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Author: Madame Tussaud and Sons' Exhibition
Publisher:
ISBN:
Category : Waxworks
Languages : en
Pages : 128
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Book Description
Author: Madame Tussaud and Sons' Exhibition
Publisher:
ISBN:
Category : Waxworks
Languages : en
Pages : 128
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Book Description
Author: Madame Tussaud and Sons (London).
Publisher:
ISBN:
Category :
Languages : en
Pages : 64
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Book Description
Author:
Publisher:
ISBN:
Category :
Languages : en
Pages : 32
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Book Description
Author: Madame Tussaud and Sons' Exhibition
Publisher:
ISBN:
Category : Waxworks
Languages : en
Pages : 48
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Book Description
Author: John D. Wong
Publisher: Cambridge University Press
ISBN: 1316720969
Category : History
Languages : en
Pages : 261
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Book Description
In this engaging new study, John D. Wong examines the Canton trade networks that helped to shape the modern world through the lens of the prominent Chinese merchant Houqua, whose trading network and financial connections stretched from China to India, America and Britain. In contrast to interpretations that see Chinese merchants in this era as victims of rising Western mercantilism and oppressive Chinese traditions, Houqua maintained a complex balance between his commercial interests and those of his Western counterparts, all in an era of transnationalism before the imposition of the Western world order. The success of Houqua and Co. in configuring its networks in the fluid context of the early nineteenth century remains instructive today, as the contemporary balance of political power renders the imposition of a West-centric world system increasingly problematic, and requires international traders to adapt to a new world order in which China, once again, occupies center stage.
Author:
Publisher:
ISBN:
Category :
Languages : en
Pages : 632
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Book Description
Author: Billie Melman
Publisher: OUP Oxford
ISBN: 0191538027
Category : History
Languages : en
Pages : 378
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Book Description
In this original and widely researched book, Billie Melman explores the culture of history during the age of modernity. Her book is about the production of English pasts, the multiplicity of their representations and the myriad ways in which the English looked at history (sometimes in the most literal sense of 'looking') and made use of it in a social and material urban world, and in their imagination. Covering the period between the Napoleonic Wars and the Coronation of 1953, Melman recoups the work of antiquarians, historians, novelists and publishers, wax modellers, cartoonists and illustrators, painters, playwrights and actors, reformers and educationalists, film stars and their fans, musicians and composers, opera-fans, and radio listeners. Avoiding a separation between 'high' and 'low' culture, Melman analyses nineteenth-century plebeian culture and twentieth-century mass-culture and their venues - like Madame Tussaud's Chamber of Horrors, panoramas, national monuments like the Tower of London, and films - as well as studying forms of 'minority' art - notably opera. She demonstrates how history was produced and how it circulated from texts, visual images, and sounds, to people and places and back to a variety of texts and images. While paying attention to individuals' making-do with culture, Melman considers constrictions of class, gender, the state, and the market-place on the consumption of history. Focusing on two privileged pasts, the Tudor monarchy and the French Revolution, the latter seen as an English event and as the framework for narrating and comprehending history, Melman shows that during the nineteenth century, the most popular, longest-enduring, and most highly commercialized images of the past represented it not as cosy and secure, but rather as dangerous, disorderly, and violent. The past was also imagined as an urban place, rather than as rural. In Melman's account, City not green Country, is the centre of a popular version of the past whose central Images are the dungeon, the gallows, and the guillotine.
Author: Geri Walton
Publisher: Pen and Sword
ISBN: 1526734095
Category : Biography & Autobiography
Languages : en
Pages : 328
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Book Description
A “meticulously researched and deftly written biography” of the woman behind the famed wax museums, and their origins in the era of the French Revolution (Midwest Book Review). Madame Marie Tussaud is known worldwide for the chain of wax museums she started over two hundred years ago. Less known is that her original wax models were often of the famous and infamous people she personally knew during and after the French Revolution. These were people like Voltaire, Robespierre, and Napoleon—people who changed the world. Even more, the wax figures were depicted in scenes drawn from the horrors she experienced during the reign of terror in Paris during her early adult years. This book shows how the traumatic and cataclysmic experiences of Madame Tussaud’s early life became part of her legacy. She created a succession of scenes in wax, telling events as she personally experienced them. Her wax sculptures were visceral. She made them herself, at times from the living person’s head and at other times from the recently guillotined head of a former houseguest. As a result, people were drawn to her wax displays because they were the most intense way of experiencing those events themselves. This is the story not only of a unique artist, but of how one of history’s bloodiest events influenced her life and work.
Author: Stefan Berger
Publisher: Routledge
ISBN: 0415894352
Category : History
Languages : en
Pages : 378
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Book Description
Popularizing National Pasts is the first truly cross-national and comparative study of popular national histories, their representations, the meanings given to them and their political and societal uses, expanding outside the confines of Western Europe and the US. It draws a picture of popular histories which is European in the full sense of this term, making available to English readers the cutting edge of Eastern European scholarship on popular histories, nationalism, and culture.
Author: Luke Reynolds
Publisher: Oxford University Press
ISBN: 019268843X
Category : History
Languages : en
Pages : 272
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Book Description
Between 1815 and the Duke of Wellington's death in 1852, the Battle of Waterloo became much more than simply a military victory. While other countries marked the battle and its anniversary, only Britain actively incorporated the victory into their national identity, guaranteeing that it would become a ubiquitous and multi-layered presence in British culture. By examining various forms of commemoration, celebration, and recreation, Who Owned Waterloo? demonstrates that Waterloo's significance to Britain's national psyche resulted in a different kind of war altogether: one in which civilian and military groups fought over and established their own claims on different aspects of the battle and its remembrance. By weaponizing everything from memoirs, monuments, rituals, and relics to hippodramas, panoramas, and even shades of blue, veterans pushed back against civilian claims of ownership; English, Scottish, and Irish interests staked their claims; and conservatives and radicals duelled over the direction of the country. Even as ownership was contested among certain groups, large portions of the British population purchased souvenirs, flocked to spectacles and exhibitions, visited the battlefield itself, and engaged in a startling variety of forms of performative patriotism, guaranteeing not only the further nationalization of Waterloo, but its permanent place in nineteenth century British popular and consumer culture.
