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Author: Stanley Banks
Publisher: BkMk Press of the University of Missouri-Kansas City
ISBN:
Category : Poetry
Languages : en
Pages : 104
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Book Description
"In his title poem Stan Banks makes reference to Langston Hughes. I like that. Hughes would be one hundred years old this year. Blue Beat Syncopation could be a tribute to him. It's obvious one will find a little Langston DNA in this book. This is not a crime but a link. Banks writes like someone just back from the Crossroads. Did he sell his soul to give us a collection of poems this good? This book is filled with survival music. The poems are like something Jacob Lawrence or Romare Bearden might have painted. Banks is a poet who has his face in the right window. I know many writers who have moved from the neighborhood and still try to call themselves blues people. If the year was 1926 Countee Cullen would be shaking his head about this collection too. Why is Banks so black and blue? The poems in Blue Beat Syncopation were written during the last twenty-five years. Banks has seen it all. Here is his montage of a poeple still not giving up on a dream." -- E. Ethelbert Miller, Foreword.
Author: Stanley Banks
Publisher: BkMk Press of the University of Missouri-Kansas City
ISBN:
Category : Poetry
Languages : en
Pages : 104
Get Book Here
Book Description
"In his title poem Stan Banks makes reference to Langston Hughes. I like that. Hughes would be one hundred years old this year. Blue Beat Syncopation could be a tribute to him. It's obvious one will find a little Langston DNA in this book. This is not a crime but a link. Banks writes like someone just back from the Crossroads. Did he sell his soul to give us a collection of poems this good? This book is filled with survival music. The poems are like something Jacob Lawrence or Romare Bearden might have painted. Banks is a poet who has his face in the right window. I know many writers who have moved from the neighborhood and still try to call themselves blues people. If the year was 1926 Countee Cullen would be shaking his head about this collection too. Why is Banks so black and blue? The poems in Blue Beat Syncopation were written during the last twenty-five years. Banks has seen it all. Here is his montage of a poeple still not giving up on a dream." -- E. Ethelbert Miller, Foreword.
Author: Alfred Publishing Company, Incorporated
Publisher:
ISBN: 9780882847733
Category : Drum set
Languages : en
Pages : 0
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Book Description
Author: Ted Reed
Publisher: Alfred Music
ISBN: 1457412195
Category : Music
Languages : en
Pages : 66
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Book Description
Voted second on Modern Drummer's list of 25 Greatest Drum Books in 1993, Progressive Steps to Syncopation for the Modern Drummer is one of the most versatile and practical works ever written for drums. Created exclusively to address syncopation, it has earned its place as a standard tool for teaching beginning drummers syncopation and strengthening reading skills. This book includes many accented eighths, dotted eighths and sixteenths, eighth-note triplets and sixteenth notes for extended solos. In addition, teachers can develop many of their own examples from it.
Author: Frank Briggs
Publisher: Mel Bay Publications
ISBN: 1610650808
Category : Music
Languages : en
Pages : 57
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Book Description
Funky Beats & Breaks was written with the intermediate to advanced drummer in mind. All the exercises and concepts in this book were conceived within the author's personal lesson program. the benefits of this book are many; the student will expand his or her rhythmic and conceptual vocabulary. Audio available online.
Author: Michael Miller
Publisher: Penguin
ISBN: 1101588756
Category : Music
Languages : en
Pages : 277
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Book Description
The complex art of conducting may look effortless to the casual onlooker, however, it requires a great deal of knowledge and skill. The success of a performance hinges on the director's ability to keep the group playing together and interpreting the music as the composer intended. The Complete Idiot's Guide® to Conducting Music shows student and novice conductors how to lead bands, orchestras, choirs, and other ensembles effectively through sight-reading, rehearsals, and performances.
Author: Bruce R. Patzer
Publisher: Hal Leonard Publishing Corporation
ISBN: 9781476813844
Category : Music
Languages : en
Pages : 0
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Book Description
(Drum Instruction). Drumset Syncopation picks up where beginning drum methods leave off, providing the intermediate drumset player with practical studies that can be applied to real-life playing situations. Built on the syncopated rhythms that form the basis of popular music, the book explores beats and fills in a variety of styles, including: basic rock, funk, bossa nova, samba, reggae, blues, shuffles, country/gospel and jazz. This indispensible book is filled with info that will take you from the practice room to the stage!
Author: Herlin Riley
Publisher: Alfred Music Publishing
ISBN: 9780897249218
Category : Music
Languages : en
Pages : 124
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Book Description
This book is based on performances and transcriptions from the DCI music videos Herlin Riley: Ragtime & beyond, and Johnny Vidacovich: Street beats modern applications. Additional interviews and essays on: Baby Dodds, Vernel Fournier, Ed Blackwell, James Black and Freddie Kohlman, Smokey Johnson, David Lee, and bassist Bill Huntington.
Author: Richard J. Ripani
Publisher: Univ. Press of Mississippi
ISBN: 1496801288
Category : Music
Languages : en
Pages : 283
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Book Description
Rhythm & blues emerged from the African American community in the late 1940s to become the driving force in American popular music over the next half-century. Although sometimes called “doo-wop,” “soul,” “funk,” “urban contemporary,” or “hip-hop,” R&B is actually an umbrella category that includes all of these styles and genres. It is in fact a modern-day incarnation of a musical tradition that stretches back to nineteenth-century America, and even further to African beginnings. The New Blue Music: Changes in Rhythm & Blues, 1950-1999 traces the development of R&B from 1950 to 1999 by closely analyzing the top twenty-five songs of each decade. The music of artists as wide-ranging as Louis Jordan; John Lee Hooker; Ray Charles; James Brown; Earth, Wind & Fire; Michael Jackson; Public Enemy; Mariah Carey; and Usher takes center stage as the author illustrates how R&B has not only retained its traditional core style, but has also experienced a “re-Africanization” over time. By investigating musical elements of form, style, and content in R&B—and offering numerous musical examples—the book shows the connection between R&B and other forms of American popular and religious music, such as spirituals, ragtime, blues, jazz, country, gospel, and rock 'n' roll. With this evidence in hand, the author hypothesizes the existence of an even larger musical “super-genre” which he labels “The New Blue Music.”
Author: Philip A. Greasley
Publisher: Indiana University Press
ISBN: 0253021162
Category : Literary Collections
Languages : en
Pages : 1074
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Book Description
The Midwest has produced a robust literary heritage. Its authors have won half of the nation's Nobel Prizes for Literature plus a significant number of Pulitzer Prizes. This volume explores the rich racial, ethnic, and cultural diversity of the region. It also contains entries on 35 pivotal Midwestern literary works, literary genres, literary, cultural, historical, and social movements, state and city literatures, literary journals and magazines, as well as entries on science fiction, film, comic strips, graphic novels, and environmental writing. Prepared by a team of scholars, this second volume of the Dictionary of Midwestern Literature is a comprehensive resource that demonstrates the Midwest's continuing cultural vitality and the stature and distinctiveness of its literature.
Author: Gerhard Kubik
Publisher: Univ. Press of Mississippi
ISBN: 9781578061464
Category : Music
Languages : en
Pages : 268
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Book Description
In 1969 Gerhard Kubik chanced to encounter a Mozambican labor migrant, a miner in Transvaal, South Africa, tapping a cipendani, a mouth-resonated musical bow. A comparable instrument was seen in the hands of a white Appalachian musician who claimed it as part of his own cultural heritage. Through connections like these Kubik realized that the link between these two far-flung musicians is African-American music, the sound that became the blues. Such discoveries reveal a narrative of music evolution for Kubik, a cultural anthropologist and ethnomusicologist. Traveling in Africa, Brazil, Venezuela, and the United States, he spent forty years in the field gathering the material for Africa and the Blues. In this book, Kubik relentlessly traces the remote genealogies of African cultural music through eighteen African nations, especially in the Western and Central Sudanic Belt. Included is a comprehensive map of this cradle of the blues, along with 31 photographs gathered in his fieldwork. The author also adds clear musical notations and descriptions of both African and African American traditions and practices and calls into question the many assumptions about which elements of the blues were "European" in origin and about which came from Africa. Unique to this book is Kubik's insight into the ways present-day African musicians have adopted and enlivened the blues with their own traditions. With scholarly care but with an ease for the general reader, Kubik proposes an entirely new theory on blue notes and their origins. Tracing what musical traits came from Africa and what mutations and mergers occurred in the Americas, he shows that the African American tradition we call the blues is truly a musical phenomenon belonging to the African cultural world [Publisher description].
