Bibliotheca Architectonica PDF Download
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Author: Priestley and Weale
Publisher:
ISBN:
Category : Architecture
Languages : en
Pages : 214
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Book Description
Author: Priestley and Weale
Publisher:
ISBN:
Category : Architecture
Languages : en
Pages : 214
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Book Description
Author: Athenæum Club (London, England). Library
Publisher:
ISBN:
Category : Library catalogs
Languages : en
Pages : 554
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Book Description
Author:
Publisher:
ISBN:
Category :
Languages : en
Pages : 1186
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Book Description
![A catalogue of the library of the Athenæum. [With] Suppl. 1,2 [and] additions to the library. 1859-93/95 PDF](https://books.google.com/books/content/images/frontcover/7hMIAAAAQAAJ?fife=w80-h100)
Author: Athenaeum club libr
Publisher:
ISBN:
Category :
Languages : en
Pages : 548
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Book Description
Author: Sir John Soane's Museum. Library
Publisher:
ISBN:
Category :
Languages : en
Pages : 430
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Book Description
Author: Anonymous
Publisher: BoD – Books on Demand
ISBN: 338281370X
Category : Fiction
Languages : en
Pages : 429
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Book Description
Reprint of the original, first published in 1873. The publishing house Anatiposi publishes historical books as reprints. Due to their age, these books may have missing pages or inferior quality. Our aim is to preserve these books and make them available to the public so that they do not get lost.
Author: Carolyn Yerkes
Publisher: Princeton University Press
ISBN: 0691206104
Category : Art
Languages : en
Pages : 240
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Book Description
Layers / by Heather Hyde Minor -- Lost and found / by Carolyn Yerkes -- Pages / by Carolyn Yerkes -- Dedicated and sent / by Heather Hyde Minor -- Bound / by Heather Hyde Minor -- Sold / by Carolyn Yerkes.
Author: London sir John Soane's mus, libr
Publisher:
ISBN:
Category :
Languages : en
Pages : 432
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Book Description
Author: ohne Autor
Publisher: BoD – Books on Demand
ISBN: 3846048305
Category : Art
Languages : en
Pages : 1034
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Book Description
Reprint of the original, first published in 1870.
Author: Sylvia Heudecker
Publisher: Cambridge Scholars Publishing
ISBN: 1527526542
Category : Art
Languages : en
Pages : 441
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Book Description
Cabinets of prints and drawings are found in the earliest art collections of Early Modern Europe. From the sixteenth century onwards, some of them acquired such fame that the necessity for an ordered and scientific display meant that a dedicated keeper was occasionally employed to ensure that fellow enthusiasts, as well as visiting diplomats, courtiers and artists, might have access to the print room. Often collected and displayed together with drawings, the prints formed a substantial part of princely collections which sometimes achieved astounding longevity as a specialised group of collectibles, such as the Florentine Gabinetto Disegni e Stampe at the Uffizi (GDSU). Prints and drawings, both bought and commissioned, were collected by princes and by private amateurs. Like the rest of their collections, the prints and drawings were usually preserved and displayed as part of, or near, the owner’s library in close proximity to scientific instruments, cut gems or small sculptural works of art. Both prints and drawings not only documented an encyclopaedic approach to the knowledge available at the time, but also depicted parts of the collections in the form of a paper museum. Prints and drawings also served as a guide to the collections. They spread their fame, and the renown of their owners, across Europe and into new worlds of collecting, both East and West. This volume explores issues such as: when, how and why did cabinets of prints and drawings become a specialised part of princely and private collections? How important were collections of prints and drawings for the self-representation of a prince or connoisseur among specialists and social peers? Is the presentation of a picture hanging in a gallery, for example by Charles Eisen for the Royal Galleries at Dresden, to be treated as documentary evidence? Are there notable differences in the approach to collecting, presentation and preservation of prints and drawings in diverse parts of the world? What was the afterlife of such collections up to the present day?
