Author: Judith Schalansky
Publisher: Princeton Architectural Press
ISBN: 9781568988016
Category : Architecture
Languages : en
Pages : 724
Book Description
Accompanying CD-ROM contains ... "150 of these [blackletter] fonts for free private and restricted commercial use."--Page 4 of cover.
Fraktur Mon Amour
Author: Judith Schalansky
Publisher: Princeton Architectural Press
ISBN: 9781568988016
Category : Architecture
Languages : en
Pages : 724
Book Description
Accompanying CD-ROM contains ... "150 of these [blackletter] fonts for free private and restricted commercial use."--Page 4 of cover.
Publisher: Princeton Architectural Press
ISBN: 9781568988016
Category : Architecture
Languages : en
Pages : 724
Book Description
Accompanying CD-ROM contains ... "150 of these [blackletter] fonts for free private and restricted commercial use."--Page 4 of cover.
Mexican Blackletter
Author: Cristina Paoli
Publisher: Mark Batty Publisher
ISBN:
Category : Art
Languages : en
Pages : 106
Book Description
Photographic essay that examines the popularity of this letterform in Mexico.
Publisher: Mark Batty Publisher
ISBN:
Category : Art
Languages : en
Pages : 106
Book Description
Photographic essay that examines the popularity of this letterform in Mexico.
Letters & Lettering
Author: Frank Chouteau Brown
Publisher:
ISBN:
Category : Alphabets
Languages : en
Pages : 242
Book Description
Publisher:
ISBN:
Category : Alphabets
Languages : en
Pages : 242
Book Description
Moon Lore
Author: Timothy Harley
Publisher: London, S. Sonnenschein
ISBN:
Category : Moon
Languages : en
Pages : 322
Book Description
Publisher: London, S. Sonnenschein
ISBN:
Category : Moon
Languages : en
Pages : 322
Book Description
Revival Type
Author: Paul Shaw
Publisher: Yale University Press
ISBN: 0300219296
Category : Design
Languages : en
Pages : 257
Book Description
An illuminating account of the design inspirations and technical transformations that have shaped the digital typefaces of the 21st century In this fascinating tour through typographic history, Paul Shaw provides a visually rich exploration of digital type revival. Many typefaces from the pre-digital past have been reinvented for use on computers and mobile devices, while other new font designs are revivals of letterforms, drawn from inscriptions, calligraphic manuals, posters, and book jackets. Revival Type deftly introduces these fonts, many of which are widely used, and engagingly tells their stories. Examples include translations of letterforms not previously used as type, direct revivals of metal and wood typefaces, and looser interpretations of older fonts. Among these are variations on classic designs by John Baskerville, Giambattista Bodoni, William Caslon, Firmin Didot, Claude Garamont, Robert Granjon, and Nicolas Jenson, as well as typefaces inspired by less familiar designers, including Richard Austin, Philippe Grandjean, and Eudald Pradell. Updates and revisions of 20th-century classics such as Palatino, Meridien, DIN, Metro, and Neue Haas Grotesk (Helvetica) are also discussed. Handsomely illustrated with annotated examples, archival material depicting classic designs, and full character sets of modern typefaces, Revival Type is an essential introduction for designers and design enthusiasts into the process of reinterpreting historical type.
Publisher: Yale University Press
ISBN: 0300219296
Category : Design
Languages : en
Pages : 257
Book Description
An illuminating account of the design inspirations and technical transformations that have shaped the digital typefaces of the 21st century In this fascinating tour through typographic history, Paul Shaw provides a visually rich exploration of digital type revival. Many typefaces from the pre-digital past have been reinvented for use on computers and mobile devices, while other new font designs are revivals of letterforms, drawn from inscriptions, calligraphic manuals, posters, and book jackets. Revival Type deftly introduces these fonts, many of which are widely used, and engagingly tells their stories. Examples include translations of letterforms not previously used as type, direct revivals of metal and wood typefaces, and looser interpretations of older fonts. Among these are variations on classic designs by John Baskerville, Giambattista Bodoni, William Caslon, Firmin Didot, Claude Garamont, Robert Granjon, and Nicolas Jenson, as well as typefaces inspired by less familiar designers, including Richard Austin, Philippe Grandjean, and Eudald Pradell. Updates and revisions of 20th-century classics such as Palatino, Meridien, DIN, Metro, and Neue Haas Grotesk (Helvetica) are also discussed. Handsomely illustrated with annotated examples, archival material depicting classic designs, and full character sets of modern typefaces, Revival Type is an essential introduction for designers and design enthusiasts into the process of reinterpreting historical type.
Draughtsman's Alphabets
Author: Hermann Esser
Publisher:
ISBN:
Category : Alphabets
Languages : en
Pages : 80
Book Description
Publisher:
ISBN:
Category : Alphabets
Languages : en
Pages : 80
Book Description
Gothic and Old English Alphabets
Author: Dan X. Solo
Publisher: Courier Corporation
ISBN: 0486246957
Category : Art
Languages : en
Pages : 111
Book Description
100 royalty-free alphabets: Blackstone, Dolbey, Germania, 97 more — with many lowercases, numerals, punctuation marks.
Publisher: Courier Corporation
ISBN: 0486246957
Category : Art
Languages : en
Pages : 111
Book Description
100 royalty-free alphabets: Blackstone, Dolbey, Germania, 97 more — with many lowercases, numerals, punctuation marks.
The Esoterism of Dante
Author: René Guénon
Publisher: Sophia Perennis
ISBN: 9781597310581
Category : Symbolism of numbers in literature
Languages : en
Pages : 120
Book Description
Especially since the Renaissance, some in Western Christendom have suspected that the deeper dimension of their tradition has somehow been lost, and have therefore sought to discover, or create, an 'esoteric' or 'initiatic' Christianity. In the middle of the nineteenth century two scholars, Gabriele Rossetti and Eugène Aroux, pointed to certain esoteric meanings in the work of Dante Alighieri, notably The Divine Comedy. Partly based on their scholarship, Guénon in 1925 published The Esoterism of Dante. From the theses of Rosetti and Aroux, Guénon retains only those elements that prove the existence of such hidden meanings; but he also makes clear that esoterism is not 'heresy' and that a doctrine reserved for an elite can be superimposed on the teaching given the faithful without standing in opposition to it. One of René Guénon's lifelong quests was to discover, or revive, the esoteric, initiatory dimension of the Christian tradition. In the present volume, along with its companion volume Insights into Christian Esoterism (which includes the separate study Saint Bernard), Guénon undertakes to establish that the three parts of The Divine Comedy represent the stages of initiatic realization, exploring the parallels between the symbolism of the Commedia and that of Freemasonry, Rosicrucianism, and Christian Hermeticism, and illustrating Dante's knowledge of traditional sciences unknown to the moderns: the sciences of numbers, of cosmic cycles, and of sacred astrology. In these works Guénon also touches on the all-important question of medieval esoterism and discusses the role of sacred languages and the principle of initiation in the Christian tradition, as well as such esoteric Christian themes and organizations as the Holy Grail, the Guardians of the Holy Land, the Sacred Heart, the Fedeli d'Amore and the 'Courts of Love', and the Secret Language of Dante. In addition to Dante, various other paths toward a possible Christian esoterism have been explored by many investigators-the legend of the Holy Grail, the Knights Templars, the tradition of Courtly Love, Freemasonry, Rosicrucianism, and Christian Hermeticism-and Guénon deals with all of these in the present volume as well as his Insights into Christian Esoterism. In the latter, one chapter in particular, 'Christianity and Initiation', will be of special interest with regard to the history of the Traditionalist School. When first published as an article, it gave rise to some controversy because Guénon here reaffirmed his denial of the efficacy of the Christian sacraments as rites of initiation, a point of divergence between the teachings of Guénon and those of other key perennialist thinkers. Both The Esoterism of Dante and Insights into Christian Esoterism will be of inestimable value to all who are struggling to come to terms with the fullness of the Christian tradition.
Publisher: Sophia Perennis
ISBN: 9781597310581
Category : Symbolism of numbers in literature
Languages : en
Pages : 120
Book Description
Especially since the Renaissance, some in Western Christendom have suspected that the deeper dimension of their tradition has somehow been lost, and have therefore sought to discover, or create, an 'esoteric' or 'initiatic' Christianity. In the middle of the nineteenth century two scholars, Gabriele Rossetti and Eugène Aroux, pointed to certain esoteric meanings in the work of Dante Alighieri, notably The Divine Comedy. Partly based on their scholarship, Guénon in 1925 published The Esoterism of Dante. From the theses of Rosetti and Aroux, Guénon retains only those elements that prove the existence of such hidden meanings; but he also makes clear that esoterism is not 'heresy' and that a doctrine reserved for an elite can be superimposed on the teaching given the faithful without standing in opposition to it. One of René Guénon's lifelong quests was to discover, or revive, the esoteric, initiatory dimension of the Christian tradition. In the present volume, along with its companion volume Insights into Christian Esoterism (which includes the separate study Saint Bernard), Guénon undertakes to establish that the three parts of The Divine Comedy represent the stages of initiatic realization, exploring the parallels between the symbolism of the Commedia and that of Freemasonry, Rosicrucianism, and Christian Hermeticism, and illustrating Dante's knowledge of traditional sciences unknown to the moderns: the sciences of numbers, of cosmic cycles, and of sacred astrology. In these works Guénon also touches on the all-important question of medieval esoterism and discusses the role of sacred languages and the principle of initiation in the Christian tradition, as well as such esoteric Christian themes and organizations as the Holy Grail, the Guardians of the Holy Land, the Sacred Heart, the Fedeli d'Amore and the 'Courts of Love', and the Secret Language of Dante. In addition to Dante, various other paths toward a possible Christian esoterism have been explored by many investigators-the legend of the Holy Grail, the Knights Templars, the tradition of Courtly Love, Freemasonry, Rosicrucianism, and Christian Hermeticism-and Guénon deals with all of these in the present volume as well as his Insights into Christian Esoterism. In the latter, one chapter in particular, 'Christianity and Initiation', will be of special interest with regard to the history of the Traditionalist School. When first published as an article, it gave rise to some controversy because Guénon here reaffirmed his denial of the efficacy of the Christian sacraments as rites of initiation, a point of divergence between the teachings of Guénon and those of other key perennialist thinkers. Both The Esoterism of Dante and Insights into Christian Esoterism will be of inestimable value to all who are struggling to come to terms with the fullness of the Christian tradition.
The Art and History of Calligraphy
Author: Patricia Lovett
Publisher:
ISBN: 9780712353670
Category : Calligraphy
Languages : en
Pages : 0
Book Description
This stunningly illustrated new book focuses on 77 intricate, expressive and individual examples of calligraphy from the unparalleled collection of the British Library. The author, a renowned expert on the history of the form as well as a fine calligrapher herself, writes - uniquely - from a practitioner's point of view. Ranging from the Middle Ages, when beautiful calligraphy was a way of celebrating the divine, to the renaissance of the art form by William Morris, to the modern school of calligraphers following in the wake of master typographer Edward Johnston, Patricia Lovett charts the development of calligraphy through the history of European manuscripts. Large-scale full-colour reproductions enable the reader to see the fine detail of each manuscript, and to understand more clearly than ever before the painstaking craft and great artistic skill that were necessary to create these strikingly beautiful pieces of writing.
Publisher:
ISBN: 9780712353670
Category : Calligraphy
Languages : en
Pages : 0
Book Description
This stunningly illustrated new book focuses on 77 intricate, expressive and individual examples of calligraphy from the unparalleled collection of the British Library. The author, a renowned expert on the history of the form as well as a fine calligrapher herself, writes - uniquely - from a practitioner's point of view. Ranging from the Middle Ages, when beautiful calligraphy was a way of celebrating the divine, to the renaissance of the art form by William Morris, to the modern school of calligraphers following in the wake of master typographer Edward Johnston, Patricia Lovett charts the development of calligraphy through the history of European manuscripts. Large-scale full-colour reproductions enable the reader to see the fine detail of each manuscript, and to understand more clearly than ever before the painstaking craft and great artistic skill that were necessary to create these strikingly beautiful pieces of writing.
Easy Bible Marking Guide
Author: Randy A. Brown
Publisher:
ISBN: 9781093892734
Category :
Languages : en
Pages : 58
Book Description
The goal of this book is to help you create your own marking system that's easy to use. If you've tried other inductive study methods and found them too tedious then this book is for you. This book will show you how to mark your Bible with a simple, easy to remember method that will help you grow deeper in God's Word.Bible marking is an effective inductive method of Bible study. It can be simple or complex. It can be confusing or systematic. It can be haphazard or methodical. To get the most out of Bible marking it is best to be systematic and methodical, but it doesn't have to be complex. Many Christians want to mark in their Bibles but they're not sure how to mark and what to use. This marking guide will teach you:*Bible marking for deeper Bible study*What marking tools to use for writing in your Bible*12 marking techniques*20 things to mark*How to develop your own color code*How to develop your own symbols
Publisher:
ISBN: 9781093892734
Category :
Languages : en
Pages : 58
Book Description
The goal of this book is to help you create your own marking system that's easy to use. If you've tried other inductive study methods and found them too tedious then this book is for you. This book will show you how to mark your Bible with a simple, easy to remember method that will help you grow deeper in God's Word.Bible marking is an effective inductive method of Bible study. It can be simple or complex. It can be confusing or systematic. It can be haphazard or methodical. To get the most out of Bible marking it is best to be systematic and methodical, but it doesn't have to be complex. Many Christians want to mark in their Bibles but they're not sure how to mark and what to use. This marking guide will teach you:*Bible marking for deeper Bible study*What marking tools to use for writing in your Bible*12 marking techniques*20 things to mark*How to develop your own color code*How to develop your own symbols