Birds and Women in Music, Art, and Politics PDF Download
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Author: Carmen M. Cusack
Publisher: Cambridge Scholars Publishing
ISBN: 1527541800
Category : Social Science
Languages : en
Pages : 237
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Book Description
This volume depicts the struggle of birds for freedom, an endeavour similarly experienced by women in the United States and other regions of the globe. It is a prolific study of how creatures interact psychosocially. Sometimes, birds inspire humanity, and, at other times, humans desecrate birds. They may interweave seamlessly or may experience indirect and direct conflicts. Their needs overlap and may be satisfied and explored compassionately through analytical lenses, including those of feminism, anthropomorphism, and animal rights. They share platforms, including art, the male gaze, and discussions about capture and oppression. In this work, both are presented as equally adept to survival on Earth. In this capacity, the book is novel and fresh. In spite of contradictions, such as preserving some birds at zoos, while causing others to fight for sport, birds, overall, will continue to cause humans to thrive, develop, and take-off; and by experiencing their lives through this book, humans who share the birds’ spiritual and spatial realms will develop a keener sense of environmental care and how to make cruelty-free choices. This book’s range is profound, and includes original research on diverse areas depicting Martin Luther King, Big Bird, the presidents, celebrities, and other notable sources of leadership. It also considers influential zoos and several preservation sites. In all, it is a well-founded work that demonstrates care in research and argument.
Author: Carmen M. Cusack
Publisher: Cambridge Scholars Publishing
ISBN: 1527541800
Category : Social Science
Languages : en
Pages : 237
Get Book Here
Book Description
This volume depicts the struggle of birds for freedom, an endeavour similarly experienced by women in the United States and other regions of the globe. It is a prolific study of how creatures interact psychosocially. Sometimes, birds inspire humanity, and, at other times, humans desecrate birds. They may interweave seamlessly or may experience indirect and direct conflicts. Their needs overlap and may be satisfied and explored compassionately through analytical lenses, including those of feminism, anthropomorphism, and animal rights. They share platforms, including art, the male gaze, and discussions about capture and oppression. In this work, both are presented as equally adept to survival on Earth. In this capacity, the book is novel and fresh. In spite of contradictions, such as preserving some birds at zoos, while causing others to fight for sport, birds, overall, will continue to cause humans to thrive, develop, and take-off; and by experiencing their lives through this book, humans who share the birds’ spiritual and spatial realms will develop a keener sense of environmental care and how to make cruelty-free choices. This book’s range is profound, and includes original research on diverse areas depicting Martin Luther King, Big Bird, the presidents, celebrities, and other notable sources of leadership. It also considers influential zoos and several preservation sites. In all, it is a well-founded work that demonstrates care in research and argument.
Author: Deborah Tarn Steiner
Publisher: Cambridge University Press
ISBN: 1108916147
Category : History
Languages : en
Pages : 785
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Book Description
Why did the Greeks of the archaic and early Classical period join in choruses that sang and danced on public and private occasions? This book offers a wide-ranging exploration of representations of chorality in the poetry, art and material remains of early Greece in order to demonstrate the centrality of the activity in the social, religious and technological practices of individuals and communities. Moving from a consideration of choral archetypes, among them cauldrons, columns, Gorgons, ships and halcyons, the discussion then turns to an investigation of how participation in choral song and dance shaped communal experience and interacted with a variety of disparate spheres that include weaving, cataloguing, temple architecture and inscribing. The study ends with a treatment of the role of choral activity in generating epiphanies and allowing viewers and participants access to realms that typically lie beyond their perception.
Author: Elizabeth Eva Leach
Publisher: Cornell University Press
ISBN: 1501727575
Category : Music
Languages : en
Pages : 362
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Book Description
Is birdsong music? The most frequent answer to this question in the Middle Ages was resoundingly "no." In Sung Birds, Elizabeth Eva Leach traces postmedieval uses of birdsong within Western musical culture. She first explains why such melodious sound was not music for medieval thinkers and then goes on to consider the ontology of music, the significance of comparisons between singers and birds, and the relationship between art and nature as enacted by the musical performance of late-medieval poetry. If birdsong was not music, how should we interpret the musical depiction of birdsong in human music-making? What does it tell us about the singers, their listeners, and the moral status of secular polyphony? Why was it the fourteenth century that saw the beginnings of this practice, continued to this day in the music of Messiaen and others?Leach explores medieval arguments about song, language, and rationality whose basic terms survive undiminished into the present. She considers not only lyrics that have their singers voice the songs or speech of birds but also those that represent other natural, nonmusical, sounds such as human cries or the barks of dogs. The dangerous sweetness of birdsong was invoked in discussions of musical ethics, which, because of the potential slippage between irrational beast and less rational woman in comparisons with rational human masculinity, depict women's singing as less than fully human. Leach's argument comes full circle with the advent of sound recording. This technological revolution-like its medieval equivalent, the invention of the music book-once again made the relationship between music and nature an acute preoccupation of Western culture.
Author: Peg Zeglin Brand
Publisher: Indiana University Press
ISBN: 9780253213754
Category : Philosophy
Languages : en
Pages : 356
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Book Description
Beauty has captured human interest since before Plato, but how, why, and to whom does beauty matter in today's world? Whose standard of beauty motivates African Americans to straighten their hair? What inspires beauty queens to measure up as flawless objects for the male gaze? Why does a French performance artist use cosmetic surgery to remake her face into a composite of the master painters' version of beauty? How does beauty culture perceive the disabled body? Is the constant effort to remain young and thin, often at considerable economic and emotional expense, ethically justifiable? Provocative essays by an international group of scholars discuss aesthetics in aesthetics, the arts, the tools of fashion, the materials of decoration, and the big business of beautification—beauty matters—to reveal the ways gender, race, and sexual orientation have informed the concept of beauty and driven us to become more beautiful. Here, Kant rubs shoulders with Calvin Klein. Beauty Matters draws from visual art, dance, cultural history, and literary and feminist theory to explore the values and politics of beauty. Various philosophical perspectives on ethics and aesthetics emerge from this penetrating book to determine and reveal that beauty is never disinterested.
Author: Michigan State Library
Publisher:
ISBN:
Category :
Languages : en
Pages : 548
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Book Description
Author: Library of Congress. Copyright Office
Publisher:
ISBN:
Category : Copyright
Languages : en
Pages : 1714
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Book Description
Author:
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 1132
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Book Description
Author: Phyllis Weliver
Publisher: Routledge
ISBN: 1351744488
Category : Literary Criticism
Languages : en
Pages : 315
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Book Description
This title was first publushed in 2000. Phyllis Weliver investigates representations of female musicians in British novels from 1860 to 1900 with regard to changing gender roles, musical practices and scientific discourses. During this time women were portrayed in complex and nuanced ways as they played and sang in family drawing rooms. Women in the 19th century were judged on their manners, appearance, language and other accomplishments such as sewing or painting, but music stood out as an area where women were encouraged to take centre stage and demonstrate their genteel education, graceful movements and self-expression. However within the novels of the Victorian were begining to move away from portraying the musical accomplishments of middle- and upper-class women as feminine and worthwhile towards depicting musical women as truly dangerous. This book explores the reasons for this reaction and the way labels and images were constructed to show extremes of behaviour, and it looks at whether the fiction was depicting the real trends in music at the time.
Author:
Publisher:
ISBN:
Category : Literary and political reviews
Languages : en
Pages : 788
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Book Description
Author: Robert Fallon
Publisher: Routledge
ISBN: 1317097181
Category : Music
Languages : en
Pages : 389
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Book Description
Focusing on Messiaen’s relation to history - both his own and the history he engendered - the Messiaen Perspectives volumes convey the growing understanding of his deep and varied interconnections with his cultural milieux. Messiaen Perspectives 1: Sources and Influences examines the genesis, sources and cultural pressures that shaped Messiaen’s music. Messiaen Perspectives 2: Techniques, Influence and Reception analyses Messiaen’s compositional approach and the repercussions of his music. While each book offers a coherent collection in itself, together these complementary volumes elucidate how powerfully Messiaen was embedded in his time and place, and how his music resonates ever more today. Messiaen Perspectives 1: Sources and Influences presents many new primary sources, including discussion of Messiaen’s birdsong cahiers, sketch and archival materials for his Prix de Rome entries and war-time Portique, along with performance practice insights and theological inspiration in works as diverse as Visions de l’Amen, Harawi, Timbres-durées and the organ Méditations. The volume places the composer within a broader historical and cultural framework than has previously been attempted, ranging from specific influences to more general contexts. As a centrepiece, the book includes an examination of the impact of one of the greatest influences upon Messiaen, Yvonne Loriod.
