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Author: Bob The Builder
Publisher:
ISBN: 9780603565267
Category :
Languages : en
Pages : 0
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Book Description
Bob and the team build a bandstand for a big concert in the park.
Author: Bob The Builder
Publisher:
ISBN: 9780603565267
Category :
Languages : en
Pages : 0
Get Book Here
Book Description
Bob and the team build a bandstand for a big concert in the park.
Author: Richard Oberacker
Publisher: Concord Theatricals
ISBN: 0573706751
Category : Drama
Languages : en
Pages : 135
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Book Description
It’s 1945. American soldiers return home to ticker tape parades and overjoyed families; Private First Class Donny Novitski, singer and songwriter, returns with the hope of rebuilding his life with just the shirt on his back and a dream in his heart. When NBC announces a national competition to find the nation’s next swing band sensation, Donny joins forces with a motley group of fellow veterans, and together they form a band unlike any the nation has ever seen. However, complicated relationships, the demands of the competition, and the challenging after-effects of war may break these musicians. But, when Donny meets a beautiful, young singer named Julia, he finds the perfect harmony in words and music that could take this band of brothers all the way to the live radio broadcast finale in New York City. Victory will require every ounce of talent, stamina, and raw nerve that these musicians possess.
Author: Jake Austen
Publisher: Chicago Review Press
ISBN: 1569762414
Category : Music
Languages : en
Pages : 386
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Book Description
From Elvis and a hound dog wearing matching tuxedos and the comic adventures of artificially produced bands to elaborate music videos and contrived reality-show contests, television--as this critical look brilliantly shows--has done a superb job of presenting the energy of rock in a fabulously entertaining but patently "fake" manner. The dichotomy of "fake" and "real" music as it is portrayed on television is presented in detail through many generations of rock music: the Monkees shared the charts with the Beatles, Tupac and Slayer fans voted for corny American Idols, and shows like" Shindig! "and "Soul Train "somehow captured the unhinged energy of rock far more effectively than most long-haired guitar-smashing acts. Also shown is how TV has often delighted in breaking the rules while still mostly playing by them: Bo Diddley defied Ed Sullivan and sang rock and roll after he had been told not to, the Chipmunks' subversive antics prepared kids for punk rock, and things got out of hand when" Saturday Night Live "invited punk kids to attend a taping of the band Fear. Every aspect of the idiosyncratic history of rock and TV and their peculiar relationship is covered, including cartoon rock, music programming for African American audiences, punk on television, Michael Jackson's life on TV, and the tortured history of MTV and its progeny.
Author: Larry Lehmer
Publisher: Sunbury Press
ISBN: 9781620060131
Category : History
Languages : en
Pages : 382
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Book Description
American Bandstand, one of the longest-running shows in television history, spotlighted well-scrubbed, properly dressed dancing teenagers on every show. They mirrored the show's perpetually youthful host, Dick Clark, who spun the music Clark often described as the "soundtrack to our lives." These are the memories Clark carefully nurtured as he crafted the alternate teen universe of Bandstandland during the formative years of American Bandstand, from 1952 to 1964. Bandstandland was a mythical creation by Clark, who saw the show as a springboard to immense wealth rather than a tribute to teen culture. Clark was a relentless businessman who once had ownership stakes in 33 corporations, most created by him. He created rules to keep black teens off the show, promoted the teens that danced on the show when it served his purposes and banned them when it didn't and effectively turned American Bandstand into his own personal infomercial. Bandstandland sheds light on the little-known backstory of the TV program that was America's top-rated daytime television show in its heyday and enjoyed a 37-year run from 1952 to 1989.
Author: Kim Ostrow
Publisher: Simon and Schuster
ISBN: 0689858329
Category : Music
Languages : en
Pages : 28
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Book Description
Bob and his team of trucks form a band to help Mr. Bentley perform in the park.
Author: Bob Gluck
Publisher: University of Chicago Press
ISBN: 0226300064
Category : Social Science
Languages : en
Pages : 287
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Book Description
As the 1960s ended, Herbie Hancock embarked on a grand creative experiment. Having just been dismissed from the celebrated Miles Davis Quintet, he set out on the road, playing with his first touring group as a leader until he eventually formed what would become a revolutionary band. Taking the Swahili name Mwandishi, the group would go on to play some of the most innovative music of the 1970s, fusing an assortment of musical genres, American and African cultures, and acoustic and electronic sounds into groundbreaking experiments that helped shape the American popular music that followed. In You’ll Know When You Get There, Bob Gluck offers the first comprehensive study of this influential group, mapping the musical, technological, political, and cultural changes that they not only lived in but also effected. Beginning with Hancock’s formative years as a sideman in bebop and hard bop ensembles, his work with Miles Davis, and the early recordings under his own name, Gluck uncovers the many ingredients that would come to form the Mwandishi sound. He offers an extensive series of interviews with Hancock and other band members, the producer and engineer who worked with them, and a catalog of well-known musicians who were profoundly influenced by the group. Paying close attention to the Mwandishi band’s repertoire, he analyzes a wide array of recordings—many little known—and examines the group’s instrumentation, their pioneering use of electronics, and their transformation of the studio into a compositional tool. From protofunk rhythms to synthesizers to the reclamation of African identities, Gluck tells the story of a highly peculiar and thrillingly unpredictable band that became a hallmark of American genius.
Author: Matthew F. Delmont
Publisher: Univ of California Press
ISBN: 0520951603
Category : History
Languages : en
Pages : 312
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Book Description
American Bandstand, one of the most popular television shows ever, broadcast from Philadelphia in the late fifties, a time when that city had become a battleground for civil rights. Counter to host Dick Clark’s claims that he integrated American Bandstand, this book reveals how the first national television program directed at teens discriminated against black youth during its early years and how black teens and civil rights advocates protested this discrimination. Matthew F. Delmont brings together major themes in American history—civil rights, rock and roll, television, and the emergence of a youth culture—as he tells how white families around American Bandstand’s studio mobilized to maintain all-white neighborhoods and how local school officials reinforced segregation long after Brown vs. Board of Education. The Nicest Kids in Town powerfully illustrates how national issues and history have their roots in local situations, and how nostalgic representations of the past, like the musical film Hairspray, based on the American Bandstand era, can work as impediments to progress in the present.
Author: Bob Edwards
Publisher: University Press of Kentucky
ISBN: 0813134501
Category : Biography & Autobiography
Languages : en
Pages : 243
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Book Description
A National Public Radio veteran and a satellite radio pioneer discusses his influential life in radio.
Author: Dennis McNally
Publisher: Catapult
ISBN: 1619024128
Category : Music
Languages : en
Pages : 396
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Book Description
On Highway 61 explores the historical context of the significant social dissent that was central to the cultural genesis of the sixties. The book is going to search for the deeper roots of American cultural and musical evolution for the past 150 years by studying what the Western European culture learned from African American culture in a historical progression that reaches from the minstrel era to Bob Dylan. The book begins with America's first great social critic, Henry David Thoreau, and his fundamental source of social philosophy:–––his profound commitment to freedom, to abolitionism and to African–American culture. Continuing with Mark Twain, through whom we can observe the rise of minstrelsy, which he embraced, and his subversive satirical masterpiece Huckleberry Finn. While familiar, the book places them into a newly articulated historical reference that shines new light and reveals a progression that is much greater than the sum of its individual parts. As the first post–Civil War generation of black Americans came of age, they introduced into the national culture a trio of musical forms—ragtime, blues, and jazz— that would, with their derivations, dominate popular music to this day. Ragtime introduced syncopation and become the cutting edge of the modern 20th century with popular dances. The blues would combine with syncopation and improvisation and create jazz. Maturing at the hands of Louis Armstrong, it would soon attract a cluster of young white musicians who came to be known as the Austin High Gang, who fell in love with black music and were inspired to play it themselves. In the process, they developed a liberating respect for the diversity of their city and country, which they did not see as exotic, but rather as art. It was not long before these young white rebels were the masters of American pop music – big band Swing. As Bop succeeded Swing, and Rhythm and Blues followed, each had white followers like the Beat writers and the first young rock and rollers. Even popular white genres like the country music of Jimmy Rodgers and the Carter Family reflected significant black influence. In fact, the theoretical separation of American music by race is not accurate. This biracial fusion achieved an apotheosis in the early work of Bob Dylan, born and raised at the northern end of the same Mississippi River and Highway 61 that had been the birthplace of much of the black music he would study. As the book reveals, the connection that began with Thoreau and continued for over 100 years was a cultural evolution where, at first individuals, and then larger portions of society, absorbed the culture of those at the absolute bottom of the power structure, the slaves and their descendants, and realized that they themselves were not free.
Author: Jerry Blavat
Publisher: Running Press Adult
ISBN: 0762450185
Category : Biography & Autobiography
Languages : en
Pages : 386
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Book Description
The Philadelphia disc jockey and radio and television personality known as "The Geator with the Heator," recounts his career in rock from his days on "American Bandstand" to the present and his relationships with musicians and mobsters.
