Author: Graham Marsh
Publisher: Chronicle Books
ISBN: 9780811836883
Category : Art
Languages : en
Pages : 304
Book Description
Smaller in trim size, greatly expanded in content, this compendium of Chronicle's classic Blue Note books is now an appealingly chunky paperback. Featuring 400 of the legendary covers, spanning the '40s to the '70s, features the greatest work of legendary Blue Note art director Reid Miles.
Blue Note
Author: Graham Marsh
Publisher: Chronicle Books
ISBN: 9780811836883
Category : Art
Languages : en
Pages : 304
Book Description
Smaller in trim size, greatly expanded in content, this compendium of Chronicle's classic Blue Note books is now an appealingly chunky paperback. Featuring 400 of the legendary covers, spanning the '40s to the '70s, features the greatest work of legendary Blue Note art director Reid Miles.
Publisher: Chronicle Books
ISBN: 9780811836883
Category : Art
Languages : en
Pages : 304
Book Description
Smaller in trim size, greatly expanded in content, this compendium of Chronicle's classic Blue Note books is now an appealingly chunky paperback. Featuring 400 of the legendary covers, spanning the '40s to the '70s, features the greatest work of legendary Blue Note art director Reid Miles.
Blowin' the Blues Away
Author: Travis A. Jackson
Publisher: Univ of California Press
ISBN: 0520951921
Category : Music
Languages : en
Pages : 318
Book Description
New York City has always been a mecca in the history of jazz, and in many ways the city’s jazz scene is more important now than ever before. Blowin’ the Blues Away examines how jazz has thrived in New York following its popular resurgence in the 1980s. Using interviews, in-person observation, and analysis of live and recorded events, ethnomusicologist Travis A. Jackson explores both the ways in which various participants in the New York City jazz scene interpret and evaluate performance, and the criteria on which those interpretations and evaluations are based. Through the notes and words of its most accomplished performers and most ardent fans, jazz appears not simply as a musical style, but as a cultural form intimately influenced by and influential upon American concepts of race, place, and spirituality.
Publisher: Univ of California Press
ISBN: 0520951921
Category : Music
Languages : en
Pages : 318
Book Description
New York City has always been a mecca in the history of jazz, and in many ways the city’s jazz scene is more important now than ever before. Blowin’ the Blues Away examines how jazz has thrived in New York following its popular resurgence in the 1980s. Using interviews, in-person observation, and analysis of live and recorded events, ethnomusicologist Travis A. Jackson explores both the ways in which various participants in the New York City jazz scene interpret and evaluate performance, and the criteria on which those interpretations and evaluations are based. Through the notes and words of its most accomplished performers and most ardent fans, jazz appears not simply as a musical style, but as a cultural form intimately influenced by and influential upon American concepts of race, place, and spirituality.
Long Lost Blues
Author: Peter C. Muir
Publisher: University of Illinois Press
ISBN: 0252056043
Category : Music
Languages : en
Pages : 282
Book Description
Mamie Smith's 1920 recording of ""Crazy Blues"" is commonly thought to signify the beginning of commercial attention to blues music and culture, but by that year more than 450 other blues titles had already appeared in sheet music and on recordings. In this examination of early popular blues, Peter C. Muir traces the genre's early history and the highly creative interplay between folk and popular forms, focusing especially on the roles W. C. Handy played in both blues music and the music business. Long Lost Blues exposes for the first time the full scope and importance of early popular blues to mainstream American culture in the early twentieth century. Closely analyzing sheet music and other print sources that have previously gone unexamined, Muir revises our understanding of the evolution and sociology of blues at its inception.
Publisher: University of Illinois Press
ISBN: 0252056043
Category : Music
Languages : en
Pages : 282
Book Description
Mamie Smith's 1920 recording of ""Crazy Blues"" is commonly thought to signify the beginning of commercial attention to blues music and culture, but by that year more than 450 other blues titles had already appeared in sheet music and on recordings. In this examination of early popular blues, Peter C. Muir traces the genre's early history and the highly creative interplay between folk and popular forms, focusing especially on the roles W. C. Handy played in both blues music and the music business. Long Lost Blues exposes for the first time the full scope and importance of early popular blues to mainstream American culture in the early twentieth century. Closely analyzing sheet music and other print sources that have previously gone unexamined, Muir revises our understanding of the evolution and sociology of blues at its inception.
Album Cover Album
Author: Roger Dean
Publisher: Harper Collins
ISBN: 0061626953
Category : Music
Languages : en
Pages : 170
Book Description
A stunningly designed review of the greatest album cover designs, spanning the classic period from the 1950s to the 1970s, Album Cover Album first hit the bestseller charts in 1977. This led to the release of six follow-up hits, inspired a host of imitations, and generated a long-playing sub-genre in art and design publishing. Album Cover Album is edited and compiled by two designers who were among the most innovative pioneers of the work that it celebrates. Storm Thorgerson's Hipgnosis earned world renown for the epic photo shoots and iconic designs that went so perfectly with the music of Pink Floyd. Meanwhile, Roger Dean's dreamscapes and unique typography became as much a part of the rock generation as the Yes albums they adorned. Album Cover Album features their selection of more than 600 sleeves in full color, and showcases the astonishing diversity and excellence of design that the medium produced in its first three decades. This new edition retains the lavish 12-inch format of the original and replays the ingeniously themed compositions of each page. The album is given a fresh spin by a new preface from Peter Gabriel and new forewords by Storm Thorgerson and John Wetton, plus a 21st-century typographic facelift. The result is a celebration of the enduring appeal of vinyl.
Publisher: Harper Collins
ISBN: 0061626953
Category : Music
Languages : en
Pages : 170
Book Description
A stunningly designed review of the greatest album cover designs, spanning the classic period from the 1950s to the 1970s, Album Cover Album first hit the bestseller charts in 1977. This led to the release of six follow-up hits, inspired a host of imitations, and generated a long-playing sub-genre in art and design publishing. Album Cover Album is edited and compiled by two designers who were among the most innovative pioneers of the work that it celebrates. Storm Thorgerson's Hipgnosis earned world renown for the epic photo shoots and iconic designs that went so perfectly with the music of Pink Floyd. Meanwhile, Roger Dean's dreamscapes and unique typography became as much a part of the rock generation as the Yes albums they adorned. Album Cover Album features their selection of more than 600 sleeves in full color, and showcases the astonishing diversity and excellence of design that the medium produced in its first three decades. This new edition retains the lavish 12-inch format of the original and replays the ingeniously themed compositions of each page. The album is given a fresh spin by a new preface from Peter Gabriel and new forewords by Storm Thorgerson and John Wetton, plus a 21st-century typographic facelift. The result is a celebration of the enduring appeal of vinyl.
Sophisticated Giant
Author: Maxine Gordon
Publisher: Univ of California Press
ISBN: 0520350790
Category : Biography & Autobiography
Languages : en
Pages : 296
Book Description
Tenor saxophonist Dexter Gordon was one of the major innovators of modern jazz. In a context of biography, history, and memoir, Maxine Gordon has completed the book that her late husband began, weaving his "solo" turns with her voice and a chorus of voices from past and present. She shows that his image of the cool jazzman fails to come to terms with the three-dimensional man full of humor and wisdom, a figure who struggled to reconcile being both a creative outsider who broke the rules and a comforting insider who was a son, father, husband, and world citizen. --
Publisher: Univ of California Press
ISBN: 0520350790
Category : Biography & Autobiography
Languages : en
Pages : 296
Book Description
Tenor saxophonist Dexter Gordon was one of the major innovators of modern jazz. In a context of biography, history, and memoir, Maxine Gordon has completed the book that her late husband began, weaving his "solo" turns with her voice and a chorus of voices from past and present. She shows that his image of the cool jazzman fails to come to terms with the three-dimensional man full of humor and wisdom, a figure who struggled to reconcile being both a creative outsider who broke the rules and a comforting insider who was a son, father, husband, and world citizen. --
You'll Know When You Get There
Author: Bob Gluck
Publisher: University of Chicago Press
ISBN: 0226300064
Category : Social Science
Languages : en
Pages : 287
Book Description
As the 1960s ended, Herbie Hancock embarked on a grand creative experiment. Having just been dismissed from the celebrated Miles Davis Quintet, he set out on the road, playing with his first touring group as a leader until he eventually formed what would become a revolutionary band. Taking the Swahili name Mwandishi, the group would go on to play some of the most innovative music of the 1970s, fusing an assortment of musical genres, American and African cultures, and acoustic and electronic sounds into groundbreaking experiments that helped shape the American popular music that followed. In You’ll Know When You Get There, Bob Gluck offers the first comprehensive study of this influential group, mapping the musical, technological, political, and cultural changes that they not only lived in but also effected. Beginning with Hancock’s formative years as a sideman in bebop and hard bop ensembles, his work with Miles Davis, and the early recordings under his own name, Gluck uncovers the many ingredients that would come to form the Mwandishi sound. He offers an extensive series of interviews with Hancock and other band members, the producer and engineer who worked with them, and a catalog of well-known musicians who were profoundly influenced by the group. Paying close attention to the Mwandishi band’s repertoire, he analyzes a wide array of recordings—many little known—and examines the group’s instrumentation, their pioneering use of electronics, and their transformation of the studio into a compositional tool. From protofunk rhythms to synthesizers to the reclamation of African identities, Gluck tells the story of a highly peculiar and thrillingly unpredictable band that became a hallmark of American genius.
Publisher: University of Chicago Press
ISBN: 0226300064
Category : Social Science
Languages : en
Pages : 287
Book Description
As the 1960s ended, Herbie Hancock embarked on a grand creative experiment. Having just been dismissed from the celebrated Miles Davis Quintet, he set out on the road, playing with his first touring group as a leader until he eventually formed what would become a revolutionary band. Taking the Swahili name Mwandishi, the group would go on to play some of the most innovative music of the 1970s, fusing an assortment of musical genres, American and African cultures, and acoustic and electronic sounds into groundbreaking experiments that helped shape the American popular music that followed. In You’ll Know When You Get There, Bob Gluck offers the first comprehensive study of this influential group, mapping the musical, technological, political, and cultural changes that they not only lived in but also effected. Beginning with Hancock’s formative years as a sideman in bebop and hard bop ensembles, his work with Miles Davis, and the early recordings under his own name, Gluck uncovers the many ingredients that would come to form the Mwandishi sound. He offers an extensive series of interviews with Hancock and other band members, the producer and engineer who worked with them, and a catalog of well-known musicians who were profoundly influenced by the group. Paying close attention to the Mwandishi band’s repertoire, he analyzes a wide array of recordings—many little known—and examines the group’s instrumentation, their pioneering use of electronics, and their transformation of the studio into a compositional tool. From protofunk rhythms to synthesizers to the reclamation of African identities, Gluck tells the story of a highly peculiar and thrillingly unpredictable band that became a hallmark of American genius.
The Bluesier Side Of Jazz for Piano/Keyboards
Author: Andrew D. Gordon
Publisher: A.D.G. Productions
ISBN: 1934163368
Category : Music
Languages : en
Pages : 50
Book Description
The Bluesier Side of Jazz by Andrew D. Gordon was inspired by the piano students he teaches at The Cornel School Of Contemporary Music at Shepherd University in Los Angeles. As with many students that come from a classical background (including himself) it is a difficult transition to learn to play Blues & Jazz. When a musician improvises they usually play a variety of riffs or phrases that they have developed and learnt over a period of time and can access these phrases instantaneously whatever key they are playing in to create a seamless improvised solo from the phrases they have learnt. Andrew's idea for this book is to create phrases or riffs over two measures of various Blues progressions. He sub-divided each of the 12 Bar Blues progressions used in this book (the chord progression for Watermelon Man is a 16 measure progression) into six sections (two measures each) and within each of the six sections created four different phrases or riffs so that the student has a choice of four different phrases to play over every two measures. They can then create a solo based on which phrase they choose for each two measures. By breaking down these phrases to two measures each, he has found that the students have an easier time of learning to improvise than by trying to transcribe a whole solo from an audio recording or leaving them to their own devices in trying to play a solo based on the Blues scale or other related scales.
Publisher: A.D.G. Productions
ISBN: 1934163368
Category : Music
Languages : en
Pages : 50
Book Description
The Bluesier Side of Jazz by Andrew D. Gordon was inspired by the piano students he teaches at The Cornel School Of Contemporary Music at Shepherd University in Los Angeles. As with many students that come from a classical background (including himself) it is a difficult transition to learn to play Blues & Jazz. When a musician improvises they usually play a variety of riffs or phrases that they have developed and learnt over a period of time and can access these phrases instantaneously whatever key they are playing in to create a seamless improvised solo from the phrases they have learnt. Andrew's idea for this book is to create phrases or riffs over two measures of various Blues progressions. He sub-divided each of the 12 Bar Blues progressions used in this book (the chord progression for Watermelon Man is a 16 measure progression) into six sections (two measures each) and within each of the six sections created four different phrases or riffs so that the student has a choice of four different phrases to play over every two measures. They can then create a solo based on which phrase they choose for each two measures. By breaking down these phrases to two measures each, he has found that the students have an easier time of learning to improvise than by trying to transcribe a whole solo from an audio recording or leaving them to their own devices in trying to play a solo based on the Blues scale or other related scales.
Catalog of Copyright Entries
Author: Library of Congress. Copyright Office
Publisher:
ISBN:
Category : Copyright
Languages : en
Pages : 1036
Book Description
Publisher:
ISBN:
Category : Copyright
Languages : en
Pages : 1036
Book Description
The Encyclopedia of the Harmonica
Author: Peter Krampert
Publisher: Mel Bay Publications
ISBN: 1619115778
Category : Music
Languages : en
Pages : 225
Book Description
The Harmonica Encyclopedia is the most comprehensive book ever written on the instrument, offering over 900 articles on players, bands, techniques, resources and a discography of over 5,000 recordings by harmonica players. Originallyreleased in 1998, this new edition is profusely illustrated with over 150 photographs of the players who have made the harmonica the world's most popular musical instrument. This book has been critically acclaimed by readers in over 25 countries and is a must-have for any serious harmonica enthusiast
Publisher: Mel Bay Publications
ISBN: 1619115778
Category : Music
Languages : en
Pages : 225
Book Description
The Harmonica Encyclopedia is the most comprehensive book ever written on the instrument, offering over 900 articles on players, bands, techniques, resources and a discography of over 5,000 recordings by harmonica players. Originallyreleased in 1998, this new edition is profusely illustrated with over 150 photographs of the players who have made the harmonica the world's most popular musical instrument. This book has been critically acclaimed by readers in over 25 countries and is a must-have for any serious harmonica enthusiast
Giant Strides
Author: Edward N. Meyer
Publisher: Scarecrow Press
ISBN: 9780810835641
Category : Biography & Autobiography
Languages : en
Pages : 300
Book Description
Dick Wellstood first became prominent as a teenager in Bob Wilber's "Wildcats," where his stride-style solos brought him to the forefront of the jazz world. In the following decades he became a regular fixture at the premiere jazz clubs in New York and toured Europe to critical acclaim. Not only was Wellstood an expressive musician, but he was a literate and articulate writer as well. His articles and letters were published in Downbeat, Jazz Journal International, Sounds and Fury, and Jersey Jazz. He wrote liner notes for many albums which reveal not just his intelligence but his sharp sense of humor. Outside of the music world, Wellstood was a law student who taught himself Latin and German. Drawing upon Wellstood's unpublished personal correspondence and the recollections of his family, friends, and fellow musicians, Giant Strides explores the personality of this talented musician and intriguing man. Meyer's own writing and interviews with Wellstood himself, as well as Kenny Davern, Marty Grosz, Dick Sudhalter, Joe Muranyi, and Dan Morgenstern bring Wellstood to life in this vivid book.
Publisher: Scarecrow Press
ISBN: 9780810835641
Category : Biography & Autobiography
Languages : en
Pages : 300
Book Description
Dick Wellstood first became prominent as a teenager in Bob Wilber's "Wildcats," where his stride-style solos brought him to the forefront of the jazz world. In the following decades he became a regular fixture at the premiere jazz clubs in New York and toured Europe to critical acclaim. Not only was Wellstood an expressive musician, but he was a literate and articulate writer as well. His articles and letters were published in Downbeat, Jazz Journal International, Sounds and Fury, and Jersey Jazz. He wrote liner notes for many albums which reveal not just his intelligence but his sharp sense of humor. Outside of the music world, Wellstood was a law student who taught himself Latin and German. Drawing upon Wellstood's unpublished personal correspondence and the recollections of his family, friends, and fellow musicians, Giant Strides explores the personality of this talented musician and intriguing man. Meyer's own writing and interviews with Wellstood himself, as well as Kenny Davern, Marty Grosz, Dick Sudhalter, Joe Muranyi, and Dan Morgenstern bring Wellstood to life in this vivid book.