Author:
Publisher:
ISBN:
Category : Canada
Languages : en
Pages : 1094
Book Description
Canadiana
Author:
Publisher:
ISBN:
Category : Canada
Languages : en
Pages : 1094
Book Description
Publisher:
ISBN:
Category : Canada
Languages : en
Pages : 1094
Book Description
A History of Jewellery, 1100-1870
Author: Joan Evans
Publisher: Courier Corporation
ISBN: 9780486261225
Category : Antiques & Collectibles
Languages : en
Pages : 436
Book Description
Superb sourcebook of rare ornamentation includes meticulously detailed narrative and 400 illustrations depicting priceless brooches, necklaces, clasps, gold padlock, reliquary pendants, much more.
Publisher: Courier Corporation
ISBN: 9780486261225
Category : Antiques & Collectibles
Languages : en
Pages : 436
Book Description
Superb sourcebook of rare ornamentation includes meticulously detailed narrative and 400 illustrations depicting priceless brooches, necklaces, clasps, gold padlock, reliquary pendants, much more.
Hammering Techniques in Greek and Roman Jewellery and Toreutics
Author: Treister
Publisher: BRILL
ISBN: 9004497250
Category : History
Languages : en
Pages : 649
Book Description
This book traces the development of hammering techniques in Greek, Roman and related (e.g. Graeco-Scythian) jewellery and toreutics based on the analysis of ancient tools used for manufacture of hammered metalwork, primarily punches and matrices with figural designs, and actual finds of metalwork and jewellery. The book offers essays on metalworkers' tools from Mycenean Greece until the Late Roman Period. It includes chapters on different categories of hammered metalwork in the corresponding periods and Excursus about particular matrices or punches and hoards of toreutics. Bringing together the tools of metalworkers and actual objects manufactured with them opens new perspectives on chronological and cultural attribution of ancient jewellery and toreutics and illuminates the role of mass production and artistic creativity in ancient history. The book is illustrated with 133 photographs.
Publisher: BRILL
ISBN: 9004497250
Category : History
Languages : en
Pages : 649
Book Description
This book traces the development of hammering techniques in Greek, Roman and related (e.g. Graeco-Scythian) jewellery and toreutics based on the analysis of ancient tools used for manufacture of hammered metalwork, primarily punches and matrices with figural designs, and actual finds of metalwork and jewellery. The book offers essays on metalworkers' tools from Mycenean Greece until the Late Roman Period. It includes chapters on different categories of hammered metalwork in the corresponding periods and Excursus about particular matrices or punches and hoards of toreutics. Bringing together the tools of metalworkers and actual objects manufactured with them opens new perspectives on chronological and cultural attribution of ancient jewellery and toreutics and illuminates the role of mass production and artistic creativity in ancient history. The book is illustrated with 133 photographs.
French Art Deco
Author: Jared Goss
Publisher: Metropolitan Museum of Art
ISBN: 0300204302
Category : Art
Languages : en
Pages : 282
Book Description
Art Deco—the term conjures up jewels by Van Cleef & Arpels, glassware by Laique, furniture by Ruhlmann—is best exemplified in the work shown at the exhibition that gave the style its name: the Exposition Internationale des Art Décoratifs et Industriels Modernes, held in Paris in 1925. The exquisite craftsmanship and artistry of the objects displayed spoke to a sophisticated modernity yet were rooted in past traditions. Although it quickly spread to other countries, Art Deco found its most coherent expression in France, where a rich cultural heritage was embraced as the impetus for creating something new. the style drew on inspirations as diverse as fashion, avant-garde trends in the fine arts—such as Cubism and Fauvism—and a taste for the exotic, all of which converged in exceptionally luxurious and innovative objects. While the practice of Art Deco ended with the Second World War, interest in it has not only endured to the present day but has grown steadily. Based on the Metropolitan Museum's renowned collection French Art Deco presents more than eighty masterpieces by forty-two designers. Examples include Süe et Mare's furniture from the 1925 Exposition; Dufy's Cubist-inspired textiles; Dunand's lacquered bedroom suite; Dupas's monumental glass wall panels from the SS Normandie; and Fouquet's spectacular dress ornament in the shape of a Chinese mask. Jared Goss's engaging text includes a discussion of each object together with a biography of the designer who created it and is enlivened by generous quotations from writings of the period. The extensive introduction provides historical context and explores the origins and aesthetic of Art Deco. With its rich text and sumptuous photographs, this is not only one of the rare books on French Art Deco in English, but an object d'art in its own right.
Publisher: Metropolitan Museum of Art
ISBN: 0300204302
Category : Art
Languages : en
Pages : 282
Book Description
Art Deco—the term conjures up jewels by Van Cleef & Arpels, glassware by Laique, furniture by Ruhlmann—is best exemplified in the work shown at the exhibition that gave the style its name: the Exposition Internationale des Art Décoratifs et Industriels Modernes, held in Paris in 1925. The exquisite craftsmanship and artistry of the objects displayed spoke to a sophisticated modernity yet were rooted in past traditions. Although it quickly spread to other countries, Art Deco found its most coherent expression in France, where a rich cultural heritage was embraced as the impetus for creating something new. the style drew on inspirations as diverse as fashion, avant-garde trends in the fine arts—such as Cubism and Fauvism—and a taste for the exotic, all of which converged in exceptionally luxurious and innovative objects. While the practice of Art Deco ended with the Second World War, interest in it has not only endured to the present day but has grown steadily. Based on the Metropolitan Museum's renowned collection French Art Deco presents more than eighty masterpieces by forty-two designers. Examples include Süe et Mare's furniture from the 1925 Exposition; Dufy's Cubist-inspired textiles; Dunand's lacquered bedroom suite; Dupas's monumental glass wall panels from the SS Normandie; and Fouquet's spectacular dress ornament in the shape of a Chinese mask. Jared Goss's engaging text includes a discussion of each object together with a biography of the designer who created it and is enlivened by generous quotations from writings of the period. The extensive introduction provides historical context and explores the origins and aesthetic of Art Deco. With its rich text and sumptuous photographs, this is not only one of the rare books on French Art Deco in English, but an object d'art in its own right.
Grove Encyclopedia of Islamic Art & Architecture: Three-Volume Set
Author: Jonathan Bloom
Publisher: Oxford University Press
ISBN: 019530991X
Category : Architecture
Languages : en
Pages : 1697
Book Description
The Grove Encyclopedia of Islamic Art and Architecture is the most comprehensive reference work in this complex and diverse area of art history. Built on the acclaimed scholarship of the Grove Dictionary of Art, this work offers over 1,600 up-to-date entries on Islamic art and architecture ranging from the Middle East to Central and South Asia, Africa, and Europe and spans over a thousand years of history. Recent changes in Islamic art in areas such as Afghanistan, Iran, and Iraq are elucidated here by distinguished scholars. Entries provide in-depth art historical and cultural information about dynasties, art forms, artists, architecture, rulers, monuments, archaeological sites and stylistic developments. In addition, over 500 illustrations of sculpture, mosaic, painting, ceramics, architecture, metalwork and calligraphy illuminate the rich artistic tradition of the Islamic world. With the fundamental understanding that Islamic art is not limited to a particular region, or to a defined period of time, The Grove Encyclopedia of Islamic Art and Architecture offers pathways into Islamic culture through its art.
Publisher: Oxford University Press
ISBN: 019530991X
Category : Architecture
Languages : en
Pages : 1697
Book Description
The Grove Encyclopedia of Islamic Art and Architecture is the most comprehensive reference work in this complex and diverse area of art history. Built on the acclaimed scholarship of the Grove Dictionary of Art, this work offers over 1,600 up-to-date entries on Islamic art and architecture ranging from the Middle East to Central and South Asia, Africa, and Europe and spans over a thousand years of history. Recent changes in Islamic art in areas such as Afghanistan, Iran, and Iraq are elucidated here by distinguished scholars. Entries provide in-depth art historical and cultural information about dynasties, art forms, artists, architecture, rulers, monuments, archaeological sites and stylistic developments. In addition, over 500 illustrations of sculpture, mosaic, painting, ceramics, architecture, metalwork and calligraphy illuminate the rich artistic tradition of the Islamic world. With the fundamental understanding that Islamic art is not limited to a particular region, or to a defined period of time, The Grove Encyclopedia of Islamic Art and Architecture offers pathways into Islamic culture through its art.
The Material and the Ideal
Author: Anthony Cutler
Publisher: BRILL
ISBN: 9004162860
Category : History
Languages : en
Pages : 303
Book Description
The volume ranges from the close examination of specific objects to larger questions of their signification for the medieval societies that fashioned them and the ways in which they have been, and are currently, interpreted.
Publisher: BRILL
ISBN: 9004162860
Category : History
Languages : en
Pages : 303
Book Description
The volume ranges from the close examination of specific objects to larger questions of their signification for the medieval societies that fashioned them and the ways in which they have been, and are currently, interpreted.
Subject Catalog
Author: Library of Congress
Publisher:
ISBN:
Category : Catalogs, Subject
Languages : en
Pages : 1058
Book Description
Publisher:
ISBN:
Category : Catalogs, Subject
Languages : en
Pages : 1058
Book Description
Castellani and Italian Archaeological Jewelry
Author: Susan Weber Soros
Publisher: Yale University Press
ISBN: 0300104618
Category : Art
Languages : en
Pages : 436
Book Description
During the nineteenth century in Rome, three generations of the Castellani family created what they called “Italian archaeological jewelry,” which was inspired by the precious Etruscan, Roman, Greek, and Byzantine antiquities being excavated at the time. The Castellani jewelry consisted of finely wrought gold that was often combined with delicate and colorful mosaics, carved gemstones, or enamel. This magnificent book is the first to display and discuss the jewelry and the family behind it. International scholars discuss the life and work of the Castellani, revealing the wide-ranging aspects of the family’s artistic and cultural activities. They describe the making and marketing of the jewelry, the survey collection of all periods of Italian jewelry on display in the Castellani’s palatial store, and the Castellani’s activities in the trade of antiquities, as they sponsored excavations, and restored, dealt, and exhibited antiques. They also recount the family’s involvement in the cultural and political life of their city and country.
Publisher: Yale University Press
ISBN: 0300104618
Category : Art
Languages : en
Pages : 436
Book Description
During the nineteenth century in Rome, three generations of the Castellani family created what they called “Italian archaeological jewelry,” which was inspired by the precious Etruscan, Roman, Greek, and Byzantine antiquities being excavated at the time. The Castellani jewelry consisted of finely wrought gold that was often combined with delicate and colorful mosaics, carved gemstones, or enamel. This magnificent book is the first to display and discuss the jewelry and the family behind it. International scholars discuss the life and work of the Castellani, revealing the wide-ranging aspects of the family’s artistic and cultural activities. They describe the making and marketing of the jewelry, the survey collection of all periods of Italian jewelry on display in the Castellani’s palatial store, and the Castellani’s activities in the trade of antiquities, as they sponsored excavations, and restored, dealt, and exhibited antiques. They also recount the family’s involvement in the cultural and political life of their city and country.
Parliamentary Papers
Author: Great Britain. Parliament. House of Commons
Publisher:
ISBN:
Category : Great Britain
Languages : en
Pages : 376
Book Description
Publisher:
ISBN:
Category : Great Britain
Languages : en
Pages : 376
Book Description
Phoenicia
Author: J. Brian Peckham
Publisher: Penn State Press
ISBN: 1646021223
Category : History
Languages : en
Pages : 641
Book Description
Phoenicia has long been known as the homeland of the Mediterranean seafarers who gave the Greeks their alphabet. But along with this fairly well-known reality, many mysteries remain, in part because the record of the coastal cities and regions that the people of Phoenicia inhabited is fragmentary and episodic. In this magnum opus, the late Brian Peckham examines all of the evidence currently available to paint as complete a portrait as is possible of the land, its history, its people, and its culture. In fact, it was not the Phoenicians but the Canaanites who invented the alphabet; what distinguished the Phoenicians in their turn was the transmission of the alphabet, which was a revolutionary invention, to everyone they met. The Phoenicians were traders and merchants, the Tyrians especially, thriving in the back-and-forth of barter in copper for Levantine produce. They were artists, especially the Sidonians, known for gold and silver masterpieces engraved with scenes from the stories they told and which they exchanged for iron and eventually steel; and they were builders, like the Byblians, who taught the alphabet and numbers as elements of their trade. When the Greeks went west, the Phoenicians went with them. Italy was the first destination; settlements in Spain eventually followed; but Carthage in North Africa was a uniquely Phoenician foundation. The Atlantic Spanish settlements retained their Phoenician character, but the Mediterranean settlements in Spain, Sicily, Sardinia, and Malta were quickly converted into resource centers for the North African colony of Carthage, a colony that came to eclipse the influence of the Levantine coastal city-states. An emerging independent Western Phoenicia left Tyre free to consolidate its hegemony in the East. It became the sole west-Asiatic agent of the Assyrian Empire. But then the Babylonians let it all slip away; and the Persians, intent on war and world domination, wasted their own and everyone’s time trying to dominate the irascible and indomitable Greeks. The Punic West (Carthage) made the same mistake until it was handed off to the Romans. But Phoenicia had been born in a Greek matrix and in time had the sense and good grace to slip quietly into the dominant and sustaining Occidental culture. This complicated history shows up in episodes and anecdotes along a frangible and fractured timeline. Individual men and women come forward in their artifacts, amulets, or seals. There are king lists and alliances, companies, and city assemblies. Years or centuries are skipped in the twinkling of any eye and only occasionally recovered. Phoenicia, like all history, is a construct, a product of historiography, an answer to questions. The history of Phoenicia is the history of its cities in relationship to each other and to the peoples, cities, and kingdoms who nourished their curiosity and their ambition. It is written by deduction and extrapolation, by shaping hard data into malleable evidence, by working from the peripheries of their worlds to the centers where they lived, by trying to uncover their mentalities, plans, beliefs, suppositions, and dreams in the residue of their products and accomplishments. For this reason, the subtitle, Episodes and Anecdotes from the Ancient Mediterranean, is a particularly appropriate description of Peckham’s masterful (posthumous) volume, the fruit of a lifetime of research into the history and culture of the Phoenicians.
Publisher: Penn State Press
ISBN: 1646021223
Category : History
Languages : en
Pages : 641
Book Description
Phoenicia has long been known as the homeland of the Mediterranean seafarers who gave the Greeks their alphabet. But along with this fairly well-known reality, many mysteries remain, in part because the record of the coastal cities and regions that the people of Phoenicia inhabited is fragmentary and episodic. In this magnum opus, the late Brian Peckham examines all of the evidence currently available to paint as complete a portrait as is possible of the land, its history, its people, and its culture. In fact, it was not the Phoenicians but the Canaanites who invented the alphabet; what distinguished the Phoenicians in their turn was the transmission of the alphabet, which was a revolutionary invention, to everyone they met. The Phoenicians were traders and merchants, the Tyrians especially, thriving in the back-and-forth of barter in copper for Levantine produce. They were artists, especially the Sidonians, known for gold and silver masterpieces engraved with scenes from the stories they told and which they exchanged for iron and eventually steel; and they were builders, like the Byblians, who taught the alphabet and numbers as elements of their trade. When the Greeks went west, the Phoenicians went with them. Italy was the first destination; settlements in Spain eventually followed; but Carthage in North Africa was a uniquely Phoenician foundation. The Atlantic Spanish settlements retained their Phoenician character, but the Mediterranean settlements in Spain, Sicily, Sardinia, and Malta were quickly converted into resource centers for the North African colony of Carthage, a colony that came to eclipse the influence of the Levantine coastal city-states. An emerging independent Western Phoenicia left Tyre free to consolidate its hegemony in the East. It became the sole west-Asiatic agent of the Assyrian Empire. But then the Babylonians let it all slip away; and the Persians, intent on war and world domination, wasted their own and everyone’s time trying to dominate the irascible and indomitable Greeks. The Punic West (Carthage) made the same mistake until it was handed off to the Romans. But Phoenicia had been born in a Greek matrix and in time had the sense and good grace to slip quietly into the dominant and sustaining Occidental culture. This complicated history shows up in episodes and anecdotes along a frangible and fractured timeline. Individual men and women come forward in their artifacts, amulets, or seals. There are king lists and alliances, companies, and city assemblies. Years or centuries are skipped in the twinkling of any eye and only occasionally recovered. Phoenicia, like all history, is a construct, a product of historiography, an answer to questions. The history of Phoenicia is the history of its cities in relationship to each other and to the peoples, cities, and kingdoms who nourished their curiosity and their ambition. It is written by deduction and extrapolation, by shaping hard data into malleable evidence, by working from the peripheries of their worlds to the centers where they lived, by trying to uncover their mentalities, plans, beliefs, suppositions, and dreams in the residue of their products and accomplishments. For this reason, the subtitle, Episodes and Anecdotes from the Ancient Mediterranean, is a particularly appropriate description of Peckham’s masterful (posthumous) volume, the fruit of a lifetime of research into the history and culture of the Phoenicians.