Author: C.S.E. Cooney
Publisher: Mythic Delirium Books
ISBN:
Category : Fiction
Languages : en
Pages : 224
Book Description
Winner of the 2016 World Fantasy Award for Best Collection Contains "The Bone Swans of Amandale," 2015 Nebula Award finalist for Best Novella "C. S. E. Cooney is one of the most moving, daring, and plainly beautiful voices to come out of recent fantasy. She's a powerhouse with a wink in her eye and a song in each pocket." —Catherynne M. Valente, New York Times-bestselling author of the Fairyland novels "These stories are a pure joy. C. S. E. Cooney's imagination is wild and varied, her stories bawdy, horrific, comic, and moving-frequently all at the same time. Her characters are wickedly appealing, and her language—O! her language. Lush, playful, poetic, but never obscure or stilted, it makes her magic more magic, her comedy more comic, and her tragic moments almost unbearable." —Delia Sherman, author of Young Woman in a Garden: Stories "Bone Swans is a joy of feathery bones & ghoulish clowns. I adored every word. Like an eyas cries for meat, I cry for more. C.S.E. Cooney's a major talent and these are major talent stories. Who can resist hero rats, pouting swans, feral children, flying carpets and the Flabberghast? So tongue-tied am I with delight I fall back on the usual cliches: gripping, delightful, insightful, rollicking & lyrical—and yet not one cliche is to be found in Bone Swans, only stories of surpassing delicacy and wit, told by a lady of rare talent. Please, ma'am, might I have some more?" —Ysabeau S. Wilce, Andre Norton Award wining author of Flora's Dare A swan princess hunted for her bones, a broken musician and his silver pipe, and a rat named Maurice bring justice to a town under fell enchantment. A gang of courageous kids confronts both a plague-destroyed world and an afterlife infested with clowns but robbed of laughter. In an island city, the murder of a child unites two lovers, but vengeance will part them. Only human sacrifice will save a city trapped in ice and darkness. Gold spun out of straw has a price, but not the one you expect. World Fantasy Award winner Ellen Kushner has called Cooney's writing "stunningly delicious! Cruel, beautiful and irresistible." Bone Swans, the infernally whimsical debut collection from C. S. E. Cooney, gathers five novellas that in the words of Andre Norton Award winner Delia Sherman are "bawdy, horrific, comic, and moving-frequently all at the same time." Cooney's mentor, Science Fiction and Fantasy Writers of America Grand Master Gene Wolfe, proclaims in his introduction that her style is so original it can only be described as "pure Cooney," and he offers readers a challenge: "Try to define that when you've finished the stories in this book." More praise for Bone Swans "Cooney's brilliantly executed collection of five stories is a delicious stew of science fiction, horror, and fantasy, marked by unforgettable characters who plumb the depths of pathos and triumph. ... All of these stories could easily serve as the foundation for novels while also working beautifully at their current length. These well-crafted narratives defiantly refuse to fade from memory long after the last word has been read." —Publishers Weekly, starred review "In five beautifully crafted stories, Cooney builds imaginary worlds full of flying carpets, fairy-tale characters, and children confronted with a postapocalyptic Earth ... Each tale packs in enough plot for a novel, with adventurous characters who brim with wit." —Library Journal, starred review "Writing without ostentation and featuring characters who may be flippant, terse, or even tongue-tied, Cooney produces memorable prose propelled by extraordinary ideas ... Faced with such twisted genius, I'll say no more!" —Locus "A fascinating mashup between the tropes and resonances of the mythic tale with the sensibilities of contemporary action-oriented fantasy: simultaneously lighthearted and serious, full of consequences but also ubiquitous happy endings." —Tor.com
Bone Swans
Author: C.S.E. Cooney
Publisher: Mythic Delirium Books
ISBN:
Category : Fiction
Languages : en
Pages : 224
Book Description
Winner of the 2016 World Fantasy Award for Best Collection Contains "The Bone Swans of Amandale," 2015 Nebula Award finalist for Best Novella "C. S. E. Cooney is one of the most moving, daring, and plainly beautiful voices to come out of recent fantasy. She's a powerhouse with a wink in her eye and a song in each pocket." —Catherynne M. Valente, New York Times-bestselling author of the Fairyland novels "These stories are a pure joy. C. S. E. Cooney's imagination is wild and varied, her stories bawdy, horrific, comic, and moving-frequently all at the same time. Her characters are wickedly appealing, and her language—O! her language. Lush, playful, poetic, but never obscure or stilted, it makes her magic more magic, her comedy more comic, and her tragic moments almost unbearable." —Delia Sherman, author of Young Woman in a Garden: Stories "Bone Swans is a joy of feathery bones & ghoulish clowns. I adored every word. Like an eyas cries for meat, I cry for more. C.S.E. Cooney's a major talent and these are major talent stories. Who can resist hero rats, pouting swans, feral children, flying carpets and the Flabberghast? So tongue-tied am I with delight I fall back on the usual cliches: gripping, delightful, insightful, rollicking & lyrical—and yet not one cliche is to be found in Bone Swans, only stories of surpassing delicacy and wit, told by a lady of rare talent. Please, ma'am, might I have some more?" —Ysabeau S. Wilce, Andre Norton Award wining author of Flora's Dare A swan princess hunted for her bones, a broken musician and his silver pipe, and a rat named Maurice bring justice to a town under fell enchantment. A gang of courageous kids confronts both a plague-destroyed world and an afterlife infested with clowns but robbed of laughter. In an island city, the murder of a child unites two lovers, but vengeance will part them. Only human sacrifice will save a city trapped in ice and darkness. Gold spun out of straw has a price, but not the one you expect. World Fantasy Award winner Ellen Kushner has called Cooney's writing "stunningly delicious! Cruel, beautiful and irresistible." Bone Swans, the infernally whimsical debut collection from C. S. E. Cooney, gathers five novellas that in the words of Andre Norton Award winner Delia Sherman are "bawdy, horrific, comic, and moving-frequently all at the same time." Cooney's mentor, Science Fiction and Fantasy Writers of America Grand Master Gene Wolfe, proclaims in his introduction that her style is so original it can only be described as "pure Cooney," and he offers readers a challenge: "Try to define that when you've finished the stories in this book." More praise for Bone Swans "Cooney's brilliantly executed collection of five stories is a delicious stew of science fiction, horror, and fantasy, marked by unforgettable characters who plumb the depths of pathos and triumph. ... All of these stories could easily serve as the foundation for novels while also working beautifully at their current length. These well-crafted narratives defiantly refuse to fade from memory long after the last word has been read." —Publishers Weekly, starred review "In five beautifully crafted stories, Cooney builds imaginary worlds full of flying carpets, fairy-tale characters, and children confronted with a postapocalyptic Earth ... Each tale packs in enough plot for a novel, with adventurous characters who brim with wit." —Library Journal, starred review "Writing without ostentation and featuring characters who may be flippant, terse, or even tongue-tied, Cooney produces memorable prose propelled by extraordinary ideas ... Faced with such twisted genius, I'll say no more!" —Locus "A fascinating mashup between the tropes and resonances of the mythic tale with the sensibilities of contemporary action-oriented fantasy: simultaneously lighthearted and serious, full of consequences but also ubiquitous happy endings." —Tor.com
Publisher: Mythic Delirium Books
ISBN:
Category : Fiction
Languages : en
Pages : 224
Book Description
Winner of the 2016 World Fantasy Award for Best Collection Contains "The Bone Swans of Amandale," 2015 Nebula Award finalist for Best Novella "C. S. E. Cooney is one of the most moving, daring, and plainly beautiful voices to come out of recent fantasy. She's a powerhouse with a wink in her eye and a song in each pocket." —Catherynne M. Valente, New York Times-bestselling author of the Fairyland novels "These stories are a pure joy. C. S. E. Cooney's imagination is wild and varied, her stories bawdy, horrific, comic, and moving-frequently all at the same time. Her characters are wickedly appealing, and her language—O! her language. Lush, playful, poetic, but never obscure or stilted, it makes her magic more magic, her comedy more comic, and her tragic moments almost unbearable." —Delia Sherman, author of Young Woman in a Garden: Stories "Bone Swans is a joy of feathery bones & ghoulish clowns. I adored every word. Like an eyas cries for meat, I cry for more. C.S.E. Cooney's a major talent and these are major talent stories. Who can resist hero rats, pouting swans, feral children, flying carpets and the Flabberghast? So tongue-tied am I with delight I fall back on the usual cliches: gripping, delightful, insightful, rollicking & lyrical—and yet not one cliche is to be found in Bone Swans, only stories of surpassing delicacy and wit, told by a lady of rare talent. Please, ma'am, might I have some more?" —Ysabeau S. Wilce, Andre Norton Award wining author of Flora's Dare A swan princess hunted for her bones, a broken musician and his silver pipe, and a rat named Maurice bring justice to a town under fell enchantment. A gang of courageous kids confronts both a plague-destroyed world and an afterlife infested with clowns but robbed of laughter. In an island city, the murder of a child unites two lovers, but vengeance will part them. Only human sacrifice will save a city trapped in ice and darkness. Gold spun out of straw has a price, but not the one you expect. World Fantasy Award winner Ellen Kushner has called Cooney's writing "stunningly delicious! Cruel, beautiful and irresistible." Bone Swans, the infernally whimsical debut collection from C. S. E. Cooney, gathers five novellas that in the words of Andre Norton Award winner Delia Sherman are "bawdy, horrific, comic, and moving-frequently all at the same time." Cooney's mentor, Science Fiction and Fantasy Writers of America Grand Master Gene Wolfe, proclaims in his introduction that her style is so original it can only be described as "pure Cooney," and he offers readers a challenge: "Try to define that when you've finished the stories in this book." More praise for Bone Swans "Cooney's brilliantly executed collection of five stories is a delicious stew of science fiction, horror, and fantasy, marked by unforgettable characters who plumb the depths of pathos and triumph. ... All of these stories could easily serve as the foundation for novels while also working beautifully at their current length. These well-crafted narratives defiantly refuse to fade from memory long after the last word has been read." —Publishers Weekly, starred review "In five beautifully crafted stories, Cooney builds imaginary worlds full of flying carpets, fairy-tale characters, and children confronted with a postapocalyptic Earth ... Each tale packs in enough plot for a novel, with adventurous characters who brim with wit." —Library Journal, starred review "Writing without ostentation and featuring characters who may be flippant, terse, or even tongue-tied, Cooney produces memorable prose propelled by extraordinary ideas ... Faced with such twisted genius, I'll say no more!" —Locus "A fascinating mashup between the tropes and resonances of the mythic tale with the sensibilities of contemporary action-oriented fantasy: simultaneously lighthearted and serious, full of consequences but also ubiquitous happy endings." —Tor.com
Jake's Bones
Author: Jake McGowan-Lowe
Publisher: Ticktock Books, Limited
ISBN: 9781848988521
Category : Juvenile Fiction
Languages : en
Pages : 0
Book Description
Jake McGowan-Lowe is a boy with a very unusual hobby. Since the age of 7, he has been photographing and blogging about his incredible finds and now has a worldwide following, including 100,000 visitors from the US and Canada. Follow Jake as he explores the animal world through this new 64-page book. He takes you on a world wide journey of his own collection, and introduces you to other amazing animals from the four corners of the globe. Find out what a cow's tooth, a rabbit's rib and a duck's quack look like and much, much more besides.
Publisher: Ticktock Books, Limited
ISBN: 9781848988521
Category : Juvenile Fiction
Languages : en
Pages : 0
Book Description
Jake McGowan-Lowe is a boy with a very unusual hobby. Since the age of 7, he has been photographing and blogging about his incredible finds and now has a worldwide following, including 100,000 visitors from the US and Canada. Follow Jake as he explores the animal world through this new 64-page book. He takes you on a world wide journey of his own collection, and introduces you to other amazing animals from the four corners of the globe. Find out what a cow's tooth, a rabbit's rib and a duck's quack look like and much, much more besides.
Swans
Author: Nicole Helget
Publisher: The Creative Company
ISBN: 9781583416594
Category : Juvenile Nonfiction
Languages : en
Pages : 46
Book Description
Describes the physical characteristics, habitats, migration, mating behavior, family life, and cultural impact of the swan.
Publisher: The Creative Company
ISBN: 9781583416594
Category : Juvenile Nonfiction
Languages : en
Pages : 46
Book Description
Describes the physical characteristics, habitats, migration, mating behavior, family life, and cultural impact of the swan.
The Trumpeter Swan
Author: Winston E. Banko
Publisher:
ISBN:
Category : Nature
Languages : en
Pages : 232
Book Description
Publisher:
ISBN:
Category : Nature
Languages : en
Pages : 232
Book Description
The Trumpeter Swan
Author: George Bradford Saunders
Publisher:
ISBN:
Category : Birds
Languages : en
Pages : 700
Book Description
Publisher:
ISBN:
Category : Birds
Languages : en
Pages : 700
Book Description
Nipisat - a Saqqaq Culture Site in Sisimiut, Central West Greenland
Author: Anne Birgitte Gotfredsen
Publisher: Museum Tusculanum Press
ISBN: 9788763512640
Category : Antiquities
Languages : en
Pages : 248
Book Description
From 1989 to 1994, more than 200 m2 were excavated at the Saqqaq site of Nipisat, situated on a small island 15 km south of Sisimiut. The excellent preservation conditions for organic material, and the fact that some of the stone artefacts were not previously known from the Saqqaq Culture, were the main reasons for the excavation. More than 70,000 bone fragments, 20,000 flakes and 1,000 artefacts were recovered. A total of 33 dates, making this site one of the best dated in the entire Arctic, reveal that Nipisat was occupied continuously for nearly 1,500 years. Although protruding bedrock disturbed the stratigraphy and several lenses of crushed shells interrupted the layers, three different chronological phases could be identified. Phase 1 is dated by eight 14C dates ranging from 2020 to 1740 BC (cal). Phase 2 partly overlaps, but is mainly younger than phase 1 and dated by five 14C dates to 1860-1325 BC (cal). Phase 3 is dated by 16 14C dates to 1310-810 BC (cal). One date was very young (520 BC (cal)) and problematic because of extreme oscillations of the 14C curve. From phase 1 there is a mid-passage structure with a box-hearth. A ring of flagstones surrounds the structure. From phase 2 there is a well-defined box-hearth. There was no clear outline of a tent ring surrounding the hearth, which could be due to later disturbances in phase 3. No dwelling structures were recognised from phase 3. Instead several sherds of soapstone were recorded, indicating the use of blubber for light or cooking. From phase 1 and 2 the tool types are well known from other Saqqaq sites in Greenland and Arctic Canada e.g. small harpoon endblades, projectile points, knife blades, scrapers, burins etc. and needles, flint flakers, harpoon heads, wedges etc. But from phase 3 previously unknown types were recorded. A new tool kit for sea mammal hunting is seen in the very sturdy harpoon or lance head made of antler. In addition there are many different kinds of barbed leisters or spears. New types of bevelled harpoon heads, bevelled knife blades and bevelled projectile points, all made of killiaq (silicified slate), were also registered. The faunal assemblage of Nipisat yielded 28,823 identified bone fragments representing at least 42 species of fish, birds and mammals. The fish remains, comprising c. 2% of the faunal material, consisted nearly entirely (98%) of fairly large sized cod (). The bird remains comprise c. 47% of the material and derive from at least 24 bird species. Gulls are the dominant group (c. 54% of the bird remains) followed by eider ducks (spp.) (24%) and spp. (13%) presumably barnacle geese (), while auks () were found in lower frequencies. The most spectacular finds, however, were skeletal remains of subadult great auks () from the oldest phase. A total of 60 presumed whooper swan () remains constitute the hitherto largest, northernmost and oldest occurrence in Greenland. At least 14 mammalian species were identified revealing a surprisingly large proportion of caribou () (51% of the mammal remains) for a coastal site. Seals accounted for 45%, with the common seal () as the absolutely dominant component. Other marine mammals were walrus () and harbour porpoise (), which played an important but minor role. Polar bear () hunting was documented by the presence of four fragments from the youngest phase. Saqqaq people were accompanied by fairly large and robust dogs (). Nipisat, the first larger Saqqaq site to be excavated from the Open Water Area was a coastal site and through all occupation phases the game animals of the surrounding waters and fjords were hunted. For more than a millennium, the site was visited briefly from time to time, at least during spring, summer and early autumn. Staging geese were captured during spring. In June and July the breeding birds were exploited for their eggs and easily accessible young, as documented by large numbers of juvenile gull bones in particular. The common seal hunting specialised on immature individuals caught primarily during their first summer on the breeding grounds. The inhabitants at Nipisat also hunted caribou on the mainland. The age structure and sex distribution of the caribou remains primarily reflect stalking. Selected body parts, especially the fore and hind legs and the heads, were transported to the island for raw material, meat filleting and further processing for marrow extraction and fat rendering. The exploitation of fauna through the entire occupation period was remarkably constant with respect to choice of game animal and the selected age groups. Although eiders were more abundant in phase 1 (36%) than in phase 3 (17%) while gulls increased from 43 to 61% in the same time period. The same trend was found valid for geese, which increased over time while the importance of auks decreased. Harbour porpoise seem to have decreased while walrus increased in relative importance through time. Caribou seem to be of greater importance in phase 3 with 55% compared to 45% in phase 1. The slight shift in preferred resources may be explained by fluctuating abundance and availability of the game species combined with the development of new hunting tools. Based on the new investigations in the Sisimiut District, the gap between Saqqaq and Dorset Culture in Central West Greenland has been diminished. Although resource exploitation at the site seems to have been very stable through all three phases, there are aspects of cultural change bridging the transition from Saqqaq to Dorset Cultures. The introduction of bevelled tools, sturdy harpoon or lance heads and the abandonment of the bow and arrow in phase 3, show cultural affiliation with Dorset technology. This is also true in terms of lithic raw material preference, the introduction of soapstone artefacts and the absence of dwelling structures with a well-defined box-hearth. At the same time it looks like, the central occupation area for the Saqqaq Culture shifted southwards from the Qeqertarsuup Tunua area towards Sisimiut and Nuuk.
Publisher: Museum Tusculanum Press
ISBN: 9788763512640
Category : Antiquities
Languages : en
Pages : 248
Book Description
From 1989 to 1994, more than 200 m2 were excavated at the Saqqaq site of Nipisat, situated on a small island 15 km south of Sisimiut. The excellent preservation conditions for organic material, and the fact that some of the stone artefacts were not previously known from the Saqqaq Culture, were the main reasons for the excavation. More than 70,000 bone fragments, 20,000 flakes and 1,000 artefacts were recovered. A total of 33 dates, making this site one of the best dated in the entire Arctic, reveal that Nipisat was occupied continuously for nearly 1,500 years. Although protruding bedrock disturbed the stratigraphy and several lenses of crushed shells interrupted the layers, three different chronological phases could be identified. Phase 1 is dated by eight 14C dates ranging from 2020 to 1740 BC (cal). Phase 2 partly overlaps, but is mainly younger than phase 1 and dated by five 14C dates to 1860-1325 BC (cal). Phase 3 is dated by 16 14C dates to 1310-810 BC (cal). One date was very young (520 BC (cal)) and problematic because of extreme oscillations of the 14C curve. From phase 1 there is a mid-passage structure with a box-hearth. A ring of flagstones surrounds the structure. From phase 2 there is a well-defined box-hearth. There was no clear outline of a tent ring surrounding the hearth, which could be due to later disturbances in phase 3. No dwelling structures were recognised from phase 3. Instead several sherds of soapstone were recorded, indicating the use of blubber for light or cooking. From phase 1 and 2 the tool types are well known from other Saqqaq sites in Greenland and Arctic Canada e.g. small harpoon endblades, projectile points, knife blades, scrapers, burins etc. and needles, flint flakers, harpoon heads, wedges etc. But from phase 3 previously unknown types were recorded. A new tool kit for sea mammal hunting is seen in the very sturdy harpoon or lance head made of antler. In addition there are many different kinds of barbed leisters or spears. New types of bevelled harpoon heads, bevelled knife blades and bevelled projectile points, all made of killiaq (silicified slate), were also registered. The faunal assemblage of Nipisat yielded 28,823 identified bone fragments representing at least 42 species of fish, birds and mammals. The fish remains, comprising c. 2% of the faunal material, consisted nearly entirely (98%) of fairly large sized cod (). The bird remains comprise c. 47% of the material and derive from at least 24 bird species. Gulls are the dominant group (c. 54% of the bird remains) followed by eider ducks (spp.) (24%) and spp. (13%) presumably barnacle geese (), while auks () were found in lower frequencies. The most spectacular finds, however, were skeletal remains of subadult great auks () from the oldest phase. A total of 60 presumed whooper swan () remains constitute the hitherto largest, northernmost and oldest occurrence in Greenland. At least 14 mammalian species were identified revealing a surprisingly large proportion of caribou () (51% of the mammal remains) for a coastal site. Seals accounted for 45%, with the common seal () as the absolutely dominant component. Other marine mammals were walrus () and harbour porpoise (), which played an important but minor role. Polar bear () hunting was documented by the presence of four fragments from the youngest phase. Saqqaq people were accompanied by fairly large and robust dogs (). Nipisat, the first larger Saqqaq site to be excavated from the Open Water Area was a coastal site and through all occupation phases the game animals of the surrounding waters and fjords were hunted. For more than a millennium, the site was visited briefly from time to time, at least during spring, summer and early autumn. Staging geese were captured during spring. In June and July the breeding birds were exploited for their eggs and easily accessible young, as documented by large numbers of juvenile gull bones in particular. The common seal hunting specialised on immature individuals caught primarily during their first summer on the breeding grounds. The inhabitants at Nipisat also hunted caribou on the mainland. The age structure and sex distribution of the caribou remains primarily reflect stalking. Selected body parts, especially the fore and hind legs and the heads, were transported to the island for raw material, meat filleting and further processing for marrow extraction and fat rendering. The exploitation of fauna through the entire occupation period was remarkably constant with respect to choice of game animal and the selected age groups. Although eiders were more abundant in phase 1 (36%) than in phase 3 (17%) while gulls increased from 43 to 61% in the same time period. The same trend was found valid for geese, which increased over time while the importance of auks decreased. Harbour porpoise seem to have decreased while walrus increased in relative importance through time. Caribou seem to be of greater importance in phase 3 with 55% compared to 45% in phase 1. The slight shift in preferred resources may be explained by fluctuating abundance and availability of the game species combined with the development of new hunting tools. Based on the new investigations in the Sisimiut District, the gap between Saqqaq and Dorset Culture in Central West Greenland has been diminished. Although resource exploitation at the site seems to have been very stable through all three phases, there are aspects of cultural change bridging the transition from Saqqaq to Dorset Cultures. The introduction of bevelled tools, sturdy harpoon or lance heads and the abandonment of the bow and arrow in phase 3, show cultural affiliation with Dorset technology. This is also true in terms of lithic raw material preference, the introduction of soapstone artefacts and the absence of dwelling structures with a well-defined box-hearth. At the same time it looks like, the central occupation area for the Saqqaq Culture shifted southwards from the Qeqertarsuup Tunua area towards Sisimiut and Nuuk.
The Ducks, Geese and Swans of North America
Author: Francis H. Kortright
Publisher:
ISBN:
Category : Anatidae
Languages : en
Pages : 498
Book Description
Publisher:
ISBN:
Category : Anatidae
Languages : en
Pages : 498
Book Description
Birds of Western Canada
Author: Percy Algernon Taverner
Publisher: National Museum of Canada, 1928 (Ottawa : F. A. Acland, Printer to the King's Most Excellent Majesty)
ISBN:
Category : Birds
Languages : en
Pages : 562
Book Description
Publisher: National Museum of Canada, 1928 (Ottawa : F. A. Acland, Printer to the King's Most Excellent Majesty)
ISBN:
Category : Birds
Languages : en
Pages : 562
Book Description
Dark Breakers
Author: C. S. E. Cooney
Publisher: Mythic Delirium Books
ISBN: 1732644055
Category : Fiction
Languages : en
Pages : 292
Book Description
World Fantasy Award finalist for Best Story Collection Locus Award finalist for Best Story Collection “Welcome to a Gilded Era like you’ve never before known and will never be able to forget …If Titania herself were to commission a book, it would be this one.” —Fran Wilde, two-time Nebula Award-winning author of Updraft and Riverland "Cooney’s lush follow-up to Desdemona and the Deep offers five stories linked by an intricate shared world … Throughout, Cooney’s descriptions are extravagant and gorgeous, and the musical cadence of her prose makes it exceptionally easy to be drawn into the worlds she weaves … Romantic fantasy readers will find a lot to love." —Publishers Weekly A young human painter and an ageless gentry queen fall in love over spilled wine-at the risk of his life and her immortality. Pulled into the Veil Between Worlds, two feuding neighbors (and a living statue) get swept up in a brutal war of succession. An investigative reporter infiltrates the Seafall City Laundries to write the exposé of a lifetime, and uncovers secrets she never believed possible. Returning to an oak grove to scatter her husband's ashes, an elderly widow meets an otherworldly friend, who offers her a momentous choice. Two gentry queens of the Valwode plot to hijack a human rocketship and steal the moon out of the sky. Dark Breakers gathers three new and two previously uncollected tales from World Fantasy Award-winning writer C. S. E. Cooney that expand on the thrice-enfolded worlds first introduced in her Locus and World Fantasy award-nominated novella Desdemona and the Deep. In her introduction to Dark Breakers, Crawford Award-winning author Sharon Shinn advises those who pick up this book to "settle in for a fantastical read" full of "vivid world-building, with layer upon layer of detail; prose so dense and gorgeous you can scoop up the words like handfuls of jewels; a mischievous sense of humor; and a warm and hopeful heart." “C. S. E. Cooney’s prose is like a cake baked by the fairies—beautifully layered, rich and precise, so delicious that it should be devoured with a silver fork.” —Theodora Goss, World Fantasy and Mythopoeic Award-winning author of The Extraordinary Adventures of the Athena Club series “Dark Breakers is compounded of voluptuous invention and ferocious structural loves—for new romances and old friends, for the works of hands, for mortality and its gifts, and all the possibilities of worlds bleeding, weeping, wandering into each other’s arms.” —Kathleen Jennings, World Fantasy Award-winning author of Flyaway “Few people create worlds as lavish and sensual as those to spring from Cooney’s effervescent imagination. Her writing isn’t so much inspirational, but inspiration itself: gentry-magic spun into pages and paragraphs of glittering, fizzing, jaw-dropping beauty.” —Cassandra Khaw, British Fantasy Award-nominated author of The All-Consuming World MORE PRAISE FOR C. S. E. COONEY "C. S. E. Cooney is one of the most moving, daring, and plainly beautiful voices to come out of recent fantasy. She's a powerhouse with a wink in her eye and a song in each pocket." —Catherynne M. Valente, New York Times-bestselling author of Space Opera "C. S. E. Cooney's imagination is wild and varied, her stories bawdy, horrific, comic, and moving-frequently all at the same time." —Delia Sherman, author of The Evil Wizard Smallbone "C. S. E. Cooney is a master piper, playing songs within songs. Her stories are wild, theatrical, full of music and murder and magic." —James Enge, author of Blood of Ambrose "Newcomers will find Cooney's glittering narrative skills and vivid worldbuilding addictive, her diverse characters intriguing, and her message of justice and freedom stirring." —Publishers Weekly
Publisher: Mythic Delirium Books
ISBN: 1732644055
Category : Fiction
Languages : en
Pages : 292
Book Description
World Fantasy Award finalist for Best Story Collection Locus Award finalist for Best Story Collection “Welcome to a Gilded Era like you’ve never before known and will never be able to forget …If Titania herself were to commission a book, it would be this one.” —Fran Wilde, two-time Nebula Award-winning author of Updraft and Riverland "Cooney’s lush follow-up to Desdemona and the Deep offers five stories linked by an intricate shared world … Throughout, Cooney’s descriptions are extravagant and gorgeous, and the musical cadence of her prose makes it exceptionally easy to be drawn into the worlds she weaves … Romantic fantasy readers will find a lot to love." —Publishers Weekly A young human painter and an ageless gentry queen fall in love over spilled wine-at the risk of his life and her immortality. Pulled into the Veil Between Worlds, two feuding neighbors (and a living statue) get swept up in a brutal war of succession. An investigative reporter infiltrates the Seafall City Laundries to write the exposé of a lifetime, and uncovers secrets she never believed possible. Returning to an oak grove to scatter her husband's ashes, an elderly widow meets an otherworldly friend, who offers her a momentous choice. Two gentry queens of the Valwode plot to hijack a human rocketship and steal the moon out of the sky. Dark Breakers gathers three new and two previously uncollected tales from World Fantasy Award-winning writer C. S. E. Cooney that expand on the thrice-enfolded worlds first introduced in her Locus and World Fantasy award-nominated novella Desdemona and the Deep. In her introduction to Dark Breakers, Crawford Award-winning author Sharon Shinn advises those who pick up this book to "settle in for a fantastical read" full of "vivid world-building, with layer upon layer of detail; prose so dense and gorgeous you can scoop up the words like handfuls of jewels; a mischievous sense of humor; and a warm and hopeful heart." “C. S. E. Cooney’s prose is like a cake baked by the fairies—beautifully layered, rich and precise, so delicious that it should be devoured with a silver fork.” —Theodora Goss, World Fantasy and Mythopoeic Award-winning author of The Extraordinary Adventures of the Athena Club series “Dark Breakers is compounded of voluptuous invention and ferocious structural loves—for new romances and old friends, for the works of hands, for mortality and its gifts, and all the possibilities of worlds bleeding, weeping, wandering into each other’s arms.” —Kathleen Jennings, World Fantasy Award-winning author of Flyaway “Few people create worlds as lavish and sensual as those to spring from Cooney’s effervescent imagination. Her writing isn’t so much inspirational, but inspiration itself: gentry-magic spun into pages and paragraphs of glittering, fizzing, jaw-dropping beauty.” —Cassandra Khaw, British Fantasy Award-nominated author of The All-Consuming World MORE PRAISE FOR C. S. E. COONEY "C. S. E. Cooney is one of the most moving, daring, and plainly beautiful voices to come out of recent fantasy. She's a powerhouse with a wink in her eye and a song in each pocket." —Catherynne M. Valente, New York Times-bestselling author of Space Opera "C. S. E. Cooney's imagination is wild and varied, her stories bawdy, horrific, comic, and moving-frequently all at the same time." —Delia Sherman, author of The Evil Wizard Smallbone "C. S. E. Cooney is a master piper, playing songs within songs. Her stories are wild, theatrical, full of music and murder and magic." —James Enge, author of Blood of Ambrose "Newcomers will find Cooney's glittering narrative skills and vivid worldbuilding addictive, her diverse characters intriguing, and her message of justice and freedom stirring." —Publishers Weekly
Fantasy Fiction
Author: Jennifer Pullen
Publisher: Bloomsbury Publishing
ISBN: 1350166952
Category : Language Arts & Disciplines
Languages : en
Pages : 345
Book Description
The first fantasy-writing textbook to combine a historical genre overview with an anthology and comprehensive craft guide, this book explores the blue prints of one of the most popular forms of genre fiction. The first section will acquaint readers with the vast canon of existing fantasy fiction and outline the many sub-genres encompassed within it before examining the important relationship between fantasy and creative writing, the academy and publishing. A craft guide follows which equips students with the key concepts of storytelling as they are impacted by writing through a fantastical lens. These include: - Character and dialogue - Point of view - Plot and structure - Worldbuilding settings, ideologies and cultures - Style and revision The third section guides students through the spectrum of styles as they are classified in fantasy fiction from Epic and high fantasy, through Lovecraftian and Weird fiction, to magical realism and hybrid fantasy. An accompanying anthology will provide students with a greater awareness of the range of possibilities open to them as fantasy writers and will feature such writers as Ursula Le Guin, China Miéville, Theodora Goss, Emrys Donaldson, Ken Liu, C.S.E. Cooney, Vandana Singh, Sofia Samatar, Rebecca Roanhorse, Jessie Ulmer, Yxta Maya Murray, and Rachael K. Jones. With writing exercises, prompts, additional online resources and cues for further reading throughout, this is an essential resource for anyone wanting to write fantastical fiction.
Publisher: Bloomsbury Publishing
ISBN: 1350166952
Category : Language Arts & Disciplines
Languages : en
Pages : 345
Book Description
The first fantasy-writing textbook to combine a historical genre overview with an anthology and comprehensive craft guide, this book explores the blue prints of one of the most popular forms of genre fiction. The first section will acquaint readers with the vast canon of existing fantasy fiction and outline the many sub-genres encompassed within it before examining the important relationship between fantasy and creative writing, the academy and publishing. A craft guide follows which equips students with the key concepts of storytelling as they are impacted by writing through a fantastical lens. These include: - Character and dialogue - Point of view - Plot and structure - Worldbuilding settings, ideologies and cultures - Style and revision The third section guides students through the spectrum of styles as they are classified in fantasy fiction from Epic and high fantasy, through Lovecraftian and Weird fiction, to magical realism and hybrid fantasy. An accompanying anthology will provide students with a greater awareness of the range of possibilities open to them as fantasy writers and will feature such writers as Ursula Le Guin, China Miéville, Theodora Goss, Emrys Donaldson, Ken Liu, C.S.E. Cooney, Vandana Singh, Sofia Samatar, Rebecca Roanhorse, Jessie Ulmer, Yxta Maya Murray, and Rachael K. Jones. With writing exercises, prompts, additional online resources and cues for further reading throughout, this is an essential resource for anyone wanting to write fantastical fiction.