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Author: W.C. Jameson
Publisher: Rowman & Littlefield
ISBN: 1493028359
Category : History
Languages : en
Pages : 177
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Book Description
Border Bandits is an account of the many, many stories of back and forth skirmishes between the Mexicans and Texans during the late 1800s and early 1900s. There practically wasn't a border, which caused a lot of problems and thievery between the two countries. These seventeen tales in this book re-create border raids that originated from both sides of the fluid and much contested line and tells the stories of colorful characters – Mexican and American – that have since secured their place in history.
Author: W.C. Jameson
Publisher: Rowman & Littlefield
ISBN: 1493028359
Category : History
Languages : en
Pages : 177
Get Book Here
Book Description
Border Bandits is an account of the many, many stories of back and forth skirmishes between the Mexicans and Texans during the late 1800s and early 1900s. There practically wasn't a border, which caused a lot of problems and thievery between the two countries. These seventeen tales in this book re-create border raids that originated from both sides of the fluid and much contested line and tells the stories of colorful characters – Mexican and American – that have since secured their place in history.
Author: Camilla Fojas
Publisher: University of Texas Press
ISBN: 0292781954
Category : Performing Arts
Languages : en
Pages : 251
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Book Description
The southern frontier is one of the most emotionally charged zones in the United States, second only to its historical predecessor and partner, the western frontier. Though they span many genres, border films share common themes, trace the mood swings of public policy, and shape our cultural agenda. In this examination, Camilla Fojas studies how major Hollywood films exploit the border between Mexico and the United States to tell a story about U.S. dominance in the American hemisphere. She charts the shift from the mythos of the open western frontier to that of the embattled southern frontier by offering in-depth analyses of particular border films, from post-World War II Westerns to drug-trafficking films to contemporary Latino/a cinema, within their historical and political contexts. Fojas argues that Hollywood border films do important social work by offering a cinematic space through which viewers can manage traumatic and undesirable histories and ultimately reaffirm core "American" values. At the same time, these border narratives delineate opposing values and ideas. Latino border films offer a critical vantage onto these topics; they challenge the presumptions of U.S. nationalism and subsequent cultural attitudes about immigrants and immigration, and often critically reconstruct their Hollywood kin. By analyzing films such as Duel in the Sun, The Wild Bunch, El Norte, The Border, Traffic, and Brokeback Mountain, Fojas demands that we reexamine the powerful mythology of the Hollywood borderlands. This detailed scrutiny recognizes that these films are part of a national narrative comprised of many texts and symbols that create the myth of the United States as capital of the Americas.
Author: James William Buel
Publisher: BoD – Books on Demand
ISBN: 3385422817
Category : Fiction
Languages : en
Pages : 174
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Book Description
Reprint of the original, first published in 1881.
Author: Johnny D. Boggs
Publisher: Penguin
ISBN: 1101220066
Category : Fiction
Languages : en
Pages : 336
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Book Description
From a Spur Award–winning author of the Five Star Western Series comes a thrilling tale of James clan. Outlaws Frank and Jesse James eluded capture for 16 years and became folk heroes. In 1882, after Jesse was killed by Bob, Frank surrendered and faced trial for murder. How could Missouri convict a man so popular that the governor almost needed an appointment to visit him in jail? William Wallace had already imprisoned one member of the untouchable James Gang. Now his case rested on the word of a scoundrel and defied those who would kill to protect Frank James. The defense would paint the Shakespeare-quoting robber as an honorable family man and victim of mistaken identity, endlessly persecuted by the hated railroads. Inside an opera house, the circus like trial would decide if James senselessly murdered a young stonemason during the 1881 Winston train robbery. Perhaps the larger question was if Missouri was ruled by the arm of the law—or the arm of the bandit.
Author: Leo P. Kelley
Publisher: Signet Book
ISBN: 9780451122513
Category : Fiction
Languages : en
Pages : 198
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Book Description
Author: Steven Bender
Publisher: NYU Press
ISBN: 0814789528
Category : Law
Languages : en
Pages : 234
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Book Description
Arguing for immigration reform based on negotiation and cross-border accord, offers an historical analysis of border crossings, both Mexico to the United States and the United States to Mexico, revealing the symbiotic relationship between the two countries and their shared economic and cultural legacy.
Author: Juan JosŽ Alonzo
Publisher: University of Arizona Press
ISBN: 9780816528684
Category : Social Science
Languages : en
Pages : 212
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Book Description
Badmen, Bandits, and Folk Heroes is a comparative study of the literary and cinematic representation of Mexican American masculine identity from early twentieth-century adventure stories and movie Westerns through contemporary self-representations by Chicano/a writers and filmmakers. In this deeply compelling book, Juan J. Alonzo proposes a reconsideration of the early stereotypical depictions of Mexicans in fiction and film: rather than viewing stereotypes as unrelentingly negative, Alonzo presents them as part of a complex apparatus of identification and disavowal. Furthermore, Alonzo reassesses Chicano/a self-representation in literature and film, and argues that the Chicano/a expression of identity is characterized less by essentialism than by an acknowldgement of the contingent status of present-day identity formations. Alonzo opens his provocative study with a fresh look at the adventure stories of Stephen Crane and the silent Western movies of D. W. Griffith. He also investigates the conflation of the greaser, the bandit, and the Mexican revolutionary into one villainous figure in early Western movies and, more broadly, traces the development of the badman in Westerns. He newly interrogates the writings of AmŽrico Paredes regarding the makeup of Mexican masculinity, and productively trains his analytic eye on the recent films of Jim Mendiola and the contemporary poetry of Evangelina Vigil. Throughout Badmen, Bandits, and Folk Heroes, Alonzo convincingly demonstrates how fiction and films that formerly appeared one-dimensional in their treatment of Mexicans and Mexican Americans actually offer surprisingly multifarious and ambivalent representations. At the same time, his valuation of indeterminacy, contingency, and hybridity in contemporary cultural production creates new possibilities for understanding identity formation.
Author: Juan J. Alonzo
Publisher: University of Arizona Press
ISBN: 0816545448
Category : Social Science
Languages : en
Pages : 208
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Book Description
Badmen, Bandits, and Folk Heroes is a comparative study of the literary and cinematic representation of Mexican American masculine identity from early twentieth-century adventure stories and movie Westerns through contemporary self-representations by Chicano/a writers and filmmakers. In this deeply compelling book, Juan J. Alonzo proposes a reconsideration of the early stereotypical depictions of Mexicans in fiction and film: rather than viewing stereotypes as unrelentingly negative, Alonzo presents them as part of a complex apparatus of identification and disavowal. Furthermore, Alonzo reassesses Chicano/a self-representation in literature and film, and argues that the Chicano/a expression of identity is characterized less by essentialism than by an acknowldgement of the contingent status of present-day identity formations. Alonzo opens his provocative study with a fresh look at the adventure stories of Stephen Crane and the silent Western movies of D. W. Griffith. He also investigates the conflation of the greaser, the bandit, and the Mexican revolutionary into one villainous figure in early Western movies and, more broadly, traces the development of the badman in Westerns. He newly interrogates the writings of Américo Paredes regarding the makeup of Mexican masculinity, and productively trains his analytic eye on the recent films of Jim Mendiola and the contemporary poetry of Evangelina Vigil. Throughout Badmen, Bandits, and Folk Heroes, Alonzo convincingly demonstrates how fiction and films that formerly appeared one-dimensional in their treatment of Mexicans and Mexican Americans actually offer surprisingly multifarious and ambivalent representations. At the same time, his valuation of indeterminacy, contingency, and hybridity in contemporary cultural production creates new possibilities for understanding identity formation.
Author: Doug Boyce
Publisher: CarTech Inc
ISBN: 1613255985
Category : Transportation
Languages : en
Pages : 144
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Book Description
Blast down the quarter mile in the first two generations of Ford’s legendary pony car across all drag racing classes in Quarter-Mile Mustangs! Since first becoming a mass-market success in mid-1964, the Ford Mustang has made millions of passes down the quarter mile on sanctioned drag strips. With styling flared toward the youth, aftermarket parts manufacturers saw an enormous opportunity to produce go-fast components to aid in propelling Ford’s pony car down the 1320. The success of these cars was immediate. In the hands of successful and seasoned pros, such as Gas Ronda, Bill Lawton, and Dick Brannan, Ford unleashed the devastatingly potent 1965 A/FX Mustang fastback, which was built by Blue Oval stalwarts Holman & Moody with the 427 SOHC (Cammer) engine that unleashed havoc on mother Mopar. From those very first factory drag cars through the fabled 1968-1/2 Cobra Jets, drag racing historian Doug Boyce highlights the many successes of pioneers, such as “Dyno” Don Nicholson, Les Ritchey, Phil Bonner, Hubert Platt, and Al Joniec. However, it’s not just all doorslammers. As A/FX transitioned into Funny Car, a whole new chapter in Mustang drag racing was written with Mickey Thompson taking the reins and steering Mustangs to success throughout the late 1960s and early 1970s. The muscle car-era Mustangs joined the Mustang II and soldiered on the best they could as ever-changing rules hampered Ford’s new pony body, with drivers Bob Glidden and Nicholson trying to squeeze every bit of performance out of the diminutive pony. Quarter-Mile Mustangs: The History of Ford’s Pony Car at the Drag Strip 1964-1/2-1978 brings forth the most in-depth coverage of these cars at the drag strip. Don’t get caught sleeping at the light!
Author: Richard Griswold del Castillo
Publisher: University of Arizona Press
ISBN: 0816544565
Category : History
Languages : en
Pages : 313
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Book Description
The Mexican and Chicana/o residents of San Diego have a long, complicated, and rich history that has been largely ignored. This collection of essays shows how the Spanish-speaking people of this border city have created their own cultural spaces. Sensitive to issues of gender—and paying special attention to political, economic, and cultural figures and events—the contributors explore what is unique about San Diego’s Mexican American history. In chronologically ordered chapters, scholars discuss how Mexican and Chicana/o people have resisted and accommodated the increasingly Anglo-oriented culture of the region. The book’s early chapters recount the historical origins of San Diego and its development through the mid-nineteenth century, describe the “American colonization” that followed, and include examples of Latino resistance that span the twentieth century—from early workers’ strikes to the United Farm Workers movement of the 1960s. Later chapters trace the Chicana/o Movement in the community and in the arts; the struggle against the gentrification of the barrio; and the growth of community organizing (especially around immigrants’ rights) from the perspective of a community organizer. To tell this sweeping story, the contributors use a variety of approaches. Testimonios retell individual lives, ethnographies relate the stories of communities, and historical narratives uncover what has previously been ignored or discounted. The result is a unique portrait of a marginalized population that has played an important but neglected role in the development of a major American border city.
