Author: Jaamil Olawale Kosoko
Publisher:
ISBN: 9781735924267
Category :
Languages : en
Pages :

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Author: Koleka Putuma
Publisher: Koleka Putuma
ISBN:
Category : Poetry
Languages : en
Pages : 114

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Since its publication in April 2017, Collective Amnesia has taken the South African literary scene by storm. The book is in its twelfth print run and is prescribed for study at tertiary level in South African Universities and abroad. The collection is the recipient of the 2018 Glenna Luschei Prize for African Poetry, named 2017 book of the year by the City Press and one of the best books of 2017 by The Sunday Times and Quartz Africa. It is translated into Spanish (Flores Rara, 2019), German (Wunderhorn Publishing House, 2019), Danish (Rebel with a Cause, 2019), Dutch (Poeziecentrum, 2020), Swedish (Rámus förlag). Forthcoming translations: Portuguese (Editora Trinta Zero Nove), Italian (Arcipelago itaca) and French (éditions Lanskine). Collective Amnesia examines the intersection of politics, race, religion, relationships, sexuality, feminism, memory and more. The poems provoke institutions and systems of learning and interrogates what must be unlearned in society, academia, relationships, religion, and spaces of memory and forgetting.

Author: Louisa Lim
Publisher: Oxford University Press, USA
ISBN: 0199347700
Category : History
Languages : en
Pages : 281

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Book Description
"One of the best analyses of the impact of Tiananmen throughout China in the years since 1989." --The New York Times Book Review

Author: Andreas Huyssen
Publisher: Routledge
ISBN: 113604230X
Category : Art
Languages : en
Pages : 304

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Book Description
In this new collection of essays on memory and amnesia in the postmodern world, cultural critic Andreas Huyssen considers how nationalism, literature, art, politics, and the media are obsessed with the past. The great paradox of our fin-de-siecle culture is that novelty is even more associated with memory than with future expectation. Drawing heavily on the dilemmas of contemporary Germany, Huyssen's discussion of cultural memory illustrates the nature of contemporary nationalism, the work of such artists and thinkers as Anselm Kiefer, Alexander Kluge, and Jean Baudrillard, and many others. The book includes illustrations from contemporary Germany.

Author: Jacob S. Hacker
Publisher: Simon and Schuster
ISBN: 1451667841
Category : Political Science
Languages : en
Pages : 464

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Book Description
A “provocative” (Kirkus Reviews), timely, and topical work that examines what’s good for American business and what’s good for Americans—and why those interests are misaligned. In American Amnesia, bestselling political scientists Jacob S. Hacker and Paul Pierson trace the economic and political history of the United States over the last century and show how a viable mixed economy has long been the dominant engine of America’s prosperity. We have largely forgotten this reliance, as many political circles and corporate actors have come to mistakenly see government as a hindrance rather than the propeller it once was. “American Amnesia” is more than a rhetorical phrase; elites have literally forgotten, or at least forgotten to talk about, the essential role of public authority in achieving big positive-sum bargains in advanced societies. The mixed economy was the most important social innovation of the twentieth century. It spread a previously unimaginable level of broad prosperity. It enabled steep increases in education, health, longevity, and economic security. And yet, extraordinarily, it is anathema to many current economic and political elites. Looking at this record of remarkable accomplishment, they recoil in horror. And as the advocates of anti-government free market fundamentalist have gained power, they are hell-bent on scrapping the instrument of nearly a century of unprecedented economic and social progress. In the American Amnesia, Hacker and Pierson explain the full “story of how government helped make America great, how the enthusiasm for bashing government is behind its current malaise, and how a return to effective government is the answer the nation is looking for” (The New York Times).

Author: Peter Carey
Publisher: Vintage
ISBN: 0385352786
Category : Fiction
Languages : en
Pages : 339

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Book Description
The two-time Booker Prize winner now gives us an exceedingly timely, exhilarating novel—at once dark, suspenseful, and seriously funny—that journeys to the place where the cyber underworld collides with international power politics. When Gaby Baillieux releases the Angel Worm into Australia’s prison computer system, hundreds of asylum-seekers walk free. And because the Americans run the prisons (let’s be honest: as they do in so many parts of her country) the doors of some five thousand jails in the United States also open. Is this a mistake, or a declaration of cyber war? And does it have anything to do with the largely forgotten Battle of Brisbane between American and Australian forces in 1942? Or with the CIA-influenced coup in Australia in 1975? Felix Moore, known to himself as “our sole remaining left-wing journalist,” is determined to write Gaby’s biography in order to find the answers—to save her, his own career, and, perhaps, his country. But how to get Gaby—on the run, scared, confused, and angry—to cooperate? Bringing together the world of hackers and radicals with the “special relationship” between the United States and Australia, and Australia and the CIA, Amnesia is a novel that speaks powerfully about the often hidden past—but most urgently about the more and more hidden present.

Author: Jeffrey Skinner
Publisher: Ausable Press
ISBN: 9781931337243
Category : Poetry
Languages : en
Pages : 104

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Book Description
Fifth book by the co-founder of Sarabande Books and Skinner's most intimate work to date.

Author: Adam Alston
Publisher: Bloomsbury Publishing
ISBN: 135023706X
Category : Performing Arts
Languages : en
Pages : 249

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Book Description
How is decadence being staged today – as a practice, issue, pejorative, and as a site of pleasure? Where might we find it, why might we look for it, and who is decadence for? This book is the first monographic study of decadence in theatre and performance. Adam Alston makes a passionate case for the contemporary relevance of decadence in the thick of a resurgent culture war by focusing on its antithetical relationship to capitalist-led growth, progress, and intensified productivity. He argues that the qualities used to disparage the study and practice of theatre and performance are the very things we should embrace in celebrating their value – namely, their spectacular uselessness, wastefulness, outmodedness, and abundant potential for producing forms of creativity that flow away from the ends and excesses of capitalism. Alston covers an eclectic range of examples by Julia Bardsley (UK), Hasard Le Sin (Finland), jaamil olawale kosoko (USA), Toco Nikaido (Japan), Martin O'Brien (UK), Toshiki Okada (Japan), Marcel·lí Antúnez Roca (Spain), Normandy Sherwood (USA), The Uhuruverse (USA), Nia O. Witherspoon (USA), and Wunderbaum (Netherlands). Expect ruminations on monstrous scenographies, catatonic choreographies, turbo-charged freneticism, visions of the apocalypse – and what might lie in its wake.

Author: L.M. Bogad
Publisher: Routledge
ISBN: 1000451313
Category : Performing Arts
Languages : en
Pages : 269

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Book Description
Performing Truth answers the most pressing questions facing any theatre-makers who are wrestling with how to present historical, political or socioeconomic information in an engaging, entertaining, and galvanizing way. How to make data compelling and documents mobilizing? How to keep an audience interested in what might be dry, dire, or depressing? How to surprise an audience and keep them alert? Collecting together the performance texts of international performance artist and activist L.M. Bogad, this book accompanies each script with essays that further explore that work's performance strategies. It also equips readers with specific resources and pedagogical tools to help those wishing to stage these pieces or create their own work to engage with similar topics. Bogad also provides "takeaways" for each piece, illustrating the challenges of its particular subject matter and how to overcome those challenges with innovations unique to performance art. This is a key guidebook for artists and theatre-makers facing the challenges of engaging with information in an era of fake news, propaganda bots, and the polarization of ideological spheres, as well as students and teachers taking on that challenge in theatre studies, performance studies and performing arts classrooms.

Author: Donald Vincent
Publisher: Broadstone Books
ISBN: 9781937968656
Category :
Languages : en
Pages : 96

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Book Description
Poetry. African & African American Studies. An old movie theme song once observed, "What's too painful to remember, we simply choose to forget." That sort of convenient amnesia is at the heart of this incandescent first poetry collection from Donald Vincent. Incandescent, because that's the sort of light produced by heat, and there's a righteous heat raging in these pages, producing a brilliance that illuminates a legacy of racism and violence and appropriation and disenfranchisement and, and...all those things we'd like to forget, ignore, disown. All that pain. This is, then, a document on the subject of getting woke. And what an awakening! Vincent is by his own description "Prankster and intelligent gangster all-in-one," and that phrase captures perfectly the tone, and charm, of this book. But beware that beguiling charm, because it's dangerous. Indeed, "Lucky Charm" is the first poem, where he declares, "I inherited the bop in my walk from my great, / great grandpa's lashings on the farm." That's a hard-won bop, indeed, and in case we're inclined to forget, conveniently, that those lashings are not just a thing of the past, he doubles down a few lines later with the incendiary reminder, "I want to whistle whimsical feelings to white women, / Emmett Till's charm." Vincent identifies himself with Till again a few poems later, and laments that black children are born as "a small, black imprint / forced into a blank, / white world." Elsewhere, he declares, "they built me / to be filthy / black & ugly / and forever / guilty." He won't let us forget how that feels, how that works, even if it would be convenient to do so. Vincent scrutinizes the aftermath of this legacy on stages large and small, and after a first section devoted to more political poems, in the second he tightens his focus on a more domestic scale. The title poem examines an all-too-familiar scene of troubled marriage, the husband "stumbling through the garage / entrance, smelling of Wild Irish Rose," his wife demanding "What happened to us?" His answer: "I forgot. / I don't know. Dear, I forgot. / Just give me one more chance." Yes, it's a melodramatic stereotype, but it's also a sad reality for too many families, a product of too many generations of denied opportunity, even to form stable families and communities. How many chances do we have left? (But lest this sound too unremittingly gloomy, this section also contains some whimsical "Dating Advice from Married Women," along with unabashedly romantic poems.) In the final section, the "intelligent gangster" is most evident, as Vincent interrogates, responds to, and riffs off works by authors and artists as various as Baraka and Emerson, Angelou and Dickinson, Degas and Basquiat. This is no mere display of erudition, however, but more a declaration that a fully formed culture, a truly humane world, must be open to all, accepting of all, and incorporate all that has come before us. Nothing can be forgotten. Even what's too painful.