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Author: Lauren Onkey
Publisher: Routledge
ISBN: 113516570X
Category : History
Languages : en
Pages : 518
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Book Description
Blackness and Transatlantic Irish Identity analyzes the long history of imagined and real relationships between the Irish and African-Americans since the mid-nineteenth century in popular culture and literature. Irish writers and political activists have often claimed - and thereby created - a "black" identity to explain their experience with colonialism in Ireland and revere African-Americans as a source of spiritual and sexual vitality. Irish-Americans often resisted this identification so as to make a place for themselves in the U.S. However, their representation of an Irish-American identity pivots on a distinction between Irish-Americans and African-Americans. Lauren Onkey argues that one of the most consistent tropes in the assertion of Irish and Irish-American identity is constructed through or against African-Americans, and she maps that trope in the work of writers Roddy Doyle, James Farrell, Bernard MacLaverty, John Boyle O’Reilly, and Jimmy Breslin; playwright Ned Harrigan; political activists Bernadette Devlin and Tom Hayden; and musicians Van Morrison, U2, and Black 47.
Author: Lauren Onkey
Publisher: Routledge
ISBN: 113516570X
Category : History
Languages : en
Pages : 518
Get Book Here
Book Description
Blackness and Transatlantic Irish Identity analyzes the long history of imagined and real relationships between the Irish and African-Americans since the mid-nineteenth century in popular culture and literature. Irish writers and political activists have often claimed - and thereby created - a "black" identity to explain their experience with colonialism in Ireland and revere African-Americans as a source of spiritual and sexual vitality. Irish-Americans often resisted this identification so as to make a place for themselves in the U.S. However, their representation of an Irish-American identity pivots on a distinction between Irish-Americans and African-Americans. Lauren Onkey argues that one of the most consistent tropes in the assertion of Irish and Irish-American identity is constructed through or against African-Americans, and she maps that trope in the work of writers Roddy Doyle, James Farrell, Bernard MacLaverty, John Boyle O’Reilly, and Jimmy Breslin; playwright Ned Harrigan; political activists Bernadette Devlin and Tom Hayden; and musicians Van Morrison, U2, and Black 47.
Author: Pamela Burnard
Publisher: Routledge
ISBN: 131743725X
Category : Art
Languages : en
Pages : 1072
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Book Description
For artists, scholars, researchers, educators and students of arts theory interested in culture and the arts, a proper understanding of the questions surrounding ‘interculturality’ and the arts requires a full understanding of the creative, methodological and interconnected possibilities of theory, practice and research. The International Handbook of Intercultural Arts Research provides concise and comprehensive reviews and overviews of the convergences and divergences of intercultural arts practice and theory, offering a consolidation of the breadth of scholarship, practices and the contemporary research methodologies, methods and multi-disciplinary analyses that are emerging within this new field.
Author: Estelle Epinoux
Publisher: Cambridge Scholars Publishing
ISBN: 1527530140
Category : History
Languages : en
Pages : 206
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Book Description
This collective volume provides the reader with an exploration of Latin America from an Irish perspective. The contributors have explored the multiple, and sometimes surprising, links that exist between Ireland and Latin America, touching on specific features of these links such as the political and cultural influence of the Irish diaspora and their political relations. These topics are examined through different media, including literature, films, history, poetry and sociology, and offer an opportunity to discover an aspect of Irish culture and history that has not been widely studied. The authors deal with these questions from different cultural perspectives within past and present contexts, exploring two cultures and histories which, at times, are linked through their shared destinies. They also provide the reader with different national perspectives. In presenting the long-lasting and multifaceted relationships between Ireland and Latin America, the contributors have helped to deepen our understanding of a part of Ireland’s historical heritage that deserves more focus.
Author: Maureen Mahon
Publisher: Duke University Press
ISBN: 1478012773
Category : Music
Languages : en
Pages : 237
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Book Description
African American women have played a pivotal part in rock and roll—from laying its foundations and singing chart-topping hits to influencing some of the genre's most iconic acts. Despite this, black women's importance to the music's history has been diminished by narratives of rock as a mostly white male enterprise. In Black Diamond Queens, Maureen Mahon draws on recordings, press coverage, archival materials, and interviews to document the history of African American women in rock and roll between the 1950s and the 1980s. Mahon details the musical contributions and cultural impact of Big Mama Thornton, LaVern Baker, Betty Davis, Tina Turner, Merry Clayton, Labelle, the Shirelles, and others, demonstrating how dominant views of gender, race, sexuality, and genre affected their careers. By uncovering this hidden history of black women in rock and roll, Mahon reveals a powerful sonic legacy that continues to reverberate into the twenty-first century.
Author: Damien Murray
Publisher: CUA Press
ISBN: 0813230012
Category : History
Languages : en
Pages : 304
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Book Description
During the first quarter of the twentieth century, the intersection of support for Irish freedom and the principles of Catholic social justice transformed Irish ethnicity in Boston. Prior to World War I, Boston’s middle-class Irish nationalist leaders sought a rapprochement with local Yankees. However, the combined impact of the Easter 1916 Rising and the postwar campaign to free Ireland from British rule drove a wedge between leaders of the city’s two main groups. Irish-American nationalists, emboldened by the visits of Irish leader Eamon de Valera, rejected both Yankees’ support of a postwar Anglo-American alliance and the latter groups’ portrayal of Irish nationalism as a form of Bolshevism. Instead, ably assisted by Catholic Church leaders such as Cardinal William O’Connell, Boston’s Irish nationalists portrayed an independent Ireland as the greatest bulwark against the spread of socialism. As the movement’s popularity spread locally, it attracted the support not only of Irish immigrants, but also that of native-born Americans of Irish descent, including businessman, left-leaning progressives, and veterans of the women’s suffrage movement. For a brief period after World War I, Irish-American nationalism in Boston became a vehicle for the promotion of wider democratic reform. Though the movement was unable to survive the disagreements surrounding the Anglo-Irish Treaty of 1921, it had been a source of ethnic unity that enabled Boston’s Irish community to negotiate the challenges of the postwar years including the anti-socialist Red Scare and the divisions caused by the Boston Police Strike in the fall of 1919. Furthermore, Boston’s Irish nationalists drew heavily on Catholic Church teachings such that Irish ethnicity came to be more clearly identified with the advocacy of both cultural pluralism and the rights of immigrant and working families in Boston and America.
Author: Cynthia Fowler
Publisher: Routledge
ISBN: 1000588513
Category : Art
Languages : en
Pages : 227
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Book Description
Taking the visual arts as its focus, this anthology explores aspects of cultural exchange between Ireland and the United States. Art historians from both sides of the Atlantic examine the work of artists, art critics and art promoters. Through a close study of selected paintings and sculptures, photography and exhibitions from the nineteenth century to the present, the depth of the relationship between the two countries, as well as its complexity, is revealed. The book is intended for all who are interested in Irish/American interconnectedness and will be of particular interest to scholars and students of art history, visual culture, history, Irish studies and American studies.
Author: Charlotte McIvor
Publisher: Springer
ISBN: 1137469730
Category : Performing Arts
Languages : en
Pages : 301
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Book Description
This book investigates Ireland’s translation of interculturalism as social policy into aesthetic practice and situates the wider implications of this ‘new interculturalism’ for theatre and performance studies at large. Offering the first full-length, post-1990s study of the effect of large-scale immigration and interculturalism as social policy on Irish theatre and performance, McIvor argues that inward-migration changes most of what can be assumed about Irish theatre and performance and its relationship to national identity. By using case studies that include theatre, dance, photography, and activist actions, this book works through major debates over aesthetic interculturalism in theatre and performance studies post-1970s and analyses Irish social interculturalism in a contemporary European social and cultural policy context. Drawing together the work of professional and community practitioners who frequently identify as both artists and activists, Migration and Performance in Contemporary Ireland proposes a new paradigm for the study of Irish theatre and performance while contributing to the wider investigation of migration and performance.
Author: Paul Camy Mocombe
Publisher: Routledge
ISBN: 1134690576
Category : Social Science
Languages : en
Pages : 263
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Book Description
This book offers both a philosophical and sociological model for understanding the constitution of identity in general, and black social identity in particular, without reverting to either a social or racial deterministic view of identity construction. Using a variant of structuration theory (phenomenological structuralism) this work, against contemporary postmodern and post-structural theories, seeks to offer a dialectical understanding of the constitution of black American and British life within the class division and social relations of production of the global capitalist world-system, while accounting for black social agency.
Author: Eric S. Brown
Publisher: Routledge
ISBN: 1135125759
Category : Social Science
Languages : en
Pages : 237
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Book Description
Through an in-depth case study of the black professional middle class in Oakland, this book provides an analysis of the experiences of black professionals in the workplace, community, and local politics. Brown shows how overlapping dynamics of class formation and racial formation have produced historically powerful processes of what he terms "racialized class formation," resulting in a distinct (and internally differentiated) entity, not merely a subset of a larger professional middle class.
Author: Randolph Hohle
Publisher: Routledge
ISBN: 0415819342
Category : Education
Languages : en
Pages : 185
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Book Description
This volume traces contemporary struggles over black political representation to the civil rights movement, and two competing models of black citizenship - "good black citizenship," and the black nationalist conceptualization of citizenship characterized by an emphasis on authenticity. Examining the intersections of race, citizenship, and ethics, the book argues that the emergence of good black citizenship as the dominant form of black political representation has narrowed who is considered a full member of society, while simultaneously relegating individuals who do not reflect good citizenship to the margins.
