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Author: Hazard Adams
Publisher: McFarland
ISBN: 0786455470
Category : Literary Criticism
Languages : en
Pages : 213
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Book Description
Known for his prophetic and imaginative works of poetry, painting, and printmaking, William Blake was also a prolific reader and annotator of other writers' works. This is the first work of criticism to consider Blake's annotations in their entirety, and it covers such topics as art, poetry, theology, madness and philosophy, as well as the authors Lavater, Swedenborg, Bacon, Spurzheim, Berkeley, and Wordsworth, among others.
Author: Hazard Adams
Publisher: McFarland
ISBN: 0786455470
Category : Literary Criticism
Languages : en
Pages : 213
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Book Description
Known for his prophetic and imaginative works of poetry, painting, and printmaking, William Blake was also a prolific reader and annotator of other writers' works. This is the first work of criticism to consider Blake's annotations in their entirety, and it covers such topics as art, poetry, theology, madness and philosophy, as well as the authors Lavater, Swedenborg, Bacon, Spurzheim, Berkeley, and Wordsworth, among others.
Author: David V. Erdman
Publisher: Princeton University Press
ISBN: 1400886767
Category : Biography & Autobiography
Languages : en
Pages : 575
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Book Description
The twenty contributors to this volume offer a new perspective on the relationship between Blake's poetry and his visionary forms. Their illustrated discussions explore and debate the nature of Blake's mixed art and the energetic interaction of text and design. Originally published in 1971. The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.
Author: Matthew Mauger
Publisher: Springer Nature
ISBN: 3031377230
Category : Literary Criticism
Languages : en
Pages : 239
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Book Description
This book examines the difficult relationship between individual intellectual freedom and the legal structures which govern human societies in William Blake’s works, showing that this tension carries a political urgency that has not yet been recognised by scholars in the field. In doing so, it offers a new approach to Blake’s corpus that builds on the literary and cultural historical work of recent decades. Blake’s pronouncements about law may often sound biblical in tone; but this book argues that they directly address (and are informed by) eighteenth-century legal debates concerning the origin of the English common law, the autonomy of the judicature, the increasing legislative role of Parliament, and the emergence of the notions of constitutionalism and natural rights. Through a study of his illuminated books, manuscript works, notebook drafts and annotations, this study considers Blake’s understanding that law is both integral to humanity itself and a core component of its potential fulfilment of the ‘Human Form Divine’.
Author: Helen P Bruder
Publisher: Routledge
ISBN: 1317321162
Category : Art
Languages : en
Pages : 272
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Book Description
Blake's combination of verse and design invites interdisciplinary study. The essays in this collection approach his work from a variety of perspectives including masculinity, performance, plant biology, empire, politics and sexuality.
Author: Kathryn S. Freeman
Publisher: Taylor & Francis
ISBN: 131718808X
Category : Literary Criticism
Languages : en
Pages : 253
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Book Description
It is not surprising that visitors to Blake’s cosmology – the most elaborate in the history of British text and design – often demand a map in the form of a reference book. The entries in this volume benefit from the wide range of historical information made available in recent decades regarding the relationship between Blake’s text and design and his biographical, political, social, and religious contexts. Of particular importance, the entries take account of the re-interpretations of Blake with respect to race, gender, and empire in scholarship influenced by the groundbreaking theories that have arisen since the first half of the twentieth century. The intricate fluidity of Blake’s anti-Newtonian universe eludes the fixity of definitions and schema. Central to this guide to Blake's work and ideas is Kathryn S. Freeman's acknowledgment of the paradox of providing orientation in Blake’s universe without disrupting its inherent disorientation of the traditions whereby readers still come to it. In this innovative work, Freeman aligns herself with Blake’s demand that we play an active role in challenging our own readerly habits of passivity as we experience his created and corporeal worlds.
Author: Joshua Schouten de Jel
Publisher: Springer Nature
ISBN: 3030888886
Category : Literary Criticism
Languages : en
Pages : 273
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Book Description
This book demonstrates the way in which William Blake aligned his idiosyncratic concept of the Selfhood – the lens through which the despiritualised subject beholds the material world – with the atomistic materialism of the Epicurean school as it was transmitted through the first-century BC Roman poet and philosopher Lucretius’ De Rerum Natura. By addressing this philosophical debt, this study sets out a threefold re-evaluation of Blake’s work: to clarify the classical stream of Blake’s philosophical heritage through Lucretius; to return Blake to his historical moment, a thirty-year period from 1790 to 1820 which has been described as the second Lucretian moment in England; and to employ a new exegetical model for understanding the phenomenological parameters and epistemological frameworks of Blake’s mythopoeia. Accordingly, it is revealed that Blake was not only aware of classical atomistic cosmogony and sense-based epistemology but that he systematically mapped postlapsarian existence onto an Epicurean framework.
Author: Hazard Adams
Publisher: McFarland
ISBN: 147661573X
Category : Literary Criticism
Languages : en
Pages : 205
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Book Description
A seminal figure in Romantic poetry and visual arts, William Blake continues to influence modern literary criticism. In this book, Blake scholar Hazard Adams presents a selection of essays that span his long career exploring the work and thought of the groundbreaking artist. Topics range from the symbolic form in Blake's poem Jerusalem, the world view of Blake in relation to cultural policy and the notion of contrariety in Blake's writings to the relation of Chinese literary thought to that of the West, the critical work of Northrop Frye and Murray Krieger and the cultural and academic status of the humanities. The essays chart the evolution of Adams' own neo-Blakean literary thought over the past four decades, chronicling an effort to seek not merely a method but a philosophical base for the practice of literary criticism.
Author: Jennifer Jesse
Publisher: Lexington Books
ISBN: 0739177915
Category : Literary Criticism
Languages : en
Pages : 313
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Book Description
In this innovative study, Jesse challenges the prevailing view of Blake as an antinomian and describes him as a theological moderate who defended an evangelical faith akin to the Methodism of John Wesley. She arrives at this conclusion by contextualizing Blake’s works not only within Methodism, but in relation to other religious groups he addressed in his art, including the Established Church, deism, and radical religions. Further, she analyzes his works by sorting out the theological “road signs” he directed to each audience. This approach reveals Blake engaging each faction through its most prized beliefs, manipulating its own doctrines through visual and verbal guide-posts designed to communicate specifically with that group. She argues that, once we collate Blake’s messages to his intended audiences—sounding radical to the conservatives and conservative to the radicals—we find him advocating a system that would have been recognized by his contemporaries as Wesleyan in orientation. This thesis also relies on an accurate understanding of eighteenth-century Methodism: Jesse underscores the empirical rationalism pervading Wesley’s theology, highlighting differences between Methodism as practiced and as publicly caricatured. Undergirding this project is Jesse’s call for more rigorous attention to the dramatic character of Blake’s works. She notes that scholars still typically use phrases like “Blake says” or “Blake believes,” followed by some claim made by a Blakean character, without negotiating the complex narrative dynamics that might enable us to understand the rhetorical purposes of that statement, as heard by Blake’s respective audiences. Jesse maintains we must expect to find reflections in Blake’s works of all the theologies he engaged. The question is: what was he doing with them, and why? In order to divine what Blake meant to communicate, we must explore how those he targeted would have perceived his arguments. Jesse concludes that by analyzing the dramatic character of Blake’s works theologically through this wide-angled, audience-oriented approach, we see him orchestrating a grand rapprochement of the extreme theologies of his day into a unified vision that integrates faith and reason.
Author: Mark Crosby
Publisher: Springer Nature
ISBN: 3031474368
Category :
Languages : en
Pages : 389
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Book Description
Author: Steven Goldsmith
Publisher: JHU Press
ISBN: 1421409062
Category : Literary Criticism
Languages : en
Pages : 418
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Book Description
Since the Romantic period, the critical thinker's enthusiasm has served to substantiate his or her agency in the world. Blake’s Agitation is a thorough and engaging reflection on the dynamic, forward-moving, and active nature of critical thought. Steven Goldsmith investigates the modern notion that there’s a fiery feeling in critical thought, a form of emotion that gives authentic criticism the potential to go beyond interpreting the world. By arousing this critical excitement in readers and practitioners, theoretical writing has the power to alter the course of history, even when the only evidence of its impact is the emotion it arouses. Goldsmith identifies William Blake as a paradigmatic example of a socially critical writer who is moved by enthusiasm and whose work, in turn, inspires enthusiasm in his readers. He traces the particular feeling of engaged, dynamic urgency that characterizes criticism as a mode of action in Blake’s own work, in Blake scholarship, and in recent theoretical writings that identify the heightened affect of critical thought with the potential for genuine historical change. Within each of these horizons, the critical thinker’s enthusiasm serves to substantiate his or her agency in the world, supplying immediate, embodied evidence that criticism is not one thought-form among many but an action of consequence, accessing or even enabling the conditions of new possibility necessary for historical transformation to occur. The resulting picture of the emotional agency of criticism opens up a new angle on Blake’s literary and visual legacy and offers a vivid interrogation of the practical potential of theoretical discourse.
