Blues, Ideology, and Afro-American Literature

Blues, Ideology, and Afro-American Literature PDF Author: Houston A. Baker
Publisher: University of Chicago Press
ISBN: 0226035387
Category : Literary Criticism
Languages : en
Pages : 240

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Book Description
Relating the blues to American social and literary history and to Afro-American expressive culture, Houston A. Baker, Jr., offers the basis for a broader study of American culture at its "vernacular" level. He shows how the "blues voice" and its economic undertones are both central to the American narrative and characteristic of the Afro-American way of telling it.

Blues, Ideology, and Afro-American Literature

Blues, Ideology, and Afro-American Literature PDF Author: Houston A. Baker
Publisher: University of Chicago Press
ISBN: 0226035387
Category : Literary Criticism
Languages : en
Pages : 240

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Book Description
Relating the blues to American social and literary history and to Afro-American expressive culture, Houston A. Baker, Jr., offers the basis for a broader study of American culture at its "vernacular" level. He shows how the "blues voice" and its economic undertones are both central to the American narrative and characteristic of the Afro-American way of telling it.

Blues, Ideology, and Afro-American Literature

Blues, Ideology, and Afro-American Literature PDF Author: Houston A. Baker, Jr.
Publisher: University of Chicago Press
ISBN: 9780226035369
Category : Literary Criticism
Languages : en
Pages : 295

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Book Description
Relating the blues to American social and literary history and to Afro-American expressive culture, Houston A. Baker, Jr., offers the basis for a broader study of American culture at its "vernacular" level. He shows how the "blues voice" and its economic undertones are both central to the American narrative and characteristic of the Afro-American way of telling it.

Afro-American Poetics

Afro-American Poetics PDF Author: Houston A. Baker (Jr.)
Publisher: Univ of Wisconsin Press
ISBN: 9780299115043
Category : Literary Criticism
Languages : en
Pages : 220

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Book Description
Baker envisages the mission of black culture since the 1920s as "Afro-American spirit work." In the blues, the post-modernist "chant poem," the oratory of Malcolm X and the political plays of Amiri Baraka, Baker notes the unfolding creation of a "racial epic" in which black Americans may discover their place in U.S. society and find their ancestral roots. He analyzes Jean Toomer's stream-of-consciousness protest novel Cane, ponders why apolitical poet Countee Cullen became a voice of the people and pays tribute to critic-poet Larry Neal and to Hoyt Fuller, the editor of Negro Digest who allied himself with the Black Arts movement. He also traces his own shift from "guerrilla theater revolutionary" to embattled theoretician. ISBN 0-299-11500-3: $22.50 (For use only in the library).

Burnin' Down the House

Burnin' Down the House PDF Author: Valerie Sweeney Prince
Publisher: Columbia University Press
ISBN: 0231134401
Category : Education
Languages : en
Pages : 167

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Book Description
-- Cheryl A. Wall, Rutgers University

Heroism and the Black Intellectual

Heroism and the Black Intellectual PDF Author: Jerry Gafio Watts
Publisher: Univ of North Carolina Press
ISBN:
Category : History
Languages : en
Pages : 184

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Book Description
Focusing on his essays written after Invisible Man, explores how Ellison tried to establish himself as an American intellectual in a social climate that marginalized both blacks and creative pursuits, and forced him into the forms of a white discourse that progressively alienated him from his own people. Paper edition (unseen), $14.95. Annotation copyright by Book News, Inc., Portland, OR

Deans and Truants

Deans and Truants PDF Author: Gene Andrew Jarrett
Publisher: University of Pennsylvania Press
ISBN: 081220235X
Category : Literary Criticism
Languages : en
Pages : 233

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Book Description
For a work to be considered African American literature, does it need to focus on black characters or political themes? Must it represent these within a specific stylistic range? Or is it enough for the author to be identified as African American? In Deans and Truants, Gene Andrew Jarrett traces the shifting definitions of African American literature and the authors who wrote beyond those boundaries at the cost of critical dismissal and, at times, obscurity. From the late nineteenth century to the end of the twentieth, de facto deans—critics and authors as different as William Howells, Alain Locke, Richard Wright, and Amiri Baraka—prescribed the shifting parameters of realism and racial subject matter appropriate to authentic African American literature, while truant authors such as Paul Laurence Dunbar, George S. Schuyler, Frank Yerby, and Toni Morrison—perhaps the most celebrated African American author of the twentieth century—wrote literature anomalous to those standards. Jarrett explores the issues at stake when Howells, the "Dean of American Letters," argues in 1896 that only Dunbar's "entirely black verse," written in dialect, "would succeed." Three decades later, Locke, the cultural arbiter of the Harlem Renaissance, stands in contrast to Schuyler, a journalist and novelist who questions the existence of a peculiarly black or "New Negro" art. Next, Wright's 1937 blueprint for African American writing sets the terms of the Chicago Renaissance, but Yerby's version of historical romance approaches race and realism in alternative literary ways. Finally, Deans and Truants measures the gravitational pull of the late 1960s Black Aesthetic in Baraka's editorial silence on Toni Morrison's first and only short story, "Recitatif." Drawing from a wealth of biographical, historical, and literary sources, Deans and Truants describes the changing notions of race, politics, and gender that framed and were framed by the authors and critics of African American culture for more than a century.

Dark Designs and Visual Culture

Dark Designs and Visual Culture PDF Author: Michele Wallace
Publisher: Duke University Press
ISBN: 9780822334132
Category : Biography & Autobiography
Languages : en
Pages : 532

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Book Description
DIVA collection of writings from the ‘90s by the popular Black feminist scholar and journalist on film, art, and politics./div

Spiritual, Blues, and Jazz People in African American Fiction

Spiritual, Blues, and Jazz People in African American Fiction PDF Author: A. Yemisi Jimoh
Publisher: Univ. of Tennessee Press
ISBN: 9781572331723
Category : Literary Criticism
Languages : en
Pages : 300

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Book Description
Jimoh (English, U. of Arkansas-Fayetteville) investigates African American intracultural issues that inform a more broadly intertextual use of music in creating characters and themes in fiction by US black writers. Conventional close readings of texts, she argues, often miss historical-sociopolitical discourses that can illuminate African American narratives. Annotation copyrighted by Book News, Inc., Portland, OR

African American Literary Theory

African American Literary Theory PDF Author: Winston Napier
Publisher: NYU Press
ISBN: 0814758096
Category : Literary Criticism
Languages : en
Pages : 745

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Book Description
Fifty-one essays by writers such as Langston Hughes, W.E.B. Du Bois, Ralph Ellison, and Zora Neale Hurston, as well as critics and academics such as Henry Louis Gates, Jr. examine the central texts and arguments in African American literary theory from the 1920s through the present. Contributions are organized chronologically beginning with the rise of a black aesthetic criticism, through the Black Arts Movement, feminism, structuralism and poststructuralism, queer theory, and cultural studies. Annotation copyrighted by Book News Inc., Portland, OR

Black Studies, Rap, and the Academy

Black Studies, Rap, and the Academy PDF Author: Houston A. Baker
Publisher: University of Chicago Press
ISBN: 9780226035215
Category : History
Languages : en
Pages : 126

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Book Description
Traces the history of black studies as an academic discipline. Looks specifically at the incidence of urban rap music and its influence on the young urban black population. Highlights the spate of attacks in New York's Central Park in 1990 and the consequent legal action against rap band 2 Live Crew.