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Author: Douglas Bourgeois
Publisher: Hudson Hills
ISBN: 9781555952211
Category : Art
Languages : en
Pages : 132
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Book Description
This monograph features the work of Douglas Bourgeois, a figurative artist whose meticulously detailed paintings and sculptural assemblages present icons of popular culture as well as ordinary people from Louisiana's diverse populations. Bourgeois' work often portrays religious imagery and environmental concerns and the political issues expressed in the rock and roll and movies he loves. He fuses private fantasy with a kind a social document, exploring everything from racial tensions to violence, both domestic and public. The artist, like the figures he depicts, searches for magic or spiritual qualities in everyday life. Ultimately, he and his art seek redemption. 65 colour & 21 b/w illustrations
Author: Douglas Bourgeois
Publisher: Hudson Hills
ISBN: 9781555952211
Category : Art
Languages : en
Pages : 132
Get Book Here
Book Description
This monograph features the work of Douglas Bourgeois, a figurative artist whose meticulously detailed paintings and sculptural assemblages present icons of popular culture as well as ordinary people from Louisiana's diverse populations. Bourgeois' work often portrays religious imagery and environmental concerns and the political issues expressed in the rock and roll and movies he loves. He fuses private fantasy with a kind a social document, exploring everything from racial tensions to violence, both domestic and public. The artist, like the figures he depicts, searches for magic or spiritual qualities in everyday life. Ultimately, he and his art seek redemption. 65 colour & 21 b/w illustrations
Author: Douglas P. Mackaman
Publisher: University of Chicago Press
ISBN: 0226500756
Category : History
Languages : en
Pages : 232
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Book Description
And ultimately shows how the premier vacation of an era made and was made by the bourgeoisie.
Author: Edward Bell
Publisher: McGill-Queen's Press - MQUP
ISBN: 0773511687
Category : Alberta
Languages : en
Pages : 216
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Book Description
The Social Credit party in Alberta has traditionally been presented as "petty bourgeois" in its ideology and appeals, reflecting what was believed to be the dominant class in the province at the time. Edward Bell challenges these widely held interpretations of the ideology, popular class basis, and behaviour in office of the early Social Credit movement (1932-40).
Author: Deirdre N. McCloskey
Publisher: University of Chicago Press
ISBN: 022652793X
Category : Business & Economics
Languages : en
Pages : 830
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Book Description
The last 200 years have witnessed a 100-fold leap in well-being. Deirdre McCloskey argues that most people today are stunningly better off than their forbearers were in 1800, and that the rest of humanity will soon be. A purely materialist, incentivist view of economic change does not explain this leap. We have now the third in McCloskey's three-volume opus about how bourgeois values transformed Europe. Volume 3 nails the case for that transfiguration, telling us how aristocratic virtues of hierarchy were replaced by bourgeois virtues (more precisely, by attitudes toward virtues) that made it possible for ordinary folk with novel ideas to change the way people, farmed, manufactured, traveled, ruled themselves, and fought. It is a dramatic story, and joins a dramatic debate opened up by Thomas Piketty in his best-selling Capital in the 21st Century. McCloskey insists that economists are far too preoccupied by capital and saving, arguing against the position (of Piketty and most others) that capital induces a tendency to get more, that money reproduces itself, that riches are created from riches. Not so, our intrepid McCloskey shows. Bill Gates and Steve Jobs, among the biggest wealth accumulators in our era, didn't get rich through the magic of compound interest on capital. They got rich through intellectual property, creating billions of dollars from virtually nothing. Capital was no more important an ingredient to the original Apple or Microsoft than cookies or cucumbers. The debate is between those who think riches are created from riches versus those who, with McCloskey, think riches are created from rags, between those who see profits as a generous return on capital, or profits coming from innovation that ultimately benefits us all.
Author: Vershawn Ashanti Young
Publisher: Wayne State University Press
ISBN: 9780814334683
Category : Social Science
Languages : en
Pages : 396
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Book Description
Vershawn Ashanti Young and Bridget Harris Tsemo collect a diverse assortment of pieces that examine the generational shift in the perception of the black middle class, from the serious moniker of "bourgeois" to the more playful, sardonic "boojie." Including such senior cultural workers as Amiri Baraka and Houston Baker, as well as younger scholars like Damion Waymer and Candice Jenkins, this significant collection contains essays, poems, visual art, and short stories that examine the complex web of representations that define the contemporary black middle class.
Author: Sasha Torres
Publisher: Duke University Press
ISBN: 9780822321958
Category : Performing Arts
Languages : en
Pages : 294
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Book Description
Recent media events like the beating of Rodney King and the murder trial of O.J. Simpson have trained our collective eye on the televised spectacle of race. LIVING COLOR combines media studies, cultural studies, and critical race theory to investigate the representation of race on American television. LIVING COLOR makes explicit the centrality of race and ethnicity to American life. 54 photos.
Author: Richard J. Powell
Publisher: University of Chicago Press
ISBN: 0226677273
Category : Art
Languages : en
Pages : 293
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Book Description
Examining portraits of black people over the past two centuries, Cutting a Figure argues that these images should be viewed as a distinct category of portraiture that differs significantly from depictions of people with other racial and ethnic backgrounds. The difference, Richard Powell contends, lies in the social capital that stems directly from the black subject’s power to subvert dominant racist representations by evincing such traits as self-composure, self-adornment, and self-imagining. Powell forcefully supports this argument with evidence drawn from a survey of nineteenth-century portraits, in-depth case studies of the postwar fashion model Donyale Luna and the contemporary portraitist Barkley L. Hendricks, and insightful analyses of images created since the late 1970s. Along the way, he discusses major artists—such as Frédéric Bazille, John Singer Sargent, James Van Der Zee, and David Hammons—alongside such overlooked producers of black visual culture as the Tonka and Nike corporations. Combining previously unpublished images with scrupulous archival research, Cutting a Figure illuminates the ideological nature of the genre and the centrality of race and cultural identity in understanding modern and contemporary portraiture.
Author: Patti Carr Black
Publisher: Univ. Press of Mississippi
ISBN: 9781887422147
Category : Architecture
Languages : en
Pages : 156
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Book Description
The Mississippi Story invites readers to examine the connection between place and the visual arts of the state. Based on an exhibition from the permanent collection of the Mississippi Museum of Art, this book explores artwork produced within the state by artists who were native to or lived in Mississippi or by travelers who created work about the state. Patti Carr Black presents the overall theme of place in four sections: the influence of the land on the art, Mississippi's people as depicted in its art, life in Mississippi as observed by its artists, and the exporting of Mississippi culture through its artists. Numerous artists' biographies are included as well as more than one hundred full-color illustrations.
Author: David Hopkins
Publisher: Oxford University Press
ISBN: 0191084492
Category : Art
Languages : en
Pages : 476
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Book Description
Contemporary art can be baffling and beautiful, provocative and disturbing. This pioneering book presents a new look at the controversial period between 1945 and 2015, when art and its traditional forms were called into question. It focuses on the relationship between American and European art, and challenges previously held views about the origins of some of the most innovative ideas in art of this time. Major artists such as Jackson Pollock, Robert Rauschenberg, Andy Warhol, Joseph Beuys, Gerhard Richter, Louise Bourgeois, Cindy Sherman, Jeff Koons, and Shiran Neshat are all discussed, as is the art world of the last fifty years. Important trends are also covered including Abstract Expressionism, Pop Art, Minimalism, Conceptualism, Postmodernism, and Performance Art. This revised and updated second edition includes a new chapter exploring art since 2000 and how globalization has caused shifts in the art world, an updated Bibliography, and 16 new, colour illustrations.
Author: Judith H. Bonner
Publisher: UNC Press Books
ISBN: 0807869945
Category : Reference
Languages : en
Pages : 527
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Book Description
From the Potomac to the Gulf, artists were creating in the South even before it was recognized as a region. The South has contributed to America's cultural heritage with works as diverse as Benjamin Henry Latrobe's architectural plans for the nation's Capitol, the wares of the Newcomb Pottery, and Richard Clague's tonalist Louisiana bayou scenes. This comprehensive volume shows how, through the decades and centuries, the art of the South expanded from mimetic portraiture to sophisticated responses to national and international movements. The essays treat historic and current trends in the visual arts and architecture, major collections and institutions, and biographies of artists themselves. As leading experts on the region's artists and their work, editors Judith H. Bonner and Estill Curtis Pennington frame the volume's contributions with insightful overview essays on the visual arts and architecture in the American South.
