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Author: Edward Bellamy
Publisher:
ISBN: 9781492149248
Category : Utopias
Languages : en
Pages : 140
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Book Description
Looking Backward: 2000-1887 is a utopian science fiction novel by Edward Bellamy, a lawyer and writer from Chicopee Falls, Massachusetts; it was first published in 1887. According to Erich Fromm, Looking Backward is "one of the most remarkable books ever published in America".
Author: Edward Bellamy
Publisher:
ISBN: 9781492149248
Category : Utopias
Languages : en
Pages : 140
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Book Description
Looking Backward: 2000-1887 is a utopian science fiction novel by Edward Bellamy, a lawyer and writer from Chicopee Falls, Massachusetts; it was first published in 1887. According to Erich Fromm, Looking Backward is "one of the most remarkable books ever published in America".
Author:
Publisher:
ISBN:
Category :
Languages : en
Pages : 780
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Book Description
Author:
Publisher:
ISBN:
Category : Bibliography
Languages : en
Pages : 1758
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Book Description
Vols. for 1871-76, 1913-14 include an extra number, The Christmas bookseller, separately paged and not included in the consecutive numbering of the regular series.
Author: Jabez Thomas Sunderland
Publisher:
ISBN:
Category : Liberalism (Religion)
Languages : en
Pages : 672
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Book Description
Author: Peter H. Adams
Publisher:
ISBN:
Category : Language Arts & Disciplines
Languages : en
Pages : 940
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Book Description
This is the first annotated index of selected articles from the more than 20 volumes of the preeminent 19th- and 20th-century American music trade publication, The Musical Courier. Included are over 3,500 citations of articles, illustrations, and advertisements related to the musical instrument industry between 1880 and 1940, greatly facilitating research of this subject and time frame.
Author:
Publisher:
ISBN:
Category : Bibliography
Languages : en
Pages : 816
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Book Description
Author: Nicholas E. Tawa
Publisher: Praeger
ISBN:
Category : Music
Languages : en
Pages : 264
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Book Description
In the years following the Civil War, a tradition of American art music arose that has now come to be neglected and almost ignored. This work studies that period of music that preceded Copland, Sessions, and Thomson by focusing on a number of its important composers, as well as the society that produced them. John Knowles Paine, George Chadwick, Edward MacDowell, Horatio Parker, Arthur Foote, and Amy Beach all achieved national and international reputations for the high quality of their compositions, which included songs, keyboard pieces, chamber works, oratorios, concertos, symphonies, and operas. But with the great changes of the 1920s, music critics and historians either flatly dismissed these artists as mediocre or completely ignored them. Author Nicholas Tawa fully details the world of these undervalued composers, offering a portrait of American cultural life during the latter part of the nineteenth century, the place of art composers within their society and the nature of the music created in response to the mandates of the time. The book begins with the chapters that explore post-Civil War society and music's relationship to it. Among the topics discussed are the nature of the musical public, American promoters of native music, performance of American art music, and artistic frames of reference. Tawa then devotes a series of chapters to the composers themselves, considering the styles and principal features of each one's work, specific groups of compositions, and what artistry meant to the composers. The study concludes with an evaluation of the composers and their musical legacy and features an appendix of musical examples. Students in American music and American studies courses will find this work to be a useful resource, and public and academic libraries will consider it a valuable addition to their collections.
Author: Lyman Horace Weeks
Publisher:
ISBN:
Category : New York (N.Y.)
Languages : en
Pages : 64
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Book Description
Author: Mary Simonson
Publisher: Oxford University Press
ISBN: 0199898022
Category : Performing Arts
Languages : en
Pages : 304
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Book Description
While female performers in the early 20th century were regularly advertised as dancers, mimics, singers, or actresses, they wove together techniques and elements drawn from a wide variety of genres and media. Onstage and onscreen, performers borrowed from musical scores and narratives, referred to contemporary shows, films, and events, and mimicked fellow performers. Behind the scenes, they experimented with cross-promotion and new advertising techniques and technologies to broadcast images and tales of their performances and lives well beyond the walls of American theaters, cabarets, and halls. The performances and conceptions of art that emerged were innovative, compelling, and deeply meaningful. Body Knowledge examines these performances and the performers behind them, highlighting the Ziegfeld Follies and The Passing Show revues, Salome dancers, Isadora Duncan's Wagner dances, Adeline Genée and Bessie Clayton's danced histories, Hazel Mackaye and Ruth St. Denis's pageants, and Anna Pavlova's opera and film projects. As a whole, it re-imagines early twentieth-century art and entertainment as both fluid and convergent.
Author:
Publisher:
ISBN:
Category : Arts
Languages : en
Pages : 864
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Book Description
