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Author: Linda Hess
Publisher: Oxford University Press
ISBN: 0199374163
Category : Literary Criticism
Languages : en
Pages : 489
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Book Description
Kabir was a great iconoclastic-mystic poet of fifteenth-century North India; his poems were composed orally, written down by others in manuscripts and books, and transmitted through song. Scholars and translators usually attend to written collections, but these present only a partial picture of the Kabir who has remained vibrantly alive through the centuries mostly in oral forms. Entering the worlds of singers and listeners in rural Madhya Pradesh, Bodies of Song combines ethnographic and textual study in exploring how oral transmission and performance shape the content and interpretation of vernacular poetry in North India. The book investigates textual scholars' study of oral-performative traditions in a milieu where texts move simultaneously via oral, written, audio/video-recorded, and electronic pathways. As texts and performances are always socially embedded, Linda Hess brings readers into the lives of those who sing, hear, celebrate, revere, and dispute about Kabir. Bodies of Song is rich in stories of individuals and families, villages and towns, religious and secular organizations, castes and communities. Dialogue between religious/spiritual Kabir and social/political Kabir is a continuous theme throughout the book: ambiguously located between Hindu and Muslim cultures, Kabir rejected religious identities, pretentions, and hypocrisies. But even while satirizing the religious, he composed stunning poetry of religious experience and psychological insight. A weaver by trade, Kabir also criticized caste and other inequalities and today serves as an icon for Dalits and all who strive to remove caste prejudice and oppression.
Author: Linda Hess
Publisher: Oxford University Press
ISBN: 0199374163
Category : Literary Criticism
Languages : en
Pages : 489
Get Book Here
Book Description
Kabir was a great iconoclastic-mystic poet of fifteenth-century North India; his poems were composed orally, written down by others in manuscripts and books, and transmitted through song. Scholars and translators usually attend to written collections, but these present only a partial picture of the Kabir who has remained vibrantly alive through the centuries mostly in oral forms. Entering the worlds of singers and listeners in rural Madhya Pradesh, Bodies of Song combines ethnographic and textual study in exploring how oral transmission and performance shape the content and interpretation of vernacular poetry in North India. The book investigates textual scholars' study of oral-performative traditions in a milieu where texts move simultaneously via oral, written, audio/video-recorded, and electronic pathways. As texts and performances are always socially embedded, Linda Hess brings readers into the lives of those who sing, hear, celebrate, revere, and dispute about Kabir. Bodies of Song is rich in stories of individuals and families, villages and towns, religious and secular organizations, castes and communities. Dialogue between religious/spiritual Kabir and social/political Kabir is a continuous theme throughout the book: ambiguously located between Hindu and Muslim cultures, Kabir rejected religious identities, pretentions, and hypocrisies. But even while satirizing the religious, he composed stunning poetry of religious experience and psychological insight. A weaver by trade, Kabir also criticized caste and other inequalities and today serves as an icon for Dalits and all who strive to remove caste prejudice and oppression.
Author: Bradley Rogers
Publisher: University of Iowa Press
ISBN: 1609387333
Category : Performing Arts
Languages : en
Pages : 295
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Book Description
Musicals, it is often said, burst into song and dance when mere words can no longer convey the emotion. This book argues that musicals burst into song and dance when one body can no longer convey the emotion. Rogers shows how the musical’s episodes of burlesque and minstrelsy model the kinds of radical relationships that the genre works to create across the different bodies of its performers, spectators, and creators every time the musical bursts into song. These radical relationships—borne of the musical’s obsessions with “bad” performances of gender and race—are the root of the genre’s progressive play with identity, and thus the source of its subcultural power. However, this leads to an ethical dilemma: Are the musical’s progressive politics thus rooted in its embrace of regressive entertainments like burlesque and minstrelsy? The Song Is You shows how musicals return again and again to this question, and grapple with a guilt that its joyous pleasures are based on exploiting the laboring bodies of its performers. Rogers argues that the discourse of “integration”—which claims that songs should advance the plot—has functioned to deny the radical work that the musical undertakes every time it transitions into song and dance. Looking at musicals from The Black Crook to Hamilton, Rogers confronts the gendered and racial dynamics that have always under-girded the genre, and asks how we move forward.
Author: Romeo Oriogun
Publisher: U of Nebraska Press
ISBN: 1496219643
Category : Poetry
Languages : en
Pages : 75
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Book Description
In this groundbreaking collection of poems, Sacrament of Bodies, Romeo Oriogun fearlessly interrogates how a queer man in Nigeria can heal in a society where everything is designed to prevent such restoration. With honesty, precision, tenderness of detail, and a light touch, Oriogun explores grief and how the body finds survival through migration.
Author: Beth Gylys
Publisher:
ISBN:
Category : Health & Fitness
Languages : en
Pages : 88
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Book Description
Poetry. Beth Gylys is a poet that people will remember and BODIES THAT HUM is going to be an auspicious debut collection. Her subject is an ordinary one, love and its discontents, but her music is extraordinary with the toughness of Carolyn Kizer and Dorothy Parker mixed into a loneliness that feels -- it sounds very different! -- like Emily Dickinson. Hers is an improvisatory, jazzy art that takes villanelles and sestinas back to the public urgency -- Dave Smith. BODIES THAT HUM is the winner of the 1997 Gerald Cable Book Award.
Author: Lydia Bowers
Publisher: Free Spirit Publishing
ISBN: 1631985019
Category : Juvenile Fiction
Languages : en
Pages : 38
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Book Description
Deja helps young children recognize their emotions by listening to their bodies Body awareness is a key foundation of consent. We Listen to Our Bodies gives children a vocabulary to understand and communicate their feelings, develop personal boundaries, and build their social and emotional skills. Through body awareness and recognizing how emotions physically manifest, young children can listen to their bodies for clues about how they’re feeling. Their bodies might feel shaky when worried or like one big sigh when calm and relaxed. By recognizing that physical sensations are trying to communicate something, children can understand when they feel unsafe, calm, or in need of healthy touch. We Listen to Our Bodies follows Deja and her preschool classmates as they learn to build emotional self-awareness by listening to the physical cues of their bodies. Using the book as a read-aloud, educators and families can model the language Deja’s teachers use to support children as they learn body awareness. The author, who hosts workshops and trainings on teaching consent for families and early childhood educators around the country, offers additional activities in the back of the book. Digital content includes a song from Peaceful Schools with downloadable MP3 files and sheet music. We Say What's Okay Series Centered around a class of preschoolers, the We Say What’s Okay series helps teach young children the social and emotional skills they need to understand the complexities of consent. Each book covers a consent theme, such as how to recognize the physical sensations that emotions create, look for body language cues, ask for and listen to choices, and know that our bodies have value. With believable, everyday situations and diverse characters, children can see themselves and others reflected in each story—and develop a vocabulary to communicate consent and feelings. Every book in the series is accompanied by a song from Peaceful Schools with downloadable MP3 files and sheet music.
Author: Tyler Feder
Publisher: Penguin
ISBN: 0593112628
Category : Juvenile Nonfiction
Languages : en
Pages : 33
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Book Description
This cheerful love-your-body picture book for preschoolers is an exuberant read-aloud with bright and friendly illustrations to pore over. From the acclaimed creator of Dancing at the Pity Party and Roaring Softly, this picture book is a pure celebration of all the different human bodies that exist in the world. Highlighting the various skin tones, body shapes, and hair types is just the beginning in this truly inclusive book. With its joyful illustrations and encouraging refrain, it will instill body acceptance and confidence in the youngest of readers. “My body, your body, every different kind of body! All of them are good bodies! BODIES ARE COOL!”
Author: Ocke De Boer
Publisher: Beech Hill Publishing
ISBN: 9780615982861
Category : Body, Mind & Spirit
Languages : en
Pages : 247
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Book Description
Higher Being Bodies constitutes a veritable guide or manual for the development of spiritual consciousness. Ocke de Boer presents his very personal understanding in a manner that encourages his reader to follow the same path. He brings a broad understanding of sources and to Gurdjieff's teaching including Gurdjieff's Eastern sources in Hinduism, Buddhism and Christian thought. The order of presentation leads the reader from clear definitions to practical directions for self-work, all of which culminate in the practice of Unity Thinking. Ocke's description of man's seven states of being is an optimistic view of his reader's possibility to lift the self to a higher level. He encourages his reader by assuring him that he already has extraordinary possibilities in his nature. He explains the nature of negative emotions and the dangers of dualistic thinking. In doing all this he avoids scientific jargon that tends to obscure Gurdjieff's teachings in other works. In a many ways, he clarifies much that others have written.
Author: Isaac Marion
Publisher: Simon and Schuster
ISBN: 1476799709
Category : Fiction
Languages : en
Pages : 192
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Book Description
“In rich, evocative prose, Marion transports his readers back into the postapocalyptic parable he first brought to life—or death—in his brilliant debut Warm Bodies.” —Library Journal (starred review) “Refreshingly unique...I love this novella.” —LitStack The must-read prequel to the “highly original” (The Seattle Times) New York Times bestseller Warm Bodies—now a major motion picture—from the author whose genre-defying debut turned the classic horror story on its head. The end of the world didn’t happen overnight. After years of societal breakdowns, wars and quakes and rising tides, humanity was already near the edge. Then came a final blow no one could have expected: all the world’s corpses rising up to make more. Born into this bleak and bloody landscape, twelve-year-old Julie struggles to hold on to hope as she and her parents drive across the wastelands of America, a nightmarish road trip in search of a new home. Hungry, lost, and scared, sixteen-year-old Nora finds herself her brother’s sole guardian after her parents abandon them in the not-quite-empty ruins of Seattle. And in the darkness of a forest, a dead man opens his eyes. Who is he? What is he? With no clues beyond a red tie and the letter “R,” he must unravel the grim mystery of his existence—right after he learns how to think, how to walk, and how to satisfy the monster howling in his belly. The New Hunger is a crucial link between Warm Bodies and The Burning World, a glimpse into the past that sets the stage for an astonishing future.
Author: Jessica Moore
Publisher: HarperCollins
ISBN: 0062955276
Category : Poetry
Languages : en
Pages : 174
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Book Description
“moore provides a blueprint for how to veer outside of fixed expectations and still remain unflinching in her love for herself.” — The Mantle “We Want Our Bodies Back is a lyric encyclopedia, a psalm book, a conflagration of fire and fierce black joy. And jessica Care moore is the 21st Century poet warrior America desperately needs.” — Tracy K. Smith, U.S. Poet Laureate “Our plump, perfect, shea-buttered bodies. Our sun-scarred sinewy selves. Our stout tree-trunks, our walls. Our muscled forearms, our thick thighs, our phenomenal asses. Our weary hands. Forever, black women have shouldered the weight of the same world that denies their power and sway. The inimitable jessica Care moore—who has spent her life singing the most forceful notes of our soundtrack—is calling an end to that now. If We Want Our Bodies Back empowers you, it was meant to. If this book frightens you, it should.” — Patricia Smith, poet, playwright, author of Incendiary Art “jessica Care moore is my hero. Powerful, beautiful, excellent and unapologetically Black. She is who I want to be when I grow up. Her writing allows us to be seen for who we truly are.” — Talib Kweli, rapper, entrepreneur, and activist "There are many times that jessica Care moore's work has made me spend hours figuring out how much of her work would be socially acceptable to steal. I really wish she had put this out while I was writing my last album." — Boots Riley, director, emcee, Sorry to Bother You “Imbued with heartache, anger, celebration, and rejuvenation, the poems in We Want Our Bodies Back reflect the sui generis funktified flyness that jessica Care moore has exemplified as an independent artist, activist, publisher, and curator for nearly a quarter-century. Perhaps the premier resistance writer in America today, moore furnishes luminous poetic signposts for our treacherous journey through the gloomy landscapes of 21st century America.” — Tony Bolden, author of Afro-Blue: Improvisations in African American Poetry and Culture “We Want Our Bodies Back is a soaring resistance/upright bass/instrument of war. Here are poems that seek out my pain. A soldier allowed their childhood, a people returned to their Detroit. In a time of cobalt-imperialism, someone is still writing songs about God. Yes, revolution is exhausting, but we make countries; you and I.” — Tongo Eisen Martin, author, Heaven is All Goodbyes
Author: Mara Polgovsky Ezcurra
Publisher: Rutgers University Press
ISBN: 1978802048
Category : Art
Languages : en
Pages : 291
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Book Description
Shortlisted for the 2020 Association for the Study of the Arts of the Present Book Prize Winner of the 2019 Art Journal Prize from the College Art Association What is the role of pleasure and pain in the politics of art? In Touched Bodies, Mara Polgovsky Ezcurra approaches this question as she examines the flourishing of live and intermedial performance in Latin America during times of authoritarianism and its significance during transitions to democracy. Based on original documents and innovative readings, her book brings politics and ethics to the discussion of artistic developments during the “long 1980s”. She describes the rise of performance art in the context of feminism, HIV-activism, and human right movements, taking a close look at the work of Diamela Eltit and Raúl Zurita from Chile, León Ferrari and Liliana Maresca from Argentina, and Marcos Kurtycz, the No Grupo art collective, and Proceso Pentágono from Mexico. The comparative study of the work of these artists attests to a performative turn in Latin American art during the 1980s that, like photography and film before, recast the artistic field as a whole, changing the ways in which we perceive art and understand its role in society.
