Boston Musical Gazette PDF Download
Are you looking for read ebook online? Search for your book and save it on your Kindle device, PC, phones or tablets. Download Boston Musical Gazette PDF full book. Access full book title Boston Musical Gazette by . Download full books in PDF and EPUB format.
Author:
Publisher:
ISBN:
Category : Music
Languages : en
Pages : 218
Get Book Here
Book Description
Author:
Publisher:
ISBN:
Category : Music
Languages : en
Pages : 218
Get Book Here
Book Description
Author:
Publisher:
ISBN:
Category :
Languages : en
Pages : 444
Get Book Here
Book Description
Author: John Spitzer
Publisher: University of Chicago Press
ISBN: 0226769771
Category : History
Languages : en
Pages : 504
Get Book Here
Book Description
Studies of concert life in nineteenth-century America have generally been limited to large orchestras and the programs we are familiar with today. But as this book reveals, audiences of that era enjoyed far more diverse musical experiences than this focus would suggest. To hear an orchestra, people were more likely to head to a beer garden, restaurant, or summer resort than to a concert hall. And what they heard weren’t just symphonic works—programs also included opera excerpts and arrangements, instrumental showpieces, comic numbers, and medleys of patriotic tunes. This book brings together musicologists and historians to investigate the many orchestras and programs that developed in nineteenth-century America. In addition to reflecting on the music that orchestras played and the socioeconomic aspects of building and maintaining orchestras, the book considers a wide range of topics, including audiences, entrepreneurs, concert arrangements, tours, and musicians’ unions. The authors also show that the period saw a massive influx of immigrant performers, the increasing ability of orchestras to travel across the nation, and the rising influence of women as listeners, patrons, and players. Painting a rich and detailed picture of nineteenth-century concert life, this collection will greatly broaden our understanding of America’s musical history.
Author: Carnegie Library of Pittsburgh
Publisher:
ISBN:
Category : Catalogs, Classified (Dewey decimal)
Languages : en
Pages : 1310
Get Book Here
Book Description
Author: Carnegie Library of Pittsburgh
Publisher:
ISBN:
Category : Catalogs, Classified (Dewey decimal)
Languages : en
Pages : 1310
Get Book Here
Book Description
Author: Carnegie Library of Pittsburgh
Publisher:
ISBN:
Category : Classified catalogs (Dewey decimal)
Languages : en
Pages : 1312
Get Book Here
Book Description
Author: Carnegie Library of Pittsburgh
Publisher:
ISBN:
Category : Classified catalogs (Dewey decimal)
Languages : en
Pages : 370
Get Book Here
Book Description
Author: Carnegie Library of Pittsburgh
Publisher:
ISBN:
Category : Classified catalogs (Dewey decimal)
Languages : en
Pages : 1312
Get Book Here
Book Description
Author: Gabrielle (Ernits) Malikoff
Publisher:
ISBN:
Category : Bibliographical literature
Languages : en
Pages : 718
Get Book Here
Book Description
Author: Bill F. Faucett
Publisher: Oxford University Press
ISBN: 0197684181
Category : Biography & Autobiography
Languages : en
Pages : 377
Get Book Here
Book Description
"John Sullivan Dwight (1813-93) was for much of the nineteenth century America's leading music critic. Born into a musical family and educated at several premiere Boston schools, he fell under the spell of New England Transcendentalism during which time he befriended Ralph Waldo Emerson, Elizabeth Palmer Peabody, Margaret Fuller, George Ripley, and others of a similarly progressive mindset. Dwight resided at the socialist/utopian community of Brook Farm where he learned the art of journalism and the business of publishing while writing for The Harbinger. He wrote on many topics-Transcendentalism, of course, but especially on music and musical performance. Dwight was a skilled communicator, and he conveyed ideas powerfully, persuasively, and constantly in language that had recently been given verve by German Romanticism and Emersonian Transcendentalism. When Brook Farm collapsed, Dwight's professional prospects ran desperately low. After several years as a journeyman writer, he launched in 1852 his own Dwight's Journal of Music: A Paper of Art and Literature, a newspaper that firmly established him as a serious music critic. The Journal was published regularly until 1881. It was and remains an important periodical. In its own time, it spoke to America's growing appetite for art music; today it is indispensable for research into nineteenth-century American classical music, especially in Boston. This biography follows Dwight's fascinating life as he meets and writes about some of the era's most crucial intellectuals and musicians. His enormous body of essays, reviews, and translations, much of it illuminated here, leads to the conclusion that Dwight the Music Critic and Dwight the Transcendentalist are inseparable"--
