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Author: Michael André Bernstein
Publisher: Princeton University Press
ISBN: 1400820634
Category : Literary Criticism
Languages : en
Pages : 254
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Book Description
"You people put importance on your lives. Well, my life has never been important to anyone. I haven't got any guilt about anything," bragged the mass-murderer Charles Manson. "These children that come at you with knives, they are your children. You taught them. I didn't teach them. . . . They are running in the streets--and they are coming right at you!" When a real murderer accuses the society he has brutalized, we are shocked, but we are thrilled by the same accusations when they are mouthed by a fictional rebel, outlaw, or monster. In Bitter Carnival, Michael Andr Bernstein explores this contradiction and defines a new figure: the Abject Hero. Standing at the junction of contestation and conformity, the Abject Hero occupies the logically impossible space created by the intersection of the satanic and the servile. Bernstein shows that we heroicize the Abject Hero because he represents a convention that has become a staple of our common mythology, as seductive in mass culture as it is in high art. Moving from an examination of classical Latin satire; through radically new analyses of Diderot, Dostoevsky, and Cline; and culminating in the courtroom testimony of Charles Manson, Bitter Carnival offers a revisionist rereading of the entire tradition of the "Saturnalian dialogue" between masters and slaves, monarchs and fools, philosophers and madmen, citizens and malcontents. It contests the supposedly regenerative power of the carnivalesque and challenges the pieties of utopian radicalism fashionable in contemporary academic thinking. The clarity of its argument and literary style compel us to confront a powerful dilemma that engages some of the most central issues in literary studies, ethics, cultural history, and critical theory today.
Author: Michael André Bernstein
Publisher: Princeton University Press
ISBN: 1400820634
Category : Literary Criticism
Languages : en
Pages : 254
Get Book Here
Book Description
"You people put importance on your lives. Well, my life has never been important to anyone. I haven't got any guilt about anything," bragged the mass-murderer Charles Manson. "These children that come at you with knives, they are your children. You taught them. I didn't teach them. . . . They are running in the streets--and they are coming right at you!" When a real murderer accuses the society he has brutalized, we are shocked, but we are thrilled by the same accusations when they are mouthed by a fictional rebel, outlaw, or monster. In Bitter Carnival, Michael Andr Bernstein explores this contradiction and defines a new figure: the Abject Hero. Standing at the junction of contestation and conformity, the Abject Hero occupies the logically impossible space created by the intersection of the satanic and the servile. Bernstein shows that we heroicize the Abject Hero because he represents a convention that has become a staple of our common mythology, as seductive in mass culture as it is in high art. Moving from an examination of classical Latin satire; through radically new analyses of Diderot, Dostoevsky, and Cline; and culminating in the courtroom testimony of Charles Manson, Bitter Carnival offers a revisionist rereading of the entire tradition of the "Saturnalian dialogue" between masters and slaves, monarchs and fools, philosophers and madmen, citizens and malcontents. It contests the supposedly regenerative power of the carnivalesque and challenges the pieties of utopian radicalism fashionable in contemporary academic thinking. The clarity of its argument and literary style compel us to confront a powerful dilemma that engages some of the most central issues in literary studies, ethics, cultural history, and critical theory today.
Author: David Sedaris
Publisher: Hachette UK
ISBN: 0316256463
Category : Literary Collections
Languages : en
Pages : 754
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Book Description
A New York Times Book Review Editors’ Choice There’s no right way to keep a diary, but if there’s an entertaining way, David Sedaris seems to have mastered it. If it’s navel-gazing you’re after, you’ve come to the wrong place; ditto treacly self-examination. Rather, his observations turn outward: a fight between two men on a bus, a fight between two men on the street, pedestrians being whacked over the head or gathering to watch as a man considers leaping to his death. There’s a dirty joke shared at a book signing, then a dirtier one told at a dinner party—lots of jokes here. Plenty of laughs. These diaries remind you that you once really hated George W. Bush, and that not too long ago, Donald Trump was just a harmless laughingstock, at least on French TV. Time marches on, and Sedaris, at his desk or on planes, in hotel dining rooms and odd Japanese inns, records it. The entries here reflect an ever-changing background—new administrations, new restrictions on speech and conduct. What you can say at the start of the book, you can’t by the end. At its best, A Carnival of Snackery is a sort of sampler: the bitter and the sweet. Some entries are just what you wanted. Others you might want to spit discreetly into a napkin.
Author: William A. Cohen
Publisher: U of Minnesota Press
ISBN: 1452906742
Category :
Languages : en
Pages : 357
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Book Description
Focusing on 'filth' in literary & cultural materials from London, Paris & their colonial outposts in the 19th & early 20th centuries, the essays in this volume range over topics from the building of sewers to the fictional representation of labouring women as polluting.
Author: Herman Wouk
Publisher: Open Road Media
ISBN: 1504096592
Category : Fiction
Languages : en
Pages : 440
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Book Description
The basis for the Herman Wouk–Jimmy Buffett musical: A middle-aged New Yorker buys a Caribbean hotel and learns that paradise has its drawbacks in this novel that “moves as fast as a Marx Brothers movie” (The New York Times Book Review). Broadway press agent Norman Paperman is pushing fifty with one heart attack already under his belt. So he decides to chuck the stressful Manhattan life and bring his wife and teenage daughter to a lush green island. With the help of a wheeler-dealer friend, he winds up buying a small hotel. How hard could running one be? Pretty hard, actually, when you throw in an earthquake, plumbing problems, rampaging ants, and a few more unexpected developments at the Gull Reef Club. Before long, Norman’s spirit is as drained as his bank account, his marriage is on the brink, and he’s desperately searching for a way out of this beautiful nightmare . . . Don’t Stop the Carnival is a clever comic departure for the Pulitzer Prize–winning, #1 New York Times–bestselling author of such classics as Marjorie Morningstar, The Winds of War, and The Caine Mutiny—and eventually served as the basis for the celebrated Jimmy Buffett album and stage musical. “Funny [and] continuously entertaining. . . . Norman Paperman, although hardly an admirable person, is exceedingly human and entirely believable. One cringes with sympathy for him.” —The New York Times “His sandy beaches are alive with stinging sand flies . . . farce laced with tears.” —Time
Author: Louisa Shea
Publisher: JHU Press
ISBN: 0801897068
Category : Literary Criticism
Languages : en
Pages : 285
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Book Description
This original study reveals the importance of ancient Cynicism in defining the Enlightenment and its legacy. Louisa Shea explores modernity's debt to Cynicism by examining the works of thinkers who turned to the ancient Cynics as a model for reinventing philosophy and dared to imagine an alliance between a socially engaged Enlightenment and the least respectable of early Greek philosophies. While Cynicism has always resided on the fringes of philosophy, Shea argues, it remained a vital touchstone for writers committed to social change and helped define the emerging figure of the public intellectual in the 18th century. Shea's study brings to light the rich legacy of ancient Cynicism in modern intellectual, philosophical, and literary life, both in the 18th-century works of Diderot, Rousseau, Wieland, and Sade, and in recent writings by Michel Foucault and Peter Sloterdijk. Featuring an important new perspective on both Enlightenment thought and its current scholarly reception, The Cynic Enlightenment will interest students and scholars of the Enlightenment and its intellectual legacy, 18th-century studies, literature, and philosophy.
Author: Cary Levine
Publisher: University of Chicago Press
ISBN: 022602606X
Category : Art
Languages : en
Pages : 250
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Book Description
Focuses on work by the three artists from the 1970s through the 1990s. Examines their participation in subcultural music scenes and discovers a common political strategy which lead them to create strange and unseemly imates that test the limites of art, gender roles, sex, acceptable behavior, poor taste, and the gag reflex.
Author: Geoff R. Webb
Publisher: BRILL
ISBN: 9047433610
Category : Religion
Languages : en
Pages : 288
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Book Description
The discussion concerning Markan characterisation (and Markan genre) can be helpfully informed by Bakhtinian categories. This book uses the twin foci of chronotope and carnival to examine specific characters in terms of different levels of dialogue. Various passages in Mark are examined, and thresholds are noted between interindividual character-zones, and between the hearing-reader and text-voices. Several generic contacts are shown to have shaped the text’s ‘genre-memory’ – in particular, the Graeco-Roman popular literature of the ancient world. The resultant picture is of an earthy, populist Gospel whose “voices” resonate with the “vulgar” classes, and whose spirituality is refreshingly relevant to everyday concerns.
Author: Luís Aguiar de Sousa
Publisher: Walter de Gruyter GmbH & Co KG
ISBN: 3110699214
Category : Philosophy
Languages : en
Pages : 327
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Book Description
Nihilism seems to be per definition linked to violence. Indeed, if the nihilist is a person who acknowledges no moral or religious authority, then what does stop him from committing any kind of crime? Dostoevsky precisely called attention to this danger: if there is no God and no immortality of the soul, then everything is permitted, even anthropophagy. Nietzsche, too, emphasised, although in different terms, the consequences deriving from the death of God and the collapse of Judeo-Christian morality. This context shaped the way in which philosophers, writers and artists thought about violence, in its different manifestations, during the 20th century. The goal of this interdisciplinary volume is to explore the various modern and contemporary configurations of the link between violence and nihilism as understood by philosophers and artists (in both literature and film).
Author: Mike Hill
Publisher: NYU Press
ISBN: 9780814735459
Category : Social Science
Languages : en
Pages : 372
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Book Description
An anthology of white culture
Author: Winfried Menninghaus
Publisher: State University of New York Press
ISBN: 0791486311
Category : Philosophy
Languages : en
Pages : 483
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Book Description
Disgust (Ekel, dégoût) is a state of high alert. It acutely says "no" to a variety of phenomena that seemingly threaten the integrity of the self, if not its very existence. A counterpart to the feelings of appetite, desire, and love, it allows at the same time for an acting out of hidden impulses and libidinal drives. In Disgust, Winfried Menninghaus provides a comprehensive account of the significance of this forceful emotion in philosophy, aesthetics, literature, the arts, psychoanalysis, and theory of culture from the eighteenth century to the present. Topics addressed include the role of disgust as both a cognitive and moral organon in Kant and Nietzsche; the history of the imagination of the rotting corpse; the counter-cathexis of the disgusting in Romantic poetics and its modernist appeal ever since; the affinities of disgust and laughter and the analogies of vomiting and writing; the foundation of Freudian psychoanalysis in a theory of disgusting pleasures and practices; the association of disgusting "otherness" with truth and the trans-symbolic "real" in Bataille, Sartre, and Kristeva; Kafka's self-representation as an "Angel" of disgusting smells and acts, concealed in a writerly stance of uncompromising "purity"; and recent debates on "Abject Art."
