Black Humor Fiction of the Sixties PDF Download
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Author: Max F. Schulz
Publisher: Athens : Ohio University Press
ISBN:
Category : Literary Criticism
Languages : en
Pages : 184
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Book Description
Author: Max F. Schulz
Publisher: Athens : Ohio University Press
ISBN:
Category : Literary Criticism
Languages : en
Pages : 184
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Book Description
Author: Jingqiong Zhou
Publisher: Peter Lang
ISBN: 9780820486208
Category : Education
Languages : en
Pages : 162
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Book Description
This first book-length study on the black humor in Raymond Carver's work includes valuable interpretations of Carver's aesthetics as well as the psycho-social implications of his short fiction. The presence of an indeterminate «menace» in the oppressive situations of black humor in Carver - as compared to a European tradition of existentialist writing and his American predecessors including Twain, Heller, Barth and others - is mitigated through humor so it is not dominant. As a result, a subtle promise emerges in the characters' lives.
Author: Harold Bloom
Publisher: Infobase Publishing
ISBN: 143813102X
Category : Black humor
Languages : en
Pages : 290
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Book Description
Provides an examination of the use of dark humor in classic literary works.
Author: Steven Weisenburger
Publisher: University of Georgia Press
ISBN: 9780820316680
Category : Literary Criticism
Languages : en
Pages : 340
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Book Description
Drawing on more than thirty novels by nineteen writers, Fables of Subversion is both a survey of mid-twentieth century American fiction and a study of how these novels challenged the conventions of satire. Steven Weisenburger focuses on the rise of a radically subversive mode of satire from 1930 to 1980. This postmodern satire, says Weisenburger, stands in crucial opposition to corrective, normative satire, which has served a legitimizing function by generating, through ridicule, a consensus on values. Weisenburger argues that satire in this generative mode does not participate in the oppositional, subversive work of much twentieth-century art. Chapters focus on theories of satire, early subversions of satiric conventions by Nathanael West, Flannery O'Connor, and John Hawkes, the flowering of "Black Humor" fictions of the sixties, and the forms of political and encyclopedic satire prominent throughout the period. Many of the writers included here, such as Vladimir Nabokov, William Gaddis, Kurt Vonnegut, Robert Coover, and Thomas Pynchon, are acknowledged masters of contemporary humor. Others, such as Mary McCarthy, Chester Himes, James Purdy, Charles Wright, and Ishmael Reed, have not previously been considered in this context. Posing a seminal challenge to existing theories of satire, Fables of Subversion explores the iconoclastic energies of the new satires as a driving force in late modern and post-modern novel writing.
Author: Western Literature Association (U.S.)
Publisher: TCU Press
ISBN: 9780875650210
Category : American literature
Languages : en
Pages : 1408
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Book Description
Literary histories, of course, do not have a reason for being unless there exists the literature itself. This volume, perhaps more than others of its kind, is an expression of appreciation for the talented and dedicated literary artists who ignored the odds, avoided temptations to write for popularity or prestige, and chose to write honestly about the American West, believing that experiences long knowns to be of historical importance are also experiences that need and deserve a literature of importance.
Author: Warner B. Berthoff
Publisher: Univ of California Press
ISBN: 0520332180
Category : Literary Criticism
Languages : en
Pages : 218
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Book Description
This title is part of UC Press's Voices Revived program, which commemorates University of California Press’s mission to seek out and cultivate the brightest minds and give them voice, reach, and impact. Drawing on a backlist dating to 1893, Voices Revived makes high-quality, peer-reviewed scholarship accessible once again using print-on-demand technology. This title was originally published in 1979.
Author: Wes D. Gehring
Publisher: McFarland
ISBN: 0786483520
Category : Performing Arts
Languages : en
Pages : 217
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Book Description
The 1930s are routinely considered sound film's greatest comedy era. Though this golden age encompassed various genres of laughter, clown comedy is the most basic type. This work examines the Depression decade's most popular type of comedy--the clown, or personality comedian. Focusing upon the Depression era, the study filters its analysis through twelve memorable pictures. Each merits an individual chapter, in which it is critiqued. The films are deemed microcosmic representatives of the comic world and discussed in this context. While some of the comedians in this text have generated a great deal of previous analysis, funnymen like Joe E. Brown and Eddie Cantor are all but forgotten. Nevertheless, they were comedy legends in their time, and their legacy, as showcased in these movies, merits rediscovery by today's connoisseur of comedy. Even this book's more familiar figures, such as Charlie Chaplin and the Marx Brothers, are often simply relegated to being recognizable pop culture icons whose work has been neglected in recent years. This book attempts to address these oversights and to re-expose the brilliance and ingenuity with which the screen clowns contributed a comic resiliency that was desperately needed during the Depression and can still be greatly appreciated today. The films discussed are City Lights (1931, Chaplin), The Kid From Spain (1932, Cantor), She Done Him Wrong (1933, Mae West), Duck Soup (1933, Marx Brothers), Sons of the Desert (1933, Laurel and Hardy), Judge Priest (1934, Will Rogers), It's a Gift (1934, W.C. Fields), Alibi Ike (1935, Brown), A Night at the Opera (1935, Marx Brothers), Modern Times (1936, Chaplin), Way Out West (1937, Laurel and Hardy), and The Cat and the Canary (1939, Bob Hope).
Author: J. Kerry Grant
Publisher: University of Georgia Press
ISBN: 0820340774
Category : Literary Criticism
Languages : en
Pages : 245
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Book Description
To the uninitiated, Thomas Pynchon’s V. seems to defy comprehension with its open-ended and fragmented narrative, huge cast of characters (some 150 of them), and wide range of often obscure references. J. Kerry Grant’s Companion to “V.” takes us through the novel chapter by chapter, breaking through its daunting surface by summarizing events and clarifying Pynchon’s many allusions. The Companion draws extensively from existing critical and explicative work on V. to suggest the range of interpretations that the novel can support. The hundreds of notes that comprise the Companion are keyed to the three most widely cited editions of V. Most notes are interpretive, but some also provide historical and cultural contexts or help to resurrect other nuances of meaning. Because it does not constitute a particular “reading” of, or “take” on, the novel, the Companion will appeal to a wide range of users. Rather than attempting to make final sense of the novel, the Companion exposes and demystifies Pynchon’s intent to play with our conventional attitudes about fiction.
Author: Abby H. P. Werlock
Publisher: Infobase Learning
ISBN: 1438140754
Category : American fiction
Languages : en
Pages : 3225
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Book Description
Two-volume set that presents an introduction to American short fiction from the 19th century to the present.
Author: Joel Shatzky
Publisher: Bloomsbury Publishing USA
ISBN: 0313033293
Category : Literary Criticism
Languages : en
Pages : 537
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Book Description
Since World War II, Jewish-American novelists have significantly contributed to the world of literature. This reference book includes alphabetically arranged entries for more than 75 Jewish-American novelists whose major works were largely written after World War II. Included are entries for both well-known and relatively obscure novelists, many of whom are just becoming established as significant literary figures. While the volume profiles major canonical figures such as Saul Bellow, Norman Mailer, and Bernard Malamud, it also aims to be more inclusive than other works on contemporary Jewish-American writers. Thus there are entries for gay and lesbian novelists such as Lev Raphael and Judith Katz, whose works challenge the more orthodox definition of Jewish religious and cultural traditions; Art Speigelman, whose controversial ^IMaus^R established a new genre by combining elements of the comic book and the conventional novel; and newcomers such as Steve Stern and Max Apple, who have become more prominent within the last decade. Each entry includes a brief biography, a discussion of major works and themes, an overview of the novelist's critical reception, and a bibliography of primary and secondary sources. A thoughtful introduction summarizes Jewish-American fiction after World War II, and a selected, general bibliography lists additional sources of information. Since World War II, Jewish-American novelists have made numerous significant contributions to contemporary literature. Authors of earlier generations would frequently write about the troubles and successes of Jewish immigrants to America, and their works would reflect the world of European Jewish culture. But like other immigrant groups, Jewish-Americans have become increasingly assimilated into mainstream American culture. Many feel the loss of their heritage and long for something to replace the lost values of the old world. This reference book includes alphabetically arranged entries for more than 75 Jewish-American novelists whose major works were largely written after World War II. Included are entries for both well-known and relatively obscure novelists, many of whom are just becoming established as significant literary figures. While the volume profiles major canonical figures such as Saul Bellow, Norman Mailer, and Bernard Malamud, it also aims to be more inclusive than other works on contemporary Jewish-American writers. Thus there are entries for gay and lesbian novelists such as Lev Raphael and Judith Katz, whose works challenge the more orthodox definitions of Jewish religious and cultural traditions; Art Speigelman, whose controversial ^IMaus^R established a new genre by combining elements of the comic book and the conventional novel; and newcomers such as Steve Stern and Max Apple, who have become more prominent within the last decade. Each entry includes a brief biography, a discussion of major works and themes, an overview of the novelist's critical reception, and a bibliography of primary and secondary sources. A thoughtful introduction summarizes Jewish-American fiction after World War II, and a selected, general bibliography lists additional sources for information.
