Author: Darieck Scott
Publisher: NYU Press
ISBN: 1479840130
Category : Literary Criticism
Languages : en
Pages : 277
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Book Description
Introduction: Fantastic Bullets -- I Am Nubia: Superhero Comics and the Paradigm of the Fantasy-Act -- Can the Black Superhero Be? -- Erotic Fantasy-Acts: The Art of Desire -- Conclusion: On Becoming Fantastical.
Author: Sheena C. Howard
Publisher: A&C Black
ISBN: 1441135286
Category : Comics & Graphic Novels
Languages : en
Pages : 284
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Book Description
Winner of the 2014 Will Eisner Award for Best Scholarly/Academic Work. Bringing together contributors from a wide-range of critical perspectives, Black Comics: Politics of Race and Representation is an analytic history of the diverse contributions of Black artists to the medium of comics. Covering comic books, superhero comics, graphic novels and cartoon strips from the early 20th century to the present, the book explores the ways in which Black comic artists have grappled with such themes as the Black experience, gender identity, politics and social media. Black Comics: Politics of Race and Representation introduces students to such key texts as: The work of Jackie Ormes Black women superheroes from Vixen to Black Panther Aaron McGruder's strip The Boondocks
Author: Jeffrey A. Brown
Publisher: Univ. Press of Mississippi
ISBN: 1604737638
Category : Literary Criticism
Languages : en
Pages : 251
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Book Description
What do the comic book figures Static, Hardware, and Icon all have in common? Black Superheroes, Milestone Comics, and Their Fans gives an answer that goes far beyond “tights and capes,” an answer that lies within the mission Milestone Media, Inc., assumed in comic book culture. Milestone was the brainchild of four young black creators who wanted to part from the mainstream and do their stories their own way. This history of Milestone, a “creator-owned” publishing company, tells how success came to these mavericks in the 1990s and how comics culture was expanded and enriched as fans were captivated by this new genre. Milestone focused on the African American heroes in a town called Dakota. Quite soon these black action comics took a firm position in the controversies of race, gender, and corporate identity in contemporary America. Characters battled supervillains and sometimes even clashed with more widely known superheroes. Front covers of Milestone comics often bore confrontational slogans like “Hardware: A Cog in the Corporate Machine is About to Strip Some Gears.” Milestone's creators aimed for exceptional stories that addressed racial issues without alienating readers. Some competitors, however, accused their comics of not being black enough or of merely marketing Superman in black face. Some felt that the stories were too black, but a large cluster of readers applauded these new superheroes for fostering African American pride and identity. Milestone came to represent an alternative model of black heroism and, for a host of admirers, the ideal of masculinity. Black Superheroes, Milestone Comics, and Their Fans gives details about the founding of Milestone and reports on the secure niche its work and its image achieved in the marketplace. Tracing the company's history and discussing its creators, their works, and the fans, this book gauges Milestone alongside other black comic book publishers, mainstream publishers, and the history of costumed characters.
Author: Ken Quattro
Publisher: National Geographic Books
ISBN: 1684055865
Category : Comics & Graphic Novels
Languages : en
Pages : 0
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Book Description
Hear the riveting stories of Black artists who drew--mostly covertly behind the scenes--superhero, horror, and romance comics in the early years of the industry. The life stories of each man's personal struggles and triumphs are represented as they broke through into a world formerly occupied only by whites. Using primary source material from World War II-era Black newspapers and magazines, this compelling book profiles pioneers like E.C. Stoner, a descendant of one of George Washington's slaves, who became a renowned fine artist of the Harlem Renaissance and the first Black artist to draw comic books. Perhaps more fascinating is Owen Middleton who was sentenced to life in Sing Sing. Middleton's imprisonment became a cause célèbre championed by Will Durant, which led to Middleton's release and subsequent comics career. Then there is Matt Baker, the most revered of the Black artists, whose exquisite art spotlights stunning women and men, and who drew the first groundbreaking Black comic book hero, Vooda! The book is gorgeously illustrated with rare examples of each artist's work, including full stories from mainstream comic books from rare titles like All-Negro Comics and Negro Heroes, plus unpublished artist's photos. Invisible Men features Ken Quattro's impeccable research and lean writing detailing the social and cultural environments that formed these extraordinary, yet invisible, men!
Author: Joseph Schmalke
Publisher: Simon and Schuster
ISBN: 1949514897
Category : Comics & Graphic Novels
Languages : en
Pages : 142
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Book Description
The Electric Black is a horror series set in an antique shop that travels through time and space delivering cursed objects to unsuspecting customers. written and Illustrated by Joseph Schmalke and Rich Woodall published quarterly by Black Caravan a Scout Comics Imprint. The Electric Black is a cursed antique shop, appearing in any time or space, soliciting customers it hungers to corrupt or devour. The mysterious Julius Black is the store's demonic proprietor and narrator. He, along with his psychopathic employees, regularly manipulates patrons for their own devious purposes. Inside the eerie emporium, all of the forbidden objects have secrets to unlock. The poor souls that enter never leave without something. It's dark light will shine on macabre mysteries, grisly murders, and other frightful occurrences. Dare you step within its sinister halls?
Author: Adilifu Nama
Publisher: University of Texas Press
ISBN: 0292742525
Category : Social Science
Languages : en
Pages : 201
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Book Description
Super Black places the appearance of black superheroes alongside broad and sweeping cultural trends in American politics and pop culture, which reveals how black superheroes are not disposable pop products, but rather a fascinating racial phenomenon through which futuristic expressions and fantastic visions of black racial identity and symbolic political meaning are presented. Adilifu Nama sees the value—and finds new avenues for exploring racial identity—in black superheroes who are often dismissed as sidekicks, imitators of established white heroes, or are accused of having no role outside of blaxploitation film contexts. Nama examines seminal black comic book superheroes such as Black Panther, Black Lightning, Storm, Luke Cage, Blade, the Falcon, Nubia, and others, some of whom also appear on the small and large screens, as well as how the imaginary black superhero has come to life in the image of President Barack Obama. Super Black explores how black superheroes are a powerful source of racial meaning, narrative, and imagination in American society that express a myriad of racial assumptions, political perspectives, and fantastic (re)imaginings of black identity. The book also demonstrates how these figures overtly represent or implicitly signify social discourse and accepted wisdom concerning notions of racial reciprocity, equality, forgiveness, and ultimately, racial justice.
Author: Fredrik Strömberg
Publisher:
ISBN: 9781606995624
Category : African Americans in comics
Languages : en
Pages : 0
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Book Description
Turning the spotlight on over 100 comic strips, books and graphic novels to feature black characters from all over the world over the last century, resulting in a fascinating journey to enlightenment away from the hideous caricatures of yore. Beginning with the habitually appalling images of blacks as ignorant 'coons' in the earliest syndicated strips, continuing with the colonialist images of Tintin in the Congo through to the 1960s attempts at integration as well as the first wave of black strips. Each comic is spotlighted with a essay and illustration.
Author: Patrick D. Foreman
Publisher: Scout Comics
ISBN: 9781949514988
Category : Comics & Graphic Novels
Languages : en
Pages : 144
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Book Description
Black Cotton is an ongoing comic book series set in an alternate reality that revolves around an exorbitantly wealthy black family, the Cottons, created by Brian Hawkins and Patrick Foreman, Illustrated by Marco Perugini, and published by Scout Comics. Set in an alternate reality where the social order of “white” and “black” is reversed, when it comes to social standing and class, the Cottons are at the top of the food chain, part of the One Percent, and are seemingly untouchable. However, that all changes when Zion, their police officer son, who decided to not follow in the footsteps of his father and matriculate towards running the family business, is involved in the shooting of a minority white woman. In a reality similar to our own, social tensions are already high, race is a hot topic, and the call for equality between white and black is aggressively being pursued. Thus, Zion Cotton shooting Elizabeth Nightingale, a twenty-something college student on scholarship for track, ignites their city in a fury of protests and a call for action against racial injustice. Led by the family’s patriarch, Elijah Cotton, and matriarch, Jaleesa Cotton, the Cottons are thrusted into the middle of a highly controversial predicament and immediately attempt to use their wealth, prestige, and power to remedy the problem. However, while the youngest Cotton, Xavier, a teenager, actively protests the social injustices with his friends, the middle child, Qia Cotton, the acting CCO of Black Cotton Ventures, a multi-billion dollar manufacturing conglomerate, does damage control for her wayward brother. Ultimately, more division is created between both families as the Nightingales, unwilling to be assuaged, seek justice for Elizabeth, their daughter, who survived. “Black Cotton is a comic, but it’s also a mindset that’s being explored in a comic.”
Author: Jeremy Warlen
Publisher: Createspace Independent Publishing Platform
ISBN: 9781978274525
Category :
Languages : en
Pages : 52
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Book Description
Do you have a creative kid who loves drawing and storytelling? Or maybe you have or you know someone who has always wanted their very own comic book? Well look no further, this is the perfect gift! This book has 50 pages of blank comic strips for anyone to create whatever their hearts desire. This is not the first "blank comic book" on the market, but if you look into it yourself you will see that most of my competitors only use one comic book pattern throughout the entire book. That is just boring. Mine is different on every page, this will help expand the imagination while in the creative process.
Author: Qiana Whitted
Publisher: Rutgers University Press
ISBN: 0813566312
Category : Literary Criticism
Languages : en
Pages : 197
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Book Description
2020 Eisner Award for Best Academic/Scholarly Work Entertaining Comics Group (EC Comics) is perhaps best-known today for lurid horror comics like Tales from the Crypt and for a publication that long outlived the company’s other titles, Mad magazine. But during its heyday in the early 1950s, EC was also an early innovator in another genre of comics: the so-called “preachies,” socially conscious stories that boldly challenged the conservatism and conformity of Eisenhower-era America. EC Comics examines a selection of these works—sensationally-titled comics such as “Hate!,” “The Guilty!,” and “Judgment Day!”—and explores how they grappled with the civil rights struggle, antisemitism, and other forms of prejudice in America. Putting these socially aware stories into conversation with EC’s better-known horror stories, Qiana Whitted discovers surprising similarities between their narrative, aesthetic, and marketing strategies. She also recounts the controversy that these stories inspired and the central role they played in congressional hearings about offensive content in comics. The first serious critical study of EC’s social issues comics, this book will give readers a greater appreciation of their legacy. They not only served to inspire future comics creators, but also introduced a generation of young readers to provocative ideas and progressive ideals that pointed the way to a better America.
