Author: Adrienne Edwards (Art critic)
Publisher:
ISBN: 9781935410850
Category : Art, Abstract
Languages : en
Pages : 209
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Book Description
Pace Gallery is pleased to present Blackness in Abstraction, an exhibition curated by Adrienne Edwards tracing the persistent presence of the color black in art, with a particular emphasis on monochromes, from the 1940s to today. Featuring works by an international and intergenerational group of artists, the exhibition explores blackness as a highly evocative and animating force in various approaches to abstract art.--Pace website.
Author: Kellie Jones
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 154
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Book Description
Author: Clare Rojas
Publisher:
ISBN: 9780692666456
Category : Painting, Abstract
Languages : en
Pages : 0
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Book Description
Here, for the first time, is a collection of the artist Clare Rojas' abstract paintings, completed between 2012 and 2015. Known for her association with a generation of San Francisco artists that became internationally prominent through the exhibition "Beautiful Losers," much of Rojas' earlier work drew from various Russian and Eastern European folkloric subjects. While the figures have been removed from this newer body of work, it is not hard to see their lasting impact on Rojas' practice; these paintings are equally evocative of folk art, sign painting and the formalist reductions of artists like Alexander Calder, Matisse or Ellsworth Kelly. Accompanying these works is an essay by the curator and writer Jens Hoffmann.Clare Rojas (b. 1976) lives and works in San Francisco. Recent solo and group exhibitions include Everyone Has Those Spaces at Kavi Gupta, Chicago; Carved, Cast, Crumpled: Sculpture All Ways at the Smart Museum of Art in Chicago; Caerulea at Paule Anglim in San Francisco, Clare Rojas at Vladmir Restoin Roitfeld in New York; Clare Rojas at Galleri Nicolai Wallner in Copenhagen, and Pith at Prism in Los Angeles. Solo museum shows include the Museum of Craft and Folk Art, San Francisco; Riverside Art Museum, CA; The Rose Art Museum, Boston; Museo De Arte Comtemporaneo De Castilla y Leon; Museum Het Domein, Sittard; Ulrich Museum of Art, Wichita; Knoxville Museum of Art and the Museum of Contemporary Art, Chicago.
Author: Courtney J. Martin
Publisher: Gregory R. Miller
ISBN: 9781941366264
Category : ART
Languages : en
Pages : 528
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Book Description
The Joyner/Giuffrida Collection of Abstract Art is widely recognized as one of the most significant collections of modern and contemporary work by artists of the African diaspora and from the continent of Africa itself. 'Four Generations: The Joyner/Giuffrida Collection of Abstract Art' draws upon the collection's unparalleled holdings to explore the critical contributions made by black artists to the evolution of visual art in the 20th and 21st centuries.0This revised and expanded edition updates 'Four Generations' with several new texts and nearly 100 images of works that have been added to the collection since the initial publication of this influential and widely praised book. Lavishly illustrated and featuring important contributions by leading art historians, critics, and curators, Four Generations gives an essential overview of some of the most notable artists and movements of the past century, with an emphasis on black artists and their approaches to abstraction in its various forms.0Filled with countless insights and visual treasures, 'Four Generations' is a journey through the momentous legacy of postwar art of the African diaspora.
Author: Phillip Brian Harper
Publisher: NYU Press
ISBN: 1479865435
Category : Art
Languages : en
Pages : 288
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Book Description
An artistic discussion on the critical potential of African American expressive culture In a major reassessment of African American culture, Phillip Brian Harper intervenes in the ongoing debate about the “proper” depiction of black people. He advocates for African American aesthetic abstractionism—a representational mode whereby an artwork, rather than striving for realist verisimilitude, vigorously asserts its essentially artificial character. Maintaining that realist representation reaffirms the very social facts that it might have been understood to challenge, Harper contends that abstractionism shows up the actual constructedness of those facts, thereby subjecting them to critical scrutiny and making them amenable to transformation. Arguing against the need for “positive” representations, Abstractionist Aesthetics displaces realism as the primary mode of African American representational aesthetics, re-centers literature as a principal site of African American cultural politics, and elevates experimental prose within the domain of African American literature. Drawing on examples across a variety of artistic production, including the visual work of Fred Wilson and Kara Walker, the music of Billie Holiday and Cecil Taylor, and the prose and verse writings of Ntozake Shange, Alice Walker, and John Keene, this book poses urgent questions about how racial blackness is made to assume certain social meanings. In the process, African American aesthetics are upended, rendering abstractionism as the most powerful modality for Black representation.
Author: Margo Natalie Crawford
Publisher: University of Illinois Press
ISBN: 9780252041006
Category : Social Science
Languages : en
Pages : 288
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Book Description
A 2008 cover of The New Yorker featured a much-discussed Black Power parody of Michelle and Barack Obama. The image put a spotlight on how easy it is to flatten the Black Power movement as we imagine new types of blackness. Margo Natalie Crawford argues that we have misread the Black Arts Movement's call for blackness. We have failed to see the movement's anticipation of the "new black" and "post-black." Black Post-Blackness compares the black avant-garde of the 1960s and 1970s Black Arts Movement with the most innovative spins of twenty-first century black aesthetics. Crawford zooms in on the 1970s second wave of the Black Arts Movement and shows the connections between this final wave of the Black Arts movement and the early years of twenty-first century black aesthetics. She uncovers the circle of black post-blackness that pivots on the power of anticipation, abstraction, mixed media, the global South, satire, public interiority, and the fantastic.
Author: Whitechapel Art Gallery
Publisher:
ISBN: 9783791365954
Category : Art, Abstract
Languages : en
Pages : 287
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Book Description
Exploring how the universal visual language of geometric abstraction was influenced by different societies, this volume also demonstrates how the movement's revolutionary aesthetic continues to impact culture around the globe. It traces a century of abstract art from 1915 to the present day, celebrating the accomplishments of both men and women and includes sculpture, film, photography and painting. Organised around four distinct themes - communication, architectonics, utopia and everyday life - the book presents a chronological survey from Russia to Europe, the Middle East, Southeast Asia, Central America, Africa, South America, and the US. Each of the 100 works is featured in double-page spreads with brief artist biographies. Essays by Tanya Barson, Briony Fer, Tom McDonough, and Joshua Jiang, contextualize the various geographic and aesthetic stages of the development of geometric abstraction.
Author: Kellie Jones
Publisher: Duke University Press
ISBN: 082234873X
Category : Art
Languages : en
Pages : 530
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Book Description
Selections of writing by the influential art critic and curator Kellie Jones reveal her role in bringing attention to the work of African American, African, Latin American, and women artists.
Author: Patricia Hill Collins
Publisher: Routledge
ISBN: 1135960135
Category : Social Science
Languages : en
Pages : 353
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Book Description
In spite of the double burden of racial and gender discrimination, African-American women have developed a rich intellectual tradition that is not widely known. In Black Feminist Thought, Patricia Hill Collins explores the words and ideas of Black feminist intellectuals as well as those African-American women outside academe. She provides an interpretive framework for the work of such prominent Black feminist thinkers as Angela Davis, bell hooks, Alice Walker, and Audre Lorde. The result is a superbly crafted book that provides the first synthetic overview of Black feminist thought.
Author: Darby English
Publisher: University of Chicago Press
ISBN: 022627473X
Category : Art
Languages : en
Pages : 300
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Book Description
In this book, art historian Darby English explores the year 1971, when two exhibitions opened that brought modernist painting and sculpture into the burning heart of United States cultural politics: Contemporary Black Artists in America, at the Whitney Museum of American Art, and The DeLuxe Show, a racially integrated abstract art exhibition presented in a renovated movie theater in a Houston ghetto. 1971: A Year in the Life of Color looks at many black artists’ desire to gain freedom from overt racial representation, as well as their efforts—and those of their advocates—to further that aim through public exhibition. Amid calls to define a “black aesthetic,” these experiments with modernist art prioritized cultural interaction and instability. Contemporary Black Artists in America highlighted abstraction as a stance against normative approaches, while The DeLuxe Show positioned abstraction in a center of urban blight. The importance of these experiments, English argues, came partly from color’s special status as a cultural symbol and partly from investigations of color already under way in late modern art and criticism. With their supporters, black modernists—among them Peter Bradley, Frederick Eversley, Alvin Loving, Raymond Saunders, and Alma Thomas—rose above the demand to represent or be represented, compromising nothing in their appeals for interracial collaboration and, above all, responding with optimism rather than cynicism to the surrounding culture’s preoccupation with color.
