, curators, technicians, musicians, kit builders, wire manufacturers, and acousticians, filling in critical details that historical treatises and surviving instruments may not clearly address.
Publisher: Rowman & Littlefield
ISBN: 1442243457
Category : Music
Languages : en
Pages : 258
Book Description
The harpsichord was the standard keyboard instrument for three centuries before the invention of the piano. It enjoyed a revival in the second half of the twentieth century, but because of the interruption in its history as a more regularly used instrument, many details about its construction are lacking. In The Harpsichord Stringing Handbook, Thomas Donahue integrates available historical evidence and modern physical principles—from both musicological and scientific literature—to provide practical quantitative information about the stringing of this instrument. The Harpsichord Stringing Handbook covers the composition and properties of iron and brass wire, the interrelationship of frequency to string length, safety factors involved with stringing, the scaling of string lengths, the calculation of diameters, and the determination of the transition from iron to brass in mixed-strung instruments. Supplemental topics include the elasticity and plasticity of wire, inharmonicity, tension and stress, and the interpolation of string lengths. Additional material includes data on selected historical harpsichords, absolute diameters of historical gauge numbering systems, a generated list of tensile strength values for historical wire, and sizes and tensile strengths of currently available wire. This book offers specific guidance for instrument makers, restorers, curators, technicians, musicians, kit builders, wire manufacturers, and acousticians, filling in critical details that historical treatises and surviving instruments may not clearly address.
Beethoven's French Piano
Author: Tom Beghin
Publisher: University of Chicago Press
ISBN: 0226818357
Category : Music
Languages : en
Pages : 441
Book Description
"In this book, Tom Beghin examines the French piano Beethoven famously acquired from the Erard firm in Paris in 1803. The Erard piano is one of only three extant instruments belonging to Beethoven and is housed in a museum in Austria. Beghin argues that the piano sonatas Beethoven composed between 1803 and 1810-including the "Waldstein" and the "Appassionata"-show the influence of the new French style of pianism and of the Erard in particular, specifically in the uses of tremolo, legato, and the "una corda" pedal, which softens dramatically the volume. Beghin shows that Beethoven was guided by a search for new sonorities and that the specific "touch" provided by the Erard's technology helped to point him toward new compositional horizons, especially at a time when he was forced to withdraw from performance due to his increasing deafness. The book combines informed historical analysis of the musical milieus in Vienna and Paris with the author's own experiments at the keyboard in order to reconstruct the specific techniques that Beethoven was exploiting and the ways they translated into his innovative piano writing"--
Publisher: University of Chicago Press
ISBN: 0226818357
Category : Music
Languages : en
Pages : 441
Book Description
"In this book, Tom Beghin examines the French piano Beethoven famously acquired from the Erard firm in Paris in 1803. The Erard piano is one of only three extant instruments belonging to Beethoven and is housed in a museum in Austria. Beghin argues that the piano sonatas Beethoven composed between 1803 and 1810-including the "Waldstein" and the "Appassionata"-show the influence of the new French style of pianism and of the Erard in particular, specifically in the uses of tremolo, legato, and the "una corda" pedal, which softens dramatically the volume. Beghin shows that Beethoven was guided by a search for new sonorities and that the specific "touch" provided by the Erard's technology helped to point him toward new compositional horizons, especially at a time when he was forced to withdraw from performance due to his increasing deafness. The book combines informed historical analysis of the musical milieus in Vienna and Paris with the author's own experiments at the keyboard in order to reconstruct the specific techniques that Beethoven was exploiting and the ways they translated into his innovative piano writing"--
Sonatas for One Piano, Four Hands
Author: Wolfgang Amadeus Mozart
Publisher: Alfred Music
ISBN: 147062785X
Category : Music
Languages : en
Pages : 191
Book Description
Mozart's four sonatas for one piano, four hands, are the first important works in the piano duet literature. This carefully researched edition contains historical information, in-depth notes on performing Mozart's piano music, editorial fingering and metronome marks, as well as realizations of many ornaments. Titles: * Sonata in D Major, K. 381 (123a) * Sonata in B-flat Major, K. 358 (186c) * Sonata in F Major, K. 497 * Sonata in C Major, K. 521
Publisher: Alfred Music
ISBN: 147062785X
Category : Music
Languages : en
Pages : 191
Book Description
Mozart's four sonatas for one piano, four hands, are the first important works in the piano duet literature. This carefully researched edition contains historical information, in-depth notes on performing Mozart's piano music, editorial fingering and metronome marks, as well as realizations of many ornaments. Titles: * Sonata in D Major, K. 381 (123a) * Sonata in B-flat Major, K. 358 (186c) * Sonata in F Major, K. 497 * Sonata in C Major, K. 521
Sara Levy's World
Author: Rebecca Cypess
Publisher: Boydell & Brewer
ISBN: 1580469213
Category : Biography & Autobiography
Languages : en
Pages : 304
Book Description
A rich interdisciplinary exploration of the world of Sara Levy, a Jewish salonnière and skilled performing musician in late eighteenth-century Berlin, and her impact on the Bach revival, German-Jewish life, and Enlightenment culture.
Publisher: Boydell & Brewer
ISBN: 1580469213
Category : Biography & Autobiography
Languages : en
Pages : 304
Book Description
A rich interdisciplinary exploration of the world of Sara Levy, a Jewish salonnière and skilled performing musician in late eighteenth-century Berlin, and her impact on the Bach revival, German-Jewish life, and Enlightenment culture.
Visitors to Versailles
Author: Daniëlle Kisluk-Grosheide
Publisher: Metropolitan Museum of Art
ISBN: 1588396223
Category : Art
Languages : en
Pages : 396
Book Description
What was it like to visit one of the most magnificent courts of Europe? Based on a wealth of contemporary documents and surviving works of art, this lavish book explores the experiences of those who swarmed the palace and grounds of Versailles when it was the seat of the French monarchy. Engaging essays describe methods of transportation, the elaborate codes of dress and etiquette, precious diplomatic gifts, royal audiences, and tours of the palace and gardens. Also presented are the many types of visitors and guests who eagerly made their way to this center of power and culture, including day-trippers and Grand Tourists, European diplomats, overseas ambassadors, incognito travelers, and Americans. Through paintings and portraits, furniture, costumes and uniforms, arms and armor, guidebooks, and other works of art, Visitors to Versailles illuminates what travelers encountered at court and what impressions, gifts, and souvenirs they took home with them. In bringing to life their experiences, this sumptuously illustrated volume reminds us why Versailles has enchanted generations of visitors from the ancien régime to the present day.
Publisher: Metropolitan Museum of Art
ISBN: 1588396223
Category : Art
Languages : en
Pages : 396
Book Description
What was it like to visit one of the most magnificent courts of Europe? Based on a wealth of contemporary documents and surviving works of art, this lavish book explores the experiences of those who swarmed the palace and grounds of Versailles when it was the seat of the French monarchy. Engaging essays describe methods of transportation, the elaborate codes of dress and etiquette, precious diplomatic gifts, royal audiences, and tours of the palace and gardens. Also presented are the many types of visitors and guests who eagerly made their way to this center of power and culture, including day-trippers and Grand Tourists, European diplomats, overseas ambassadors, incognito travelers, and Americans. Through paintings and portraits, furniture, costumes and uniforms, arms and armor, guidebooks, and other works of art, Visitors to Versailles illuminates what travelers encountered at court and what impressions, gifts, and souvenirs they took home with them. In bringing to life their experiences, this sumptuously illustrated volume reminds us why Versailles has enchanted generations of visitors from the ancien régime to the present day.
Performance Practice
Author: Roland Jackson
Publisher: Routledge
ISBN: 1136767703
Category : Music
Languages : en
Pages : 542
Book Description
Performance practice is the study of how music was performed over the centuries, both by its originators (the composers and performers who introduced the works) and, later, by revivalists. This first of its kind Dictionary offers entries on composers, musiciansperformers, technical terms, performance centers, musical instruments, and genres, all aimed at elucidating issues in performance practice. This A-Z guide will help students, scholars, and listeners understand how musical works were originally performed and subsequently changed over the centuries. Compiled by a leading scholar in the field, this work will serve as both a point-of-entry for beginners as well as a roadmap for advanced scholarship in the field.
Publisher: Routledge
ISBN: 1136767703
Category : Music
Languages : en
Pages : 542
Book Description
Performance practice is the study of how music was performed over the centuries, both by its originators (the composers and performers who introduced the works) and, later, by revivalists. This first of its kind Dictionary offers entries on composers, musiciansperformers, technical terms, performance centers, musical instruments, and genres, all aimed at elucidating issues in performance practice. This A-Z guide will help students, scholars, and listeners understand how musical works were originally performed and subsequently changed over the centuries. Compiled by a leading scholar in the field, this work will serve as both a point-of-entry for beginners as well as a roadmap for advanced scholarship in the field.
Musical Performance in the Times of Mozart and Beethoven
Author: Fritz Rothschild
Publisher: London, A. and C. Black; New York, Oxford University Press [1961]
ISBN:
Category : Music
Languages : en
Pages : 144
Book Description
Publisher: London, A. and C. Black; New York, Oxford University Press [1961]
ISBN:
Category : Music
Languages : en
Pages : 144
Book Description