Author: Martine Jeanne Reid
Publisher: Harbour Publishing Company
ISBN: 9781550175585
Category : Art
Languages : en
Pages : 152
Book Description
Northwest Coast peoples were maritime engineers who mastered the art of building dugout canoes from gigantic red cedars, using only tools made from bone, stone, and wood. Ubiquitous, these elegant craft were used for everyday and ceremonial purposes, for fishing, hunting and trading, for feasting and potlatching, and in warfare--they were the keys that unlocked the treasure chest of the North Pacific. Bill Reid and the Haida Canoe tells the story of the Northwest Canoe from its zenith in pre-contact times, through its decline in the late nineteenth century, to its revival in Lootaas (Wave Eater) which Bill Reid built for Expo '86, to its culmination with the Tribal Canoe Journeys of the twenty-first century and The Spirit of Haida Gwaii sculptures. Bill Reid expressed awe for the traditional Haida canoe and what it represents visually, symbolically, and culturally. In his words, "Western art starts with the figure--West Coast Indian art starts with the canoe." The successive journeys of Lootaas were significant stages in Bill Reid's work, which culminated with the iconic sculpture The Spirit of Haida Gwaii, a monumental bronze canoe filled to overflowing with creatures of Haida mythology (currently featured on the Canadian twenty-dollar bill). As a final creative act Bill Reid requested that, at the end of his life, his ashes be transported in Lootaas paddled by a crew of his Haida friends and relatives to Tanu, his grandmother's village in Gwaii Haanas. The story is told through writings and artworks by Bill Reid, vivid photographs by Phillip Hersee, Ulli Steltzer, Robert Semeniuk and others, texts by James Raffan, Martine J. Reid, and Mike Robinson and first-hand accounts by First Nations paddlers. Bill Reid and the Haida Canoe is a companion book to the Bill Reid and the Haida Canoe exhibition mounted by the Bill Reid Gallery of Northwest Coast Art and touring to the Canadian Canoe Museum in Peterborough, Ontario.
Bill Reid and the Haida Canoe
Author: Martine Jeanne Reid
Publisher: Harbour Publishing Company
ISBN: 9781550175585
Category : Art
Languages : en
Pages : 152
Book Description
Northwest Coast peoples were maritime engineers who mastered the art of building dugout canoes from gigantic red cedars, using only tools made from bone, stone, and wood. Ubiquitous, these elegant craft were used for everyday and ceremonial purposes, for fishing, hunting and trading, for feasting and potlatching, and in warfare--they were the keys that unlocked the treasure chest of the North Pacific. Bill Reid and the Haida Canoe tells the story of the Northwest Canoe from its zenith in pre-contact times, through its decline in the late nineteenth century, to its revival in Lootaas (Wave Eater) which Bill Reid built for Expo '86, to its culmination with the Tribal Canoe Journeys of the twenty-first century and The Spirit of Haida Gwaii sculptures. Bill Reid expressed awe for the traditional Haida canoe and what it represents visually, symbolically, and culturally. In his words, "Western art starts with the figure--West Coast Indian art starts with the canoe." The successive journeys of Lootaas were significant stages in Bill Reid's work, which culminated with the iconic sculpture The Spirit of Haida Gwaii, a monumental bronze canoe filled to overflowing with creatures of Haida mythology (currently featured on the Canadian twenty-dollar bill). As a final creative act Bill Reid requested that, at the end of his life, his ashes be transported in Lootaas paddled by a crew of his Haida friends and relatives to Tanu, his grandmother's village in Gwaii Haanas. The story is told through writings and artworks by Bill Reid, vivid photographs by Phillip Hersee, Ulli Steltzer, Robert Semeniuk and others, texts by James Raffan, Martine J. Reid, and Mike Robinson and first-hand accounts by First Nations paddlers. Bill Reid and the Haida Canoe is a companion book to the Bill Reid and the Haida Canoe exhibition mounted by the Bill Reid Gallery of Northwest Coast Art and touring to the Canadian Canoe Museum in Peterborough, Ontario.
Publisher: Harbour Publishing Company
ISBN: 9781550175585
Category : Art
Languages : en
Pages : 152
Book Description
Northwest Coast peoples were maritime engineers who mastered the art of building dugout canoes from gigantic red cedars, using only tools made from bone, stone, and wood. Ubiquitous, these elegant craft were used for everyday and ceremonial purposes, for fishing, hunting and trading, for feasting and potlatching, and in warfare--they were the keys that unlocked the treasure chest of the North Pacific. Bill Reid and the Haida Canoe tells the story of the Northwest Canoe from its zenith in pre-contact times, through its decline in the late nineteenth century, to its revival in Lootaas (Wave Eater) which Bill Reid built for Expo '86, to its culmination with the Tribal Canoe Journeys of the twenty-first century and The Spirit of Haida Gwaii sculptures. Bill Reid expressed awe for the traditional Haida canoe and what it represents visually, symbolically, and culturally. In his words, "Western art starts with the figure--West Coast Indian art starts with the canoe." The successive journeys of Lootaas were significant stages in Bill Reid's work, which culminated with the iconic sculpture The Spirit of Haida Gwaii, a monumental bronze canoe filled to overflowing with creatures of Haida mythology (currently featured on the Canadian twenty-dollar bill). As a final creative act Bill Reid requested that, at the end of his life, his ashes be transported in Lootaas paddled by a crew of his Haida friends and relatives to Tanu, his grandmother's village in Gwaii Haanas. The story is told through writings and artworks by Bill Reid, vivid photographs by Phillip Hersee, Ulli Steltzer, Robert Semeniuk and others, texts by James Raffan, Martine J. Reid, and Mike Robinson and first-hand accounts by First Nations paddlers. Bill Reid and the Haida Canoe is a companion book to the Bill Reid and the Haida Canoe exhibition mounted by the Bill Reid Gallery of Northwest Coast Art and touring to the Canadian Canoe Museum in Peterborough, Ontario.
The Black Canoe
Author: Robert Bringhurst
Publisher:
ISBN: 9781550544039
Category : Haida (Indiens)
Languages : en
Pages : 174
Book Description
It is rare for a single work of sculpture to become the subject of a book at any time, much less at the moment of its installation. But Bill Reid's Spirit of Haida Gwaii is no ordinary sculpture. Commissioned for the courtyard of the new Canadian chancery in Washington, DC, it sits directly across the street from the National Gallery and is destined to become one of the major artistic landmarks of the capital and of the North American continent. Of Haida and white parentage, Canadian artist Bill Reid has spent his life resurrecting the indigenous Northwest Coast tradition in the visual arts. Yet has never lost touch with the European media and techniques in which he was trained. He is equally famed for his totem poles and other large pieces in wood and bronze, and for his work on a minute scale in precious metal. The Spirit of Haida Gwaii is a black bronze canoe, 6 metres long and filled to overflowing with the creatures of Haida mythology. Its passengers include the Raven, the Eagle, the Grizzly and his human wife, the Mouse Woman and the Dogfish Woman, among others. Amidships stands a human being, wrapped in the stylized skin of the mythical Seawolf, holding in his hand a smaller sculpture: a staff on which the story of creation, in Haida terms, is told.
Publisher:
ISBN: 9781550544039
Category : Haida (Indiens)
Languages : en
Pages : 174
Book Description
It is rare for a single work of sculpture to become the subject of a book at any time, much less at the moment of its installation. But Bill Reid's Spirit of Haida Gwaii is no ordinary sculpture. Commissioned for the courtyard of the new Canadian chancery in Washington, DC, it sits directly across the street from the National Gallery and is destined to become one of the major artistic landmarks of the capital and of the North American continent. Of Haida and white parentage, Canadian artist Bill Reid has spent his life resurrecting the indigenous Northwest Coast tradition in the visual arts. Yet has never lost touch with the European media and techniques in which he was trained. He is equally famed for his totem poles and other large pieces in wood and bronze, and for his work on a minute scale in precious metal. The Spirit of Haida Gwaii is a black bronze canoe, 6 metres long and filled to overflowing with the creatures of Haida mythology. Its passengers include the Raven, the Eagle, the Grizzly and his human wife, the Mouse Woman and the Dogfish Woman, among others. Amidships stands a human being, wrapped in the stylized skin of the mythical Seawolf, holding in his hand a smaller sculpture: a staff on which the story of creation, in Haida terms, is told.
Iljuwas Bill Reid
Author: Gerald McMaster
Publisher: Canadian Art Library
ISBN: 9781487102654
Category :
Languages : en
Pages : 128
Book Description
Few twentieth-century artists were catalysts for the reclamation of a culture, but Iljuwas Bill Reid (1920-1998) was among them. The first book on the artist by an Indigenous scholar details Reid's incredible journey to becoming one of the most significant Northwest Coast artists of our time. Born in British Columbia and denied his mother's Haida heritage in his youth, Iljuwas Bill Reid lived the reality of colonialism yet tenaciously forged a creative practice that celebrated Haida ways of seeing and making. Over his fifty-year career, he created nearly a thousand original works and dozens of texts, and he is remembered as a passionate artist, community activist, mentor, and writer. Reid was often said to embody the Raven, a trickster who transforms the world. He followed in the footsteps of his great-great-uncle, master Haida artist Daxhiigang (Charles Edenshaw), engaging with a culture whose practices were once banned by the Indian Act and producing symbols for a nation. His iconic large-scale works now occupy sites such as the Canadian Embassy in Washington, D.C., and the Museum of Anthropology at the University of British Columbia in Vancouver. Reid's legacy is a complex story of power, resilience, and strength. In Iljuwas Bill Reid: Life & Work, acclaimed scholar Gerald McMaster examines how the artist made a critical inquiry into his craft throughout his life, gaining a sense of identity, purpose, and impact.
Publisher: Canadian Art Library
ISBN: 9781487102654
Category :
Languages : en
Pages : 128
Book Description
Few twentieth-century artists were catalysts for the reclamation of a culture, but Iljuwas Bill Reid (1920-1998) was among them. The first book on the artist by an Indigenous scholar details Reid's incredible journey to becoming one of the most significant Northwest Coast artists of our time. Born in British Columbia and denied his mother's Haida heritage in his youth, Iljuwas Bill Reid lived the reality of colonialism yet tenaciously forged a creative practice that celebrated Haida ways of seeing and making. Over his fifty-year career, he created nearly a thousand original works and dozens of texts, and he is remembered as a passionate artist, community activist, mentor, and writer. Reid was often said to embody the Raven, a trickster who transforms the world. He followed in the footsteps of his great-great-uncle, master Haida artist Daxhiigang (Charles Edenshaw), engaging with a culture whose practices were once banned by the Indian Act and producing symbols for a nation. His iconic large-scale works now occupy sites such as the Canadian Embassy in Washington, D.C., and the Museum of Anthropology at the University of British Columbia in Vancouver. Reid's legacy is a complex story of power, resilience, and strength. In Iljuwas Bill Reid: Life & Work, acclaimed scholar Gerald McMaster examines how the artist made a critical inquiry into his craft throughout his life, gaining a sense of identity, purpose, and impact.
Bill Reid Collected
Author:
Publisher: D & M Publishers
ISBN: 1771621168
Category : Art
Languages : en
Pages : 170
Book Description
Over his lifetime, Bill Reid created many historic pieces of art including the large bronze sculpture The Spirit of Haida Gwaii, nicknamed the Jade Canoe and displayed at the Vancouver International Airport, and The Raven and the First Men, a yellow cedar carving. Both are featured on the Canadian $20 bill. In addition to the immense praise for his artwork, Reid received the National Aboriginal Achievement Award for Lifetime Achievement in 1994. He continued to create stunning sculptures up until his death in 1998. Bill Reid Collected features the largest chronological collection of memorable works of Reid’s career in full-color photographs and images to date. Along with an introductory essay by Dr. Martine J. Reid, this collection pays tribute to one of Canada’s most renowned First Nations artists.
Publisher: D & M Publishers
ISBN: 1771621168
Category : Art
Languages : en
Pages : 170
Book Description
Over his lifetime, Bill Reid created many historic pieces of art including the large bronze sculpture The Spirit of Haida Gwaii, nicknamed the Jade Canoe and displayed at the Vancouver International Airport, and The Raven and the First Men, a yellow cedar carving. Both are featured on the Canadian $20 bill. In addition to the immense praise for his artwork, Reid received the National Aboriginal Achievement Award for Lifetime Achievement in 1994. He continued to create stunning sculptures up until his death in 1998. Bill Reid Collected features the largest chronological collection of memorable works of Reid’s career in full-color photographs and images to date. Along with an introductory essay by Dr. Martine J. Reid, this collection pays tribute to one of Canada’s most renowned First Nations artists.
The Spirit of Haida Gwaii
Author: Ulli Steltzer
Publisher: Douglas & McIntyre Limited
ISBN: 9781550545791
Category : Art
Languages : en
Pages : 61
Book Description
Elegant and evocative, this is a classic that pays tribute to one of the great sculptural works of this century. The artist Bill Reid, who is part Haida, is internationally renowned for his totem poles and other large pieces, as well as for his work on a small scale in silver and gold. His masterpiece, The Spirit of Haida Gwaii, is a bronze canoe six meters (20 feet) long, filled to overflowing with the creatures of Haida mythology. Its ten passengers include the Raven, the Eagle, the Bear and his human wife, the Mouse Woman and the Dogfish Woman. In the middle stands the Chief holding in his hand a smaller sculpture: a talking stick that depicts the story of creation in Haida terms. Ulli Steltzer’s superb black-and-white photographs record and reveal intimate insights into the creative process of this sculpture, as well as the parts and the whole of this monumental work. The story of the sculpture and of its creator, Bill Reid, is engagingly related by Robin Laurence. And Bill Reid’s own descriptions of the creatures in the canoe provide glimpses into the mythic complexity and power of The Spirit of Haida Gwaii.
Publisher: Douglas & McIntyre Limited
ISBN: 9781550545791
Category : Art
Languages : en
Pages : 61
Book Description
Elegant and evocative, this is a classic that pays tribute to one of the great sculptural works of this century. The artist Bill Reid, who is part Haida, is internationally renowned for his totem poles and other large pieces, as well as for his work on a small scale in silver and gold. His masterpiece, The Spirit of Haida Gwaii, is a bronze canoe six meters (20 feet) long, filled to overflowing with the creatures of Haida mythology. Its ten passengers include the Raven, the Eagle, the Bear and his human wife, the Mouse Woman and the Dogfish Woman. In the middle stands the Chief holding in his hand a smaller sculpture: a talking stick that depicts the story of creation in Haida terms. Ulli Steltzer’s superb black-and-white photographs record and reveal intimate insights into the creative process of this sculpture, as well as the parts and the whole of this monumental work. The story of the sculpture and of its creator, Bill Reid, is engagingly related by Robin Laurence. And Bill Reid’s own descriptions of the creatures in the canoe provide glimpses into the mythic complexity and power of The Spirit of Haida Gwaii.
Nine Visits to the Mythworld
Author: Ghandl
Publisher: U of Nebraska Press
ISBN: 9780803213166
Category : Social Science
Languages : en
Pages : 236
Book Description
The nine stories contained in this volume are the finest offerings from one of the last of the traditional Haida storytellers, Ghandl of the Qayahl Llaanas. Ghandl was born in 1851 in a small Haida island community off the coast of British Columbia. His world was devastated by waves of European diseases, which wiped out over ninety percent of the Haidas and robbed him of his sight. He became a skilled listener, taking in the myths, legends, and everyday stories of his people. Creatively adapting them, the blind storyteller became a master of his craft. In 1900 John Swanton, with the help of a translator, transcribed a number of Ghandl's narrative poems. Nearly all of the poems in this volume are qqaygaang, narrative poems set in the Haida mythtime of long ago. One story, ?The Names of Their Gambling Sticks,? is a qqayaagaang, a story that juxtaposes mythtime and historical time and is the property of a Haida family. Each poem creatively enacts a myth in a way that illuminates and celebrates the traditional world of the Haidas and reveals Ghandl's own acute sense of the foibles and great potential of all human beings. Meticulously and sensitively translated and annotated by Robert Bringhurst, these stories have finally been given the attention they deserve.
Publisher: U of Nebraska Press
ISBN: 9780803213166
Category : Social Science
Languages : en
Pages : 236
Book Description
The nine stories contained in this volume are the finest offerings from one of the last of the traditional Haida storytellers, Ghandl of the Qayahl Llaanas. Ghandl was born in 1851 in a small Haida island community off the coast of British Columbia. His world was devastated by waves of European diseases, which wiped out over ninety percent of the Haidas and robbed him of his sight. He became a skilled listener, taking in the myths, legends, and everyday stories of his people. Creatively adapting them, the blind storyteller became a master of his craft. In 1900 John Swanton, with the help of a translator, transcribed a number of Ghandl's narrative poems. Nearly all of the poems in this volume are qqaygaang, narrative poems set in the Haida mythtime of long ago. One story, ?The Names of Their Gambling Sticks,? is a qqayaagaang, a story that juxtaposes mythtime and historical time and is the property of a Haida family. Each poem creatively enacts a myth in a way that illuminates and celebrates the traditional world of the Haidas and reveals Ghandl's own acute sense of the foibles and great potential of all human beings. Meticulously and sensitively translated and annotated by Robert Bringhurst, these stories have finally been given the attention they deserve.
The Canoe He Called Loo Taas
Author: Amanda Reid-Stevens
Publisher:
ISBN: 9780991678204
Category : Canoes and canoeing
Languages : en
Pages : 22
Book Description
Publisher:
ISBN: 9780991678204
Category : Canoes and canoeing
Languages : en
Pages : 22
Book Description
Solitary Raven
Author: Bill
Publisher: D & M Publishers
ISBN: 1926706234
Category : Art
Languages : en
Pages : 252
Book Description
A seminal collection of writing from one of Canada's most revered artists, spanning forty years of his life. When Haida sculptor and Canadian icon Bill Reid died, in the spring of 1998, he was more widely and more fervently admired than any other Native artist in North America. Although Reid attained his greatest fame in the visual arts, words were his first professional medium. Until he received his first large carving commission, in 1958, he made his living as a radio announcer and script writer. This work earned him the Haida name Kihlguulins, the "One with the Beautiful Voice." In his later years, Parkinson's disease curtailed his public speaking, but it did not prevent him writing. His oratorical and literary gifts are rightly part of the Reid legend. Recordings of his voice can still be played in a number of major museums around the world. Despite his gift for words, much of what he wrote was published only in newspapers, magazines and exhibition catalogues. Some was made public in audio form but never printed, and some has languished in manuscript for years. This book collects, for the first time, the most important of these widely scattered writings: seminal statements on the art on the Northwest Coast, the role of the Native artist in a multicultural world, and the quintessential role of the environment to the survival of human culture.
Publisher: D & M Publishers
ISBN: 1926706234
Category : Art
Languages : en
Pages : 252
Book Description
A seminal collection of writing from one of Canada's most revered artists, spanning forty years of his life. When Haida sculptor and Canadian icon Bill Reid died, in the spring of 1998, he was more widely and more fervently admired than any other Native artist in North America. Although Reid attained his greatest fame in the visual arts, words were his first professional medium. Until he received his first large carving commission, in 1958, he made his living as a radio announcer and script writer. This work earned him the Haida name Kihlguulins, the "One with the Beautiful Voice." In his later years, Parkinson's disease curtailed his public speaking, but it did not prevent him writing. His oratorical and literary gifts are rightly part of the Reid legend. Recordings of his voice can still be played in a number of major museums around the world. Despite his gift for words, much of what he wrote was published only in newspapers, magazines and exhibition catalogues. Some was made public in audio form but never printed, and some has languished in manuscript for years. This book collects, for the first time, the most important of these widely scattered writings: seminal statements on the art on the Northwest Coast, the role of the Native artist in a multicultural world, and the quintessential role of the environment to the survival of human culture.
The Black Canoe
Author: Robert Bringhurst
Publisher: Douglas & McIntyre
ISBN:
Category : Social Science
Languages : en
Pages : 184
Book Description
This book is about Bill Reid's 'Spirit of Haida Gwaii', a sculpture commissioned for the courtyard of the new Canadian chancery in Washington, D.C., together with a brief summary of Haida history and culture and biography of Bill Reid.
Publisher: Douglas & McIntyre
ISBN:
Category : Social Science
Languages : en
Pages : 184
Book Description
This book is about Bill Reid's 'Spirit of Haida Gwaii', a sculpture commissioned for the courtyard of the new Canadian chancery in Washington, D.C., together with a brief summary of Haida history and culture and biography of Bill Reid.
The Raven Steals the Light
Author:
Publisher:
ISBN: 9780029596678
Category : Haida Indians
Languages : en
Pages : 0
Book Description
"This new edition of a collaboration between one of the finest living artists in North America and one of Canada’s finest poets includes a new introduction by the distinguished anthropologist Claude Lévi-Strauss. Ten masterful, complex drawings by Bill Reid and ten tales demonstrate the richness and range of Haida mythology, from bawdy yet profound tales of the trickster Raven to poignant, imagistic narratives of love and its complications in a world where animals speak, dreams come real, and demigods, monsters, and men live side by side."--Abebooks.com viewed Oct. 24, 2022.
Publisher:
ISBN: 9780029596678
Category : Haida Indians
Languages : en
Pages : 0
Book Description
"This new edition of a collaboration between one of the finest living artists in North America and one of Canada’s finest poets includes a new introduction by the distinguished anthropologist Claude Lévi-Strauss. Ten masterful, complex drawings by Bill Reid and ten tales demonstrate the richness and range of Haida mythology, from bawdy yet profound tales of the trickster Raven to poignant, imagistic narratives of love and its complications in a world where animals speak, dreams come real, and demigods, monsters, and men live side by side."--Abebooks.com viewed Oct. 24, 2022.