Author: Oliver Arpad Istvan Botar
Publisher: Ashgate Publishing, Ltd.
ISBN: 9781409400509
Category : Art
Languages : en
Pages : 300
Book Description
Examining the intersections between art and scientific approaches to the natural world, Biocentrism and Modernism reveals another side to Modernism's development. While historians have usually framed this movement as being mechanistic and against nature, the essays in this collection illuminate the role that nature-centric ideologies played in late-nineteenth to mid-twentieth-century Modernism. Looking at philosophy and application, this volume features case studies of artists such as Duchamp-Villon, Klee, Kandinsky, and Pollock.
Biocentrism and Modernism
Author: Oliver Arpad Istvan Botar
Publisher: Ashgate Publishing, Ltd.
ISBN: 9781409400509
Category : Art
Languages : en
Pages : 300
Book Description
Examining the intersections between art and scientific approaches to the natural world, Biocentrism and Modernism reveals another side to Modernism's development. While historians have usually framed this movement as being mechanistic and against nature, the essays in this collection illuminate the role that nature-centric ideologies played in late-nineteenth to mid-twentieth-century Modernism. Looking at philosophy and application, this volume features case studies of artists such as Duchamp-Villon, Klee, Kandinsky, and Pollock.
Publisher: Ashgate Publishing, Ltd.
ISBN: 9781409400509
Category : Art
Languages : en
Pages : 300
Book Description
Examining the intersections between art and scientific approaches to the natural world, Biocentrism and Modernism reveals another side to Modernism's development. While historians have usually framed this movement as being mechanistic and against nature, the essays in this collection illuminate the role that nature-centric ideologies played in late-nineteenth to mid-twentieth-century Modernism. Looking at philosophy and application, this volume features case studies of artists such as Duchamp-Villon, Klee, Kandinsky, and Pollock.
The Art of Ectoplasm
Author: Serena Keshavjee
Publisher: Univ. of Manitoba Press
ISBN: 1772840394
Category : Art
Languages : en
Pages : 329
Book Description
The legacy of the Hamiltons’ psychic archive In the wake of the First World War and the 1918–19 pandemic, the world was left grappling with a profound sense of loss. It was against this backdrop that a Winnipeg couple, physician T.G. Hamilton and nurse Lillian Hamilton, began their research, documenting and photographing séances they held in their home laboratory. Their extensive study of the survival of human consciousness after death resulted in a stunning collection of hundreds of photographs, including images of tables flying through the air, mediums in trances, and, most curious of all, ectoplasm—a strange, white substance through which ghosts could apparently manifest. The Art of Ectoplasm invites readers to explore the Hamiltons’ research and photographic evidence which has attracted international attention from scholars and artists alike. Notable figures like Arthur Conan Doyle participated in the Hamilton family’s séances, and their investigations garnered support among the psychical scientific community, including renowned physicist Oliver Lodge, the inventor of wireless telegraphy. In the century since their creation, the Hamilton photographs (now housed at the University of Manitoba) have continued to perplex and inspire as the subject of academic study, comedic parody, and artistic and cinematic renderings. This fascinating collection reflects on the history and legacy of the startling and uncanny images found in the Hamilton Family archive. As contemporary society continues to feel the effects of the COVID-19 pandemic, The Art of Ectoplasm offers a compelling look at a chapter in social history not entirely unlike our own.
Publisher: Univ. of Manitoba Press
ISBN: 1772840394
Category : Art
Languages : en
Pages : 329
Book Description
The legacy of the Hamiltons’ psychic archive In the wake of the First World War and the 1918–19 pandemic, the world was left grappling with a profound sense of loss. It was against this backdrop that a Winnipeg couple, physician T.G. Hamilton and nurse Lillian Hamilton, began their research, documenting and photographing séances they held in their home laboratory. Their extensive study of the survival of human consciousness after death resulted in a stunning collection of hundreds of photographs, including images of tables flying through the air, mediums in trances, and, most curious of all, ectoplasm—a strange, white substance through which ghosts could apparently manifest. The Art of Ectoplasm invites readers to explore the Hamiltons’ research and photographic evidence which has attracted international attention from scholars and artists alike. Notable figures like Arthur Conan Doyle participated in the Hamilton family’s séances, and their investigations garnered support among the psychical scientific community, including renowned physicist Oliver Lodge, the inventor of wireless telegraphy. In the century since their creation, the Hamilton photographs (now housed at the University of Manitoba) have continued to perplex and inspire as the subject of academic study, comedic parody, and artistic and cinematic renderings. This fascinating collection reflects on the history and legacy of the startling and uncanny images found in the Hamilton Family archive. As contemporary society continues to feel the effects of the COVID-19 pandemic, The Art of Ectoplasm offers a compelling look at a chapter in social history not entirely unlike our own.
The Evolutions of Modernist Epic
Author: Václav Paris
Publisher: Oxford University Press
ISBN: 0192638645
Category : Literary Criticism
Languages : en
Pages : 226
Book Description
Modernist epic is more interesting and more diverse than we have supposed. As a radical form of national fiction it appeared in many parts of the world in the early twentieth century. Reading a selection of works from the United States, England, Ireland, Czechoslovakia, and Brazil, The Evolutions of Modernist Epic develops a comparative theory of this genre and its global development. That development was, it argues, bound up with new ideas about biological evolution. During the first decades of the twentieth century—a period known, in the history of evolutionary science, as 'the eclipse of Darwinism'—evolution's significance was questioned, rethought, and ultimately confined to the Neo-Darwinist discourse with which we are familiar today. Epic fiction participated in, and was shaped by, this shift. Drawing on queer forms of sexuality to cultivate anti-heroic and non-progressive modes of telling national stories, the genre contested reductive and reactionary forms of social Darwinism. The book describes how, in doing so, the genre asks us to revisit our assumptions about ethnolinguistics and organic nationalism. It also models how the history of evolutionary thought can provide a new basis for comparing diverse modernisms and their peculiar nativisms.
Publisher: Oxford University Press
ISBN: 0192638645
Category : Literary Criticism
Languages : en
Pages : 226
Book Description
Modernist epic is more interesting and more diverse than we have supposed. As a radical form of national fiction it appeared in many parts of the world in the early twentieth century. Reading a selection of works from the United States, England, Ireland, Czechoslovakia, and Brazil, The Evolutions of Modernist Epic develops a comparative theory of this genre and its global development. That development was, it argues, bound up with new ideas about biological evolution. During the first decades of the twentieth century—a period known, in the history of evolutionary science, as 'the eclipse of Darwinism'—evolution's significance was questioned, rethought, and ultimately confined to the Neo-Darwinist discourse with which we are familiar today. Epic fiction participated in, and was shaped by, this shift. Drawing on queer forms of sexuality to cultivate anti-heroic and non-progressive modes of telling national stories, the genre contested reductive and reactionary forms of social Darwinism. The book describes how, in doing so, the genre asks us to revisit our assumptions about ethnolinguistics and organic nationalism. It also models how the history of evolutionary thought can provide a new basis for comparing diverse modernisms and their peculiar nativisms.
Cannibalizing the Canon
Author:
Publisher: BRILL
ISBN: 9004526749
Category : Art
Languages : en
Pages : 655
Book Description
This rich, in-depth exploration of Dada’s roots in East-Central Europe is a vital addition to existing research on Dada and the avant-garde. Through deeply researched case studies and employing novel theoretical approaches, the volume rewrites the history of Dada as a story of cultural and political hybridity, border-crossings, transitions, and transgressions, across political, class and gender lines. Dismantling prevailing notions of Dada as a “Western” movement, the contributors to this volume present East-Central Europe as the locus of Dada activity and techniques. The articles explore how artists from the region pre-figured Dada as well as actively “cannibalized”, that is, reabsorbed and further hybridized, a range of avant-garde techniques, thus challenging “Western” cultural hegemony.
Publisher: BRILL
ISBN: 9004526749
Category : Art
Languages : en
Pages : 655
Book Description
This rich, in-depth exploration of Dada’s roots in East-Central Europe is a vital addition to existing research on Dada and the avant-garde. Through deeply researched case studies and employing novel theoretical approaches, the volume rewrites the history of Dada as a story of cultural and political hybridity, border-crossings, transitions, and transgressions, across political, class and gender lines. Dismantling prevailing notions of Dada as a “Western” movement, the contributors to this volume present East-Central Europe as the locus of Dada activity and techniques. The articles explore how artists from the region pre-figured Dada as well as actively “cannibalized”, that is, reabsorbed and further hybridized, a range of avant-garde techniques, thus challenging “Western” cultural hegemony.
Modernist Exoskeleton
Author: Murray Rachel Murray
Publisher: Edinburgh University Press
ISBN: 147445822X
Category : Literary Criticism
Languages : en
Pages : 298
Book Description
Argues for the importance of insects to modernism's formal innovationsUses the idea of the insect as a key to modernist writers' engagement with questions of politics, psychology, life, and literary formProvides in-depth analysis of lesser-known modernist narratives, such as H.D.'s Asphodel and Lewis's Snooty Baronet, as well as new readings of canonical texts - including D. H. Lawrence's Lady Chatterley's Lover and Samuel Beckett's TrilogyExplores the influence of popular scientific writing on modernist aestheticsReveals the attentiveness of modernist writers to nonhuman life, thus forging new lines of connection between modernism and literary animal studiesFocusing on the writing of Wyndham Lewis, D. H. Lawrence, H.D. and Samuel Beckett, this book uncovers a shared fascination with the aesthetic possibilities of the insect body - its adaptive powers, distinct stages of growth and swarming formations. Through a series of close readings, it proposes that the figure of the exoskeleton, which functions both as a protective outer layer and as a site of encounter, can enhance our understanding of modernism's engagement with nonhuman life, as well as its questioning of the boundaries of the human.
Publisher: Edinburgh University Press
ISBN: 147445822X
Category : Literary Criticism
Languages : en
Pages : 298
Book Description
Argues for the importance of insects to modernism's formal innovationsUses the idea of the insect as a key to modernist writers' engagement with questions of politics, psychology, life, and literary formProvides in-depth analysis of lesser-known modernist narratives, such as H.D.'s Asphodel and Lewis's Snooty Baronet, as well as new readings of canonical texts - including D. H. Lawrence's Lady Chatterley's Lover and Samuel Beckett's TrilogyExplores the influence of popular scientific writing on modernist aestheticsReveals the attentiveness of modernist writers to nonhuman life, thus forging new lines of connection between modernism and literary animal studiesFocusing on the writing of Wyndham Lewis, D. H. Lawrence, H.D. and Samuel Beckett, this book uncovers a shared fascination with the aesthetic possibilities of the insect body - its adaptive powers, distinct stages of growth and swarming formations. Through a series of close readings, it proposes that the figure of the exoskeleton, which functions both as a protective outer layer and as a site of encounter, can enhance our understanding of modernism's engagement with nonhuman life, as well as its questioning of the boundaries of the human.
The Routledge Companion to Biology in Art and Architecture
Author: Charissa Terranova
Publisher: Taylor & Francis
ISBN: 1317419510
Category : Architecture
Languages : en
Pages : 567
Book Description
The Routledge Companion to Biology in Art and Architecture collects thirty essays from a transdisciplinary array of experts on biology in art and architecture. The book presents a diversity of hybrid art-and-science thinking, revealing how science and culture are interwoven. The book situates bioart and bioarchitecture within an expanded field of biology in art, architecture, and design. It proposes an emergent field of biocreativity and outlines its historical and theoretical foundations from the perspective of artists, architects, designers, scientists, historians, and theoreticians. Includes over 150 black and white images.
Publisher: Taylor & Francis
ISBN: 1317419510
Category : Architecture
Languages : en
Pages : 567
Book Description
The Routledge Companion to Biology in Art and Architecture collects thirty essays from a transdisciplinary array of experts on biology in art and architecture. The book presents a diversity of hybrid art-and-science thinking, revealing how science and culture are interwoven. The book situates bioart and bioarchitecture within an expanded field of biology in art, architecture, and design. It proposes an emergent field of biocreativity and outlines its historical and theoretical foundations from the perspective of artists, architects, designers, scientists, historians, and theoreticians. Includes over 150 black and white images.
Daring Adaptations, Creative Failures and Experimental Performances in Iberian Theatre
Author: María Chouza-Calo
Publisher: Liverpool University Press
ISBN: 1802076387
Category : Performing Arts
Languages : en
Pages : 296
Book Description
In this volume, we are particularly interested in approaching theatre and performance as a dynamic and evolving practice of continuous change, regeneration and cultural mobility. Neither the dramatic texts nor their stage versions should be viewed as finished products but as creative processes in the making. Their richness lies in their unfinished and never-ending potential energy and their openness to constant revision, rehearsal, revival, and collective enterprise. This edited collection aims to create a dialogue on the artistic processes implicated in the various ways of working with the play text, the staging practices, the way audiences and critical reception can impact a production, and the many lives of Iberian theatre beyond the page or the stage. That is, its cultural and social legacies.
Publisher: Liverpool University Press
ISBN: 1802076387
Category : Performing Arts
Languages : en
Pages : 296
Book Description
In this volume, we are particularly interested in approaching theatre and performance as a dynamic and evolving practice of continuous change, regeneration and cultural mobility. Neither the dramatic texts nor their stage versions should be viewed as finished products but as creative processes in the making. Their richness lies in their unfinished and never-ending potential energy and their openness to constant revision, rehearsal, revival, and collective enterprise. This edited collection aims to create a dialogue on the artistic processes implicated in the various ways of working with the play text, the staging practices, the way audiences and critical reception can impact a production, and the many lives of Iberian theatre beyond the page or the stage. That is, its cultural and social legacies.
Kropotkin, Read, and the Intellectual History of British Anarchism
Author: M. Adams
Publisher: Springer
ISBN: 1137392622
Category : Political Science
Languages : en
Pages : 375
Book Description
Although marginal as a political force, anarchist ideas developed in Britain into a political tradition. This book explores this lost history, offering a new appraisal of the work of Kropotkin and Read, and examining the ways in which they endeavoured to articulate a politics fit for the particular challenges of Britain's modern history.
Publisher: Springer
ISBN: 1137392622
Category : Political Science
Languages : en
Pages : 375
Book Description
Although marginal as a political force, anarchist ideas developed in Britain into a political tradition. This book explores this lost history, offering a new appraisal of the work of Kropotkin and Read, and examining the ways in which they endeavoured to articulate a politics fit for the particular challenges of Britain's modern history.
Practices of Abstract Art
Author: Wiebke Gronemeyer
Publisher: Cambridge Scholars Publishing
ISBN: 144385686X
Category : Art
Languages : en
Pages : 338
Book Description
Recent decades have seen a renewed interest in the phenomenon of abstract art, particularly regarding its ability to speak to the political, social, and cultural conditions of our times. This collection of essays, which looks at historical examples of artistic practice from the early pioneers of abstraction to late modernism, investigates the ambivalent role that abstraction has played in the visual arts and cultures of the last hundred years. In addition, it explores various theoretical and critical narratives that seek to articulate new perspectives on its legacy in the visual arts. From metaphysical considerations and philosophical reflections to debates on interculturality and global perspectives, the contributors examine and reconsider abstraction in the visual arts from a contemporary point of view that acknowledges the many social, economic, cultural, and political aspects of artistic practice. As such, the volume progressively expands the boundaries of thinking about abstract art by engaging it in its increasingly diverse cultural environment.
Publisher: Cambridge Scholars Publishing
ISBN: 144385686X
Category : Art
Languages : en
Pages : 338
Book Description
Recent decades have seen a renewed interest in the phenomenon of abstract art, particularly regarding its ability to speak to the political, social, and cultural conditions of our times. This collection of essays, which looks at historical examples of artistic practice from the early pioneers of abstraction to late modernism, investigates the ambivalent role that abstraction has played in the visual arts and cultures of the last hundred years. In addition, it explores various theoretical and critical narratives that seek to articulate new perspectives on its legacy in the visual arts. From metaphysical considerations and philosophical reflections to debates on interculturality and global perspectives, the contributors examine and reconsider abstraction in the visual arts from a contemporary point of view that acknowledges the many social, economic, cultural, and political aspects of artistic practice. As such, the volume progressively expands the boundaries of thinking about abstract art by engaging it in its increasingly diverse cultural environment.
The Organic School of the Russian Avant-Garde
Author: Isabel W?nsche
Publisher: Routledge
ISBN: 1351541773
Category : Art
Languages : en
Pages : 515
Book Description
The artists of the Organic School of the Russian avant-garde found inspiration as well as a model for artistic growth in the creative principles of nature. Isabel W?nsche analyzes the artistic influences, intellectual foundations, and scientific publications that shaped the formation of these artists, the majority of whom were based in St. Petersburg. Particular emphasis is given to the holistic worldviews and organic approaches prevalent among artists of the pre-revolutionary avant-garde, specifically Jan Ciaglinski, Nikolai Kulbin, and Elena Guro, as well as the emergence of the concept of Organic Culture as developed by Mikhail Matiushin, practiced at the State Institute of Artistic Culture, and taught at the reformed Art Academy in the 1920s. Discussions of faktura and creative intuition explore the biocentric approaches that dominated the work of Pavel Filonov, Kazimir Malevich, Voldemar Matvejs, Olga Rozanova, and Vladimir Tatlin. The artistic approaches of the Organic School of the Russian avant-garde were further promoted and developed by Vladimir Sterligov and his followers between 1960 and 1990. The study examines the cultural potential as well as the utopian dimension of the artists? approaches to creativity and their ambitious visions for the role of art in promoting human psychophysiological development and shaping post-revolutionary culture.
Publisher: Routledge
ISBN: 1351541773
Category : Art
Languages : en
Pages : 515
Book Description
The artists of the Organic School of the Russian avant-garde found inspiration as well as a model for artistic growth in the creative principles of nature. Isabel W?nsche analyzes the artistic influences, intellectual foundations, and scientific publications that shaped the formation of these artists, the majority of whom were based in St. Petersburg. Particular emphasis is given to the holistic worldviews and organic approaches prevalent among artists of the pre-revolutionary avant-garde, specifically Jan Ciaglinski, Nikolai Kulbin, and Elena Guro, as well as the emergence of the concept of Organic Culture as developed by Mikhail Matiushin, practiced at the State Institute of Artistic Culture, and taught at the reformed Art Academy in the 1920s. Discussions of faktura and creative intuition explore the biocentric approaches that dominated the work of Pavel Filonov, Kazimir Malevich, Voldemar Matvejs, Olga Rozanova, and Vladimir Tatlin. The artistic approaches of the Organic School of the Russian avant-garde were further promoted and developed by Vladimir Sterligov and his followers between 1960 and 1990. The study examines the cultural potential as well as the utopian dimension of the artists? approaches to creativity and their ambitious visions for the role of art in promoting human psychophysiological development and shaping post-revolutionary culture.