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Author:
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 312
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Book Description
Author:
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 312
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Book Description
Author:
Publisher:
ISBN:
Category : Catalogs, Union
Languages : en
Pages : 712
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Book Description
Author: Harvard University. Fine Arts Library
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 642
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Book Description
Author: Metropolitan Museum of Art (New York, N.Y.). Library
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 1054
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Author:
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 620
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Book Description
Author:
Publisher: Macmillan Reference USA
ISBN:
Category : Antiques & Collectibles
Languages : en
Pages : 632
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Book Description
Author: Metropolitan Museum of Art (New York, N.Y.). Library
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 1060
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Author: Library of Congress
Publisher:
ISBN:
Category : Catalogs, Union
Languages : en
Pages : 712
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Book Description
Author: Hollis Clayson
Publisher: Getty Publications
ISBN: 0892367296
Category : Art
Languages : en
Pages : 224
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Book Description
In this engrossing book, Hollis Clayson provides the first description and analysis of French artistic interest in women prostitutes, examining how the subject was treated in the art of the 1870s and 1880s by such avant-garde painters as Cézanne, Degas, Manet, and Renoir, as well as by the academic and low-brow painters who were their contemporaries. Clayson not only illuminates the imagery of prostitution-with its contradictory connotations of disgust and fascination-but also tackles the issues and problems relevant to women and men in a patriarchal society. She discusses the conspicuous sexual commerce during this era and the resulting public panic about the deterioration of social life and civilized mores. She describes the system that evolved out of regulating prostitutes and the subsequent rise of clandestine prostitutes who escaped police regulation and who were condemned both for blurring social boundaries and for spreading sexual licentiousness among their moral and social superiors. Clayson argues that the subject of covert prostitution was especially attractive to vanguard painters because it exemplified the commercialization and the ambiguity of modern life.
Author: Centro de arte Reina Sofía (Madrid, Espagne).
Publisher: TURNER
ISBN:
Category : Art
Languages : en
Pages : 312
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Book Description
The author, who always kept his distance from the avant-garde and from the literary movements of his times (because, in the words of Andre Breton, he was "fully determined to follow no inclination other than that of his spirit") reveals in the aforementioned text that he started out by inventing two phrases that were phonetically almost identical but had very different meanings, to later try to write a story that could start with one of them and end with the other. Using variations of this process he created his two most emblematic works, Locus Solus and Impressions of Africa, which give this exhibition its name. The show analyses the influence that Raymond Roussel has had on modern and contemporary art, by looking at a broad array of works in a variety of formats (paintings, photos, sculptures, ready-mades, installations, videos...) by about thirty different artists.
