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Author: Fred Moten
Publisher: Duke University Press
ISBN: 0822372223
Category : Social Science
Languages : en
Pages : 266
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Book Description
"Taken as a trilogy, consent not to be a single being is a monumental accomplishment: a brilliant theoretical intervention that might be best described as a powerful case for blackness as a category of analysis."—Brent Hayes Edwards, author of Epistrophies: Jazz and the Literary Imagination In Black and Blur—the first volume in his sublime and compelling trilogy consent not to be a single being—Fred Moten engages in a capacious consideration of the place and force of blackness in African diaspora arts, politics, and life. In these interrelated essays, Moten attends to entanglement, the blurring of borders, and other practices that trouble notions of self-determination and sovereignty within political and aesthetic realms. Black and Blur is marked by unlikely juxtapositions: Althusser informs analyses of rappers Pras and Ol' Dirty Bastard; Shakespeare encounters Stokely Carmichael; thinkers like Kant, Adorno, and José Esteban Muñoz and artists and musicians including Thornton Dial and Cecil Taylor play off each other. Moten holds that blackness encompasses a range of social, aesthetic, and theoretical insurgencies that respond to a shared modernity founded upon the sociological catastrophe of the transatlantic slave trade and settler colonialism. In so doing, he unsettles normative ways of reading, hearing, and seeing, thereby reordering the senses to create new means of knowing.
Author: Fred Moten
Publisher: Duke University Press
ISBN: 0822372223
Category : Social Science
Languages : en
Pages : 266
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Book Description
"Taken as a trilogy, consent not to be a single being is a monumental accomplishment: a brilliant theoretical intervention that might be best described as a powerful case for blackness as a category of analysis."—Brent Hayes Edwards, author of Epistrophies: Jazz and the Literary Imagination In Black and Blur—the first volume in his sublime and compelling trilogy consent not to be a single being—Fred Moten engages in a capacious consideration of the place and force of blackness in African diaspora arts, politics, and life. In these interrelated essays, Moten attends to entanglement, the blurring of borders, and other practices that trouble notions of self-determination and sovereignty within political and aesthetic realms. Black and Blur is marked by unlikely juxtapositions: Althusser informs analyses of rappers Pras and Ol' Dirty Bastard; Shakespeare encounters Stokely Carmichael; thinkers like Kant, Adorno, and José Esteban Muñoz and artists and musicians including Thornton Dial and Cecil Taylor play off each other. Moten holds that blackness encompasses a range of social, aesthetic, and theoretical insurgencies that respond to a shared modernity founded upon the sociological catastrophe of the transatlantic slave trade and settler colonialism. In so doing, he unsettles normative ways of reading, hearing, and seeing, thereby reordering the senses to create new means of knowing.
Author: Fred Moten
Publisher: U of Minnesota Press
ISBN: 1452906084
Category : Music
Languages : en
Pages : 388
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Book Description
Investigates the connections between jazz, sexual identity, and radical black politics In his controversial essay on white jazz musician Burton Greene, Amiri Baraka asserted that jazz was exclusively an African American art form and explicitly fused the idea of a black aesthetic with radical political traditions of the African diaspora. In the Break is an extended riff on “The Burton Greene Affair,” exploring the tangled relationship between black avant-garde in music and literature in the 1950s and 1960s, the emergence of a distinct form of black cultural nationalism, and the complex engagement with and disavowal of homoeroticism that bridges the two. Fred Moten focuses in particular on the brilliant improvisatory jazz of John Coltrane, Ornette Coleman, Albert Ayler, Eric Dolphy, Charles Mingus, and others, arguing that all black performance—culture, politics, sexuality, identity, and blackness itself—is improvisation. For Moten, improvisation provides a unique epistemological standpoint from which to investigate the provocative connections between black aesthetics and Western philosophy. He engages in a strenuous critical analysis of Western philosophy (Heidegger, Kant, Husserl, Wittgenstein, and Derrida) through the prism of radical black thought and culture. As the critical, lyrical, and disruptive performance of the human, Moten’s concept of blackness also brings such figures as Frederick Douglass and Karl Marx, Cecil Taylor and Samuel R. Delany, Billie Holiday and William Shakespeare into conversation with each other. Stylistically brilliant and challenging, much like the music he writes about, Moten’s wide-ranging discussion embraces a variety of disciplines—semiotics, deconstruction, genre theory, social history, and psychoanalysis—to understand the politicized sexuality, particularly homoeroticism, underpinning black radicalism. In the Break is the inaugural volume in Moten’s ambitious intellectual project-to establish an aesthetic genealogy of the black radical tradition
Author: Fred Moten
Publisher: Duke University Press
ISBN: 0822372029
Category : Social Science
Languages : en
Pages : 251
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Book Description
"Taken as a trilogy, consent not to be a single being is a monumental accomplishment: a brilliant theoretical intervention that might be best described as a powerful case for blackness as a category of analysis."—Brent Hayes Edwards, author of Epistrophies: Jazz and the Literary Imagination In Stolen Life—the second volume in his landmark trilogy consent not to be a single being—Fred Moten undertakes an expansive exploration of blackness as it relates to black life and the collective refusal of social death. The essays resist categorization, moving from Moten's opening meditation on Kant, Olaudah Equiano, and the conditions of black thought through discussions of academic freedom, writing and pedagogy, non-neurotypicality, and uncritical notions of freedom. Moten also models black study as a form of social life through an engagement with Fanon, Hartman, and Spillers and plumbs the distinction between blackness and black people in readings of Du Bois and Nahum Chandler. The force and creativity of Moten's criticism resonate throughout, reminding us not only of his importance as a thinker, but of the continued necessity of interrogating blackness as a form of sociality.
Author: N. D. Wilson
Publisher: Yearling
ISBN: 0449816761
Category : Juvenile Fiction
Languages : en
Pages : 210
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Book Description
Fans of Jerry Spinelli's Maniac Magee and Louis Sachar's Holes will enjoy this story about a boy and the ancient secrets that hide deep in the heart of the Florida everglades near a place called Muck City. When Charlie moves to the small town of Taper, Florida, he discovers a different world. Pinned between the everglades and the swampy banks of Lake Okeechobee, the small town produces sugar cane . . . and the fastest runners in the country. Kids chase muck rabbits in the fields while the cane is being burned and harvested. Dodging flames and blades and breathing smoke, they run down the rabbits for three dollars a skin. And when they can do that, running a football is easy. But there are things in the swamp, roaming the cane at night, that cannot be explained, and they seem connected to sprawling mounds older than the swamps. Together with his step-second cousin "Cotton" Mack, the fastest boy on the muck, Charlie hunts secrets in the glades and on the muck flats where the cane grows secrets as old as the soft earth, secrets that haunted, tripped, and trapped the original native tribes, ensnared conquistadors, and buried runaway slaves. Secrets only the muck knows.
Author: Fred Moten
Publisher: Duke University Press
ISBN: 0822371979
Category : Social Science
Languages : en
Pages : 225
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Book Description
"Taken as a trilogy, consent not to be a single being is a monumental accomplishment: a brilliant theoretical intervention that might be best described as a powerful case for blackness as a category of analysis."—Brent Hayes Edwards, author of Epistrophies: Jazz and the Literary Imagination In The Universal Machine—the concluding volume to his landmark trilogy consent not to be a single being—Fred Moten presents a suite of three essays on Emmanuel Levinas, Hannah Arendt, and Frantz Fanon, in which he explores questions of freedom, capture, and selfhood. In trademark style, Moten considers these thinkers alongside artists and musicians such as William Kentridge and Curtis Mayfield while interrogating the relation between blackness and phenomenology. Whether using Levinas's idea of escape in unintended ways, examining Arendt's antiblackness through Mayfield's virtuosic falsetto and Anthony Braxton's musical language, or showing how Fanon's form of phenomenology enables black social life, Moten formulates blackness as a way of being in the world that evades regulation. Throughout The Universal Machine—and the trilogy as a whole—Moten's theorizations of blackness will have a lasting and profound impact.
Author: Fred Moten
Publisher: Duke University Press
ISBN: 0822392674
Category : Poetry
Languages : en
Pages : 125
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Book Description
The fourth collection of poetry from the literary and cultural critic Fred Moten, B Jenkins is named after the poet’s mother, who passed away in 2000. It is both an elegy and an inquiry into many of the themes that Moten has explored throughout his career: language, music, performance, improvisation, and the black radical aesthetic and political tradition. In Moten’s verse, the arts, scholarship, and activism intertwine. Cadences echo from his mother’s Arkansas home through African American history and avant-garde jazz riffs. Formal innovations suggest the ways that words, sounds, and music give way to one another. The first and last poems in the collection are explicitly devoted to Moten’s mother; the others relate more obliquely to her life and legacy. They invoke performers, writers, artists, and thinkers including not only James Baldwin, Roland Barthes, Frederick Douglass, Billie Holiday, Audre Lorde, Charlie Parker, and Cecil Taylor, but also contemporary scholars of race, affect, and queer theory. The book concludes with an interview conducted by Charles Henry Rowell, the editor of the journal Callaloo. Rowell elicits Moten’s thoughts on the relation of his poetry to theory, music, and African American vernacular culture.
Author: Bill Kovach
Publisher: Bloomsbury Publishing USA
ISBN: 1608193012
Category : Language Arts & Disciplines
Languages : en
Pages : 241
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Book Description
Two journalists provide a guide for navigating through the Internet Age's viral and opinion-based news sources, explaining how to discern what sources or facts are reliable and how to think like a journalist and unearth the truth.
Author: Ruth A. Tucker
Publisher: Zondervan
ISBN: 0310524997
Category : Religion
Languages : en
Pages : 208
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Book Description
Ruth Tucker recounts a harrowing story of abuse at the hands of her husband—a well-educated, charming preacher no less—in hope that her story would help other women caught in a cycle of domestic violence and offer a balanced biblical approach to counter such abuse for pastors and counselors. Weaving together her shocking story, stories of other women, and powerful stories of husbands who truly have demonstrated Christ’s love to their wives, with reflection on biblical, theological, historical, and contemporary issues surrounding domestic violence, she makes a compelling case for mutuality in marriage and helps women and men become more aware of potential dangers in a doctrine of male headship.
Author: Elizabeth Diller
Publisher:
ISBN:
Category : Architecture
Languages : en
Pages : 394
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Book Description
The book, "traces the creation, from conception to realization, of a media pavilion for the Swiss Expo.02 whose primary materials are steel and fog."
Author: Martin Power
Publisher: Omnibus Press
ISBN: 0857128620
Category : Music
Languages : en
Pages : 463
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Book Description
As with most great bands, it is difficult to remember a time when Blur weren’t a part of Britain’s rich musical landscape. From art-rock origins they went on to make four multi-platinum number one albums and produced some of the finest songs of the modern era: End of A Century, Girls And Boys, Parklife, Song 2, Beetlebum... And it might not be over yet! The Life Of Blur charts their story from shaky beginnings through to the full-blown superstardom of Parklife, The Great Escape and beyond. At the heart of this tale is the complex, sometimes explosive relationship between Blur’s four founding members: Damon Albarn, Graham Coxon, Dave Rowntree and Alex James. A rich soup of relentless ambition, dogged persistence, fraying tempers and a million clanging champagne bottles, the emotional chemistry that makes up Blur has been just as interesting to watch as the songs the band have produced. Author Martin Power has talked with band’s former managers, fellow musicians, old school teachers and close friends to shed new light on a group once called “the most intelligent, enduring and credible band to emerge from the Nineties”. With a concise critical commentary on their music, rare photographs and a complete discography, as well as shedding new light on the group's various solo activities - including Damon Albarn's Gorillaz and Graham Coxon's one-man assault on the indie charts - this is the definitive account of Blur’s epic journey.
