The Cambridge Companion to African American Women's Literature PDF Download
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Author: Angelyn Mitchell
Publisher: Cambridge University Press
ISBN: 0521858887
Category : Literary Collections
Languages : en
Pages : 337
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Book Description
The Cambridge Companion to African American Women's Literature covers a period dating back to the eighteenth century. These specially commissioned essays highlight the artistry, complexity and diversity of a literary tradition that ranges from Lucy Terry to Toni Morrison. A wide range of topics are addressed, from the Harlem Renaissance to the Black Arts Movement, and from the performing arts to popular fiction. Together, the essays provide an invaluable guide to a rich, complex tradition of women writers in conversation with each other as they critique American society and influence American letters. Accessible and vibrant, with the needs of undergraduate students in mind, this Companion will be of great interest to anybody who wishes to gain a deeper understanding of this important and vital area of American literature.
Author: Angelyn Mitchell
Publisher: Cambridge University Press
ISBN: 0521858887
Category : Literary Collections
Languages : en
Pages : 337
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Book Description
The Cambridge Companion to African American Women's Literature covers a period dating back to the eighteenth century. These specially commissioned essays highlight the artistry, complexity and diversity of a literary tradition that ranges from Lucy Terry to Toni Morrison. A wide range of topics are addressed, from the Harlem Renaissance to the Black Arts Movement, and from the performing arts to popular fiction. Together, the essays provide an invaluable guide to a rich, complex tradition of women writers in conversation with each other as they critique American society and influence American letters. Accessible and vibrant, with the needs of undergraduate students in mind, this Companion will be of great interest to anybody who wishes to gain a deeper understanding of this important and vital area of American literature.
Author: Gina Wisker
Publisher: Bloomsbury Publishing
ISBN: 0333985249
Category : Literary Criticism
Languages : en
Pages : 376
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Book Description
This accessible and unusually wide-ranging book is essential reading for anyone interested in postcolonial and African American women's writing. It provides a valuable gender and culture inflected critical introduction to well established women writers: Toni Morrison, Alice Walker, Margaret Atwood, Suniti Namjoshi, Bessie Head, and others from the U.S.A., India, Africa, Britain, Australia, New Zealand and introduces emergent writers from South East Asia, Cyprus and Oceania. Engaging with and clarifying contested critical areas of feminism and the postcolonial; exploring historical background and cultural context, economic, political, and psychoanalytic influences on gendered experience, it provides a cohesive discussion of key issues such as cultural and gendered identity, motherhood, mothertongue, language, relationships, women's economic constraints and sexual politics.
Author: Eva Lennox Birch
Publisher: Routledge
ISBN: 1315504081
Category : Literary Criticism
Languages : en
Pages : 272
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Book Description
This work discusses a range of novels, short stories and essays by black American women writers from the Harlem Renaissance to the present time. It begins with a survey of 19th-century black women's slave narratives, early sentimental novels and autobiographies and then focuses on six writers: Zora Neale Hurston, Paule Marshall, Audre Lorde, Toni Morrison, Alice Walker and Maya Angelou. The text shows how these writers have developed the preoccupations, themes and narrative strategies of their literary ancestors.
Author: Susan Willis
Publisher: Univ of Wisconsin Press
ISBN: 9780299108946
Category : Literary Criticism
Languages : en
Pages : 202
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Book Description
Focusing on Zola Neale Hurston, Paule Marshall, Toni Morrison, Alice Walker, and Toni Cade Bambara, this book explores both the ways in which black women's fictions have been shaped by the history of the United states, and the ways in which they intervene in that history. She sees the transition from an agrarian to an urban society as the critical moment of that history, and argues that writings by black women articulate that change in their content as well as form. ISBN 0-299-10890-2 : $19.95.
Author: Cheryl A. Wall
Publisher: UNC Press Books
ISBN: 9780807855867
Category : Literary Criticism
Languages : en
Pages : 332
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Book Description
In blues music, "worrying the line" is the technique of breaking up a phrase by changing pitch, adding a shout, or repeating words in order to emphasize, clarify, or subvert a moment in a song. Cheryl A. Wall applies this term to fiction and nonfiction wr
Author: Michelle M. Wright
Publisher:
ISBN: 9780816687305
Category : African Americans
Languages : en
Pages : 0
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Book Description
Reveals how assumptions we make about time and space inhibit more inclusive definitions of Blackness. What does it mean to be Black? If Blackness is not biological in origin but socially and discursively constructed, does the meaning of Blackness change over time and space? In Physics of Blackness: Beyond the Middle Passage Epistemology, Michelle M. Wright argues that although we often explicitly define Blackness as a "what," it in fact always operates as a "when" and a "where." (Publisher).
Author: Lorraine Elena Roses
Publisher: Harvard University Press
ISBN: 9780674372696
Category : Biography & Autobiography
Languages : en
Pages : 572
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Book Description
In poems, stories, memoirs, and essays about color and culture, prejudice and love, and feminine trials, dozens of African-American women writers--some famous, many just discovered--give us a sense of a distinct inner voice and an engagement with their larger double culture. Harlem's Glory unfolds a rich tradition of writing by African-American women, hitherto mostly hidden, in the first half of the twentieth century. In historical context, with special emphasis on matters of race and gender, are the words of luminaries like Zora Neale Hurston and Georgia Douglas Johnson as well as rare, previously unpublished writings by figures like Angelina Weld Grimké, Elise Johnson McDougald, and Regina Andrews, all culled from archives and arcane magazines. Editors Lorraine Elena Roses and Ruth Elizabeth Randolph arrange their selections to reveal not just the little-suspected extent of black women's writing, but its prodigious existence beyond the cultural confines of New York City. Harlem's Glory also shows how literary creativity often coexisted with social activism in the works of African-American women. This volume is full of surprises about the power and diversity of the writers and genres. The depth, the wit, and the reach of the selections are astonishing. With its wealth of discoveries and rediscoveries, and its new slant on the familiar, all elegantly presented and deftly edited, the book will compel a reassessment of writing by African-American women and its place in twentieth-century American literary and historical culture.
Author: Ronna Johnson
Publisher: Rutgers University Press
ISBN: 9780813530659
Category : Literary Criticism
Languages : en
Pages : 332
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Book Description
"Girls Who Wore Black recovers neglected women writers who deserve more attention for their writing and for their historical role in the mid-century arts scene. This collection of essays reopens and revises the Beat canon, Beat history, and Beat poetics; it is an important contribution to literary criticism and history."-Jennie Skerl, author of A Tawdry Place of Salvation: The Art of Jane Bowles "Ronna Johnson and Nancy Grace have done an invaluable service for students of American literature: their collection begins with an essential essay about the three generations of Beat women and then provides fine contributions by critics Anthony Libby, Linda Russo, Maria Damon, Tim Hunt, and others. The value of this book is so clear one must wonder why it wasn't available much earlier."-Linda Wagner-Martin, University of North Carolina, Chapel Hill What do we know about the women who played an important role in creating the literature of the Beat Generation? Until recently, very little. Studies of the movement have effaced or excluded women writers, such as Elise Cowen, Joyce Johnson, Joanne Kyger, Hettie Jones, and Diane Di Prima, each one a significant figure of the postwar Beat communities. Equally free-thinking and innovative as the founding generation of men, women writers, fluent in Beat, hippie, and women's movement idioms, partook of and bridged two important countercultures of the American mid-century. Persistently foregrounding female experiences in the cold war 1950s and in the counterculture 1960s and in every decade up to the millennium, women writing Beat have brought nonconformity, skepticism, and gender dissent to postmodern culture and literary production in the United States and beyond. Ronna C. Johnson is a lecturer in the departments of English and American Studies at Tufts University. Nancy M. Grace is an associate professor in the department of English and director of the Program in Writing at The College of Wooster in Ohio. She is the author of The Feminized Male Character in Twentieth-Century Literature.
Author: Gina Wisker
Publisher: Springer
ISBN: 1349225045
Category : Literary Criticism
Languages : en
Pages : 199
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Book Description
This book contains a lively and wide ranging collection of critical essays on Black women's writing from Afro-American, African, South African, British and Caribbean novelists, poets, short story writers and a dramatist. The contributors are black and white, female and male, academics and readers who chart their engagement with and enjoyment of the texts of some of the key figures in black women's writing across several continents.
Author: Ayesha K. Hardison
Publisher: University of Virginia Press
ISBN: 0813935946
Category : Literary Criticism
Languages : en
Pages : 381
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Book Description
In Writing through Jane Crow, Ayesha Hardison examines African American literature and its representation of black women during the pivotal but frequently overlooked decades of the 1940s and 1950s. At the height of Jim Crow racial segregation—a time of transition between the Harlem Renaissance and the Black Arts movement and between World War II and the modern civil rights movement—black writers also addressed the effects of "Jane Crow," the interconnected racial, gender, and sexual oppression that black women experienced. Hardison maps the contours of this literary moment with the understudied works of well-known writers like Gwendolyn Brooks, Zora Neale Hurston, Ann Petry, and Richard Wright as well as the writings of neglected figures like Curtis Lucas, Pauli Murray, and Era Bell Thompson. By shifting her focus from the canonical works of male writers who dominated the period, the author recovers the work of black women writers. Hardison shows how their texts anticipated the renaissance of black women’s writing in later decades and initiates new conversations on the representation of women in texts by black male writers. She draws on a rich collection of memoirs, music, etiquette guides, and comics to further reveal the texture and tensions of the era. A 2014 CHOICE Outstanding Academic Title
