Author: Harold Bloom
Publisher: Infobase Publishing
ISBN: 1438115458
Category : Literary Criticism
Languages : en
Pages : 153
Book Description
Presents a biography of Tennessee Williams along with critical views of his work.
Tennessee Williams
Author: Harold Bloom
Publisher: Infobase Publishing
ISBN: 1438115458
Category : Literary Criticism
Languages : en
Pages : 153
Book Description
Presents a biography of Tennessee Williams along with critical views of his work.
Publisher: Infobase Publishing
ISBN: 1438115458
Category : Literary Criticism
Languages : en
Pages : 153
Book Description
Presents a biography of Tennessee Williams along with critical views of his work.
Eugene Ionesco
Author: Harold Bloom
Publisher: Infobase Publishing
ISBN: 1438116411
Category : Criticism
Languages : en
Pages : 151
Book Description
Eugene Ioneso's dramas still work in theaters thanks to what some critics call his primordial sense of the foundations of drama. This text examines some of his work, including The Bald Soprano, The Lesson, The Chair, and Rhinoceros
Publisher: Infobase Publishing
ISBN: 1438116411
Category : Criticism
Languages : en
Pages : 151
Book Description
Eugene Ioneso's dramas still work in theaters thanks to what some critics call his primordial sense of the foundations of drama. This text examines some of his work, including The Bald Soprano, The Lesson, The Chair, and Rhinoceros
Bloom's Major Dramatists
Author: Harold Bloom
Publisher: Chelsea House
ISBN: 9780791073766
Category : Juvenile Nonfiction
Languages : en
Pages : 144
Book Description
History's greatest playwrights are covered in one set.
Publisher: Chelsea House
ISBN: 9780791073766
Category : Juvenile Nonfiction
Languages : en
Pages : 144
Book Description
History's greatest playwrights are covered in one set.
Tom Stoppard
Author: Harold Bloom
Publisher: Infobase Publishing
ISBN: 1438116527
Category : Literary Criticism
Languages : en
Pages : 153
Book Description
Tom Stoppard is said to have transcended the influence of Samuel Beckett and found his true precursor in Oscar Wilde. This edition of Bloom's Major Dramatists examines Stoppard's work, including Rosencrantz and Guildenstern Are Dead, Jump
Publisher: Infobase Publishing
ISBN: 1438116527
Category : Literary Criticism
Languages : en
Pages : 153
Book Description
Tom Stoppard is said to have transcended the influence of Samuel Beckett and found his true precursor in Oscar Wilde. This edition of Bloom's Major Dramatists examines Stoppard's work, including Rosencrantz and Guildenstern Are Dead, Jump
Dramatists and Dramas
Author: Harold Bloom
Publisher: Infobase Publishing
ISBN: 0791093743
Category : Literary Criticism
Languages : en
Pages : 324
Book Description
Presents a compilation of Bloom's introductions to the Modern critical views and Modern critical interpretations series of books, focusing on drama and dramatists.
Publisher: Infobase Publishing
ISBN: 0791093743
Category : Literary Criticism
Languages : en
Pages : 324
Book Description
Presents a compilation of Bloom's introductions to the Modern critical views and Modern critical interpretations series of books, focusing on drama and dramatists.
Shakespeare's Tragedies
Author: Harold Bloom
Publisher: Infobase Publishing
ISBN: 1438116497
Category : Criticism
Languages : en
Pages : 119
Book Description
Discusses the plot, characters, and themes of five Shakespearean tragedies.
Publisher: Infobase Publishing
ISBN: 1438116497
Category : Criticism
Languages : en
Pages : 119
Book Description
Discusses the plot, characters, and themes of five Shakespearean tragedies.
Kingdom City
Author: Sheri Wilner
Publisher: Dramatists Play Service, Inc.
ISBN: 0822237407
Category : Drama
Languages : en
Pages : 83
Book Description
When displaced New York director Miriam Bloom finds herself in Kingdom City, Missouri, she reluctantly agrees to direct a high school production of The Crucible. As the play unlocks the students’ dark secrets, a local youth minister threatens to cancel the play, creating a firestorm in this small conservative town. Inspired by actual events that occurred in 2006, KINGDOM CITY strives to present an even-handed examination of the fears and concerns that arise when the welfare of children is at stake.
Publisher: Dramatists Play Service, Inc.
ISBN: 0822237407
Category : Drama
Languages : en
Pages : 83
Book Description
When displaced New York director Miriam Bloom finds herself in Kingdom City, Missouri, she reluctantly agrees to direct a high school production of The Crucible. As the play unlocks the students’ dark secrets, a local youth minister threatens to cancel the play, creating a firestorm in this small conservative town. Inspired by actual events that occurred in 2006, KINGDOM CITY strives to present an even-handed examination of the fears and concerns that arise when the welfare of children is at stake.
Aeschylus
Author: Harold Bloom
Publisher: Chelsea House
ISBN: 9780791063552
Category : Juvenile Nonfiction
Languages : en
Pages : 97
Book Description
Provides a research and study guide for three plays by Aeschylus, including plot summaries, lists of characters, and critical reviews.
Publisher: Chelsea House
ISBN: 9780791063552
Category : Juvenile Nonfiction
Languages : en
Pages : 97
Book Description
Provides a research and study guide for three plays by Aeschylus, including plot summaries, lists of characters, and critical reviews.
Voice in Motion
Author: Gina Bloom
Publisher: University of Pennsylvania Press
ISBN: 0812201310
Category : Literary Criticism
Languages : en
Pages : 286
Book Description
Voice in Motion explores the human voice as a literary, historical, and performative motif in early modern English drama and culture, where the voice was frequently represented as struggling, even failing, to work. In a compelling and original argument, Gina Bloom demonstrates that early modern ideas about the efficacy of spoken communication spring from an understanding of the voice's materiality. Voices can be cracked by the bodies that produce them, scattered by winds when transmitted as breath through their acoustic environment, stopped by clogged ears meant to receive them, and displaced by echoic resonances. The early modern theater underscored the voice's volatility through the use of pubescent boy actors, whose vocal organs were especially vulnerable to malfunction. Reading plays by Shakespeare, Marston, and their contemporaries alongside a wide range of late sixteenth- and early seventeenth-century texts—including anatomy books, acoustic science treatises, Protestant sermons, music manuals, and even translations of Ovid—Bloom maintains that cultural representations and theatrical enactments of the voice as "unruly matter" undermined early modern hierarchies of gender. The uncontrollable physical voice creates anxiety for men, whose masculinity is contingent on their capacity to discipline their voices and the voices of their subordinates. By contrast, for women the voice is most effective not when it is owned and mastered but when it is relinquished to the environment beyond. There, the voice's fragile material form assumes its full destabilizing potential and becomes a surprising source of female power. Indeed, Bloom goes further to query the boundary between the production and reception of vocal sound, suggesting provocatively that it is through active listening, not just speaking, that women on and off the stage reshape their world. Bringing together performance theory, theater history, theories of embodiment, and sound studies, this book makes a significant contribution to gender studies and feminist theory by challenging traditional conceptions of the links among voice, body, and self.
Publisher: University of Pennsylvania Press
ISBN: 0812201310
Category : Literary Criticism
Languages : en
Pages : 286
Book Description
Voice in Motion explores the human voice as a literary, historical, and performative motif in early modern English drama and culture, where the voice was frequently represented as struggling, even failing, to work. In a compelling and original argument, Gina Bloom demonstrates that early modern ideas about the efficacy of spoken communication spring from an understanding of the voice's materiality. Voices can be cracked by the bodies that produce them, scattered by winds when transmitted as breath through their acoustic environment, stopped by clogged ears meant to receive them, and displaced by echoic resonances. The early modern theater underscored the voice's volatility through the use of pubescent boy actors, whose vocal organs were especially vulnerable to malfunction. Reading plays by Shakespeare, Marston, and their contemporaries alongside a wide range of late sixteenth- and early seventeenth-century texts—including anatomy books, acoustic science treatises, Protestant sermons, music manuals, and even translations of Ovid—Bloom maintains that cultural representations and theatrical enactments of the voice as "unruly matter" undermined early modern hierarchies of gender. The uncontrollable physical voice creates anxiety for men, whose masculinity is contingent on their capacity to discipline their voices and the voices of their subordinates. By contrast, for women the voice is most effective not when it is owned and mastered but when it is relinquished to the environment beyond. There, the voice's fragile material form assumes its full destabilizing potential and becomes a surprising source of female power. Indeed, Bloom goes further to query the boundary between the production and reception of vocal sound, suggesting provocatively that it is through active listening, not just speaking, that women on and off the stage reshape their world. Bringing together performance theory, theater history, theories of embodiment, and sound studies, this book makes a significant contribution to gender studies and feminist theory by challenging traditional conceptions of the links among voice, body, and self.
Henrik Ibsen
Author: Harold Bloom
Publisher: Facts On File
ISBN: 9781604135770
Category :
Languages : en
Pages : 0
Book Description
Which plays are truly great, and why? Compiled in consultation with literary scholars, this fascinating reference profiles 100 of the greatest plays drawn from all cultures and periods of literature. The Drama 100 is sure to engage students and theatergoers in a spirited discussion of literary values. Each entry provides a plot summary and assessment, with an emphasis on details about the play's creation, critical reception, and contribution to literary and theatrical history. Additional features include a chronology, a list of honorable mentions (""A Second Hundred""), and an index.. Among the works selected are: .Samuel Beckett's Waiting for Godot.Anton Chekhov's The Cherry Orchard.Caryl Churchill's Cloud Nine.Henrik Ibsen's A Doll's House.Lorraine Hansberry's A Raisin in the Sun.William Shakespeare's King Lear.Sophocles' Oedipus the King.August Wilson's Fences.Tang Xianzu's The Peony Pavilion.and many more.
Publisher: Facts On File
ISBN: 9781604135770
Category :
Languages : en
Pages : 0
Book Description
Which plays are truly great, and why? Compiled in consultation with literary scholars, this fascinating reference profiles 100 of the greatest plays drawn from all cultures and periods of literature. The Drama 100 is sure to engage students and theatergoers in a spirited discussion of literary values. Each entry provides a plot summary and assessment, with an emphasis on details about the play's creation, critical reception, and contribution to literary and theatrical history. Additional features include a chronology, a list of honorable mentions (""A Second Hundred""), and an index.. Among the works selected are: .Samuel Beckett's Waiting for Godot.Anton Chekhov's The Cherry Orchard.Caryl Churchill's Cloud Nine.Henrik Ibsen's A Doll's House.Lorraine Hansberry's A Raisin in the Sun.William Shakespeare's King Lear.Sophocles' Oedipus the King.August Wilson's Fences.Tang Xianzu's The Peony Pavilion.and many more.