Imagination Becomes Reality: Borrowed images PDF Download
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Author:
Publisher:
ISBN:
Category : Art, European
Languages : en
Pages : 240
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Book Description
Author:
Publisher:
ISBN:
Category : Art, European
Languages : en
Pages : 240
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Book Description
Author:
Publisher:
ISBN:
Category : Photography
Languages : en
Pages : 120
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Book Description
Caroline Vaughan's photographs offer inspired and surprising visions of landscapes, still lifes, and the human form. In Borrowed Time, her images of nature and people, sometimes surreal and often arresting, follow each other to create a visual poem of opposition and likeness, physical beauty and balance. Compelling the viewer's attention with delicate rich tones and meticulous technique, she holds the viewer's gaze even when her subject is difficult. Most highly acclaimed for her psychologically complex but subtle portraits of family, friends, loved ones, and strangers, Vaughan's work, though widely published and displayed, is collected here for the first time.
Author: Adolphe Napoléon Didron
Publisher:
ISBN:
Category : Art, Medieval
Languages : en
Pages : 472
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Book Description
Author: Jesper Lützen
Publisher: OUP Oxford
ISBN: 0191524344
Category : Science
Languages : en
Pages : 334
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Book Description
This book gives an analysis of Hertz's posthumously published Principles of Mechanics in its philosophical, physical and mathematical context. In a period of heated debates about the true foundation of physical sciences, Hertz's book was conceived and highly regarded as an original and rigorous foundation for a mechanistic research program. Insisting that a law-like account of nature would require hypothetical unobservables, Hertz viewed physical theories as (mental) images of the world rather than the true design behind the phenomena. This paved the way for the modern conception of a model. Rejecting the concept of force as a coherent basic notion of physics he built his mechanics on hidden masses (the ether) and rigid connections, and formulated it as a new differential geometric language. Recently many philosophers have studied Hertz's image theory and historians of physics have discussed his forceless mechanics. The present book shows how these aspects, as well as the hitherto overlooked mathematical aspects, form an integrated whole which is closely connected to the mechanistic world view of the time and which is a natural continuation of Hertz's earlier research on electromagnetism. Therefore it is also a case study of the strong interactions between philosophy, physics and mathematics. Moreover, the book presents an analysis of the genesis of many of the central elements of Hertz's mechanics based on his manuscripts and drafts. Hertz's research program was cut short by the advent of relativity theory but its image theory influenced many philosophers as well as some physicists and mathematicians and its geometric form had a lasting influence on advanced expositions of mechanics.
Author: Stephen H. Kellert
Publisher: University of Chicago Press
ISBN: 0226429806
Category : Science
Languages : en
Pages : 303
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Book Description
What happens to scientific knowledge when researchers outside the natural sciences bring elements of the latest trend across disciplinary boundaries for their own purposes? Researchers in fields from anthropology to family therapy and traffic planning employ the concepts, methods, and results of chaos theory to harness the disciplinary prestige of the natural sciences, to motivate methodological change or conceptual reorganization within their home discipline, and to justify public policies and aesthetic judgments. Using the recent explosion in the use (and abuse) of chaos theory, Borrowed Knowledge and the Challenge of Learning across Disciplines examines the relationship between science and other disciplines as well as the place of scientific knowledge within our broader culture. Stephen H. Kellert’s detailed investigation of the myriad uses of chaos theory reveals serious problems that can arise in the interchange between science and other knowledge-making pursuits, as well as opportunities for constructive interchange. By engaging with recent debates about interdisciplinary research, Kellert contributes a theoretical vocabulary and a set of critical frameworks for the rigorous examination of borrowing.
Author: Claudia E. Suter
Publisher: Saint-Paul
ISBN: 9783525530047
Category : History
Languages : en
Pages : 504
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Book Description
Art objects and pictures of the first millennium BC Chr. From the Middle East and the Eastern Mediterranean are viewed here from a perspective that sees art as a symbolic data carrier. Art conveys culturally shaped statements and thereby allows conclusions to be drawn about the culture, world view and religion of a people. In this book, it is examined in its triple function as an artifact, visual medium and reflection of cultural ideas.
Author: Holly Willis
Publisher: Columbia University Press
ISBN: 023150277X
Category : Performing Arts
Languages : en
Pages : 147
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Book Description
This introduction to contemporary digital cinema tracks its intersection with video art, music video, animation, print design and live club events to create an avant-garde for the new millennium. It begins by investigating digital cinema and its contribution to innovations in the feature-film format, examining animation and live-action hybrids, the gritty aesthetic of the Dogme 95 filmmakers, the explosions of frames within frames and the evolution of the ‘ambient narrative’ film. This study then looks at the creation of new genres and moving-image experiences as what we know as ‘cinema’ enters new venues and formats.
Author: Heidi Marie Soneson
Publisher:
ISBN:
Category : Africa, West
Languages : en
Pages : 436
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Book Description
Author: Adolphe Napoléon Didron
Publisher:
ISBN:
Category : Christian art and symbolism
Languages : en
Pages : 494
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Book Description
Author: John Russell Herbert
Publisher: Lulu.com
ISBN: 1312497777
Category : Fiction
Languages : en
Pages : 140
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Book Description
This work was largely begun on the premises of the opening French paragraph, having to do with the human animal, "dark", erudite but not necessarily rational, and its vulnerability to the vicissitudes of fortune. It has partially to do with digital estrangement from the conditions of nature. It is a dark and brooding thing, very Old World in most of its aesthetics, but premised in the context of the digital media. This is a bit "decadent", having no genre in mind, having no political or otherwise paradigm keeping it doctrinally ordered. The linguistic aspects took on lives of their own, aside from any "self-expressive" impetus behind the work.
