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Author: Olegario Diaz
Publisher: eBookIt.com
ISBN: 1456640089
Category : Music
Languages : en
Pages : 185
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Book Description
Jazz players tend to be good sharers and good listeners--the qualities are virtually obligatory in often spontaneously conceived ensemble music. And the respect that the best players command can frequently be measured by the behavior of their fellow professionals in the audience. Bob Berg, the lean, flint-featured American saxophonist, often received that kind of attention. Berg's particular skill was the kind of high-energy, tenor-sax style that became ubiquitous after the 1960s, an avalanche of hard-edged sounds, dissonant high-register brays and a dense, accumulative melodic approach. Berg's technique, though not the equal of his contemporary Michael Brecker, was good enough to avoid emphasizing the idea that any of this was an effort (thereby relieving it of grandstanding effects) But, like Sonny Rollins (whom he often resembled), Bob Berg's unaccompanied soliloquies and intros could be among his most remarkable achievements--a little drier and less inclined to quotation and irony than Rollins, but almost as full of heart and surprise. Berg had developed a saxophone style ideally suited to a groove-based but melodically freewheeling music, Through it all, Berg's solos combine clear virtuosity with vivid thematic construction. Eminently accessible without sacrificing integrity, Remembering Bob Berg serves as a bittersweet reminder of a loss that, sadly, is greater than many truly realize. This book covers new concepts regarding post-bop and cut-ting edge jazz improvisation in a practical way. It is aimed at intermediate to advanced students. It provides new tools for performance in contemporary jazz improvisation. It covers all of my previously published books and adds brand new exercises and line phrases form transcriptions. Chromatic, linear, intervalic, arpeggios, extensions and passing tones in accordance to the chord and scale at any given time are included. Each exercise is transported to be played in all 12 keys. Always remember, JAZZ IS ALIVE.
Author: Olegario Diaz
Publisher: eBookIt.com
ISBN: 1456640089
Category : Music
Languages : en
Pages : 185
Get Book Here
Book Description
Jazz players tend to be good sharers and good listeners--the qualities are virtually obligatory in often spontaneously conceived ensemble music. And the respect that the best players command can frequently be measured by the behavior of their fellow professionals in the audience. Bob Berg, the lean, flint-featured American saxophonist, often received that kind of attention. Berg's particular skill was the kind of high-energy, tenor-sax style that became ubiquitous after the 1960s, an avalanche of hard-edged sounds, dissonant high-register brays and a dense, accumulative melodic approach. Berg's technique, though not the equal of his contemporary Michael Brecker, was good enough to avoid emphasizing the idea that any of this was an effort (thereby relieving it of grandstanding effects) But, like Sonny Rollins (whom he often resembled), Bob Berg's unaccompanied soliloquies and intros could be among his most remarkable achievements--a little drier and less inclined to quotation and irony than Rollins, but almost as full of heart and surprise. Berg had developed a saxophone style ideally suited to a groove-based but melodically freewheeling music, Through it all, Berg's solos combine clear virtuosity with vivid thematic construction. Eminently accessible without sacrificing integrity, Remembering Bob Berg serves as a bittersweet reminder of a loss that, sadly, is greater than many truly realize. This book covers new concepts regarding post-bop and cut-ting edge jazz improvisation in a practical way. It is aimed at intermediate to advanced students. It provides new tools for performance in contemporary jazz improvisation. It covers all of my previously published books and adds brand new exercises and line phrases form transcriptions. Chromatic, linear, intervalic, arpeggios, extensions and passing tones in accordance to the chord and scale at any given time are included. Each exercise is transported to be played in all 12 keys. Always remember, JAZZ IS ALIVE.
Author: Richard Paul Russell Kelley
Publisher:
ISBN:
Category : Improvisation (Music)
Languages : en
Pages : 176
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Book Description
Tenor saxophonist Bob Berg, influenced primarily by John Coltrane, posessed the improvisational tools to perform comfortably in all styles of the jazz canon. The six B♭ analyzed transcriptions contained in this thesis are representative of Berg's performing career.
Author: Olegario Diaz
Publisher: eBookIt.com
ISBN: 1456642669
Category : Biography & Autobiography
Languages : en
Pages : 161
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Book Description
Dive into the heart of modern jazz with "Iconic Line Phrases from Transcription Solos and Linear Intervalic Chord Scale Exercises for All Instruments" by Olegario Díaz. This indispensable guide offers musicians a deep exploration into the techniques of post-bop and contemporary jazz improvisation. With a tribute to the legendary Wayne Shorter, Díaz interweaves the spirit of Shorter's groundbreaking work into each lesson, crafting a curriculum that extends beyond mere scales and arpeggios. This book is an assemblage of Díaz's refined educational methods, presenting an array of exercises that will enhance the chromatic and intervalic understanding of the aspiring jazz artist. The inclusion of transcribed solos morphs into inventive exercises, ensuring that each phrase will embolden your improvisational skills. For those dedicated to mastering the craft, every exercise is designed to be transposed into all 12 keys, facilitating a comprehensive practice routine. Whether you are an intermediate enthusiast or an advanced player, this book is your gateway to unlocking the secrets of jazz giants and infusing their essence into your performances. With its blend of rigorous training and homage to jazz royalty, this book is not just a study guide--it's a journey through the lineage of jazz. Embrace the challenge and let "Iconic Line Phrases from Transcription Solos and Linear Intervalic Chord Scale Exercises for All Instruments" be the key to your next breakthrough in the world of jazz.
Author: Olegario Diaz
Publisher: eBookIt.com
ISBN: 1456640704
Category : Music
Languages : en
Pages : 215
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Book Description
This book covers new concepts regarding post-bop and contemporary jazz improvisation in a practical way. It is aimed at intermediate to advanced students. It provides new tools for performance in contemporary jazz improvisation. It covers all of my previously published books and adds brand new exercises and line phrases form transcriptions. Chromatic, linear, intervalic, arpeggios, extensions and passing tones in accordance to the chord and scale at any given time are included. Each exercise is transported to be played in all 12 keys. Always remember, JAZZ IS ALIVE.
Author: Olegario Diaz
Publisher: eBookIt.com
ISBN: 1456652346
Category : Music
Languages : en
Pages : 209
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Book Description
Delve into the Mind of a Jazz Legend Are you ready to transcend your musical boundaries? Experience the unparalleled genius of Joe Henderson through the eyes of renowned author and educator Olegario Diaz. Joe Henderson Jazz Master provides an unforgettable journey into the life and artistry of one of jazz's most influential tenor saxophonists. Imagine immersing yourself in the deeply evocative melodies and intricate harmonies of Joe Henderson. This book opens the door to a richer understanding of his unique sound that captivated audiences worldwide. From his early years in Lima, Ohio, to his celebrated career with Blue Note Records and beyond, every chapter paints a vivid picture of Henderson's musical evolution and lasting impact on the jazz scene. Your gateway to mastering Henderson's improvisational mastery awaits. In this comprehensive guide, Olegario Diaz deconstructs Henderson's compositional techniques and improvisational brilliance. Detailed exercises and phrases emulate Henderson's style, allowing musicians across all levels to integrate his distinctive approach to harmony, rhythm, and melody into their playing. Whether you're navigating minor 7th chords or tackling advanced altered dominant scales, this book equips you with the tools to channel Henderson's creativity. Don't just study jazz – live it. The transcribed solos from iconic tracks like "Recordame" and "Inner Urge" serve as a practical handbook for students eager to innovate and explore. The routine and advanced exercises, coupled with the author's three-step method - acquisition, assimilation, and application - ensure you can seamlessly incorporate Henderson's magic into your performance. A must-have for any serious jazz enthusiast or professional musician. Joe Henderson Jazz Master is not merely a book; it's an essential part of your musical journey. Dive deep into the soul of jazz, and transform your artistry through the mastery of one of its great legends.
Author: Eric Allen
Publisher: Alfred Music
ISBN: 9781562243029
Category : Music
Languages : en
Pages : 168
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Book Description
Body & Soul, a song with music by Johnny Green and lyrics by Frank Eyton, Edward Heyman, and Robert Sour, was first published in 1930. It became a popular tune for jazz musicians. This volume presents transcriptions and analyses of recorded solos by Coleman Hawkins, Lester Young, Stan Getz, Sonny Rollins, John Coltrane, Dexter Gordon, Michael Brecker, and Chris Potter. With a foreword by Chris Potter.
Author: George Cole
Publisher: University of Michigan Press
ISBN: 9780472032600
Category : Biography & Autobiography
Languages : en
Pages : 570
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Book Description
The story of the final recordings of one of the greatest jazz musicians of the twentieth century
Author: Olegario Diaz
Publisher: eBookIt.com
ISBN: 1456634097
Category : Music
Languages : en
Pages : 247
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Book Description
This book is a summary of both exercises and improvisation lines designed to enhance Michael Brecker Style of playing. The book covers scales, arpeggios, chromatic exercises and jazz line phrases from transcribed solos. These exercises should be transposed to all twelve (12) tones in order to achieve perfect coordination. Major, minor and dominant chords, extended to their highest level, scale wise, arpeggios and chromatic passages. There are none signature centers, therefore, all these exercises will be written accidental way.
Author: Stan Getz
Publisher: Hal Leonard Corporation
ISBN: 1495093018
Category : Music
Languages : en
Pages : 583
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Book Description
(Jazz Transcriptions). 54 Getz songs transcribed exactly from his recorded solos, with solo analysis sections and a complete discography. Includes: All the Things You Are * Autumn Leaves * Billie's Bounce (Bill's Bounce) * Blue Skies * Come Rain or Come Shine * Con Alma * Desafinado * Funkallero * Garota De Ipanema * I Remember You * Night and Day * A Night in Tunisia * One Note Samba (Samba De Uma Nota So) * Pennies from Heaven * Quiet Nights of Quiet Stars (Corcovado) * Stella by Starlight * The Way You Look Tonight * Where or When * Yardbird Suite * and more.
Author: Olegario Diaz
Publisher: eBookIt.com
ISBN: 1456638009
Category : Music
Languages : en
Pages : 248
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Book Description
Post-Bop is a modern jazz style that continues the distinguishing characteristics that separate jazz from the world of pop and rock; swing rhythm and extended harmonies (9th chords 11ths, altered chords, etc). Post-Bop grew out of the Hard Bop genre during the early to mid 60s as musicians such as Bill Evans, Wayne Shorter and Herbie Hancock began to introduce more extended harmonies, abstract structures and looser rhythms in their playing and compositions. When Hancock and Shorter joined Miles Davis's quintet in the mid-60s, that group became the perfect vehicle for extending the boundaries of what could happen in a Post-Bop format. The Miles Davis Quintet albums, "Nefertiti" and "Sorcer", continue to be pinnacles of Post-Bop composition and performance. Some styles of free modal jazz, such as Coltrane's "A Love Supreme", are also part of the Post-Bop sound. Although there are still some musicians, such as Kenny Garret, who play in that style, mostly that sound has been fading since the early 70s. Of course, theory doesn't come close to explaining music. If music is a language, theory is just grammar. More important than grammar is knowing the vocabulary that comes from listening, with awareness, to great players, and playing as much as possible. Beyond grammar and vocabulary is the ability to communicate with listeners to "tell a story," and to reach an audience on an emotional, or even spiritual, level.