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Author: Patricia Hampl
Publisher: HMH
ISBN: 054735083X
Category : Biography & Autobiography
Languages : en
Pages : 229
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Book Description
These meditations inspired by a Matisse painting are “a paean to the act of seeing, celebrating our capacity to be transformed by the truths art holds.” —The New York Times Book Review Named a Chicago Tribune Best Book of the Year and a Los Angeles Times Favorite Nonfiction of the Year Just out of college, Patricia Hampl was mesmerized by a Matisse painting in the Art Institute of Chicago: an aloof woman gazing at goldfish in a bowl, a Moroccan screen behind her. In Blue Arabesque, Hampl explores the allure of this lounging woman, immersed in leisure, so at odds with the rush of the modern era. Hampl’s meditation takes us to the Cote d’Azur and to North Africa, from cloister to harem, pondering figures as diverse as Eugene Delacroix, F. Scott Fitzgerald, and Katherine Mansfield. Returning always to Matisse’s portraits of languid women, she discovers they were not decorative indulgences but something much more. Moving with the life force that Matisse sought in his work, Blue Arabesque is Hampl’s dazzling and critically acclaimed tour de force.
Author: Patricia Hampl
Publisher: HMH
ISBN: 054735083X
Category : Biography & Autobiography
Languages : en
Pages : 229
Get Book Here
Book Description
These meditations inspired by a Matisse painting are “a paean to the act of seeing, celebrating our capacity to be transformed by the truths art holds.” —The New York Times Book Review Named a Chicago Tribune Best Book of the Year and a Los Angeles Times Favorite Nonfiction of the Year Just out of college, Patricia Hampl was mesmerized by a Matisse painting in the Art Institute of Chicago: an aloof woman gazing at goldfish in a bowl, a Moroccan screen behind her. In Blue Arabesque, Hampl explores the allure of this lounging woman, immersed in leisure, so at odds with the rush of the modern era. Hampl’s meditation takes us to the Cote d’Azur and to North Africa, from cloister to harem, pondering figures as diverse as Eugene Delacroix, F. Scott Fitzgerald, and Katherine Mansfield. Returning always to Matisse’s portraits of languid women, she discovers they were not decorative indulgences but something much more. Moving with the life force that Matisse sought in his work, Blue Arabesque is Hampl’s dazzling and critically acclaimed tour de force.
Author: Patricia Hampl
Publisher: Houghton Mifflin Harcourt
ISBN: 0151015066
Category : Poets, American
Languages : en
Pages : 142
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Author: Victoria and Albert Museum
Publisher:
ISBN:
Category :
Languages : en
Pages : 216
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Author: Victoria and Albert Museum
Publisher:
ISBN:
Category :
Languages : en
Pages : 80
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Author:
Publisher:
ISBN:
Category :
Languages : en
Pages : 1162
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Author: Sheridan Germann
Publisher: Pendragon Press
ISBN: 9780945193753
Category : Juvenile Nonfiction
Languages : en
Pages : 254
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Book Description
Volume IV of The Historical Harpsichord contains two monographs of major importance, Harpsichord Decoration: A Conspectus by Sheridan Germann, and A Fable Deconstructed: The 1770 Taskin at Yale by Richard Rephann. Sheridan Germann, an acclaimed scholar and practitioner in the field of harpsichord decoration, offers the first comprehensive illustrated conspectus of thesubject. In Part I Ms. Germann tells us that the styles of the decoration of harpsichords (and spinets, virginals and clavichords) tended to follow contemporary furniture fashions, but usually lagged conservatively behind the prevailing fashions. Because, unlike most furniture, the instruments are often dated, they provide rare documentation of how long these styles remained in common use. This survey follows chronologically the five major regional traditions of keyboard instrument decoration-Italian, Flemish, French, German and English-but with emphasis on the international changes in taste on which each region produced its own variations.In Part II, Richard Rephann of the Yale Musical Instrument Collection describes his research into the uniquely experimental construction of the 1770 Pascal Taskin harpsichord. This essay forms a pendant to William Dowd's in Vol. I that treats the surviving instruments of the Blanchet-Taskin workshop up to 1770. The romantic provenance of the 1770 Taskin, concocted by the antique trade to enhance the instrument's market value, is revealed as a fable.
Author: James Albert Garland
Publisher:
ISBN:
Category : Pottery
Languages : en
Pages : 132
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Author: University of Pennsylvania. University Museum Section of Oriental Art
Publisher:
ISBN:
Category : Art, Chinese
Languages : en
Pages : 280
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Author: University of Pennsylvania. University Museum
Publisher:
ISBN:
Category : Art objects
Languages : en
Pages : 278
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Author: South Kensington Museum Art Division
Publisher:
ISBN:
Category :
Languages : en
Pages : 902
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