Author: Christian Padilla
Publisher: Skira
ISBN: 9788857241869
Category : Art
Languages : en
Pages : 200
Book Description
The story of how Fernando Botero developed his iconic "Boterismo" style Colombian painter and sculptor Fernando Botero (born 1932) is one of the best-known and most celebrated living Latin American artists. His distinctive visual style of softly rounded, inflated shapes--so idiosyncratic that it is described as "Boterismo"--is instantly recognizable all around the world. But in spite of the visual familiarity of Botero's work--or perhaps, in part, because of it--Botero is, in some ways, a largely unknown artist. How did he transition from the naturalistic illustrations of his teenage years to his mature Boterismo style? Botero: The Search for a Style tells the story of the artist's search for his own unique visual identity in the first 15 years of his career. Assimilating the influences of pre-Columbian and Spanish colonial art, the work of Diego Rivera and the Mexican muralists, and the Old Masters at the Prado Museum and the Louvre, Botero gradually developed his distinctive understanding of form and volume. Botero: The Search for a Style excavates the hidden histories within Fernando Botero's inimitable style.
Botero: the Search for a Style (1948-1963)
Author: Christian Padilla
Publisher: Skira
ISBN: 9788857241869
Category : Art
Languages : en
Pages : 200
Book Description
The story of how Fernando Botero developed his iconic "Boterismo" style Colombian painter and sculptor Fernando Botero (born 1932) is one of the best-known and most celebrated living Latin American artists. His distinctive visual style of softly rounded, inflated shapes--so idiosyncratic that it is described as "Boterismo"--is instantly recognizable all around the world. But in spite of the visual familiarity of Botero's work--or perhaps, in part, because of it--Botero is, in some ways, a largely unknown artist. How did he transition from the naturalistic illustrations of his teenage years to his mature Boterismo style? Botero: The Search for a Style tells the story of the artist's search for his own unique visual identity in the first 15 years of his career. Assimilating the influences of pre-Columbian and Spanish colonial art, the work of Diego Rivera and the Mexican muralists, and the Old Masters at the Prado Museum and the Louvre, Botero gradually developed his distinctive understanding of form and volume. Botero: The Search for a Style excavates the hidden histories within Fernando Botero's inimitable style.
Publisher: Skira
ISBN: 9788857241869
Category : Art
Languages : en
Pages : 200
Book Description
The story of how Fernando Botero developed his iconic "Boterismo" style Colombian painter and sculptor Fernando Botero (born 1932) is one of the best-known and most celebrated living Latin American artists. His distinctive visual style of softly rounded, inflated shapes--so idiosyncratic that it is described as "Boterismo"--is instantly recognizable all around the world. But in spite of the visual familiarity of Botero's work--or perhaps, in part, because of it--Botero is, in some ways, a largely unknown artist. How did he transition from the naturalistic illustrations of his teenage years to his mature Boterismo style? Botero: The Search for a Style tells the story of the artist's search for his own unique visual identity in the first 15 years of his career. Assimilating the influences of pre-Columbian and Spanish colonial art, the work of Diego Rivera and the Mexican muralists, and the Old Masters at the Prado Museum and the Louvre, Botero gradually developed his distinctive understanding of form and volume. Botero: The Search for a Style excavates the hidden histories within Fernando Botero's inimitable style.
Botero in the Museo Nacional de Colombia
Author: Fernando Botero
Publisher: Villegas Asociados
ISBN:
Category : Architecture
Languages : es
Pages : 120
Book Description
"I am not going turn Colombia's suffering into a business, declared Ferdinand Botero, and so he donated these powerful paintings to the National Museum of Colombia in Bogota rather than sell them. Botero created these intensely personal pieces in private over the last several years and this catalog is the first presentation of them to the art world. As an artist deeply connected to his native country, these images are quickly seen as Botero's wish for redemption from Colombia's current social crisis. Many of these images will startle the eyes that expect only Botero's joyous, voluminous portraits. The truths in these works overcome all preconceptions of his style: these are startling pictures of civil strife, as intensely realized as Goya's Disasters of War and as spontaneous and immediate as Picasso's Guernica was in 1939. "--Publisher's description.
Publisher: Villegas Asociados
ISBN:
Category : Architecture
Languages : es
Pages : 120
Book Description
"I am not going turn Colombia's suffering into a business, declared Ferdinand Botero, and so he donated these powerful paintings to the National Museum of Colombia in Bogota rather than sell them. Botero created these intensely personal pieces in private over the last several years and this catalog is the first presentation of them to the art world. As an artist deeply connected to his native country, these images are quickly seen as Botero's wish for redemption from Colombia's current social crisis. Many of these images will startle the eyes that expect only Botero's joyous, voluminous portraits. The truths in these works overcome all preconceptions of his style: these are startling pictures of civil strife, as intensely realized as Goya's Disasters of War and as spontaneous and immediate as Picasso's Guernica was in 1939. "--Publisher's description.
Fernando Botero
Author: Fernando Botero
Publisher:
ISBN:
Category : Dessin colombien
Languages : en
Pages : 68
Book Description
November 4 - December 5, 1998
Publisher:
ISBN:
Category : Dessin colombien
Languages : en
Pages : 68
Book Description
November 4 - December 5, 1998
The Baroque World of Fernando Botero
Author: John Sillevis
Publisher: Yale University Press
ISBN: 0300123590
Category : Art
Languages : en
Pages : 296
Book Description
Colombian-born Fernando Botero (b. 1932) is a painter, sculptor, and draftsman renowned for his extravagantly rounded figures combining the polish and excess of Spanish colonial baroque with the social realism of the Mexican muralists. Their humorous exaggeration belies the more serious content of Botero’s work—commentary on colonialism, political instability in Latin America, and the vernacular artistic traditions of the region, as well as European art history. Accompanying the artist’s first American retrospective in over thirty years, The Baroque World of Fernando Botero is the most extensive study of his life and work to date. Drawn exclusively from Botero’s private collection, the 100 works featured in this book, including previously unpublished paintings and drawings, represent the full scope of his oeuvre from a uniquely personal perspective. Many of these—portraits of friends and family members and remembered scenes—have remained in the artist’s possession since their creation, while others he has bought back over the years as markers of significant developments in his career. Three essays examine the artist’s creative life, from the aesthetic environment in which Botero developed his unique style to his catalyzing influence on the Colombian art world of the 1960s and 70s.
Publisher: Yale University Press
ISBN: 0300123590
Category : Art
Languages : en
Pages : 296
Book Description
Colombian-born Fernando Botero (b. 1932) is a painter, sculptor, and draftsman renowned for his extravagantly rounded figures combining the polish and excess of Spanish colonial baroque with the social realism of the Mexican muralists. Their humorous exaggeration belies the more serious content of Botero’s work—commentary on colonialism, political instability in Latin America, and the vernacular artistic traditions of the region, as well as European art history. Accompanying the artist’s first American retrospective in over thirty years, The Baroque World of Fernando Botero is the most extensive study of his life and work to date. Drawn exclusively from Botero’s private collection, the 100 works featured in this book, including previously unpublished paintings and drawings, represent the full scope of his oeuvre from a uniquely personal perspective. Many of these—portraits of friends and family members and remembered scenes—have remained in the artist’s possession since their creation, while others he has bought back over the years as markers of significant developments in his career. Three essays examine the artist’s creative life, from the aesthetic environment in which Botero developed his unique style to his catalyzing influence on the Colombian art world of the 1960s and 70s.
The Life and Work of Rosalba Carriera (1673-1757)
Author: Angela Oberer
Publisher: Amsterdam University Press
ISBN: 9048541409
Category : Art
Languages : en
Pages : 326
Book Description
The Life and Work of Rosalba Carriera (1673-1757): The Queen of Pastel is the first extensive biographical narrative in English of Rosalba Carriera. It is also the first scholarly investigation of the external and internal factors that helped to create this female painter's unique career in eighteenth-century Europe. It documents the difficulties, complications, and consequences that arose then -- and can also arise today -- when a woman decides to become an independent artist. This book contributes a new, in-depth analysis of the interplay between society's expectations, generally accepted codices for gendered behaviour, and one single female painter's astute strategies for achieving success, as well as autonomy in her professional life as a famed artist. Some of the questions that the author raises are: How did Carriera manage to build up her career? How did she run her business and organize her own workshop? What kind of artist was Carriera? Finally, what do her self-portraits reveal in terms of self-enactment and possibly autobiographical turning points?
Publisher: Amsterdam University Press
ISBN: 9048541409
Category : Art
Languages : en
Pages : 326
Book Description
The Life and Work of Rosalba Carriera (1673-1757): The Queen of Pastel is the first extensive biographical narrative in English of Rosalba Carriera. It is also the first scholarly investigation of the external and internal factors that helped to create this female painter's unique career in eighteenth-century Europe. It documents the difficulties, complications, and consequences that arose then -- and can also arise today -- when a woman decides to become an independent artist. This book contributes a new, in-depth analysis of the interplay between society's expectations, generally accepted codices for gendered behaviour, and one single female painter's astute strategies for achieving success, as well as autonomy in her professional life as a famed artist. Some of the questions that the author raises are: How did Carriera manage to build up her career? How did she run her business and organize her own workshop? What kind of artist was Carriera? Finally, what do her self-portraits reveal in terms of self-enactment and possibly autobiographical turning points?
Modern Art Despite Modernism
Author: Robert Storr
Publisher:
ISBN: 9780870700316
Category : Art
Languages : en
Pages : 247
Book Description
Essay by Robert Storr. Foreword by Glenn D. Lowry.
Publisher:
ISBN: 9780870700316
Category : Art
Languages : en
Pages : 247
Book Description
Essay by Robert Storr. Foreword by Glenn D. Lowry.
Architecture's Historical Turn
Author: Jorge Otero-Pailos
Publisher: U of Minnesota Press
ISBN: 1452942692
Category : Architecture
Languages : en
Pages : 456
Book Description
Architecture’s Historical Turn traces the hidden history of architectural phenomenology, a movement that reflected a key turning point in the early phases of postmodernism and a legitimating source for those architects who first dared to confront history as an intellectual problem and not merely as a stylistic question. Jorge Otero-Pailos shows how architectural phenomenology radically transformed how architects engaged, theorized, and produced history. In the first critical intellectual account of the movement, Otero-Pailos discusses the contributions of leading members, including Jean Labatut, Charles Moore, Christian Norberg-Schulz, and Kenneth Frampton. For architects maturing after World War II, Otero-Pailos contends, architectural history was a problem rather than a given. Paradoxically, their awareness of modernism’s historicity led some of them to search for an ahistorical experiential constant that might underpin all architectural expression. They drew from phenomenology, exploring the work of Bachelard, Merleau-Ponty, Heidegger, and Ricoeur, which they translated for architectural audiences. Initially, the concept that experience could be a timeless architectural language provided a unifying intellectual basis for the stylistic pluralism that characterized postmodernism. It helped give theory—especially the theory of architectural history—a new importance over practice. However, as Otero-Pailos makes clear, architectural phenomenologists could not accept the idea of theory as an end in itself. In the mid-1980s they were caught in the contradictory and untenable position of having to formulate their own demotion of theory. Otero-Pailos reveals how, ultimately, the rise of architectural phenomenology played a crucial double role in the rise of postmodernism, creating the antimodern specter of a historical consciousness and offering the modern notion of essential experience as the means to defeat it.
Publisher: U of Minnesota Press
ISBN: 1452942692
Category : Architecture
Languages : en
Pages : 456
Book Description
Architecture’s Historical Turn traces the hidden history of architectural phenomenology, a movement that reflected a key turning point in the early phases of postmodernism and a legitimating source for those architects who first dared to confront history as an intellectual problem and not merely as a stylistic question. Jorge Otero-Pailos shows how architectural phenomenology radically transformed how architects engaged, theorized, and produced history. In the first critical intellectual account of the movement, Otero-Pailos discusses the contributions of leading members, including Jean Labatut, Charles Moore, Christian Norberg-Schulz, and Kenneth Frampton. For architects maturing after World War II, Otero-Pailos contends, architectural history was a problem rather than a given. Paradoxically, their awareness of modernism’s historicity led some of them to search for an ahistorical experiential constant that might underpin all architectural expression. They drew from phenomenology, exploring the work of Bachelard, Merleau-Ponty, Heidegger, and Ricoeur, which they translated for architectural audiences. Initially, the concept that experience could be a timeless architectural language provided a unifying intellectual basis for the stylistic pluralism that characterized postmodernism. It helped give theory—especially the theory of architectural history—a new importance over practice. However, as Otero-Pailos makes clear, architectural phenomenologists could not accept the idea of theory as an end in itself. In the mid-1980s they were caught in the contradictory and untenable position of having to formulate their own demotion of theory. Otero-Pailos reveals how, ultimately, the rise of architectural phenomenology played a crucial double role in the rise of postmodernism, creating the antimodern specter of a historical consciousness and offering the modern notion of essential experience as the means to defeat it.
Art of Latin America
Author: Marta Traba
Publisher: Inter-American Development Bank
ISBN: 0940602733
Category : Art
Languages : en
Pages : 197
Book Description
Marta Traba, one of Latin America's most controversial art critics, examines the works of over 1,000 artists from the first 80 years of the 20th century. This book is an indispensable reference for anyone interested in studying the evolution of Latin American art.
Publisher: Inter-American Development Bank
ISBN: 0940602733
Category : Art
Languages : en
Pages : 197
Book Description
Marta Traba, one of Latin America's most controversial art critics, examines the works of over 1,000 artists from the first 80 years of the 20th century. This book is an indispensable reference for anyone interested in studying the evolution of Latin American art.
Vogue on Hubert de Givenchy
Author: Drusilla Beyfus
Publisher: Abrams
ISBN: 1613128215
Category : Design
Languages : en
Pages : 178
Book Description
The fashion aesthetic of handsome, aristocratic Hubert de Givenchy combined the traditions of haute couture—creative, luxurious, and perfectionist—with a modern entrepreneurial sensibility. In a career spanning 40 years, he created the most glamorous of evening dresses, developed the influential “sack” dress, and produced debonair daytime suits that have never gone out of fashion. He also famously defined the sartorial image of Audrey Hepburn—both onscreen and off—designing the little black dress for Breakfast at Tiffany’s. Created by the editors of British Vogue, Vogue on Hubert de Givenchy features biography and history studded with more than 80 images from their unique archive of images taken by leading photographers such as Irving Penn, Patrick Demarchelier, and Cecil Beaton.
Publisher: Abrams
ISBN: 1613128215
Category : Design
Languages : en
Pages : 178
Book Description
The fashion aesthetic of handsome, aristocratic Hubert de Givenchy combined the traditions of haute couture—creative, luxurious, and perfectionist—with a modern entrepreneurial sensibility. In a career spanning 40 years, he created the most glamorous of evening dresses, developed the influential “sack” dress, and produced debonair daytime suits that have never gone out of fashion. He also famously defined the sartorial image of Audrey Hepburn—both onscreen and off—designing the little black dress for Breakfast at Tiffany’s. Created by the editors of British Vogue, Vogue on Hubert de Givenchy features biography and history studded with more than 80 images from their unique archive of images taken by leading photographers such as Irving Penn, Patrick Demarchelier, and Cecil Beaton.
Latin American Art and Music
Author: Judith Page Horton
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 198
Book Description
This collection of essays, curriculum units, and study guides on Latin American art and musical traditions is designed to help interested teachers take a comprehensive approach to teaching these subjects. The introduction features the essay, "Media Resources Available on Latin American Culture: A Survey of Art, Architecture, and Music Articles Appearing in Americas" (K. Murray). Section 1, The Visual Arts of Latin America, has the following articles: "The Latin American Box: Environmental Aesthetics in the Classroom" (R. Robkin); "Mascaras y Danzas de Mexico y Guatemala" (J. Winzinger); "The Five Creations and Four Destructions of the Aztec World" (C. Simmons; R. Gaytan); "Art Forms of Quetzalcoatl: A Teaching Guide for Spanish, History, and Art Classes" (A. P. Crick); "The Art and Architecture of Mesoamerica: An Overview" (J. Quirarte); "Interpreting the Aztec Calendar" (L. Hall); "Mexican Muralism: Its Social-Educative Roles in Latin America and the United States" (S. Goldman); "Mexico: An Artist's History" (K. Jones); "A Historical Survey of Chicano Murals in the Southwest" (A. Rodriguez); and "El Dia de los Muertos" (C. Hickman). Section 2, The Musical Heritage of Latin America, has an introduction: "The Study of Latin American Folk Music and the Classroom" (G. Behague) and the following articles: "Value Clarification of the Chicano Culture through Music and Dance" (R. R. de Guerrero); "'La Bamba': Reflections of Many People" (J. Taylor); "The Latin American Art Music Tradition: Some Criteria for Selection of Teaching Materials" (M. Kuss); "Mariachi Guide" (B. San Miguel); "'El Tamborito': The Panamanian Musical Heritage" (N. Samuda); "A Journey through the History of Music in Latin America" (J. Orrego-Salas); "A Multicultural Tapestry for Young People" (V. Gachen); and "A Survey of Mexican Popular Music" (A. Krohn). A list of Education Service Centers in Texas is in the appendix. (DB)
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 198
Book Description
This collection of essays, curriculum units, and study guides on Latin American art and musical traditions is designed to help interested teachers take a comprehensive approach to teaching these subjects. The introduction features the essay, "Media Resources Available on Latin American Culture: A Survey of Art, Architecture, and Music Articles Appearing in Americas" (K. Murray). Section 1, The Visual Arts of Latin America, has the following articles: "The Latin American Box: Environmental Aesthetics in the Classroom" (R. Robkin); "Mascaras y Danzas de Mexico y Guatemala" (J. Winzinger); "The Five Creations and Four Destructions of the Aztec World" (C. Simmons; R. Gaytan); "Art Forms of Quetzalcoatl: A Teaching Guide for Spanish, History, and Art Classes" (A. P. Crick); "The Art and Architecture of Mesoamerica: An Overview" (J. Quirarte); "Interpreting the Aztec Calendar" (L. Hall); "Mexican Muralism: Its Social-Educative Roles in Latin America and the United States" (S. Goldman); "Mexico: An Artist's History" (K. Jones); "A Historical Survey of Chicano Murals in the Southwest" (A. Rodriguez); and "El Dia de los Muertos" (C. Hickman). Section 2, The Musical Heritage of Latin America, has an introduction: "The Study of Latin American Folk Music and the Classroom" (G. Behague) and the following articles: "Value Clarification of the Chicano Culture through Music and Dance" (R. R. de Guerrero); "'La Bamba': Reflections of Many People" (J. Taylor); "The Latin American Art Music Tradition: Some Criteria for Selection of Teaching Materials" (M. Kuss); "Mariachi Guide" (B. San Miguel); "'El Tamborito': The Panamanian Musical Heritage" (N. Samuda); "A Journey through the History of Music in Latin America" (J. Orrego-Salas); "A Multicultural Tapestry for Young People" (V. Gachen); and "A Survey of Mexican Popular Music" (A. Krohn). A list of Education Service Centers in Texas is in the appendix. (DB)