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Author: Ajay Gehlawat
Publisher: Bloomsbury Publishing
ISBN: 1350401897
Category : Performing Arts
Languages : en
Pages : 311
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Book Description
This book provides an in-depth exploration of the evolving landscape of Bollywood cinema in response to recent socio-political changes in India, including a surge in sectarian violence and the ascent of Hindutva, or Hindu nationalism, under Prime Minister Narendra Modi's leadership. Through a comprehensive analysis of prominent filmmakers and actors like Sanjay Leela Bhansali, Kangana Ranaut, Akshay Kumar, and Anupam Kher, Ajay Gehlawat investigates the extent to which their recent works align with key tenets of the Hindutva movement. He scrutinizes the growing influence of the Bharatiya Janata Party (BJP) on film production, manifesting in collaborations covering diverse themes, from Modi's Clean India initiative to the nation's space exploration endeavors and grand historical epics such as Padmaavat (2018) and Manikarnika (2019) that seek to reshape Indian history in line with Hindutva ideology. Gehlawat goes on to dissect smaller budget films like Article 15 (2019) and Shubh Mangal Zyada Saavdhan (2020), which tackle pressing social issues like caste-based violence and homophobia exacerbated by the surge in right-wing extremism in India. In doing so, he elucidates the profound and far-reaching impact of Hindutva ideology on Indian cinematic narratives and aesthetics, while also considering the broader implications for Indian society as a whole.
Author: Ajay Gehlawat
Publisher: Bloomsbury Publishing
ISBN: 1350401897
Category : Performing Arts
Languages : en
Pages : 311
Get Book Here
Book Description
This book provides an in-depth exploration of the evolving landscape of Bollywood cinema in response to recent socio-political changes in India, including a surge in sectarian violence and the ascent of Hindutva, or Hindu nationalism, under Prime Minister Narendra Modi's leadership. Through a comprehensive analysis of prominent filmmakers and actors like Sanjay Leela Bhansali, Kangana Ranaut, Akshay Kumar, and Anupam Kher, Ajay Gehlawat investigates the extent to which their recent works align with key tenets of the Hindutva movement. He scrutinizes the growing influence of the Bharatiya Janata Party (BJP) on film production, manifesting in collaborations covering diverse themes, from Modi's Clean India initiative to the nation's space exploration endeavors and grand historical epics such as Padmaavat (2018) and Manikarnika (2019) that seek to reshape Indian history in line with Hindutva ideology. Gehlawat goes on to dissect smaller budget films like Article 15 (2019) and Shubh Mangal Zyada Saavdhan (2020), which tackle pressing social issues like caste-based violence and homophobia exacerbated by the surge in right-wing extremism in India. In doing so, he elucidates the profound and far-reaching impact of Hindutva ideology on Indian cinematic narratives and aesthetics, while also considering the broader implications for Indian society as a whole.
Author: J. Barton Scott
Publisher: University of Chicago Press
ISBN: 022636867X
Category : History
Languages : en
Pages : 280
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Book Description
Spiritual Despots by historian of religion J. Barton Scott zeroes in on the quaint term "priestcraft" to track anticlerical polemics in Britain and South Asia during the colonial period. Scott's aim is to show how anticlerical rhetoric spread through the colonies alongside ideas about modern secular subjectivity. Through close readings of texts in English, Hindi, and Gujarati, he shows in compelling detail how the critique of priestly conspiracy gave rise to a new ideal of the self-disciplining subject and a vision of modern Hinduism that was based on unmediated personal experience and self-regulation rather than priestly tutelary power. Spiritual Despots offers a new perspective on what some scholars have called "Protestant Hinduism," and, more broadly, contributes to the emerging field of "post-secular" studies by shedding light on the colonial genealogy of secular subjectivity.
Author: Brenda R. Weber
Publisher: Duke University Press
ISBN: 1478005297
Category : Performing Arts
Languages : en
Pages : 265
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Book Description
From Sister Wives and Big Love to The Book of Mormon on Broadway, Mormons and Mormonism are pervasive throughout American popular media. In Latter-day Screens, Brenda R. Weber argues that mediated Mormonism contests and reconfigures collective notions of gender, sexuality, race, spirituality, capitalism, justice, and individualism. Focusing on Mormonism as both a meme and an analytic, Weber analyzes a wide range of contemporary media produced by those within and those outside of the mainstream and fundamentalist Mormon churches, from reality television to feature films, from blogs to YouTube videos, and from novels to memoirs by people who struggle to find agency and personhood in the shadow of the church's teachings. The broad archive of mediated Mormonism contains socially conservative values, often expressed through neoliberal strategies tied to egalitarianism, meritocracy, and self-actualization, but it also offers a passionate voice of contrast on behalf of plurality and inclusion. In this, mediated Mormonism and the conversations on social justice that it fosters create the pathway toward an inclusive, feminist-friendly, and queer-positive future for a broader culture that uses Mormonism as a gauge to calibrate its own values.
Author: Shenila Khoja-Moolji
Publisher: Univ of California Press
ISBN: 0520974395
Category : History
Languages : en
Pages : 287
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Book Description
Sovereign Attachments rethinks sovereignty by moving it out of the exclusive domain of geopolitics and legality and into cultural, religious, and gender studies. Through a close reading of a stunning array of cultural texts produced by the Pakistani state and the Pakistan-based Taliban, Shenila Khoja-Moolji theorizes sovereignty as an ongoing attachment that is negotiated in public culture. Both the state and the Taliban recruit publics into relationships of trust, protection, and fraternity by summoning models of Islamic masculinity, mobilizing kinship metaphors, and marshalling affect. In particular, masculinity and Muslimness emerge as salient performances through which sovereign attachments are harnessed. The book shifts the discussion of sovereignty away from questions about absolute dominance to ones about shared repertoires, entanglements, and co-constitution.
Author: Michael J. Altman
Publisher: Oxford University Press
ISBN: 0190654929
Category : History
Languages : en
Pages : 201
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Book Description
Heathen, Hindoo, Hindu is a groundbreaking analysis of American representations of religion in India before the turn of the twentieth century. Before Americans wrote about "Hinduism," they wrote about "heathenism," "the religion of the Hindoos," and "Brahmanism." Americans used the heathen, Hindoo, and Hindu as an other against which they represented themselves. The questions of American identity, classification, representation and the definition of "religion" that animated descriptions of heathens, Hindoos, and Hindus in the past still animate American debates today.
Author: Jessica Vantine Birkenholtz
Publisher: Oxford University Press
ISBN: 0199341184
Category : Religion
Languages : en
Pages : 345
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Book Description
Reciting the Goddess presents the first critical study of the Svasthanivratakatha (SVK), a sixteenth-century Hindu narrative textual tradition. The extensive SVK manuscript tradition offers a rare opportunity to observe the making of a specific, distinct Hindu religious tradition. Jessica Vantine Birkenholtz argues that the SVK serves as a lens through which we can observe the creation of modern 'Hinduism' in the Himalayas, as the text both mirrored and informed key moments in the self-conscious creation of Nepal as the 'world's only Hindu kingdom' in the late medieval and early modern period. Birkenholtz mines the literary historiography that is contained within the SVK text itself, chronicling the text's literary and narrative development as well as the development of the Svasthani goddess tradition. She outlines the process whereby the SVK gradually transformed into a Purana text, and became a critical source for Nepali Hindu belief and identity. She also examines the elusive character of the goddess Svasthani whose identity is tied to the pan-Hindu goddess tradition, and the representation of women in the SVK and the ways in which the text influenced local and regional debates on the ideal of Hindu womanhood. Reciting the Goddess presents Nepal's celebrated SVK as a micro-level illustration of the powerful ways in which people, place, and literature intersect to produce new ideas and concepts of identity and place, even in a historically non-literate culture.
Author: Carl Olson
Publisher: Oxford University Press
ISBN: 0190225319
Category : History
Languages : en
Pages : 305
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Book Description
Throughout the history of Indian religions, the ascetic figure is most closely identified with power. A by-product of the ascetic path, power is displayed in the ability to fly, walk on water or through dense objects, read minds, discern the former lives of others, see into the future, harm others, or simply levitate one's body. These tales give rise to questions about how power and violence are related to the phenomenon of play. Indian Asceticism focuses on the powers exhibited by ascetics of India from ancient to modern time. Carl Olson discusses the erotic, the demonic, the comic, and the miraculous forms of play and their connections to power and violence. He focuses on Hinduism, but evidence is also presented from Buddhism and Jainism, suggesting that the subject matter of this book pervades India's major indigenous religious traditions. The book includes a look at the extent to which findings in cognitive science can add to our understanding of these various powers; Olson argues that violence is built into the practice of the ascetic. Indian Asceticism culminates with an attempt to rethink the nature of power in a way that does justice to the literary evidence from Hindu, Buddhist, and Jain sources.
Author: Joshua Louis Moss
Publisher: University of Texas Press
ISBN: 1477312838
Category : Performing Arts
Languages : en
Pages : 360
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Book Description
Explicating one of the most potent and recurring mass-culture fantasies, this book explores Jewish-Christian couplings across a century of popular American literature, theater, film, and television.
Author: Wendy I. Zierler
Publisher: SUNY Press
ISBN: 1438466153
Category : Performing Arts
Languages : en
Pages : 330
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Book Description
Brings popular cinema and Jewish religious texts into a meaningful dialogue. Movies and Midrash uses cinema as a springboard to discuss central Jewish texts and matters of belief. A number of books have drawn on films to explicate Christian theology and belief, but Wendy I. Zierler is the first to do so from a Jewish perspective, exploring what Jewish tradition, text, and theology have to say about the lessons and themes arising from influential and compelling films. The book uses the method of inverted midrash: while classical rabbinical midrash begins with exegesis of a verse and then introduces a mashal (parable) as a means of further explication, Zierler turns that process around, beginning with the culturally familiar cinematic parable and then analyzing related Jewish texts. Each chapter connects a secular film to a different central theme in classical Jewish sources or modern Jewish thought. Films covered include The Truman Show (truth), Memento (memory), Crimes and Misdemeanors (sin), Magnolia (confession and redemption), The Descendants (birthright), Forrest Gump (cleverness and simplicity), and The Hunger Games (creation of humanity in Gods image), among others. This is a groundbreaking work of originality, insight, and high quality. It will be of great importance not only for Jewish readers but also for non-Jewish readers who long for a non-Christian perspective on popular film. I loved this book! Eric Michael Mazur, editor, Encyclopedia of Religion and Film
Author: Jeff Redding
Publisher:
ISBN: 9780295747071
Category : Domestic relations
Languages : en
Pages : 248
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Book Description
"Islamic law's relationship to secular governance is a fraught one in contemporary discussions. Whether from the perspective of Islamic law's advocates, secularism's partisans, or publics caught in the crossfire, many people see the relationship between Islam and secularism as antagonistic. Moreover, the relationship between Islamic law and secularism seems increasingly discordant, with recent developments in the United States (e.g., calls for "shari'a bans" in U.S. courts), Western Europe (such as legal limitations on headscarves and mosques), and the Arab Middle East (such as conflicts between secularist old-guards and Islamist revolutionaries) indicating that unsteady coexistences are transforming into outright hostilities. This book's exploration of an Indian non-state system of Muslim dispute resolution-formally known as the dar ul qaza system, but commonly referred to as a system of "Muslim courts" or "shariat courts"-challenges conventional narratives about the inevitable opposition between Islamic law and secular forms of governance, and the impossibility of their coexistence. Moreover, it demonstrates how secular law and governance in India does not and cannot work without the significant assistance of non-state Islamic legal actors. For example, the conciliation-oriented Indian family court system is insufficient for handling divorce petitions brought by Muslim women seeking to unilaterally disassociate from their Muslim husbands. This volume shows how in these situations and others, Indian state secularism needs the Islamic non-state-so much so that this intense need often erupts into a complicated set of love-hate politics towards India's Muslims"--
